Showing 3063 items matching "collar/cuff"
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National Wool Museum
Clothing - Dress, 1950s
Green knitted full length dress with elbow length sleeves, gold buttoned front and collar. knitwear, dress, fashion, 1950s -
City of Greater Bendigo - Civic Collection
Ceremonial object - Robe, 19th century
Mayoral robesBlack Faille ceremonial mayoral robe with lapin collar and sleeve edging, purple sleeve lining.city of greater bendigo ceremonial item -
Trafalgar Holden Museum
Functional object - Full case cart hames
Importerd and sold by Holden and Frost Ca 1900Imported and sold by Hol;den and Frost Ca 1900Black painted steel hames used to place on leather horse collar to which a cart was attached Kangaroo imprint on hookblack painted, steel hames -
Tarnagulla History Archive
Photograph of Albert C. Nicholls, Albert C. Nicholls, circa 1910
Murray Comrie Collection. Information written by Murray Comrie: Albert C. Nicholls was a councillor of the Borough of Tarnagulla and Mayor at one time (c.1911?) Monochrome photographic portrait of a clean-shaven man with raised collar and patterned tie. Dark background.Accompanying note identifies subject as Albert C. Nicholls.borough of tarnagulla, albert c. nicholls, mayor, council, local government, local people -
Linton and District Historical Society Inc
Photograph, Rev. Charles Ingamells
Methodist minister for approximately sixty years; began his Ministry in the Ballarat district in the late 1870s. Photograph is part of Old Lintonian collection ; No. 89.Sepia CDV (carte de visite) portrait of a gentleman with moustache, wearing suit with collar and tie.reverend charles ingamells (ingamels), old lintonian collection -
Linton and District Historical Society Inc
Photograph, Richards and Co, Sturt St, Ballarat, Mr Sheehan
Sepia photograph of a man with moustache wearing suit collar and tie with left arm resting on balustrade.Mr Sheehanmr sheehan -
Stawell Historical Society Inc
Photograph, Probably daughter of William Peardon and Emily Maria Peardon nee Wade
Came with 7190 Small portrait. Possibly daughter of couple 5.5cm x 4cm with 1896 on backPortrait photo of young lady in dark dress and high collar. Leaning on pillow. came with 71901896 on backmagdala, kinsella -
Whitehorse Historical Society Inc.
Clothing - Dickie front
From the McNamara collection.White cotton dickie front Plain back with embroidered collar and front with drawn thread work.dickie front, embroidery, mcnamara -
Linton and District Historical Society Inc
Photograph, Rev. John Gow
Black and white copy of original photograph of an older man wearing a dark suit with Clergyman's collar.rev. john gow, reverend -
Linton and District Historical Society Inc
Photograph, William Blamire
Sepia copy of original photograph of a grey haired and bearded gentleman wearing a jacket, collar and tie."Donor : Grant Wallace : 99 Hawthory Rd : Kilsyth 3137" "William Blamire : 11th September 1831 - 23rd June 1898".william blamire -
Linton and District Historical Society Inc
Photograph, Eden Studiios, Ballarat, Alice, Susie and Frank Bryant, and Elizabeth Voutier
Susie Voutier (1863-1942) married Frank Bryant of Linton in 1908, and for many years they ran a popular shop in Sussex Street, which sold pies, confectionery, ice-cream, hot drinks and other refreshments. Frank Bryant died in 1919, and in 1931 Susie married Philip Burden. This photograph of the Bryant family shows Susie and Frank Bryant (centre) with Frank's sister Alice Bryant (1850-1931) on the left, and Susie's sister Elizabeth Voutier (1859-1942) on the right.Sepia photograph of three women, and a man who is wearing a three-piece suit, collar and tie."From Mr and Mrs Bryant and Mrs Park". "Alice, Mrs Bryant, Mr Bryant and Miss V".alice bryant, susie bryant, frank bryant, elizabeth voutier -
Linton and District Historical Society Inc
Photograph, Butchelder and Co Artist photographer, 41 Collins Street East, Melbourne Est.d 1854, Rev. W Campbell
Part of Old Lintonian collection ; No. 88.Sepia Carte de Visite portrait of a man with muttonchop whiskers wearing suit and high collar."Rev. W. Campbell".rev. w. campbell, old lintonian collection -
Linton and District Historical Society Inc
Photograph, Walter James Tame
Walter James Tame was born at Carngham in 1889, a son of John Burnham Tame and Sarah Tame née Shields. Walter married (1) Alice Hayward, in 1912, and (2) Ethel Isabel Seedsman, in 1967.Digital image of an original photograph of a partially bald man who is wearing glasses and a clerical collar.walter james tame -
Charlton Golden Grains Museum Inc
Container - Collar Box, Circa 1900
Round Veneer Wood Collar Box. Insect Design, Bird & Flowers. Place in centre for studs -
Brighton Historical Society
Dress, Evening dress, 1970s
This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this dress as a vintage item. Elvie Hill (1917-2018) was a Melbourne fashion designer and a longtime Brighton resident. She established her eponymous label and became well-known for her elegant and feminine designs. She dressed some of Australia's best known women, including Lady Sonia McMahon and Dame Pattie Menzies, and was also known for her boutiques in Melbourne (the last store closed in 1991). She retired in 1999, aged 80.Long-sleeved silk chiffon evening dress with yellow/gold floral print and brown, red and black border at hem. Ruffled neckline and cuffs. Snap fastenings at cuffs and zip at back. Matching silk chiffon sash.Label, inside collar, black on white: "ELVIE HILL / OF MELBOURNE" Label inside seam: "SIZE 10 / TO FIT / Bust 80cm"di reidie, vintage clothing, melbourne designers, elvie hill, 1970s -
Bendigo Historical Society Inc.
Clothing - WOMAN'S GREY, CREAM AND BLACK DRESS, 1940-50's
Clothing. Woman's grey, cream and black dress, with fine all-over swirling fern leaf design fabric.Eleven gores in skirt, home stitched dress. Long sleeves with a turn-back cuff 5cm wide at the peak, tapering to 2.5 cm wide at the 4 cm long opening, which fastens with one metal press-stud. The cuff is trimmed with decorative rouleau loops and coils, giving a flower petal effect. This effect is repeated on the peaks of the revere collar. A rouleau looped bow trims the centre front neckline. A shaped, peaked band on the front bodice extends from the side seams to give the effect of a belt at the back. This is stitched in place and trimmed with three rouleau coils-centre coil 2 cm in diameter, flanked by two coils 1-2 cm in diameter. Skirt has three stitched down pleats, ranging in length from 7 cm to 8.5 cm long,on either side of front skirt.costume, female, woman's grey.cream and black dress -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, c. 1840s - 1870s
This brown glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. The base may have been part of the dip mould, otherwise, a 'ponty' tool would have been used to flatten the base. A tool would have been used to cut off the bottle from the blowpipe. A piece of soft glass would be added to the mouth, then the double collar would be formed. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, brown glass, rough surface, uneven colour. Crude, applied mouth with double collar; wide straight upper, ring lower. Slightly bulbous neck. Shoulder seam. Body tapers inward towards base and has smooth ripples. Shallow base with wide heel. No obvious pontil mark. Sediment inside bottle. Glass is scratched in places. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, brown glass, ale bottle, beverage bottle -
Shepparton RSL Sub Branch
Uniform, Jacket, 1942.??
Navy Officers jacket. Black Woolen Serge. Five Brass Buttons to front One button in RHF pocket. Australia Patch to both Shoulders. Bullion Rank to cuff of both sleeves. Black cotton lining. Sleeves not stitched to length as yet. Makers lable Wise of Melbourne. uniform jacket., royal australian navy,uniform., buttons all brass -
Kew Historical Society Inc
Clothing - Evening dress, Norma Tullo, 1967-8
Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant dress by Norma Tullo.Long blue cotton evening dress designed by Norma Tullo. The floor length dress has a high rounded collar, long sleeves with buttoned cuffs. The light-weight cotton outer layer is supported by a thicker cotton underlayer. Dimensions: Shoulder width 37.5cm Bust: 90cm Waist: 66cm Hips: 96cmLabel: TULLOaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses -
Tennis Australia
Racquet, Circa 1930
A Spalding 'Speedwin' tennis racquet, with open throat; bevelled crown; whipping around shoulders, throat, and plastic collar; and, grooved handle. Model name features across base of head on obverse. Name of manufacturer across collar on obverse, and across base of head on reverse. Spalding Gold Medallion trademark features across collar on reverse. Materials: Wood, Glue, Metal, Lacquer, Silk, String, Leather, Plastic, Ink, Painttennis -
Ballarat Clarendon College
Photograph, Richards & Co, 1909 (exact)
The photograph provides details relating to the student's dress and deportment in 1909. The girls wear full-length dark skirts with wide belts and white blouses. The blouses are not uniform but feature high necks, cuffed sleeves and lace decoration. Their hair is elaborately coiffured and adorned with large bows. The teacher is wearing a mortar-board and academic gown. Her skirt of light-coloured. The photograph has social significance due to its representation of fashions for young ladies in 1909. Black and white photograph with grey mount featuring the Clarendon Ladies College Form VI (Intermediate and leaving) class in 1909. Students are arramnged in three rows - first row on floor, second row seated and third row standing. 18 students and one staff.Printed on bottom left corner of front of mount: Richards & Co/Ballarat; Handwritten on back of mount: Clarendon/Form VI (Inter & leaving)/1909/E.L.R.1909, clarendon ladies college, richards co -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, Barry Sutton, c.1970
This photograph shows Royal District Nursing Service (RDNS) Sister (Sr.) Moira Coates doing Liaison work at St. Vincent's Hospital in Melbourne. Miss C. Healy is St. Vincent's Home Care Supervisor and she and Sr. Coates are discussing plans with Miss E. Monks for the future care she requires following her discharge from hospital. Sr. Coates is wearing the RDNS uniform of a royal blue dress with white piping around the peaks of the collar. An RDNS logo is on its upper left. She is wearing a darker blue jacket.Liaison had occurred between Doctors and the the Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885. This increased when Midwifery was introduced in August 1893 with close liaising with the Women’s Hospital. As District nursing grew it was recognized that closer liaising between many Public Hospitals would be beneficial, for not only the MDNS, later called Royal District Nursing Service (RDNS), Trained nurses (Sisters), but also for the patients and the hospitals. In August 1964 a Liaison Officer commenced at the Alfred Hospital. This soon increased to Liaison Officers working full time at several Public Hospitals. They facilitated the smooth transition from hospital to home for many patients who required ongoing nursing care. Liaison Sisters regularly attended discharge planning meetings, interviewed prospective patients, co-ordinated discharge and booked the first visit by the visiting RDNS Sister. At the time of a patient’s discharge, the Liaison Sister forwarded information on their diagnosis and instructions regarding the care required at home to the appropriate RDNS Centre, and in turn the attending District Sister wrote a report of progress and any queries to the Hospital Doctor, via the Liaison Sister, at the time the patient was attending outpatients. Any new instructions were then sent back to the District Sister. Liaising also occurred between District Sisters and Doctors when patients were referred by General Practitioners and did not attend a hospital.In the left foreground of this black and white photograph is Miss C. Healy who has collar length dark hair and is wearing a hospital uniform dark cardigan over a white blouse and dark skirt. She is sitting on a kitchen style chair and has an open folder; a pen in her right hand is poised over a white sheet of paper. She is smiling and looking to her left at Miss E. Monks who is resting in a bed in front of her. Standing to her right, and at the head of the bed, is RDNS Sister Moira Coates who has short dark hair. and is wearing a dark jacket over a dark colour dress with white piping on the collar peaks. Her identity card is clipped on the right hand pocket. She is smiling at Miss Monks and has her left hand on an RDNS leaflet which Miss Monks is holding. To her right is Miss Monk who has short dark hair and wearing a light coloured nightdress. She sitting up supported against pillows on a hospital bed which has the top section raised. She is looking at the RDNS folded leaflet; two photographs and writing can be seen on the front cover. White bedclothes cover most of Miss Monks body. Drawn curtains are seen in the left rear of the photograph and some switches and a name card are seen behind the bed. Barry Sutton. LJ93 and namesrdns, royal district nursing service, rdns liaison, rdns uniform, sister moira coates, miss c. healy, miss e. monks -
Flagstaff Hill Maritime Museum and Village
Functional object - Key, circa 1866
The key is one of a collection of seven 1860s keys once belonged to the Glenample Homestead near Princetown. They are all keyed with different bits and would have opened the external panelled doors of the Georgian building. The keys would now be around 150 years old. The keys are now part of the John Chance Collection. Locksmiths became a recognised trade by the middle of the 19th century, doing work that blacksmiths and gunsmiths would have done. They were craftsmen and trained apprentices for their trade. The local community and businesses relied on them for making a wide variety of precision objects such as locks and keys, knives, ornamental and decorative latticework, fine instruments, accurate tools and hardware items. Glenample Homestead became famous after the disastrous wreck of the sailing ship Loch Ard on June 1, 1878. The owners, Hugh Hamilton Gibson and Peter McArthur, were involved in the rescue and recovery of Eva Carmichael and Tom Pearce, the only two survivors, as well as overseeing the salvage of items from the shipwreck and the burial of those who lost their lives. Eva first met Jane Shields at Glenample and they became long-time friends.The keys are significant as an example of mid-19th century locksmith hardware, and for their connection with Glenample Homestead, and for their connection to the history of the Loch Ard shipwreck’s only two survivors. The set of keys also hold significance as they were discovered by John Chance, who was also a diver from the wreck of the Loch Ard in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Glenample Homestead is of historical, social and architectural significance to the State of Victoria and is listed on the Victorian Heritage Register (VHR H0392). It is a historical example of early settlement and development of a run in the coastal land of South West Victoria, and it is constructed from locally quarried sandstone but doesn’t take away from its Georgian design. Glenample Homestead is of State significance through its unique connection with the wreck of the ship Loch Ard and the connection to its owners, Hugh and Lavinia Gibson and Peter McArthur, played a historically and socially significant role in the rescue and care of the survivors, the salvage of goods and the burial of those who lost their lives. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S417). Key; steel domestic door key. Flat open bow with 'figure 8' space, collar on shank, close to the bow. Round shank flares out slightly above the collar on the bit. The rectangular bit has external notches and grooves. There is a rounded pin on the end.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, glenample homestead, victorian heritage register vhr h0392, georgian homestead, loch ard, princetown, jane shields, eva carmichael, tom pearce, blue china tea set, antique door key, glenample photographs, john chance -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BRODERIE COLLAR, 1880-early 1900's
Clothing. Cotton fabric featuring floral embroidery and cut work in the Broderie Anglais tradition. A cotton drawstring, twisted and finished with two 5 cm long tassels, gathers the collar at the neckline, to fit the wearer. It is encased in a .7 cm neckband, into which the collar is gathered.costume, female, broderie collar -
Glenelg Shire Council Cultural Collection
Textile - Collar Box and collar
Brown leather collar box. Circular. Leather carry handle. Metal buckle. The box has stitching visible around the edge of the base of the box the top of the lid. Inside is a white starched collar. Printed on the inside - Rexbilt Australian Made. Diplomat 15x13/4 - Inside of box there is a white label - History House/ Donated by Murray Lovell / 25 Patrick Street / Portland 3305 7 June 1994clothing, mens, men's wear, formal wear, history house -
Bendigo Military Museum
Memorabilia - PURSE & VARIOUS CONTENTS
Items collected by Horace Eli Hambly No 794 AIF. Refer 2325.2 for his service history..1) Pouch, black leather containing 18 foreign coins. .2) & .3) Pair of metal cuff links. .4) Small key for winding a clock or machine. .5) Image of WWI digger fashioned from a 6d (sixpence) & brass set of bars.personal effects - money containers, numismatics - coins - french / german, costume accessories - male jewellery, military history - trench art -
Trafalgar Holden Museum
Functional object - Full single case Hames, Circa 1900
Used over leather Horse collar to attach to cart or other heavy object, late 1800'sImported and sold by Holden and FrostBlack painted full steel Hames with bracket hookMade in England WARRANTED STEEL, Kangaroo imprinthames, black steel, equine -
Kew Historical Society Inc
Clothing - Evening coat, Norma Tullo, 1967-8
Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant dress by Norma Tullo.Long blue evening coat designed by Norma Tullo. The floor length coat has a wing collar, long sleeves and silver buttons at the front. The coat was worn over a long blue evening dress by the same designer and could be worn buttoned or unbuttoned. Dimensions: Shoulder width 38cm Bust: 96cm Waist: 87cm Hips: 116cmLabel: TULLOaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: NURSE'S UNIFORM; BLUE COTTON DRESS, 1960's
Round neck, short sleeves, yoke back and front, nurse's blue cotton dress- uniform. Bodice gathers at yoke seam. 11 cm X 11 cm pocket on left breast. Concealed opening from neckline to hemline, has nine buttonholes - presumably buttons were exchanged between uniform dresses. One buttonhole at back neckline, and two buttonholes on the cuff of each sleeve, would also suggest a removable collar and cuffs. Two darts on either side of bodice. An inverted pleat from yoke to waistline at centre back. Seven gored skirt. Worn by Merryn Ellison.Name tag sewn to back neckline ; Merryn Ellison.costume, female, nurse's blue uniform -
Flagstaff Hill Maritime Museum and Village
Uniform - Tunic or Doublet, David Lack Pty. Ltd, ca 1940s
The design of the uniform with its silver, diamond shaped buttons with the Scottish thistle symbol on them, indicate that the uniform was made for a Scottish Pipe Band member. There may be a connection with the local Warrnambool and District Pipes and Drums Inc, which began as the Warrnambool Pip Band in 1906, formed with the purpose of popularising Scottish music. Those with uniforms wore the Gordon tartan. In 1946 the uniforms were changed, with the Cameron or Errcht tartan chosen for the uniform. The Band now wears the Anderson tartan. The maker, David Lack Pty Ltd, advertised as a uniform specialist. In 1941 the business was located at 35-37 Little Latrobe Street, Melbourne. In the same year the firm won a contract with the Commonwealth Government Department of Supply, providing blue trousers for the Department of Air. In 1946 a branch of the firm operated in Myrtleford, Victoria. The Elizabeth Street, Melbourne, branch provided new uniforms in 1948 for the Leeton District Band. In the 1950s and 1960s David Lack manufactured blazers for the Olympic Teams as well as for bowls teams and schools. The Broken Hills Cameron Pipe Band' was gifted with uniforms that were also made by David Lack. It was a "... a Cameron of Lochlel red kilt and plaid, with black doublets and cross belts, and silver trimmings.” [Barrier Miner, Broken Hiss, 15-03-1954].The pipe band uniform jacket's design is associated with traditional Scottish pipe bands that originated in the United Kingdom and continue to this day in Australia and even locally in Warrnambool since 1908. The maker, David Lack Pty Ltd, is renowned as the maker of good quality uniforms who has supplied many government contracts for clothing and uniforms since the early 1940s. Uniform tunic; red jacket; Scottish Pipe Band Doublet with silver braid and silver diamond-shaped button closure and decoration. The buttons have the Scottish thistle symbol on them. There are seven buttons on the tunic front, three on each skirt flap, three on each contrasting black cuff and one on each black epaulette. The tunic has a two-inch stand-up collar. The whole item is fully lined with black nylon/silk blend fabric, the shoulders are padded, and there are pockets under the front skirts. There is an inscription on the maker's sewn-in label. Made by David Lack Pty Ltd, a uniform specialist in Melbourne.Label "David Lack Pty Ltd, uniform specialist Melbourne. "flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, uniform, tunic, dublet, jacket, scottish pipe band, pipe band, david lack pty ltd, david lack melbourne, uniform specialists, david lack, diamond buttons, silver buttons, scottish thistle buttons, scottish piper's buttons, thistle, scottland symbol, pipe band uniform, bag pipes