‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Folio page depicting three items attached to a black card background. One item is a title written in black ink on white background, another is a photograph of a quilt, the third shows a hand drawn sketch of a house with a verandah.Front: [handwritten] 95 / Judy Turner / The fading dream of / Australian Home Ownership. / Initial sketch while / deciding how to depict / the Fading Dream of / Australian Home Ownership.quilt, wagga, home, house, housing affordability, design

1797 JOHN BARKER BORN CASTROKE CUMBERLAND. DETAILS IN SUPP FILE. SYD DUNCAN, CLUNES, IS GREAT GRANDSON OF JANE BARKER.1 SEPIA COPY OF PHOTOGRAPH OF CROWN INN, SEPIA, SHOWING JOHN BARKER, PROPRIETOR; JANE BARKER, SARAH BARNES STANDING ON VERANDAH .2 BLACK AND WHITE ENLARGEMENT OF THE ABOVE PHOTOGRAPH PRINTED ON MATTE PHOTOGRAPHIC PAPERCROWN INN JOHN BARKERcrown inn, john barker, jane barker, sarah barnes

The Todd family lived in this house in the early 1900s. The house was next door to the butcher's shop which was run by members of the Todd family at the time. Stella Todd is the small child on the right of the photograph, whose hand is being held by her older sister (who is possibly Millie Todd). It is believed this house later burned down and was replaced by the house which currently occupies the site (65 Sussex Street).Black and white copy of original photograph which shows a weatherboard house with a front verandah and a picket fence. Two boys, one on a bicycle, and two girls, the older holding the younger's hand, are posing for the photograph in front of the fence.houses, todd family, stella todd

Black and white photograph of Flinders St during the filming of The Pacific, 27/2/2008. Included within the photo is a street work gang with two rollers, horses, and Flinders St Station with a number of adverts placed on the verandah.Has Keith Kings stamp on the rear, but no number.trams, tramways, films, drivers, crews

The top floor of Michael's Building situated on the corner of Elizabeth and Lonsdale Streets in Melbourne served as the club rooms for the Ithacan Philanthropic Society for forty years from 1918 to 1958, up until when the society built their own club rooms, Ithaca House, at 327 Elizabeth Street. Ithaca House has been the permanent home of the Ithacan Philanthropic Society since 1958.A black and white photograph of a two storey building with a cantilever verandah at street level on a corner in the CBD. The upper two storeys have casement windows around the two sides of the building with a round protruding structure at the corner of the building.

This page of photographs is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. First 2 images: milkbar and residence corner Kambrook and Balaclava Roads ie south west corner - building named Airdrie 3rd image: https://vhd.heritagecouncil.vic.gov.au/places/43737 - re 26 Kambrook Road and 345 Balaclava Road corner building ie south east corner: A prominently situated two-storeyed complex of late Victorian buildings consisting of "Wybar's Buildings" occupying the Balaclava Road/ Kambrook Road corner and the "Caulfield Bakery" facing Kambrook Road, separated by a driveway from a single storeyed shop. The main building has a comer splay and balustraded parapet with curved pediments, the words "Wybar's Buildings 1887" having been obliterated but "Caulfield Bakery 1887" with the characteristic wheatsheaf surviving in raised cement work. The walls are stuccoed and richly ornamented with bracketed cornices and keystones with masks extending to the Bakery. The main building is further distinguished by the Masonic symbol of the mason's dividers in the pediment whilst the upper level of the bakery is in overpainted brickwork. The single storeyed shop incorporates the bracketed cornice and consoles characteristic of the main buildings and is in other respects a utilitarian structure. 4th image: https://vhd.heritagecouncil.vic.gov.au/places/42415 (on 24/01/2021) - 196 Kambrook Road An imposing late Victorian poly-chrome brick asymmetrical villa with corner verandah and projecting west facing wing with faceted window bay to the facade. Body bricks are red and relieved by cream and black brick banding and by cream bricks to the bracketed eaves. The fretted barge with king post treatment and timber posted verandah are unique in the Municipality and unusual in the metropolitan area and demonstrate an understated appreciation of the emerging Queen Anne mode.345 Balaclava and 26 Kambrook Roads HO91 - City of Glen Eira https://vhd.heritagecouncil.vic.gov.au/places/43737 (on 24/01/2021) "Wybar's Buildings" at the corner of Balaclava Road and Kambrook Road are important as a prominent late Victorian commercial development incorporating a variety of activities including a bakery and possibly a coffee palace, the latter understood to be unique within the municipality, but characteristic of the period. It is a rare complex of its type in Caulfield and is important also as evocative evidence of the late Victorian Land Boom and the creation of a small now defunct commercial centre at this location by the George Wybrow. 196 Kambrook Road HO122 - City of Glen Eira https://vhd.heritagecouncil.vic.gov.au/places/42415 "Glencoe" is situated at no. 196 Kambrook Road, Caulfield North and was built for the boot manufacturer, Robert Bruce Mair, in 1888. It is of historic and aesthetic significance. It is historically significant (Criterion A) as the home of an inner suburban industrialist, notable a boot manufacturer, demonstrating the attraction of Caulfield as a residential location for the manufacturers of the metropolis during the late Victorian Boom period. It is aesthetically significant (Criterion E) as a very early example of a Queen Anne influenced late Victorian villa, comparing at the State level with ''Woodlands'' (1888), North Essendon, generally acknowledged to be one of Australia's earliest houses to fully exploit this emerging style. The ornamental timberwork is especially expressive of the new architectural fashion and compares with the house at 33 Clarence Street, Elsternwick (1888-89).Page 105 of Photograph Album with two photographs of a milk bar and attached residence, one older photograph of Wybar's Building and another photograph of a house on Kambrook Road (all are landscape).Handwritten: 196 KAMBROOK ROAD / 1970 - GAFFNEY MRS S.M. [under bottom right photo] / 100 [bottom left]trevor hart, kambrook road, victorian style, caulfield north, parapets, wybar's buildings 1887, caulfield bakery 1887, architectural features, painted bricks, balaclava road, george wybrow, shops, milk bars, airdrie, polychrome bricks, verandahs, queen anne architectural style, houses, glencoe, robert mair

Diving Tower Valentine Series Card No. 1815. Post card is a view of the diving platform with the change rooms at the lake. On the verandah of the change room are people in swimming costumes and one person about to dive into the lake. There is also an enlarged photo of the post card. c 1930-1940.Valentine Series Post Card No 1815 of the Diving Tower and Change rooms at Lake c 1930 - 1940. The post card is black & white with trees along the lake and behind the change room. Valentine Series No. 1815 THE SWIMMING POOL, STAWELL on the back Published by the Valentine Publishing Co. Pty. Ltd., Queen St., Melb.stawell

Rego's Cafe in Thompson Avenue with their top storey residence. On the verandah is the title Pizza - Restaurant and Take Away. Two bay windows are a feature of the upper storey. The next door building is obscured by a tree. The Cafe section of building is in darkness. In foreground is low wooden retaining wall.Rego's Cafe and residence in Thompson Avenue Coweslocal history, photographs, buildings - historic, coloured photograph, mary robb, rego's cafe

Stawell Bowling Club Season Opening Day. Large group of people on verandah of two storey Club house building with a line of people at lower level. Sometime in late 1950'sor early 1960's. Shows willow trees around Cato lake in background.stawell sport

Sanderson P (1988): '73 Walpole Street (Kew), 'Otira'. Built 1887. Original use - Residence. Architect - Crouch. Henry Berry, a noted philanthropist and salt merchant of Melbourne, was the original owner of this two-storey, boom-period house. Berry occupied the residence until his death in 1923 while in February the following year, the property was auctioned. Subsequently purchased by the Methodist Church for use as a training college for missionaries, a number of additions and alterations were made at that stage including a memorial chapel that was built on the property in 1957.' Otira is now a private residence. Original colour positive photograph (polaroid) of 'Otira', 73 Walpole Street, Kew, taken in 1978 by students in Form 3R at Trinity Grammar School as part of a project. The view in the photograph is of the front of the house, minus the first floor verandah that had been removed some decades before and preceding the reinstatement of the verandah sometime after 1988. Prue Sanderson, in the City of Kew Urban Conservation Study, Vol.2 (1988) stated that: 'The house originally had a fine cast iron verandah to two facades, however despite its removal, it remains as a most preposessing structure, The small cast iron perch is not original. Overall the design is in Italianate styling and the walls are clad in render, with extremely fine incised medallions in the render at both levels. The treatment of the tripartite windows with rounded upper corners is also atypical and is repeated in the joinery of the front entrance.'"Photo one / Trinity Grammar Project 1978 / Form 3R / "Otira" Walpole St"otira - 73 walpole street, henry berry, historic houses -- kew (vic.), trinity grammar school, melbourne architects -- crouch

The Harvest Home Hotel was licensed as a beer shop in 1866. Patrick Vallence was the licensee. On his death in 1874 his widow Mrs M. A. Vallence obtained the license. At the time this image was taken George Marshall was leasing the hotel. Following a decrease in the population of Bacchus Marsh, by 1911 the hotel had lost its licence.The Vallence family still owned the building after the loss of the hotel licence in 1911and it was used for some years after this as a private residence by some members of the Vallence family. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll', the Jeremeas Family Album. The image depicts the Harvest Home Hotel situated in Main Street Bacchus Marsh. The name of the hotel can be seen above the verandah roof. The building appears to be of stone with decorative stonework corners. A verandah is inset to the left of a gabled front section which has its own door and window. On either side of the door beneath the verandah can be seen boot or shoe scrapers. A deep gutter runs along the front of the hotel, with a slab acting as a bridge to the road. Situated in the gutter at the front of the hotel is a water trough which has an arch above it with an ornate lantern, probably to light the front entry and to enable horses to be watered at night. A hitching post is nearby.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. hotels bacchus marsh, stevenson and mcnicoll 1883 photographs of bacchus marsh and district, vallence family bacchus marsh, harvest home hotel bacchus marsh

The cottage was called "Hexham" and was a tourist 'rental' property. It was situated on Mackey's Peak Rd, Halls Gap. It was eventually demolished to make way for a private home.The photo shows a cottage with a verandah, surronded by trees which partly shade the right side. The window frames and door are painted red. A table and chair stand to the right side of the door and a deck chair and an arm chair are on the left side. "Kodacolor print, Kodak, April-71M" stamped on back in pink.buildings, houses

The former manse is located at 954 Linton-Carngham Road. According to the donor these image copies were used in an exhibition, and distributed at the conclusion. The originals are thought to be in the collection of Snake Valley HIstorical Society.Black and white photograph mounted onto strawboard showing the a brick building with iron lace work around the verandah. It is the Cargnham-Snake Valley Presbyterian Manse, and the Rev. J.S. Drummond, his wife and two children are featured in the foreground. snake valley, carngham, j.s. drummond, presbyterian manse

Black and white photo: Two storey rendered brick building, City Family Hotel,1 High Street, Bendigo, showing two storey verandah. Written on front of hotel 'Wine Hotel' and ' City Family Hotel' and 'Races'.buildings, hotel, city family hotel, city family hotel, bendigo, charing cross.

Slide, Allan Budge Collection: house, Queen Street.Verandah friezes in timber. One of a pair. Timber frieze.The gable treatment gives relief to another dull appearance.(Note: Fluted concrete verandah columns are almost certainly not original.)house, public, allan budge collection:, allan budge collection:

Slide, Allan Budge Collection: Miner's Cottage, House, Eaglehawk.Inverted W roof, not widely used in Bendigo on Miner's Cottages, in contrast with other mining towns. There could be doubt if the decorative work on the verandah was placed there when the cottage was built.house, public, allan budge collection:, allan budge collection:

painted in 1876Colour lithograph, mounted and framed. Brunning house in foreground with the hothouses on the RHS and sheds to the rear, House depicted as single storey with verandah across the front and southern side. Brighton Road carriageway in foreground. Railway line with train to the rear.

The iconic bush surrounds of Lake Daylesford are now home to a new permanent artwork titled Cottage, by artist Jason Waterhouse. The artwork has been months in the making, thousands of S-shaped pieces have been hand crafted from three kilometres of wrought iron, then joined together to form a scaled-down miners cottage. ‘Cottage’ is a highly decorative wrought iron sculpture inspired by the gates at the Convent in Daylesford, “ said Waterhouse. “This work references the rich opulence of the Victorian gold rush and pre-war spa resort era in its patterning. In its form ‘cottage’ pays homage to the miners, workers and farmers on whose backs the riches of Daylesford were built.” Cottage is the first in a series of significant public artworks to be commissioned by Hepburn Shire Council. Cottage will enhance one of Victoria’s premier tourist destinations, Lake Daylesford. Large scale wrought iron public sculpture referencing the worker's cottage of the Goldrush period in Daylesford. 203cm (height) x 382cm (width) x 353cm (depth) verandah 159.5cm (height) wrought iron 32mm x 2.5mmpublic art, sculpture, jason waterhouse, stockroom, daylesford, hepburn shire, daylesford lake, cottage, site-specific art, art, wrought iron, hepburn, hepburn shire public art collection

MISS FLO PERRY CONDUCTED CHOIRS IN CLUNES AND WON MANY CONTESTS..1 BLACK AND WHITE PHOTOGRAPH, MOUNTED ON CARDBOARD - GROUP OF BOYS AND GIRLS, MISS PERRY IN THE MIDDLE. BRICK HOUSE, TILED ROOF ON RIGHT OF PHOTOGRAPH - LACE WORK ON VERANDAH POST ON LEFT. .2 BLACK AND WHITE PHOTOCOPY OF THIS PHOTOGRAPH CLUNES JUVENILE CHOIR. MISS FLORENCE PERRY.local history, photographs, choirs

2 black and white photos of Schwerkolt Cottage with Pye family on verandah. Small boys are Frank and Tom Pye. The Pye family lived in the cottage C1914. They migrated from England in the 'Norseman' in 1912 and lived first in Park Orchards.pye, frank, tom, schwerkolt cottage

J.S Boardman was a local businessman who ran and produced the local newspaper until it closed down in the 1960s. The Boardman store and newspaper office was originally sited in Brook Street near the railway station but it was later relocated to a site on the SW corner of Brook and O'Shanassy Street.A black and white phitograph with a cream border of a weatherboard store with seven males standing in front of the building .The building has a verandah and two side entrances. Three off the men are wearing white work aprons and the others are dressed in suits.boardman j s., sunbury news office, country stores, businesses.

Colour photograph, Victoria Hotel,Corner High and Victoria Streets, Eaglehawk. Two storey hotel, rendered brick, iron lace trimmed verandah on both levels with gable on corner, top level. Appears to be early 70's ?bendigo, hotel, victoria hotel eaglehawk

Postcard. Young Men's Christian Association. Location. At the corner of High and Short Streets, Bendigo. Note Well. This building does not now have any verandahs. The post that holds tram wiring only caters to a one track system.

Former Buninyong Post Office opened in October 1873 and closed in 2000, converted to residence weel preserved C19th public buildingB/W photograph of L-fronted polychrome brick building, slate roof, picket fence, covered verandah left side, three arched windows right side, Post Office sign above, telephone booth to the right.streetscape, building, brick, post office, learmonth st, buninyong

Black and white copy of original photograph showing a man dressed in black hat and suit, sitting on step next to a small child. A lady with a light coloured hat and dark dress suit standing beside them on front verandah.william spencer grigg, dora grigg née sandow, maree grigg

Letter from R A Anderson, 133 Mackenzie Street, Bendigo to M.U.I.O.O.F secretary G C James dated Sept 26th 1974 outlining reasons for failure to obtain builder quotes for verandah restoration at M.U.I.O.O.F Hall, Eaglehawk. manchester united independent order of oddfellows, r.a. anderson, eaglehawk, hall

The small town in the photograph is the former Broadmeadows Township (now part of Westmeadows). It was situated on the Old Sydney Road (Mickleham Road) and 2 miles east of the Broadmeadows Station. The stone bridge in the foreground spans the Moonee Ponds Creek and Fawkner Street is the road, which leads southwards to Gladstone Park and Tullamarine. The little building was a lolly shop that Mrs. Ethel Mitchell owned and ran for many years.Until 1869, before Sydney Road was finally opened, travellers on their way to Sydney would pass through the Broadmeadows Township.A copy of a non-digital black and white photograph of a road way with a bridge in the foreground leading to a small settlement. Small building with a pitched roof and a verandah is on the RHS of the image and the road leading out of the town is bordered with an avenue of pine trees.old broadmeadows township, fawkner street, moonee ponds creek, westmeadows, bridges