Sepia photograph of views of Sandhurst, looking east from reserve. Inscriptions: (on card) 'Views of Bendigo, No 1, Sandhurst East, with a portion of the City Reserve, N J Caire, Photo, Sandhurst, JW Forbes, Agent' (key to buildings in photo L to R) 'Jewish Synagogue, Buckley's Flour Mills. Oddfellows Hall, City Town Hall, Shamrock Hotel', 'Welch, Typo'N J Caire, Sandhurstprevious acc. no. 'mp134'. see also 2001.392.01 and 2001.390.01 see 'views of bendigo' by n.j.caire

document - memo from green one penny stamp at foot of receipt from William Jones Runnymede Flour Mills Elmore 2.2.1887 to Messrs Bennett, Attenborough, Wilks & Connelly, regarding ' balance due to me re Beischer' and cost of transfer of land to date. Signed William Jones, per John Findlay .green one penny stamp at foot of receiptbusiness, legal, connelly, tatchell collection, connelly, tatchell collection, bennett, attenborough, wilks., william jones

Between 1992 and 1998 Snuff Puppets was housed on the third floor directly above the Melbourne Museum of Printing at the old Bradmill Cotton Mills building on Moreland St in Footscray. Museum proprietor Michael Isaacson was keen to share his resources and gave Snuff Puppets carte blanche to use his Museum. Nearly all the promotional posters and materials from this time were printed in limited edition runs at the Museum using scrounged paper, odds and ends of ink, lead type, wooden type, lino cuts and an old press.A4 hand printed linocut on thin cream card in 3 colours; blue black, yellow, red. Depicts a pensive skeleton sitting on a small hill with a lowered flag with the initials SP, partly concealed by a giant yellow worm. The print also features the iconic fish skeleton logo. lino cut prints, skeletons, snuff puppets, puppetry, andy freer, melbourne museum of printing, footscray, michael isaacson

Date made April 1979Colour photograph of the Entrance, Bullock Island and Reeves Channel, taken from Jemmys Point during the King of the Straits, offshore powerboat race. It also shows the built up groynes at the entrance to the North Arm, Pecks fish processing factory seen on Bullock Island. Lakes Entrance Victoriawaterways, public works, machinery

A wooden tennis racquet with solid convex throat fixed with one metal bolt. Head shape is oval though top slightly flattened. Rounded handle with 'Fish head' end. Trace remains of silver decal on throat (indecipherable). Materials: Wood, Lacquer, Metal, Glue, Gut, Inktennis

Framed oil painting seascape titled: "Mahers Landing" by Adrian Johnson. A Fish Creek Acquisitive Art Show Prize 1991.Set in cream card window mount with gold painted woood frame. Small brass engraved plaque affixed to lower edge. Details of artist on reverse.

Peck’s meat spreads were introduced in England in 1891. Thirteen years later, the British-based Harry Peck & Co. began exporting its products to Australia. By 1938, Peck’s set up in Australia and began making canned meat and fish products.This is an example of a food container used in the mid 20th century.A small clear moulded glass jar. It has a check pattern at the top and bottom with a smooth band in the middle. It has a wide opening tapering to the bottom. It is lipped for a rubber seal. It was used for Pecks paste.on base - PECKS with some indecipherable numberscontainer peck's-paste jar

While the students from Bulla and MIckleham Primary Schools were attending a school camp at Beechworth they visited a hatchery, which was breeding fresh-water crayfish. While there the children were shown over the hatchery and shown many aspects of fish hatcheries and their purpose.A non- digital coloured photograph of a man holding up and showing children a large fresh-water crayfish (yabby), which he has taken from an adjacent pool.hatcheries, school camps, beechworth

A yarn wall hanging depicting sky, trees and river. Felt houses, a wooden bird and animals or fishes made from beads. Red ribbed paper outlines the picture, which is glued to a hessian covered board. This artwork was created by participants at the Day Centre in Kooyong.Striped artwork attached to brown hessian backingassociation for the blind, day centre

Digital image of the construction by the Ballarat Tramway Preservation Society in 1982 in the South Gardens Reserve. Formwork for foundations stacked on the site with some completed foundations behind. The fish hatchery fence is on the right hand side. Behind the worksite is a very quiet Gillies St. in terms of traffic.Yields information about the construction of the first stage of the existing Museum tram depot Digital Image of the construction of the foundations for the Ballarat Tramway Museum depot.trams, tramways, btm, btps, depot, construction, ballarat, botantical gardens

Ahe boy at the top of three on the bike pyramid is Jim SINCLAIR. Under him is Li CLEARIHAN, and seated on the bike itself, Ted McMILLAN (?). The photo taken in front of a brick cottage in Graham Street, Port Melbourne. Part of a sign for McAlpine flour can be seen on a building in the background.Sepia photograph of' three boys apparently on one bike in front of a cottage in Graham Street,Port Melbourne.On reverse: Jim Sinclair, Li Clearihan, Ted McMillan Graham St Port Melbgraham street, jim sinclair, ted mcmillan, mcalpine flour, li clearihan

Copy of B&W photograph c1920 taken from the Eastern Jetty looking across Lagoon to Esplanade West. Yacht 'Hero' in foreground, pumphouse at right, flour mill at left. Nets drying along Western Jetty. The ketch 'Ripple' off left belonged to the Stennikens. Known as a 'ti-tree' ketch, it was used to transport ti-tree and shell grit from down the bay.On rear: 'D Beazley photo collection Neg Nos PM004/19 and 20'sandridge lagoon, industry - fishing, sport - yachting, hero, ripple, robert harper & co ltd, piers and wharves - miscellaneous

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain.(approx) Rectangular metal stencil for oat or flour bag; rectangular section has been cut away from top LH corner, triangular section has been cut away from top RH corner; significant surface rusting; one letter of the stencil marking (letter R) has been covered over with a rectangular metal piece soldered onto stencil surface."SGC (R) / PORT SWETTENHAM"

This spoon rest is a souvenir item for tourists to purchase. It is a souvenir of the presence of Southern Right whales at Logans Beach, a few kilometres from Warrnambool’s Central Business District. Each year Southern Right whales have been migrating from sub-Antarctic waters to the east coast of Australia during the winter months. Some whales have been coming each year from approximately May to October (since the 1980s) to have their calves at Logans Beach near Warrnambool. This area is now known as Warrnambool’s Southern Right Nursery. The whales calve about every three years and stay in the local waters along with other whales for about three months and over the past thirty years or so over 100 calves have been born at Logans Beach. The whales are now a winter tourist attraction (if an unpredictable one) as they can be viewed from a raised purpose-built platform area and they are often very close to the shore.This spoon rest is of interest as it is a souvenir of the Southern Right Whale Nursery at Logans Beach, Warrnambool and it has a practical use in the kitchen. It indicates the popularity of whale-viewing at Logans Beach and the importance of the presence of the whales, both scientifically and economically as the annual whale migration to our waters is now a vital aspect of tourism in Warrnambool. This is a Warrnambool souvenir cream-coloured china spoon rest in the shape of a whale or fish. It has a hole at the top for hanging the item on a hook and the printed material is in black and includes a sketch of a mother whale and calf. It has the distributor’s name on the back in yellow writing with an outline of a map of Victoria with a dot to show the location of Warrnambool.‘Southern Right Whale Nursery, Warrnambool’ ‘Lady Bay Creations, Warrnambool, Australia’ southern right whales, warrnambool’s southern right whale nursery, history of warrnambool

Colour photograph of fifteen members of the Lakes Entrance Electronic Organ Group Norma Fileder, Elisabeth de Ross, Mary Moir, Teresa Rowlings, Joyce Harbeck, Marie Fish, Ivy Kenneally, Nell Glew, Jean Daniel, Shirley Stevenson taken at the home of Nell Glew Lakes Entrance Victoriacelebrations, entertainment

An Andersons Match wooden tennis racquet, with concave throat, cloth tape reinforcements around shoulders, and a fish-tailed handle butt. Impressed model name across throat on obverse. Decal of manufacturers trademark across throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Gut, Ink, Cloth tapetennis

A wooden tennis racquet with concave throat, cloth whipping around shoulders, and medium grooved handle with fish-tail butt. Model name across crown on obverse reads PLUTO. Inscription along throat on obverse: T.H. PROSSER + SONS. Materials: Wood, Gut, Ink, Glue, Lacquer, Metal, Clothtennis

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Newhaven is in Edinburgh, Scotland. Portraits of fishwives were popular subjects for postcards due to the colourful, layered, striped outfits that they wore. The fishwife sits on rocks beside a basket of fish. The postcard would appear to be a studio portrait. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."A Newhaven Fishwife"postcards, george and edith weir, newhaven - east sussex, fishwife series, weir collection, postcards — england — uk

Colour photographs of the Infant Welfare Centre Stawell. This was located in the triangular area bordered by Wimmera St, Sloane St and Scotland Place. Now Demolished c2018. Previously on the site was the Stawell Baths opened to public 22/11/1879, then the fish hatchery 1927 until mid 1930's. health, medical, children

Peter Ruston came to Australia in 1850. He worked as a carter, carting flour from the mill on the Plenty River near Janefield to the Greensborough area. He was one of the first bakers in the area. He married Martha Roberts in 1858. Peter and Martha's daughter, also Martha, married David Medhurst.Connections to pioneer families.Digital copy of black and white bereavement card.peter ruston, peter rustin

Shows picture of the former site of Tatura Fire Brigade, Casey Street, Tatura. The station was opened in 1972 and closed in 2021 when a new one was built. Building to left is premises of F L and A T Forster & Sons, 68 Casey Street, Tatura. Formally part of the Tatura Flour Mill.Colour photograph showing the old Fire Station in Casey Street, Tatura. Also shows premises of Forster & Sons. Photograph stuck onto piece of white cardboard. tatura fire station, f l & a t forster, tatura flour mill, casey street tatura

Aerial photograph of the South Gardens Reserve and the Ballarat High School grounds showing the Ballarat Tramway Depot, Fish Hatchery and associated area from the north east aspect. Taken by Paul Mong 29 March 2002. On Fujicolor Crystal Archive Paper. Height of about 1000ft or 330m above ground level.btm, south gardens reserve, btm depot

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Newhaven is in Edinburgh, Scotland. Portraits of fishwives were popular subjects for postcards due to the colourful, layered, striped outfits that they wore. The elderly fishwife stands beside a cane basket of fish. The postcard would appear to be a studio portrait. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928.NEWHAVEN FISHWIFEpostcards, george and edith weir, newhaven - east sussex, fishwife series