Mid-Eastern brass travelling scribe box. 19th century. Having a pen or quill case with a crown finnial on lid. Inkwell with shell lid. Engraved decoration throughout. Touchmark on pen case.Decorative engravingscribe, pen case, calligraphy

Made for Elfrieda Kaltenbach by her Father and decorated by Frau Rippert at Camp 3Child's tea set , handmade. Tin. 6 articles decorated. 1 Coffee pot, milk jug, 2 cups and saucers, 2 bowls. Painted exteriors blue with simple floral decoration. teaset, child, faig e, camp 3, tinware, elfrieda kaltenbach, frau rippert

Silver coloured metal badge with decoration on front surface in white, blue, green, yellow and red enamel. At back are two metal loops and separate metal pins for use in attaching the badge to a hat. ON FRONT;Image of a bird (Shrike) symbolising the South Australian Ambulance Service ON REAR " A. J Parkes" (Manufacturer)badge

Item of family crockery donated by a Jean Woollard, KHS member, and Kew resident. Her family, residents of Kew since the 1860s, was highly involved in the political life of Kew. William Woollard was a councillor and mayor while Herbert Woollard was also a councillor and a member of the local Labor Party BranchGlazed earthenware tea cup, saucer and plate with transfer printed decoration, using the 'Hawthornden' pattern by Ridgways. The underneath of each item bears the maker's mark and a pattern registration date for April 1880.dinnerware, ridgways (1879-1920), earthernware, staffordshire ceramics, hawthornden pattern - reg. april 1880

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Press moulded ceramic form, squarish top. Flat rim painted black with cream interior. Exterior decoration with 'spoked wheel shapes' predominantly cream and pink with yellow, brown, blue and green.art, artwork, ceramics, michelle giles, alumni, ceramic

The City of Greater Bendigo Council was constituted on 7 April 1994 as part of a statewide program of local government reform enacted between 1993 and 1995. The reform process reduced the number of councils from 210 to 78. The City of Greater Bendigo has been appointed as the successor in law for the City of Bendigo, the Rural City of Marong, the Borough of Eaglehawk and the Shires of Huntly and Strathfieldsaye and has assumed any rights, assets and liabilities of these abolished councils. On 18 November 1994 the City of Greater Bendigo Council has been appointed as the successor in law for the Shire of McIvor and has assumed any rights, assets and liabilities of this abolished council. On the 19 January 1995 the City of Greater Bendigo Council has been appointed as the successor in law for the Redesdale district of the Shire of Metcalfe. (source https://prov.vic.gov.au/archive/VA3689). This album commemorates the official amalgamation event and creation of the City of Greater Bendigo which took place at the Capital Theatre. 18 page bound album containing colour photographs commemorating creation of the City of Greater Bendigo. Album is leather bound with gold emboss decoration on front cover. One photograph per page.

Short stories with an introduction by Katharine Lee Bates. Red cloth-bound hardcover book. Gilt decoration on cover 'HANDY VOLUME CLASSICS', 'LABOUR ET HONOR'. Loss of cloth on spine, fading & staining on spine. 270 pp. Good conditionOn flyleaf, '83', handwritten & circled, 'Kilmore M.I.'adult fiction, kilmore mechanics institute library.

Part of S E Surman collection (album) page 14 right. Identification not confirmed, subject is possibly Lydia Bennett.Sepia photograph of a lady with hair drawn off face, wearing long sleeved waisted long gown with flounced skirt, frills at wrists decoration at throat, standing with hands together at flowers on stand. surman collection, lydia bryant

This item of military uniform was worn by Squadron Leader (SQNLDR) Bernard Farley during his period of Full Time service in the Royal Australian Air Force (RAAF) between 27 January 1976 and 02 March 1997. Bernard joined the RAAF as an Airmen was trained and employed as a Clerk Supply (CLKSPL) between 1996 - 1977. He undertook officer cadet training at the Army Officer Cadet School in 1978 and was commissioned into the Ground Defence Category on the 09 December 1978, where he served for 18 years and rose to the rank of SQNLDR. Royal Australian Air Force (RAAF) 1A Service Dress Uniform 1A - Tunic (Jacket - Blue Grey). This uniform was in the period 1966 - 2001 as the primary uniform. Service Dress is approved for wear as either ceremonial dress or working dress when employed in office or business type environments. The Tunic consists of a jacket has a lapel collar, with two external chest pockets and exposed pocket flaps, two side jacket pockets with external flaps and two internal jacket pockets positioned just below the external chest pockets. There is a crescent shaped cloth badge 'AUSTRALIA' sown at the side/top of each sleeve and Squadron Leader - rank stripes sown around each sleeve on the upper wrist area. The Tunic is closed with four gold buttons down the front. Each button is inserted through a small round hole sewn into the right side of the tunic front and held in place at the rear with a safety pin. There are four corresponding button holes sewn into the left front of the tunic to fasten the jacket in the normal closed position when worn. Maker: Australian Government Clothing Factory (A.G.C.F.) - Coburg Victoria The Tunic has two military decorations attached above the exterior left chest pocket. The decoration are: 1. Conspicuous Service Medal - Yellow and Green right sloping diagonal strips 2.. Defence Service Medal (with one clasp) - Blue and Gold upright stripes and round metal clasp positioned centrally. The DSM is awarded for 15 years service and a clasp is awarded for each additional 5 years service.

Rose Series postcard No. P 4718, titled "Cathedral Corner Melboune". There are two W2 class tramcars in Swanston St. In the photo are the Melbourne Centenary "Lollypop" street decorations of 1934Yields information St Paul's Cathedral and the Melbourne Centenary in 1934.Postcard - printed real photograph with Rose Stereograph Co. name on the rear. Two copies held. Second copy has been used for a letter. Also has the Ken Magor stamp on the rear.st pauls cathedral, swanston st, flinders st, melbourne centenary, trams, tramways, w2 class

This skirt belonged to Miss Margaret Morison Ward Cole and was reportedly worn for her role as bridesmaid for the marriage of Miss Barkly, daughter of Sir Henry Barkly. George Ward Cole, father of Margaret, was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished. Sir Henry Barkly was the second Governor of Victoria.A cream paper silk taffeta crinoline skirt c.1862. This skirt features a flat front across the front waistband but a gathered across the back. At the front it is floor length whilst at the back it features a small train. Presumably the skirt was concealed at the sides and back at the front features decorations that do not continue around the back. The front decoration consists of three tiers of pleated pale violet to pale pink silk ribbon with a deep drop of cream lace. The final lace tier is gracing the floor. st ninians, george ward cole, brighton, sir henry barkly, crinoline, bridesmaid, margaret morrison ward cole

This book was awarded to Florence Groves for first prize in arithmetic in 1885. Florence enrolled at Clarendon Ladies' College with her sister Blanche on 30/07/1884 at the age of 14. Father's Christian name listed in the original register as Daniel Barton residing at 18 Mc Carthur street, Ballarat. It also lists his employment as Commercial traveller.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in brown and green cloth with gilt lettering and floral decorations on front cover and spine. Detached spine and pages, black and white illustrations throughout. 144 pages (several pages missing at the end of book.)Book plate inside front cover: CLARENDON LADIES' COLLEGE./ BALLARAT./ First PRIZE,/ VI Arithmetic Div II./ AWARDED TO/ Florence Groves./ 19th December, 1885. Handwritten on fly leaf "V. Gay/ 1935"florence-groves, book-prize, 1885, clarendon-ladies'-college, blanche-groves, daniel-barton.

Commonplace postcard sent by Frank O Brien World War One veteran and former patient of the repat, to his father from France during World Ward One. This item is not of great significance. Its value to the hospital collection is that it is memorabilia of Frank O'Brien a former patient and benefactor of the repat. Other Frank O'Brien items in the hospital collection White cardboard decoratively embossed mountboard surround and cardboard backing. Centre contains an embroidered muslin with the Australian Commonwealth Military Forces Rising Sun Emblem surrounded by the Australian and British flags with leaf decoration. This inscription is on the reverse of the postcard. "To Dad/From your loving soldier son/Frank/With love to all at home/18/11/17" Markings on reverse of postcard: located centrally on the reverse P.R FABRICATION FRANCAISE and on right lower side of postcard Modele deposepostcard, embroidery, rising sun emblem, australian commonwealth military forces, australian flag, british flag, embossed, french, world war one, decorative

During the Victorian era, the period (1837-1901) in which Queen Victoria ruled England. The queen’s influence was felt throughout the world, including in the United States and Australia where Victorian values shaped society and style, especially in home décor. This period’s distinct style presents an eclectic mix of highly ornamented furniture, wallpaper, and knick-knacks. Particularly in terms of furniture, and the characteristic floral patterns and rich, contrasting colours, wall hanging that enjoyed the height of its popularity during the Victorian era were of the spiritual type with an either embroidered or punched paper religious motto or bible quote. Mottoes were commonly hung high up on the wall or in an area of prominence, to remind the viewer of their important message, such as “He Leadeth Me” and “Honesty, Industry, and Sobriety.” Short and pithy, they embodied the ideals of Victorian society. Technological advances contributed to the boom of religious mottoes whereas before the Industrial Revolution home décor of this sort was handmade and therefore minimal, now consumers could purchase and fill their homes with all sorts of mass-produced ephemera goods similar to the subject item. Many of these mass-produced period pieces still exist today, often in their original frames, ceramic, or paper formats. Flagstaff maritime museum has many examples of mottoes on display that serve to reflect the period in which values of home, faith, and Christianity were very prominent in everyday Victorian society.An item that reflects the social values and attitudes of the late Victorian era that was used to promote good Christian and moral values in many households. These items of decoration were very popular at this time and the subject item is significant as it gives a snapshot into the social norms of past generations. Wall decoration white china with relief circular hanging pieces, paper folds pinned back to reveal words Paper is pinned by metal studs. Paper folds create star shape. (set of 2)Watch and Pray and Come Unto Meflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, paper wall decoration

This Flying Angel lamp bracket was recovered from the wreck site of the steam sailing ship, "Loch Ard", which sank near Port Campbell, Victoria in 1878. It formed part of the ship's cargo. The 'flying angel' lamp was, for a time, displayed in the St Nicholas Seamen's Church at Flagstaff Hill. The design was very appropriate to the Missions to Seamen, being associated with the emblem of the 'flying angel' on the Missions' to Seamen's flag. Brief history of the Loch Ard: The vessel Loch Ard was constructed on the Clyde River in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. She sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. A century later, despite the pounding seas and the efforts of looters, the wreck site continued to provide ample evidence of the extraordinary range of goods being imported into the Colony of Victoria in the post-Gold Rush era. Flagstaff Hill divers in the 1970s reported finds of “Bottles of champagne, window panes, rolls of zinc, barrels of cement, iron rails, clocks, lead shot, corrugated iron, lead, marble, salad oil bottles, ink bottles, copper wire, gin bottles, rolls of carpet, floor tiles, copper rivets, gas light fittings, pocket knives, toys, crystal chandeliers, beer mugs, cutlery, candles sticks, wick scissors, cow bells, and sauce bottles.” The lamp bracket is significant for its connection with the wreck of the sailing ship, Loch Ard, in 1878. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Gas lamp, brass, single burner, wall-mounting bracket, delicately crafted. Ornate decoration features bust of an angel with up-swept wings, or 'flying angel'. Recovered from the wreck of the Loch Ard.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, lamp fitting, shipwreck artifact, 1878, shipwreck cargo, household effects, 19th century lighting, angel lamp, loch ard lamp, angelic lamp, lighting at sea, marine technology, ship's lighting, flying angel, gas lamp, maritime archaeology, port campbell

The Ballarat Technical Art School was a division of the Ballarat School of Mines, and a predecessor of Federation University Australia. Red hard covered book including chapters on interior decoration, furniture, woodwork, carpets, textiles, metalwork, lighting, heating, pottery, and glass. Formerly Book R528 in the Ballarat Technical Art School Library.industrial arts, henry g. dowling, ballarat technical art school library, ballarat technical art school, j. ewins & son, bookplate, wrought iron, furniture

Relates to historical studies in Spectrum analysisRed hard covered book, with black writing and decoration on front and back cover. 258, 32 p., leaves of plates (2 folded) : ill. (7 col.) ; International scientific series ; v. 23Carmicheal Smithspectrum analysis, spectrum photography, science, science education, international scientific series, j. norman lockyer, alfred mica smith

This crumb tray with brush was used to clear crumbs spilt during meal times from the tableSmall timber poker-work crumb tray and brush. Both also have hand-painted decoration, and wording. There is a colourful painted scene of a couple seated in front of a fire-place, with the words "Darby and Joan".At the back of the tray base the words " Crumb Tray" are painted. The words "Darby and Joan" are painted on the tray. At the rear of the tray there is the price 1/6 in lead pencil.pioneers, early settlers, moorabbin, brighton, bentleigh, craftwork

Black and white photo of six trams lined up in Pall Mall opposite Rosiland Park. Christmas decorations visible on light poles. Taken by Jon Williams former staff member of Collins Booksellers.Nu Color Vuebendigo, tramways, christmas, bendigo, tram, royal celebration, myer, pall mall

Presented to Olive Cassell in 1932 on the occasion of her marriage to Clive Jarvis, by her brother Leonard, son of local butcher Milton Cassell. The tea set was bought at O.Gilpins store in Korumburra . It was donated by Leonard Cassell on 22nd September 2011. White chin tea set with a black printed transfer of Korumburra Public Park as the decoration on each item. 9090.1 - 9090.4 Four tea cups 9090.5 Saucer 9090.6 - 9090.11 Six side platesOn bottom of each SHEFFIELD MADE IN ENGLAND

A visit from the German Templer Society. Photo taken by Tatura Museum photographer.Black and white photograph of Mrs Lilo Thaler, official representative of the Templer Society in Germany at Tatura Museum September 1991. Standing in front of a display board of Camp 3 teachers and pupils, Christmas decorations.templer society, lila thaler

Round metal badge with Red, yellow and black enameled decoration on the front and a hook clasp on the back, presented to form captains at Williamstown High School in the 1930s. This badge worn by Peg Bonwick (nee Clark).On front 'Form Captain' Makers mark on mark: K.C. Lunes Melbwilliamstown high school, 1930s, form captain, badge, peg bonwick, peg clark

Group photograph of staff at Dennys Lascelles Ltd in 1917.Photograph, sepia. Group portrait of five rows of men, seated and standing, outside the Dennys Lascelles building. Mounted on dark cream mat with printed red decoration. Handwritten inscriptions in biro on reverse of mat.DOUGLAS WILSON / RUPERT WILSON (SON) 16YRS OLD AT TIME (JUST STARTED WORK) / BORN 21/5/01 / Dennys Lascelles Ltd / 1917. / Harold Wilson featured centre age 47yrs. / (BORN 5/5/1870) / (DIED 1943 AGE 73 YRS) / (WAS 25 YRS OLD WHEN RETIRED-RESIGNED AS VICE CAPTAIN / GEELONG FOOTBALL CLUB IN 1895) / he was 31 yrs of age when Rupert (son) was borntextile industry - history wool stores - staff wool stores, dennys, lascelles limited, textile industry - history, wool stores - staff, wool stores, working life

It is representative of souvenir ware produced for mass consumption at a time of community celebration - the 1888 Centenary of British Settlement in Australia. The use of the Coat of Arms with a kangaroo and emu shows that this form of the crest we know today was used for many years before Australia became a FederationGlass plate which reads 'Australia's Centenary' around the lip, with 1788 and 1888 within shields on either side. Coat of Arms flanked by an emu and kangaroo and further decoration in centre with the motto 'Advance Australia'civic mementoes, souvenirs, glass technology, glassware

This item is part of a larger collection donated to the Kew Historical Society by Anna French. The collection includes personal items from the donor's family, as well as items given to the donor and her mother by a family friend, Lucy Merritt (Jean) Hornby. The item is from that part of the collection inherited or assembled by Jean Hornby. The collection is significant given Jean Hornby's mother's descent from Robert Hornby (1854-1935) and Eva Merritt (1865-1959); her mother the chid of a family who settled in Kew in the 1850s, this providing a chain of provenance for items dating to the mid-nineteenth century, when her maternal forebears arrived in Melbourne. Other items represent Jean Hornby's contribution to her local and wider community.The items as created are representative and fine examples of late Victorian and or Edwardian needlework. While many such items were copies of published patterns, these may be original designs. Two mantle or pelmet decorations, with hand embroidered arum lilies on delustred satin backed onto canvas. One pelmet is slightly longer than the other, but each has the same number of bobbles on the trim. hornby family, families -- kew (vic.), jean hornby, soft furnishings, decorative arts, embroidery

The donor is a descendant of Henry Bayles Ford, who was the light house keeper at Cape Otway for thirty years (1838-1878). Bayles' wife, Mary Ann had been governess for the Latrobe family. The original tea set was a gift to their daughter Agatha,, and the remaining cup and saucer has been passed down to her descendants.Porcelain cup and saucer, originally part of a tea set. Blue band on cup and edge of saucer. Cup rests on three feet. Grape vine motifs (colour) on cup, gold decoration on cup and saucer.1407 stamped on bottom of cup. Marking on saucer illegible.cup maryborough

Brown lidded box with blue velvet lining - spaces for 6 small teaspoons or cake forks or 12 cigarettes. Covered in brown patterned paper with four lines decoration on the lid. A decorative clip to close. boxes, cigarette boxes, cutlery boxes

Donated by Brigadier D.O. Magee. Great grandson of John and Mary Burgi.Australian Army military jacket with insignia and decorations. Khaki in colour with three ribbon bars. Has epaulettes, red collar, gold buttons, belt with brass buckle, and matching khaki shirt and knitted tie.CGCF 1969 Victoria on collar of jacket.military uniforms