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Ararat Gallery TAMA
Textile, Frances Burke, Regency Stripe, 1961
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Ararat Gallery TAMA
Textile, Frances Burke, Waratah, c. 1955
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Ararat Gallery TAMA
Textile, Frances Burke, Links, 1958
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Ararat Gallery TAMA
Textile, Frances Burke, Cane, c. 1952
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Ararat Gallery TAMA
Textile, Frances Burke, Unknown
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Ararat Gallery TAMA
Textile, Frances Burke, Unknown, 2 pieces, 1939-1950
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Ararat Gallery TAMA
Textile, Frances Burke, Shields (pair of curtains), 1965
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Ararat Gallery TAMA
Textile, Frances Burke, Periwinkle
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Ararat Gallery TAMA
Textile, Frances Burke, Fabric piece, framed
Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs. -
Kew Historical Society Inc
Newspaper - Newspaper Article, Kew's Great Loss, 27/06/1924
Sir Henry de Castres Kellett (1851-1924) the son of a hereditary baronet, was born at Mt Gambier, South Australia in 1851. His English title had been created in Ireland in 1801, but the family was originally Norman with the later branches living in England and Ireland. Sir Henry Kellett assumed the title in 1906. Henry Kellett was a prominent Kew retailer, continuing his father’s newspaper and stationery business in Bulleen Road (now High Street). At various stages, he also acted as an insurance, postal and real estate agent. He lived in Walpole Street and later at Lota Begg (now demolished) in Westbrook Street, East Kew. In 1884, Henry Kellett was elected to the Kew Borough Council and served for 40 years; a remarkable example of public service. He was elected Mayor for a single term in 1888-9. Sir Henry de Castres Kellett died in St George’s Hospital in 1924 following a tragic car accident in Cotham Road, Kew while on Council business. The vehicle, in which he was travelling with fellow councillors and the Town Clerk, collided with a tram. Sir Henry Kellett is commemorated in the naming of Kellett Reserve and Kellett Grove.Newspaper report in The Sentinel reporting the death of Cr Sir Henry Kellett in 1924mayors of kew (vic), sir henry de castres kellett -
Kew Historical Society Inc
Certificate - Certificate of Marriage, Henry de Castres Kellett & Joan Harrison, 1880, 09/11/1880
Sir Henry de Castres Kellett (1851-1924) the son of a hereditary baronet, was born at Mt Gambier, South Australia in 1851. His English title had been created in Ireland in 1801, but the family was originally Norman with the later branches living in England and Ireland. Sir Henry Kellett assumed the title in 1906. Henry Kellett was a prominent Kew retailer, continuing his father’s newspaper and stationery business in Bulleen Road (now High Street). At various stages, he also acted as an insurance, postal and real estate agent. He lived in Walpole Street and later at Lota Begg (now demolished) in Westbrook Street, East Kew. In 1884, Henry Kellett was elected to the Kew Borough Council and served for 40 years; a remarkable example of public service. He was elected Mayor for a single term in 1888-9. Sir Henry de Castres Kellett died in St George’s Hospital in 1924 following a tragic car accident in Cotham Road, Kew while on Council business. The vehicle, in which he was travelling with fellow councillors and the Town Clerk, collided with a tram. Sir Henry Kellett is commemorated in the naming of Kellett Reserve and Kellett Grove.Original Marriage Certificate of Henry de Castres Kellet and Joan Harrosn, in Richmond on 9 November 1880mayors of kew (vic), sir henry de castres kellett -
Kew Historical Society Inc
Letter - Letter of Condolence, Lady Kellett, Lota Begg, Westbrook Street, Kew, 1924
Sir Henry de Castres Kellett (1851-1924) the son of a hereditary baronet, was born at Mt Gambier, South Australia in 1851. His English title had been created in Ireland in 1801, but the family was originally Norman with the later branches living in England and Ireland. Sir Henry Kellett assumed the title in 1906. Henry Kellett was a prominent Kew retailer, continuing his father’s newspaper and stationery business in Bulleen Road (now High Street). At various stages, he also acted as an insurance, postal and real estate agent. He lived in Walpole Street and later at Lota Begg (now demolished) in Westbrook Street, East Kew. In 1884, Henry Kellett was elected to the Kew Borough Council and served for 40 years; a remarkable example of public service. He was elected Mayor for a single term in 1888-9. Sir Henry de Castres Kellett died in St George’s Hospital in 1924 following a tragic car accident in Cotham Road, Kew while on Council business. The vehicle, in which he was travelling with fellow councillors and the Town Clerk, collided with a tram. Sir Henry Kellett is commemorated in the naming of Kellett Reserve and Kellett Grove.Original official document from a noted event in Kew's historyOne page undated, handwritten letter of condolence to Lady Kellett on her husband's accidental death in 1924 while serving as a Kew Councillor. The latter is signed by his fellow councillors, the Mayor and the Town Clerkmayors of kew (vic), sir henry de castres kellett -
Kew Historical Society Inc
Drawing - Visual Vignettes, Sir Henry de Castres Kellett & Arthur Wills / by Arthur Wills, 1920
Sir Henry de Castres Kellett (1851-1924) the son of a hereditary baronet, was born at Mt Gambier, South Australia in 1851. His English title had been created in Ireland in 1801, but the family was originally Norman with the later branches living in England and Ireland. Sir Henry Kellett assumed the title in 1906. Henry Kellett was a prominent Kew retailer, continuing his father’s newspaper and stationery business in Bulleen Road (now High Street). At various stages, he also acted as an insurance, postal and real estate agent. He lived in Walpole Street and later at Lota Begg (now demolished) in Westbrook Street, East Kew. In 1884, Henry Kellett was elected to the Kew Borough Council and served for 40 years; a remarkable example of public service. He was elected Mayor for a single term in 1888-9. Sir Henry de Castres Kellett died in St George’s Hospital in 1924 following a tragic car accident in Cotham Road, Kew while on Council business. The vehicle, in which he was travelling with fellow councillors and the Town Clerk, collided with a tram. Sir Henry Kellett is commemorated in the naming of Kellett Reserve and Kellett Grove.Original artwork by Arthur Wills, descendent of a noted pioneer family, and former mayor of Kew.Two sided illustrated humorous vignettes featuring two noted Kew citizens: Henry de Castres Kellet and Arthur Wills. The latter is the illustrator. The item was illustrated in 1920.mayors of kew (vic), sir henry de castres kellett, arthur wills, willsmere, wills family -
Kew Historical Society Inc
Newspaper - Newspaper Article, Late Sir Henry Kellett, 1924, 1924
Sir Henry de Castres Kellett (1851-1924) the son of a hereditary baronet, was born at Mt Gambier, South Australia in 1851. His English title had been created in Ireland in 1801, but the family was originally Norman with the later branches living in England and Ireland. Sir Henry Kellett assumed the title in 1906. Henry Kellett was a prominent Kew retailer, continuing his father’s newspaper and stationery business in Bulleen Road (now High Street). At various stages, he also acted as an insurance, postal and real estate agent. He lived in Walpole Street and later at Lota Begg (now demolished) in Westbrook Street, East Kew. In 1884, Henry Kellett was elected to the Kew Borough Council and served for 40 years; a remarkable example of public service. He was elected Mayor for a single term in 1888-9. Sir Henry de Castres Kellett died in St George’s Hospital in 1924 following a tragic car accident in Cotham Road, Kew while on Council business. The vehicle, in which he was travelling with fellow councillors and the Town Clerk, collided with a tram. Sir Henry Kellett is commemorated in the naming of Kellett Reserve and Kellett Grove.Newspaper report from 1924, providing an obituary of Sir Henry de Castres Kellettmayors of kew (vic), sir henry de castres kellett -
Kew Historical Society Inc
Document, Lodge's Peerage, Baronetage, Knightage and Companionage - KELLETT, Sir Henry de Castres Bart
Sir Henry de Castres Kellett (1851-1924) the son of a hereditary baronet, was born at Mt Gambier, South Australia in 1851. His English title had been created in Ireland in 1801, but the family was originally Norman with the later branches living in England and Ireland. Sir Henry Kellett assumed the title in 1906. Henry Kellett was a prominent Kew retailer, continuing his father’s newspaper and stationery business in Bulleen Road (now High Street). At various stages, he also acted as an insurance, postal and real estate agent. He lived in Walpole Street and later at Lota Begg (now demolished) in Westbrook Street, East Kew. In 1884, Henry Kellett was elected to the Kew Borough Council and served for 40 years; a remarkable example of public service. He was elected Mayor for a single term in 1888-9. Sir Henry de Castres Kellett died in St George’s Hospital in 1924 following a tragic car accident in Cotham Road, Kew while on Council business. The vehicle, in which he was travelling with fellow councillors and the Town Clerk, collided with a tram. Sir Henry Kellett is commemorated in the naming of Kellett Reserve and Kellett Grove.Printed extract from Lodge's Peerage, Baronetage, Knightage and Companionage listing KELLETT, Sir Henry de Castres Bart.mayors of kew (vic), sir henry de castres kellett -
Kew Historical Society Inc
Photograph - Carte de Visite, Captain RJ Napier Kellett, Undated
Sir Henry de Castres Kellett (1851-1924) the son of a hereditary baronet, was born at Mt Gambier, South Australia in 1851. His English title had been created in Ireland in 1801, but the family was originally Norman with the later branches living in England and Ireland. Sir Henry Kellett assumed the title in 1906. Henry Kellett was a prominent Kew retailer, continuing his father’s newspaper and stationery business in Bulleen Road (now High Street). At various stages, he also acted as an insurance, postal and real estate agent. He lived in Walpole Street and later at Lota Begg (now demolished) in Westbrook Street, East Kew. In 1884, Henry Kellett was elected to the Kew Borough Council and served for 40 years; a remarkable example of public service. He was elected Mayor for a single term in 1888-9. Sir Henry de Castres Kellett died in St George’s Hospital in 1924 following a tragic car accident in Cotham Road, Kew while on Council business. The vehicle, in which he was travelling with fellow councillors and the Town Clerk, collided with a tram. Sir Henry Kellett is commemorated in the naming of Kellett Reserve and Kellett Grove.Rare portrait of a Kellett ancestorCarte de Visite of Captain RJ Napier Kellett, an ancestor of Sir Henry de Castres Kellett.CAPN RK NAPIER KELLETT / RIFLE BRIGADE / WATERLOO MEDAL / CAPN ROYAL 42ND HIGHLANDERS THOS NORTH PHOTOGRAPHER / 71 GRAFTON STREET DUBLIN sir henry de castres kellett, cape rj napier kellett, battle of waterloo -
Kew Historical Society Inc
Newspaper - Newspaper Article, Sir Henry de Castres Kellett - Burial Report, 1924
Sir Henry de Castres Kellett (1851-1924) the son of a hereditary baronet, was born at Mt Gambier, South Australia in 1851. His English title had been created in Ireland in 1801, but the family was originally Norman with the later branches living in England and Ireland. Sir Henry Kellett assumed the title in 1906. Henry Kellett was a prominent Kew retailer, continuing his father’s newspaper and stationery business in Bulleen Road (now High Street). At various stages, he also acted as an insurance, postal and real estate agent. He lived in Walpole Street and later at Lota Begg (now demolished) in Westbrook Street, East Kew. In 1884, Henry Kellett was elected to the Kew Borough Council and served for 40 years; a remarkable example of public service. He was elected Mayor for a single term in 1888-9. Sir Henry de Castres Kellett died in St George’s Hospital in 1924 following a tragic car accident in Cotham Road, Kew while on Council business. The vehicle, in which he was travelling with fellow councillors and the Town Clerk, collided with a tram. Sir Henry Kellett is commemorated in the naming of Kellett Reserve and Kellett Grove.Newspaper report from 1924 of the funeral of Sir Henry de Castres Kellett at Boroondara General Cemeterysir henry de castres kellett -
Kew Historical Society Inc
Newspaper - Newspaper Article, The Kellett Baronetcy, 1906, 1906
Sir Henry de Castres Kellett (1851-1924) the son of a hereditary baronet, was born at Mt Gambier, South Australia in 1851. His English title had been created in Ireland in 1801, but the family was originally Norman with the later branches living in England and Ireland. Sir Henry Kellett assumed the title in 1906. Henry Kellett was a prominent Kew retailer, continuing his father’s newspaper and stationery business in Bulleen Road (now High Street). At various stages, he also acted as an insurance, postal and real estate agent. He lived in Walpole Street and later at Lota Begg (now demolished) in Westbrook Street, East Kew. In 1884, Henry Kellett was elected to the Kew Borough Council and served for 40 years; a remarkable example of public service. He was elected Mayor for a single term in 1888-9. Sir Henry de Castres Kellett died in St George’s Hospital in 1924 following a tragic car accident in Cotham Road, Kew while on Council business. The vehicle, in which he was travelling with fellow councillors and the Town Clerk, collided with a tram. Sir Henry Kellett is commemorated in the naming of Kellett Reserve and Kellett Grove.Letter to the Editor by Sir Henry de Castres Kellett regarding his Baronetcysir henry de castres kellett, kellett baronetcy -
Kew Historical Society Inc
Newspaper - Newspaper Article, Cr Henry Kellett, Mayor of Kew, 1888
Sir Henry de Castres Kellett (1851-1924) the son of a hereditary baronet, was born at Mt Gambier, South Australia in 1851. His English title had been created in Ireland in 1801, but the family was originally Norman with the later branches living in England and Ireland. Sir Henry Kellett assumed the title in 1906. Henry Kellett was a prominent Kew retailer, continuing his father’s newspaper and stationery business in Bulleen Road (now High Street). At various stages, he also acted as an insurance, postal and real estate agent. He lived in Walpole Street and later at Lota Begg (now demolished) in Westbrook Street, East Kew. In 1884, Henry Kellett was elected to the Kew Borough Council and served for 40 years; a remarkable example of public service. He was elected Mayor for a single term in 1888-9. Sir Henry de Castres Kellett died in St George’s Hospital in 1924 following a tragic car accident in Cotham Road, Kew while on Council business. The vehicle, in which he was travelling with fellow councillors and the Town Clerk, collided with a tram. Sir Henry Kellett is commemorated in the naming of Kellett Reserve and Kellett Grove.Illustrated newspaper article from 1888, describing the elevation to the position of mayor of Kew by Cr Henry KellettHERALD 29/8/88sir henry de castres kellett, mayors of kew -
Kew Historical Society Inc
Newspaper - Newspaper Article, Missed Death by Half a Second - Councillors in Car Smash, 1924, 1924
Sir Henry de Castres Kellett (1851-1924) the son of a hereditary baronet, was born at Mt Gambier, South Australia in 1851. His English title had been created in Ireland in 1801, but the family was originally Norman with the later branches living in England and Ireland. Sir Henry Kellett assumed the title in 1906. Henry Kellett was a prominent Kew retailer, continuing his father’s newspaper and stationery business in Bulleen Road (now High Street). At various stages, he also acted as an insurance, postal and real estate agent. He lived in Walpole Street and later at Lota Begg (now demolished) in Westbrook Street, East Kew. In 1884, Henry Kellett was elected to the Kew Borough Council and served for 40 years; a remarkable example of public service. He was elected Mayor for a single term in 1888-9. Sir Henry de Castres Kellett died in St George’s Hospital in 1924 following a tragic car accident in Cotham Road, Kew while on Council business. The vehicle, in which he was travelling with fellow councillors and the Town Clerk, collided with a tram. Sir Henry Kellett is commemorated in the naming of Kellett Reserve and Kellett Grove.Illustrated newspaper article from 1924, describing the death of Cr Henry Kellettsir henry de castres kellett -
Kew Historical Society Inc
Journal, Kewriosity : December 1991
Seasons Greetings [photo] / p1. Chief Executive's Comment [Kew's form of open government] / Malcolm Hutchinson p2&3. Mayor's Comment / Cr Daryl Oldaker p3. Community Directory / p3. 'Around the Bend in Summer' [Yarra Bend Park activities] / p4. School Centenary [Kew East Primary School] / p4. Kew Council's holiday program for children / p5. Day trippers [holiday program] / p5. Boating along the Yarra [Rotary Club of Kew; people with disabilities] / p5. Advisory body seeks new members [Inner East Regional Advisory Council (RAC) / p6. Litter control / p6. Concern for the Yarra / p6. The changing style of Kew's parks / p7. Closing dates during the Christmas vacation / p8. Rates reminder / p8. The City of Kew Councillors [pictured] wish everyone a Merry Christmas and safe New Year / p9. Household garbage collection [Types of bins; Placement of bins; Problem bins/collections] / p10. 40 Hour Famine / p10. [Home] Security measures / p11. Cinderella [Pantomime at Hartwell Uniting Church Hall / p12. Classic Australian Theatre 'Dad & Dave' [performed by the 'Fabulous Nobodys' at Kew High School Community Theatre] / p12. Assistance for AIDS [volunteers needed to support those living with AIDS in Kew, Hawthorn and Richmond] / p12.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionSeasons Greetings [photo] / p1. Chief Executive's Comment [Kew's form of open government] / Malcolm Hutchinson p2&3. Mayor's Comment / Cr Daryl Oldaker p3. Community Directory / p3. 'Around the Bend in Summer' [Yarra Bend Park activities] / p4. School Centenary [Kew East Primary School] / p4. Kew Council's holiday program for children / p5. Day trippers [holiday program] / p5. Boating along the Yarra [Rotary Club of Kew; people with disabilities] / p5. Advisory body seeks new members [Inner East Regional Advisory Council (RAC) / p6. Litter control / p6. Concern for the Yarra / p6. The changing style of Kew's parks / p7. Closing dates during the Christmas vacation / p8. Rates reminder / p8. The City of Kew Councillors [pictured] wish everyone a Merry Christmas and safe New Year / p9. Household garbage collection [Types of bins; Placement of bins; Problem bins/collections] / p10. 40 Hour Famine / p10. [Home] Security measures / p11. Cinderella [Pantomime at Hartwell Uniting Church Hall / p12. Classic Australian Theatre 'Dad & Dave' [performed by the 'Fabulous Nobodys' at Kew High School Community Theatre] / p12. Assistance for AIDS [volunteers needed to support those living with AIDS in Kew, Hawthorn and Richmond] / p12. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Journal, Kewriosity : October 1989
Deafness Awareness Week at MLC / p1. Children's Week / p1. Democrats announce Kew candidate / p1. Dates for October / p2. Spring fairs, fetes / p2. New courses focus on small business and recreational skills [MLC] / p2. Commentary / Cr Michael Montalto [environment] / p3. Council supports submission on youth homelessness / p3. Budget worries for Council / p3. Kew's Chief resigns [Adrian Halliday] / p3. Notices / p4. Local families urged to join emergency foster care / p4. Healthy lifestyles / p4. 40th Birthday for St George's [Hospital] / p5. October clean-up for Yarra / p5. Kew Community House / p6. Coroner highlights dangers in children's play / p6. Shopping for Christmas? [Kew Living 1988] / p6. Mediation a plus for families / p6. Want to play cricket? [Kew Willsmere Cricket Club] / p6. Exciting new venture in children's entertainment [Kew Children's Integration Project] / p7. Cuts in State Budget halts E6 / p7. UN Treaty on Child's Rights / p7. ARA encourages reading from birth [Australian Reading Association] / p8. Wise walking / p8. Young People's Day [Kew Youth Resource Centre] / p8. Second round of hard rubbish collections starts soon / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionDeafness Awareness Week at MLC / p1. Children's Week / p1. Democrats announce Kew candidate / p1. Dates for October / p2. Spring fairs, fetes / p2. New courses focus on small business and recreational skills [MLC] / p2. Commentary / Cr Michael Montalto [environment] / p3. Council supports submission on youth homelessness / p3. Budget worries for Council / p3. Kew's Chief resigns [Adrian Halliday] / p3. Notices / p4. Local families urged to join emergency foster care / p4. Healthy lifestyles / p4. 40th Birthday for St George's [Hospital] / p5. October clean-up for Yarra / p5. Kew Community House / p6. Coroner highlights dangers in children's play / p6. Shopping for Christmas? [Kew Living 1988] / p6. Mediation a plus for families / p6. Want to play cricket? [Kew Willsmere Cricket Club] / p6. Exciting new venture in children's entertainment [Kew Children's Integration Project] / p7. Cuts in State Budget halts E6 / p7. UN Treaty on Child's Rights / p7. ARA encourages reading from birth [Australian Reading Association] / p8. Wise walking / p8. Young People's Day [Kew Youth Resource Centre] / p8. Second round of hard rubbish collections starts soon / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Journal, Kewriosity : October 1988
... for Kew Lioness Club / p4. Family Day Care / p4. Kew Living 1988 ...Before school care [East Kew Primary School] / p1. Children's Week in Kew / p1. New playgroup for Kew [Baptist Church Playgroup] / p1. Dates for October / p2. All the fun of the fair / p2. Commentary / Cr Allen Martin [Kew Conservation Study] / p3. Car cleaning made easy [Rotaract Club of Kew] / p3. Four year old kinder places [Glass Creek Kindergarten] / p3. [1989 Kew] Community Directory / p3. Notices / p4. Changes at East Kew Baptist Church [The Melbourne Chinese Baptist Church] / p4. Community assistance grants / p4. World Service Day for Kew Lioness Club / p4. Family Day Care / p4. Kew Living 1988 [Australian Bicentennial project] / p4. Let Sweden and France come to you [ASSE International Student Exchange] / p5. Light for sight [Villa Maria Society] / p5. Kew Community House / Judy Price p6. [Kew Citizens'] Band for Spring Racing Carnival / p6. Bicentennial Service for Kew / p6. Calling all bookworms [Holy Trinity Anglican Church] / p6. Music in the Round [MLC] / p6. Student Art Show [MLC] / p6. Amazing pipes '88! / p6. Motherhood's challenge [Kew Nursing Mothers] / Karina Buttner p7. Second holiday camp for Kew [Camp Windsor] / p7. Footy News [Kew Football Club] / p8. Cricket vacancies [Kew-Willsmere Cricket Club] / p8. Keeping you informed [Kew Citizens' Advice Bureau] / p8. Kew Bowls Season opens [Kew Bowling Club] / p8. We were wrong [Kew Football Club, Ray Martin] / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionBefore school care [East Kew Primary School] / p1. Children's Week in Kew / p1. New playgroup for Kew [Baptist Church Playgroup] / p1. Dates for October / p2. All the fun of the fair / p2. Commentary / Cr Allen Martin [Kew Conservation Study] / p3. Car cleaning made easy [Rotaract Club of Kew] / p3. Four year old kinder places [Glass Creek Kindergarten] / p3. [1989 Kew] Community Directory / p3. Notices / p4. Changes at East Kew Baptist Church [The Melbourne Chinese Baptist Church] / p4. Community assistance grants / p4. World Service Day for Kew Lioness Club / p4. Family Day Care / p4. Kew Living 1988 [Australian Bicentennial project] / p4. Let Sweden and France come to you [ASSE International Student Exchange] / p5. Light for sight [Villa Maria Society] / p5. Kew Community House / Judy Price p6. [Kew Citizens'] Band for Spring Racing Carnival / p6. Bicentennial Service for Kew / p6. Calling all bookworms [Holy Trinity Anglican Church] / p6. Music in the Round [MLC] / p6. Student Art Show [MLC] / p6. Amazing pipes '88! / p6. Motherhood's challenge [Kew Nursing Mothers] / Karina Buttner p7. Second holiday camp for Kew [Camp Windsor] / p7. Footy News [Kew Football Club] / p8. Cricket vacancies [Kew-Willsmere Cricket Club] / p8. Keeping you informed [Kew Citizens' Advice Bureau] / p8. Kew Bowls Season opens [Kew Bowling Club] / p8. We were wrong [Kew Football Club, Ray Martin] / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Journal, Kewriosity : June 1988
... time [Kew Library] / p4. Kew Living 1988 [Australian ...It rained - but the band played on [Rotunda - Alexandra Gardens, Kew Band, Australian Bicentennial] / p1. Dates for June / p2. Postage stamps, portraits and panoramas [Donald Cameron] / p2. Obituary [Mrs Gwen Gee, Kew Chess Club] / p2. Commentary / Cr Jim Tutt p3. YMCA to manage new Rec Centre [Kew Recreation Centre] / p3. Traffic - a perennial problem for Kew / p3. Did you know? [National Australia Bank] / p3. Notices / p4. Holiday time again / p4. Your rates at work / p4. Pre-school story time [Kew Library] / p4. Kew Living 1988 [Australian Bicentennial] / p4. Russian razzmatazz [Sadko Balalaika Orchestra] / p5. Metropolitan Fire Brigade visit to Council / p5. Council Review on Mother and Child Health / p5. Calling all cooks [Kew Community House] / p5. Kew Community House / Judy Price p6. What's on for young people in Kew? [Youth Resource Centre] / p6. Kew Community Action Group - 10 years on / p6. New community bus / p6. Walk your way to a fit active life [Boroondara Bushwalkers] / p7. Kew ballerina to perform in Russia [Miranda Coney] / p7. Dog warning / p7. Footy news [Kew Football Club] / p8. Keeping you informed [Citizens' Advice Bureau] / p8. Kew Emergency Flat [Kew Emergency House Steering Committee] / p8. Management Plan for Yarra Bend Park / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionIt rained - but the band played on [Rotunda - Alexandra Gardens, Kew Band, Australian Bicentennial] / p1. Dates for June / p2. Postage stamps, portraits and panoramas [Donald Cameron] / p2. Obituary [Mrs Gwen Gee, Kew Chess Club] / p2. Commentary / Cr Jim Tutt p3. YMCA to manage new Rec Centre [Kew Recreation Centre] / p3. Traffic - a perennial problem for Kew / p3. Did you know? [National Australia Bank] / p3. Notices / p4. Holiday time again / p4. Your rates at work / p4. Pre-school story time [Kew Library] / p4. Kew Living 1988 [Australian Bicentennial] / p4. Russian razzmatazz [Sadko Balalaika Orchestra] / p5. Metropolitan Fire Brigade visit to Council / p5. Council Review on Mother and Child Health / p5. Calling all cooks [Kew Community House] / p5. Kew Community House / Judy Price p6. What's on for young people in Kew? [Youth Resource Centre] / p6. Kew Community Action Group - 10 years on / p6. New community bus / p6. Walk your way to a fit active life [Boroondara Bushwalkers] / p7. Kew ballerina to perform in Russia [Miranda Coney] / p7. Dog warning / p7. Footy news [Kew Football Club] / p8. Keeping you informed [Citizens' Advice Bureau] / p8. Kew Emergency Flat [Kew Emergency House Steering Committee] / p8. Management Plan for Yarra Bend Park / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Journal, Kewriosity : February 1988
... for Kew [Stradbroke Park, Australia's Bicentennial] / p3 ...Govt Plans for Willsmere vital to Kew / p1. Kew Festival nears / p1. Rates due / p1. Dates for February / p2. [Kew] Garden Club award [John Pascoe Fawkner Bronze Medal] / p2. Back to basics [adult literacy] / p2. Commentary [St George's Hospital; Powerlines] / Cr Jim Tutt p3. An urban forest for Kew [Stradbroke Park, Australia's Bicentennial] / p3. [Community] Notices / p4. Kew friends [Friends of Kew Library] / p4. Play Scrabble? [Kew Scrabble Club] / p4. Traffic / p4. [Community Recreation Plan] / p4. Images of Kew [photographic competition] / p4. Nursing mothers / p5. Litter bugs beware / p5. Kew Community House / Judy Price p6. [Kew] Recreation Centre update / p6. Belford Oaks / p6. All get equal hearing at MLC / p7. 'Kew Living 1988' [Australia's Bicentennial] / p7. Footy fever's on again [Kew Football Club] / p8. Kew footy history [memorabilia] / p8. Boroondara Bushwalkers / p8. Citizens' Advice Bureau / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionGovt Plans for Willsmere vital to Kew / p1. Kew Festival nears / p1. Rates due / p1. Dates for February / p2. [Kew] Garden Club award [John Pascoe Fawkner Bronze Medal] / p2. Back to basics [adult literacy] / p2. Commentary [St George's Hospital; Powerlines] / Cr Jim Tutt p3. An urban forest for Kew [Stradbroke Park, Australia's Bicentennial] / p3. [Community] Notices / p4. Kew friends [Friends of Kew Library] / p4. Play Scrabble? [Kew Scrabble Club] / p4. Traffic / p4. [Community Recreation Plan] / p4. Images of Kew [photographic competition] / p4. Nursing mothers / p5. Litter bugs beware / p5. Kew Community House / Judy Price p6. [Kew] Recreation Centre update / p6. Belford Oaks / p6. All get equal hearing at MLC / p7. 'Kew Living 1988' [Australia's Bicentennial] / p7. Footy fever's on again [Kew Football Club] / p8. Kew footy history [memorabilia] / p8. Boroondara Bushwalkers / p8. Citizens' Advice Bureau / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Journal, Kewriosity : September 1986
... the celebration! ['Living together' video; Australia's Bicentennial] / p3 ...Meet the Mayor [Cr Joe Ormando] / p1. Municipal election and poll results / p1. Dates for September / p2. [Community] Notices / p2&8. Commentary by the Mayor Councillor Joe Ormando - a challenging year ahead / Cr Joe Ormando p3. Kew Integration Project / Stacey DeJean-Apeitos & Judith Sammons p3. Join the celebration! ['Living together' video; Australia's Bicentennial] / p3. Profile: Cr Philip Barnes / p4. Good gardening / Peter Davies p4. [1987] Community Directory update / p4. Kew Community House [Third term at the Community House; Trash and treasure] / Rhonda McCaw p5. Kew Peace Project a success / p5. Keeping our children safe [Safety House Program] / p5. From the Traffic School to big time basketball [Bill Mildenhall; National Basketball League] / p6. Kew [Citizens] Band wins again / p6. Adult Education Programs [Hawthorn Community Education Centre] / p6. Women's Cricket in Kew / p7. Our talented kids [Kids Collection at Q Gallery; Kew East Primary School performance] / p7. Opportunities for helping families [Care-Force] / p7. International Aid only a stone's throw away [PLAN] / p7. Cricket Club invites members [Deepdene Uniting Cricket Club] / p8. Footy news [Kew Football Club] / p8. Kew Lions honoured [AJG (Bert) Stevens; NJ Lyall] / p8. Space wanted - rent free [Kew Christmas Card Shop] / p8. Keeping you informed [Citizens' Advice Bureau] / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionMeet the Mayor [Cr Joe Ormando] / p1. Municipal election and poll results / p1. Dates for September / p2. [Community] Notices / p2&8. Commentary by the Mayor Councillor Joe Ormando - a challenging year ahead / Cr Joe Ormando p3. Kew Integration Project / Stacey DeJean-Apeitos & Judith Sammons p3. Join the celebration! ['Living together' video; Australia's Bicentennial] / p3. Profile: Cr Philip Barnes / p4. Good gardening / Peter Davies p4. [1987] Community Directory update / p4. Kew Community House [Third term at the Community House; Trash and treasure] / Rhonda McCaw p5. Kew Peace Project a success / p5. Keeping our children safe [Safety House Program] / p5. From the Traffic School to big time basketball [Bill Mildenhall; National Basketball League] / p6. Kew [Citizens] Band wins again / p6. Adult Education Programs [Hawthorn Community Education Centre] / p6. Women's Cricket in Kew / p7. Our talented kids [Kids Collection at Q Gallery; Kew East Primary School performance] / p7. Opportunities for helping families [Care-Force] / p7. International Aid only a stone's throw away [PLAN] / p7. Cricket Club invites members [Deepdene Uniting Cricket Club] / p8. Footy news [Kew Football Club] / p8. Kew Lions honoured [AJG (Bert) Stevens; NJ Lyall] / p8. Space wanted - rent free [Kew Christmas Card Shop] / p8. Keeping you informed [Citizens' Advice Bureau] / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Document, Kew Historical Society Collection : Significance Assessment, 2018
A Significance Assessment is the process of studying and understanding the meanings and values of objects and collections. It identifies the historic, aesthetic, scientific and social values that an object or collection has for past, present and future generations. The Kew Historical Society received a Community Heritage Grant from the National Library of Australia in 2017 for a significance assessment. The Grant was for three components of the overall collection: the costumes and textiles, the maps, and the pictures. However the assessment also considered the collection as a whole as it provided the context and the companions for these three components.Illustrated 39-page Final Report by Emma Russell and Alannah Croom of History@Work including - Executive Summary / p2. Investigation / p5. Assessment / p27. Statement of Significance / p33. Recommendations / p35. References / p36.non-fictionA Significance Assessment is the process of studying and understanding the meanings and values of objects and collections. It identifies the historic, aesthetic, scientific and social values that an object or collection has for past, present and future generations. The Kew Historical Society received a Community Heritage Grant from the National Library of Australia in 2017 for a significance assessment. The Grant was for three components of the overall collection: the costumes and textiles, the maps, and the pictures. However the assessment also considered the collection as a whole as it provided the context and the companions for these three components.significance assessments, historical society collections, kew historical society collection - significance assessment, community heritage grants -
Kew Historical Society Inc
Clothing - Grey silk wedding dress, 1842
This wedding gown was worn by Mary Ann Lawrence at 8.00am on 5 January 1842 at St John's Church, Launceston, when she married Francis Henty. The couple were to catch the tide on their way to Portland two hours later. Francis Henty was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Mary Ann Lawrence's grey silk wedding gown has a v-line waist and a partly smocked bodice. It is lined with muslin throughout. It has hand-tatted cotton lace and handmade piping around the neck and bodice and pleated short sleeves. There was originally trimming on the skirt which was removed at a later date. Orange blossom made of chamois and tiny coiled springs originally decorated the neckline. The outfit was complemented by a bonnet to which a Limerick lace veil was attached. Measurements (mm): Girth - Neck 914, Chest 812.8, Waist 660.4, Cuff 330.2, Hem circumference 3200.4. Vertical - Front neck to hem 1270, Front waist to hem 1016, Back neck to hem 1320.8, Back waist to hem 1041.4, Sleeve length 114.3. Horizontal - Neck to sleeve head 50.8, Chest back 406.4, Underarm to underarm 406.4.mary ann lawrence, francis henty, wedding dresses, fashion -- 1840s, women's clothing -
Kew Historical Society Inc
Clothing - Girl's dress, 1858
This dress belonged to Alice Frances Henty (1852-1932) the youngest daughter of Francis Henty (1815-89) and his wife Mary Ann Henty [nee Lawrence] (1821-81). It is recorded that Alice wore the dress at the age of six. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Girl's two-tone, one-piece cotton voile dress from the 1850s has a high round neck and short sleeves has a lace insert on the front of the bodice and matching lace at the rear. The layered skirt is bordered with lace. Measurements (mm): Girth - Neck 609.6, Chest 635, Waist 558.8, Cuff 203.2, Hem circumference 2108.2. Vertical - Front neck to hem 685.8, Front waist to hem 508, Back neck to hem 723.9, Back waist to hem 534.4, Sleeve length 63.5. Horizontal - Neck to sleeve head 38.1, Cross back 304.8, Underarm to underarm 406.4.fashion -- 1850s, children's clothing, alice frances henty -
Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.1 No.7 : December 1979
What's doing in Kew for December / p1. Kew Elder Citizens [Members; The building; Activities; The Choir; Over 80s; Opportunity Shop; Outings; Supervisor; "For Friends of the Aged"] / Gwlad Wade p1. Your news s good news / p1. Village without a name [Edgevale Road] / Barbara Giles p2. Kew Joggers Group / p2. Kinder contributes to the International Year of the Child [Davis Street Kindergarten] / p2. Christmas Church Services / p2. Australian Kite Association / Helen Bushell p2. A.R.A.F.E.M.I. - A new association for Victoria [Association of Relatives and Friends of the Emotionally and Mentally Ill] / p2. Other meetings of local interest / p2. Council News [Roadworks for the year; Municipal Offices - Access for the disabled; Parks and recreations areas; Human Services; Christmas Holiday Programme] / p2. Kew Croquet Club / p2.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fictionWhat's doing in Kew for December / p1. Kew Elder Citizens [Members; The building; Activities; The Choir; Over 80s; Opportunity Shop; Outings; Supervisor; "For Friends of the Aged"] / Gwlad Wade p1. Your news s good news / p1. Village without a name [Edgevale Road] / Barbara Giles p2. Kew Joggers Group / p2. Kinder contributes to the International Year of the Child [Davis Street Kindergarten] / p2. Christmas Church Services / p2. Australian Kite Association / Helen Bushell p2. A.R.A.F.E.M.I. - A new association for Victoria [Association of Relatives and Friends of the Emotionally and Mentally Ill] / p2. Other meetings of local interest / p2. Council News [Roadworks for the year; Municipal Offices - Access for the disabled; Parks and recreations areas; Human Services; Christmas Holiday Programme] / p2. Kew Croquet Club / p2. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.)