Showing 3669 items
matching landscapes
-
Wangaratta Art Gallery
Painting, Len Pawluk, Afternoon Walhalla, 1981
Rural City of Wangaratta Collection, Wangaratta Art Prize Grand Winner 1981.A aerial landscape of a rural road, painted in oil using a colour palette of blue, green, white, yellow, and brown.Obverse: L Pawluk/ (bottom left corner)wangaratta art gallery, len pawluk, landscape, rural, painting, walhalla -
Wangaratta Art Gallery
Painting, Kevin Taylor, Richmond Patterns, c.2003
Rural City of Wangaratta Collection. Wangaratta Art Prize Grand Winner 2003.A landscape painting of a terrace house painted in oils using yellows, greens, blues, greys, browns, oranges, and white.Obverse: Taylor/ (bottom right corner) Grand Winner - 2003/ Richmond Patterns/ Artist: Kevin Taylor/ Judge: Herman Pekel/ (plaque mounted on frame)wangaratta art gallery, kevin taylor, landscape, painting, richmond, terrace house -
Wangaratta Art Gallery
Painting, Malcolm Webster, Sky Storm, c. 2002
Rural City of Wangaratta Collection. Wangaratta Art Prize Grand Winner 2020.A realistic pastoral landscape during a storm, painted in watercolour using shades of blue, green, brown, yellow, and orange.Obverse: M WEBSTER/ (bottom right corner) Grand Winner 2020/ Malcolm Webster/ *** Sky Storm ***/ Judge - Amanda Hyatt/ (plaque mounted on frame)wangaratta art gallery, malcolm webster, landscape, painting -
Wangaratta Art Gallery
Textile, June Brown, Fire (Sky Series), 2013
When in the desert it is frightening to see a distant fire, even though you may not see the actual flames. As evening approaches the sky reflects anger and colour. The mesa is also reflecting some of the glow . I imagined it had been burnt already and some embers are still aglow in the evening light All fabrics used in this work are cotton commercial fabrics. My stitching has been done to accentuate the red reflection in the sky. Black rayon thread gives a certain sheen to the mesa with a dried grassy foreground. ‘Sky Series’ Changes are constantly taking place in the sky . I love the variety, colour and movement of the sky which are all a direct result of the clouds, sun and time of day. I certainly think about the sky much more when we are on Safari. The sky is a great indicator of the ever changing time of day and weather conditions …... fine and clear, cloudy, sunset, sunrise and storms. The artwork features a simple ‘mesa’ shape against the sky. A mesa is a flat topped hill. Which are part of the Australian Inland. The mesa I have featured is in recognition of Mt Connor in the Northern Territory.Wangaratta Art Gallery CollectionA embroidered textile depiction of an outback landscape scene during a fire featuring a colour palette of pinks, purples, and browns.june brown, textile, landscape -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Loading the finished product, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Male Employee driving forklift to load finished product onto truck from warehouse.Loading the Finished Productindustry, aunde -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Global Presence Today, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: World map with flags, white dots showing locations of 56 plants in 19 coutries.Global Presence 56 plants in 19 Countries. Esteban logo, Isinghausen logo, Aunde logo with flagsindustry, aunde -
Unions Ballarat
Mullawallah: the last King Billy of Ballarat, Newton, Janice, 2014
Biography of Mullawallah (the last King Billy of Ballarat). King Billy was a Wathaurung man. The book also documents relations between Wathaurung people and Europeans.Relevance to Ballarat community and social customs. Biographical interest.Book; 56 pages. Front cover: picture of Mullawallah with landscape; black and white lettering; author's name and title. Ballarat Trades Hall stamp on title page.btlc, ballarat trades hall, ballarat trades and labour council, mullawallah, king billy, wathaurung, history - ballarat, history - indigenous, biography, social customs -
Ballarat Heritage Services
b & w photograph, Ballarat Rodeo, 1962
Letter sent with two photographs. Please find enclosed a couple of photos taken in Ballarat in 1962 which came from an album of my mother's Marian Mitchell (nee Robinson). She and some friends were on a road trip across Victoria to New South Wales. You are welcome to reprint these. One is of the Ballarat Rodeo and the other is of mum in the morning at their roadside camp in Ballarat. The sign on the shed has two words, the first one says Caledonia - the second perhaps you'll be able to find out? Both taken in 1962. I hereby give you permission for your society to re-print and distribute both these photos as you choose (although these aren't exactly the most expertly taken pictures). If more come our way over the course of my continued cleaning out of the cupboards I will send these too. Cheers etc3.5" x 5" landscape size black and white photograph showing horses and riders in a rodeo at Ballarat Showgrounds.BALLARAT (front top) Verso: Bronco minus cowboy Ballarat Rodeo 1962 -
Hume City Civic Collection
Print, 1993
The coloured print features the railway bridge which spans the Rupertswood Cutting and is north of the Sunbury Railway station. The Rupertswood Mansion is also featured in the distance.A coloured print with a white border of a rural landscape in a valley featuring a bridge in the middle distance and a large building in the distance.A.Rafferty 93bridges, rupertswood cutting, rupertswood, railways -
The Dunmoochin Foundation
Oil Painting, The Legend of Ayers Rock, 1976
Thick impasto painting depicting an indigenous man with two spears and seven kangaroos in a red landscape with large rock. Signed (L.r) 'Eric Stewart 76'. eric stewart, painting, landscape, indigenous male, kangaroo, ayers rock -
The Dunmoochin Foundation
Mixed Media Painting, Tunnel Hill Mine, 1890, No Date
Mixed media painting (pyrite and enamel) depicting a landscape with four male figures with red wheelbarrows and a horse and cart.Inscribed centre 'Tunnel Hill Mine, 1890' and signed (L.r) 'Sam Byrne'.sam byrne, painting, landscape, mixed media, tunnle hill mine -
National Wool Museum
Photograph - Product Photograph, Tape Condenser
These are sales photographs for William Tatham Ltd. of Rochdale. These photographs are taken in the fitting shop at William Tatham Ltd. where final assembly would have taken place. A Tape Condenser is a device that receives the wide fibre web from a woollen card, divides it, and rubs each section into a sliver. The photographed machine was made by William Tatham Ltd, a textile engineering company based in Rochdale, UK. Established in 1866 Tatham developed innovative textile machinery and send their products to Australia and other countries around the world.Two black and white photos of a Tape Condenser in a landscape format. The first photo is of the front of the machine, the second is of the rear.8038.1 - Front - top margin: For description see over. Front mid right edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1138 Rear - Showing new model Tape Condenser with all-Perspex Guards, new gear box type of main drive to Condenser. New mounting of all Tape Rollers, cross shaft drive to Variable Speed Gear Box for drive to rubber shaft and many other improved features. 8038.2 - Front mid right edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1140 Rear - New Model Four-teir Tape Condenser showing rubbing motion side Note greatly improved guarding completely enclosing rubbing motion and gearing, also Variable Speed Drive to Rubbing Motiom via heavy ‘V’ Belt. The drive is taken by cross-shaft from the main gearing of the Condenser. Rubbing Motion has all roller bearing eccentrics throughout.textile machinery, tatham, wool manufacture, tape condenser -
National Wool Museum
Photograph - Product Photograph, Patent Parallel Fibre Feed
These are sales photographs for William Tatham Ltd. of Rochdale. These photographs are taken in the fitting shop at William Tatham Ltd. where final assembly would have taken place. The Patent Parallel Fibre Feed machine is used for connecting Breaker and Finisher Card Sections. The photographed machine was made by William Tatham Ltd, a textile engineering company based in Rochdale, UK. Established in 1866 Tatham developed innovative textile machinery and send their products to Australia and other countries around the world.A black and white photo of a Patent Parallel Fibre Feed in a landscape format. Black wiritng on the rear, typed with a typewriter. Front - top margin: For description see over. Front mid left edge - Wm. TATHAM Ltd. ROCHDALE. Machine Maker Front bottom right corner - 1106 On machine bottom right quadrant - TATHAMS Rear - New Patent Parallel Fibre Feed for connecting Breaker and Finisher Card Sections. This Machine incorporates a completely new type Plaiter Motion, the operation of which is quite unique.textile machinery, tatham, wool manufacture, carding, patent parallel fibre feed machine -
Federation University Art Collection
Painting - Artwork, Simpson, Harolyn, 'Garden of Earthly Delights' by Harolym Simpson, 2001
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Brightly coloured landscape. If you can provide information on this artist or artwork please use the email link below. art, artwork, horsham campus art collection, harolym simpson -
Federation University Art Collection
Painting - Acrylic on Canvas, Reinhard Gromm, Thoughts, 1996
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Landscape in acrylic paint. If you can assist with information on this artist or artwork please use the email link below. art, artwork, reinhard gromm, wimmera campus, horsham campus art collection, landscape -
Port Fairy Historical Society Museum and Archives
Photograph
Talara one of three large homes built on the hill. On the outskirts of Port FairyBlack and white landscape of 2 story house on hill with a lattice fence and four people leaning against fencetalara, princes highway, house, home, building, lattice, fence, powell, remington, rutledge -
Port Fairy Historical Society Museum and Archives
Photograph, Tower Hill Koroit, unknown
Panoramic mounted photograph of Tower Hill Volcano with lake.Interesting photograph of Tower Hill before extensive re-vegetation works carried out in the 1960s.Panoramic landscape black and white photograph of Tower Hill, Koroit. Mounted black and white photograph on card, rectangular.? Aberline, 26 Faversham R?, Canterbu? On back of card mount Fred Rogersvolcanoes, tower hill -
Federation University Art Collection
Work on paper, Jack, Kenneth, 'Swamp Gum' by Kenneth Jack, 1961
Kenneth JACK (1924 - 2006)Framed limited edition print of a landscape of gnarled trees. Donated through the Australian Gifts Programme by Katherine Littlewood. kenneth jack, printmaking, trees, landscape -
Federation University Art Collection
Drawing, Victor Cobb, At Castlemaine by Victor Cobb, 26/4/1931
Victor Ernest COBB OM (14 August 1876-2 December, 1945) Born Footscray, Victoria Victor Cobb studied drawing under Bernard Hall at the National Gallery School in 1896. He was self taught in the art of etching, creating his own press and tools. He became known for his popular views of Melbourne and as a teacher of etching. Melbourne Grammar School marked its sesquicentenary in 2008. As part of the celebrations, a Talents Committed Exhibition was staged. This exhibition recognised 150 Old Melburnians who have made a difference to the City of Melbourne, the State of Victoria and the wider community in Australia and overseas. The above profile was included in the Talents Committed Exhibition in 2008. Double sided sketch by Victor Cobb. One side is 'At Castlemaine, the other is some line work towards a landscape V.E.C. At Castlemaine 26/4/31victor cobb, castlemaine, a.m.e. bale, landscape -
University of Melbourne, Burnley Campus Archives
Photograph - Colour prints, James (Jim) Pleasance, Quad Classrooms and Library, 1981-1982
4 photographs of the Quad classrooms and Library (completed 1982) with landscaping near completion. Room numbers handwritten on photographs.quad, classrooms, library, landscaping -
Melbourne Legacy
Pamphlet, Alma Doepel. Australia 1903, 1983
A brochure about the sailing program provided by Alma Doepel. There was a program to send young legatees on trips on the Alma Doepel sailing ship through the 1980s and 90s. The articles from the Answer show timetables and criteria for nomination of junior legatees to be selected on the trips. One of these articles mentions the war service of the Alma Doepel - the only ship with served in World War II that was still active in 1995. See other items regarding Alma Doepel. Part of the text of the brochure says 'The basic purpose of this non-profit organisation is to provide teenage girls and boys (15 years and over) with an outlet for their spirit of adventure and an opportunity to develop a sense of responsibility, self confidence and above all an ability to work as a member of a team.'A record of a type of experience Legacy provided for the junior legatees that they might never have done because of the deaths of their fathers.Brochure outlining the Alma Doepel sailing program. Printed sepia on 12 white pages stapled as a landscape booklet. Handwritten 'JL7' on top left of cover, part of an old archive project numbering system.alma doepel, junior legatee outing -
Stawell Historical Society Inc
Painting, Nancy Rutter, "The Old Gum Tree" Painting by Nancy Rutter
Nancy Rutter Local ArtistArtists Card Australian landscape with Hills in Distance Two mid distance broke dead branch in left foregroundNancy Rutter The old Gum Tree Oil. on Rear of Painting along with information on Card Maker,australian landscape -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Oil, Vagarini 1924, 1924
In the possession of internee at Camp 3.Oil painting of a hilly landscape with a lake in the distance and winding stream and fir tree centre right. Gold frameBottom right hand corner (in red) "Vagarini 1924"painting, oil, vagarini c, baer dr t, ww2 camps -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Armstrong, Juliet, The Lutes of Morning by Juliet Armstrong, 1956
Romance novel.Hardcover book, 191 pages. Front cover of book has a colour image of a man and a woman in a snow landscape.fictionRomance novel.juliet armstrong, romance, fiction -
Stawell Historical Society Inc
Photograph, “Warranooke” Homestead in Glenorchy 1867 -- aerial view
Aerial View of “Warranooke” Homestead. “Warranooke” Homestead built 1867 enlarged 1926. Shows extensive gardens at front. A very early property in our district Warranooke The main names associated with the property Ayrey - Darnell - Nicoll, later Campbell. Mrs. Campbell built Charles Ayrey's daughter. The Campbells built up the station buildings. The homestead was virtually rebuilt in brick, making it one of the largest and most elaborate in the East Wimmera. Warranooke homestead built 1867, enlarged 1926 destroyed by fire 13th Feb. 1979.Black and white aerial photograph of building showing landscape around the homestead. The photo is on a card with some gold decorations.glenorchy -
Lakes Entrance Historical Society
Book, Pescott, R.T.M, W. R. Guilfoyle 1840 -1912 The Master of Landscaping, 1974
A biography of William R. Guilfoyle, designer, landscaper and developer of Melbourne Botanic Gardens. A select bibliography and index are included.Ruth Clarkparks, bibliography -
Nillumbik Shire Council
Painting: David ARMFIELD (b.1923 Melb AUS - d. 2010 Melb AUS), David Armfield, Untitled (Beach), c. 1975
David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.'Untitled' by David Armfield an oil on canvas painting depicts sand, sea, distant mountains and various figures scattered about in a typical Armfield landscape. The figures tend to be annonymous, sometimes included more to establish the scale than for a narrative purpose. The figures are well clothed and it could be assumed that it is not a hot summer's day. Depth is established by changing of colours and diminishing the size of the figures.david armfield, beach, eltham, nillumbik shire council -
University of Melbourne, Burnley Campus Archives
Photograph - Colour print, Burnley Campus Archives, Students Building the Sunken Garden, 1983
Appears to have been used for an exhibitionColour photograph pasted on black paper which is pasted on polystyrene board. Students constructing the Sunken Garden and Wisteria Walk. Used in an ExhibitionCaption, "The house was demolished in 1980. Geoff Olive, the Gardens Manager designed the new landscaping. Students building the Sunken Garden 1983." Work had commenced 1981.geoff olive, gardens manager, sunken garden, students working outside, principal's residence, garden design, wisteria walk -
Nillumbik Shire Council
Mixed media: Liz NETTLETON, Liz Nettleton, Respite and Repose, 2010
Nettleton creates an image of peace and tranquility after the violence felt from the 2009 Black Saturday bush fires / At the Arthurs Creek cemetery Nettleton found the grave of Reg Evans and Angela Brunton, friends who had perished in the fires / Nettleton sat on the edge of their joint grave and photographed their view / It was only after examining the photos more closely that she realized Mount Sugarloaf had burnt almost to the valley / Sugarloaf is always in an indigo haze. This work is by a local contemporary artist and encompasses themes dealing with the 2009 Black Saturday bushfires. Mixed media (acrylic paint, acrylic ink and indian ink) on board / Landscape painting of Mount Sugarloaf and green pastures after the 2009 Black Saturday bushfires / Mount Sugarloaf is depicted in an indigo haze in the background / A line of trees bathed in light border the mountain's edge / Lines of trees parallel to each other jut out diagonally in the foreground / Framing this view of the landscape is a pattern (topographical maps of the Nillumbik area), which suggest the vast extent of the devastated area of landscape. In black marker 'LIZ NETTLETON' + artist signature '2011' on back - middle right side nettleton, respite and repose, landscape, painting, mixed media, black saturday, mount sugarloaf -
Buninyong & District Historical Society
Photograph - Photocopy of B&W photo, Gong and Brewery, c 1935, Gong and Brewery, c 1935
Building and landscapePhotocopy of B&W photo, Gong and Brewery, c 1935.gong, brewery