HMVS Lonsdale is significant as one of only three surviving second-class torpedo boats that were used in the defence of the Australian and New Zealand colonies. HMVS Lonsdale is historically significant as a rare representative of a Victorian second-class torpedo boat. Lonsdale demonstrates technical significance as an early example of the development of the fast attack torpedo craft.Round brass pressure gauge from HMVS Lonsdale with white face and black numbers. range: 0-350 lbs/sq. inchE.Boudon's Pantent Trade Mark: Delta Hannan & Buchcananhmvs, lonsdale, pressure gauge, torpeto boat

Two booklets produced for commemorative services held in London, 2015. 1.Service held in Westminster Abbey to mark the centenary of the ANZAC landings. 8 pages, printed blue on white pages 2.ANZAC Day Dawn service held Hyde Park, London. 6 pages, printed in black and white. Picture on cover.Both contain an order of service for ANZAC Day commemorative services held in London, April, 2015.commemorative service

Four white photocopy examination cards laminated upon blue cardboard and printed, SS 1189 , Golden Square, years 1941-42. Each outlines numbered marks out of ten for student named Elaine Rudd for subjects, Reading, Recitation, Spelling, Writing, Composition, English, Arithmetic A-B-C-D, History, Geography, Handwork, Art. B Rutherford and F Baggaley signatures. Written note states, 'Position; 3rd in class of 45. Excellent result. Elaine has done good work all the year. She seems to be very interested in her school work. Initialled FB.bendigo, institutions, golden square primary school

Black and white photograph of tram 18 in Ripon St after turning from Sturt St on its way to View Point. Has an Ampol Service station sign on the left-hand side. An adjacent pole has a compulsory tram stop marks. Photographer unknown.Yields information about the intersection of Ripon and Sturt Sts.Black and white photograph with photographer's notes on rear.In ink on rear - "Ripon & Sturt Sts 15-2-67 No 28"trams, tramways, tram 18, ripon st, view point, sturt st, ampol

Sandringham was originally part of the Shire of Moorabbin. On 28 February 1917, Sandringham was severed from Moorabbin and incorporated as the Borough of Sandringham. It was proclaimed a Town on 9 April 1919 and a City on 21 March 1923. This compilation marks the Jubilee year of the City of Sandringham.sandringham municipal office, councillor, mayor, portrait, municipal building, sandringham, bayside, cr. carmen watson, cr. lesley falloon, cr. paul gundry-white, cr. john merkus, cr. pauline reynolds, cr. laurence bottomly, cr. clem waters, cr. michael harwood, cr. jim bissett, jubilee year

A white ceramic milk jug. The manufacturer mark on the bottom. Part of the Aileen and John Ellison collection.Cetem ware England on the bottommilk jug, cetem ware

Small booklet titled: the Australian Survey Corps 1915-1965. On the black and white cover a picture of the entry gate at Fortuna villa. On the first page a welcome to the open day at AHQ Svy Regt on Sunday 14 November, 1965 to mark the Jubilee year, after a brief history of the Royal Australian Survey corps and of Fortuna villa, the booklet list all the personnel, black and white photos of Fortuna are included.military, world war 2

Photo taken from the store on the corner of Sturt and Grenville Street looking west along Sturt St, shows three trams at the terminus, including the large waiting room shelter. Shows the buildings along Sturt St with few pedestrians. Yields information about the view from Grenville St looking west along Sturt St BallaratCopy Photograph - Black & White - Sturt and Grenville Streets Ballarat Details the image on the rear of the print in ink. "Ballarat - Sturt St, westwards from Grenville St with trams at the City terminus. Note: Large old waiting room on roadway. Tram Nos Left 5 or 6? right - 13? Copy neg Mark Plummer collections ex late John Alfred collection. ballarat, grenville st, shelters, sturt st, esco, tram 13, tram 5

Yields information about the group of conductresses who were trained in 1942 to release their husbands for the war effort, shows them in uniform with bags.239 - Reproduction of a 1942 photograph that appeared in the Christmas New Year issue of SEC News, (1942-43), p13 showing Ballarat's tram Conductresses, traffic clerks standing in front of SECV tram 29, - laminated with 4 Velcro dots on rear. Copy negative of another copy held by Museum. 239.1 - unlaminated copy of same photograph - added 6/8/2002. Copy 2 - ex Alan Bradley's collection of photographs added 31/7/2007. 293.2 - mounted print on black cardboard with adhesive marks on rear. Both Copy 2 or 2391.1 and 239.2 ex Alan Bradley 5/2007. trams, tramways, ballarat trams, secv, conductresses, world war ii , tram 29

Black & white postcard of the Coliseum Hall soon after catching fire - 24/3/1936. In stamp area of card, has 'Kodak Australia', printed on it. In ink has written 'Coliseum Theatre, Ballarat (seating 6000). Taken 10.35am , 24 March 1936, 5 minutes after it was first observed' If card held face up to reflect light, can see imprint of cancellation stamp and cancellation machine - the wavy marks.trams, tramways, ballarat, ballarat coliseum, fire, theatres, tram 34

A wooden racquet with concave throat, white-painted throat and shoulders, plastic whipping, and black vinyl handle grip. Decal across throat on both sides features the inscription: JC HIGGINS/OUR OWN TRADE MARK/WHIZ. Incorporated into the logo is a speeding tennis ball design. Decal across left side of stem: MADE IN U.S.A. Materials: Wood, Nylon, Glue, Lacquer, Metal, Ink, Vinyl, Adhesive tape, Paint, Leather, Plastictennis

A wooden racquet with concave throat, white-painted throat and shoulders, plastic whipping, and black vinyl handle grip. Decal across throat on both sides features the inscription: JC HIGGINS/OUR OWN TRADE MARK/WHIZ. Incorporated into the logo is a speeding tennis ball design. Decal across left side of stem: MADE IN U.S.A. Handwritten 'W' across throat on obverse. Hand etched number '5186850' along stem on reverse. Materials: Wood, Nylon, Glue, Lacquer, Metal, Ink, Vinyl, Adhesive tape, Paint, Leather, Plastictennis

A wooden racquet with concave throat, white-painted throat and shoulders, plastic whipping, and red vinyl handle grip. Decal across throat on both sides features the inscription: JC HIGGINS/OUR OWN TRADE MARK/WHIZ. Incorporated into the logo is a speeding tennis ball design. Decal across left side of stem: MADE IN U.S.A. Materials: Wood, Nylon, Glue, Lacquer, Metal, Ink, Vinyl, Adhesive tape, Paint, Leather, Plastictennis

A wooden racquet with a concave throat, blue plastic shoulder and stem supports, white whipping, and grooved handle. Inscription along the throat on obverse: CONQUEROR. Manufacturer's mark, featured on throat on reverse, comprises of the letter 'M' at the centre of a circular, banded shield. Inscription: N.J. MAGNAN CORP./NORTH ATTLEBORO,MASS,U.S.A. Materials: Wood, Gut, String, Leather, Cloth, Metal, Glue, Lacquer, Ink, Plastictennis

A wooden racquet with a concave throat, green-marbled, clear plastic shoulder supports, white and black whipping, and grooved handle. Inscription along the throat on obverse: SUPREME. Manufacturer's mark, featured on throat on reverse, comprises of the letter 'M' at the centre of a circular, banded shield. Inscription: N.J. MAGNAN CORP./NORTH ATTLEBORO,MASS,U.S.A. Manufacturer's details also feature across left side of stem. Materials: Wood, Nylon, String, Leather, Cloth, Metal, Glue, Lacquer, Ink, Plastictennis

A wooden racquet with red and white plastic shoulder bands, red gut, and a grooved handle. Inscription across throat of obverse: ACE. Decal trademark featured across throat on reverse, comprising of an encircled racquet presented behind two ribbon devices. Inscription: C.L.GODFREY/THE PEAK/OF QUALITY/TRADE MARK/PAWTUCKET,/R.I. Materials: Wood, Gut, Plastic, Ink, Leather, Cloth, Metal, Glue, Lacquertennis

A Rawlings, John Newcombe, 'The Mark of A Pro' tennis racquet, for young players, with string whipping around shoulders and shaft, and leather handle grip with quatrefoil perforations. Rawlings logo features across base of head. Model name features across throat and along shaft. Rawlings red, black and white 'R' trademark features on lower shaft, and black 'R' on butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Paint, Leather, Stringtennis

A Rawlings, John Newcombe, 'The Mark of A Pro' tennis racquet, with string whipping around shoulders and shaft, and leather handle grip with quatrefoil perforations. Rawlings logo features across base of head. Model name features across throat and along shaft. Rawlings red, black and white 'R' trademark features on lower shaft, and black 'R' on butt cap. Adhesive tape, with feint remnants of former owner's name features across throat on obverse. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Paint, Leather, Stringtennis

Arthur Henry Miers played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Black and white original print positive of M&MTB Roster Clerks, posed leaning over a desk with print rosters. L-R. Eddie Blatchford, Arthur Miers and G Marks.Stamped: "Copyright / Not for reproduction / Herald Sun Feature Service / Melbourne Australia"mmtb, m&mtb, melbourne and metropolitan board of works, arthur miers, eddie blatchford, g marks

One of seven photographs produced by the Portland Cement Association in 1921 showing how concrete kerbs could be created. Portland Cement Association (PCA) was founded in 1916. From 1917, the association actively promoted the benefits of concrete for road works in Australian newspapers. In the nineteenth century in Melbourne (Vic.) 'made roads' typically had gutters and kerbing lined with bluestone.The photographs are important evidence of the availability of instructional models for the use of concrete in street works in Victoria. While the photographs date from the early 1920s, the use of concrete for kerbing did not reach its maturity until after World War 2. The photos demonstrate knowledge about and the use of concrete in street works in a major Melbourne municipality at an early period.Black and white photograph with printed instructions on the reverse showing the production of concrete kerbing on 67th Street, West Allis, Milwaukee, Wisconsin (USA). The photograph was produced by the Portland Cement Association of Chicago in 1921 and used within the Chief Engineer's Department of the City of Kew (Vic.)."7th - Brushing Surface with flat brush, wet with clean water, to remove tool marks and small surface irregularities." street works, kerbing, gutters, concrete, portland cement association

Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Jack had met Eric Mercy, a cousin of Minnie’s, in the Australian Imperial Force (AIF) and visited the Wilmotts with him whilst on leave from France. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. By 1931 Doris and Jack and their three sons - John Willmott, Winfield Robert Curtis and Peter Reginald Dane - moved to 21 Tooronga Road, Hawthorn but moved back to his father’s home, Therapia, 2 (now 6) Hepburn Street, Auburn, shortly before his father’s death. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).The collection of evening clothes owned and worn by Doris Mercy Bennett, of which this item is one, date from the 1930s and may have been purchased in Australia or in the United Kingdom. Each of the items, apart from the evening dress, which has a few minor tears in the lace, is of fine quality and evidences Doris Bennett’s love of glamour and style. While the evening dress and the mantilla are of the same fabric, the two capes might have been worn with the dress as alternative fashion accessories. None of the items has a maker’s mark, however each displays evidence of fine dressmaking skills. It is however probable that the two fitted capes were commercially made.Long black lace, floor-length evening dress extending to a short train at the back. The dress has a belt at the waist that is joined by two white metal clasps studded with diamentes. With the dress there is also a matching lace square (2017.00921) that might have been used as a mantilla or as a shawl. The dress was owned and worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her grandaughter. women's clothing, evening wear, evening dresses, doris bennett (nee wilmott)

White china gravy boat with blue floral pattern on exterior, extending from rim to around 1/3 down the side, and leaf pattern on rounded handle. Large spout or lip for pouring. Some blue marks on inside.Maker's mark on base, circular stamp with female figure in centre. 'PEONY' printed at top, '… Pottery Coy Ltd. Glasgow' printed around circle, some missing because of bad printing. 'Made in Scotland' at bottom.domestic items, food & drink consumption, gravy, boat, container, blue and white, china, peony, scotland, glasgow

Under the auspices of the Deaf Committee of the Adult Deaf and Dumb Society of Victoria - Edited by R. H. Lambert, assited by H. PuddyThe significance of these newsletters is in the detail of information they contain about the people and activities of the Deaf community in Victoria and interstate.Vol. 1 No. 5, September-October 1930; Size 21.5cmHx14cmWw. ashby, h. puddy, j. o'gorman, kendall, john adcock, w. j. mcaskill, p. smith, w. anderson, s. moss, j. moran, m. groves, h. wilson, mr donaldson, v. west, mrs j. m. johnston, c. hennessey, w. hateley, a. hateley, herbert mark, florrie tyzzer,r. white, s. ferguson, mrs g. damman, mrs j. e. muir, florrie blair, h. mackenzie, r. stewart, c. a. buck, lon chaney, j. d. brook, j. w. booth, mr and mrs bladier, mr and mrs w. anderson, victorian adult deaf cricket club, deaf workers club, young mens club, young ladies club, tennis, hockeynsw deaf and dumb citizens association

A bi-monthly magazine published by the Deaf Committee of the Adult Deaf and Dumb Society of Victoria. E. Johnson, Editor, H. Puddy, Manager'The Victorian Deaf' Newsletter is a significant publication as an historical record giving and insight into the people, activities and events of the Deaf Community in Victoria.Vol. 2 No. 2, April 1931; Size 21.5cmHx14cmWalice graham, fred kendall, maurice marks, warrie ashby, hennessey, len ashley, rev f. w. g. gilbey, karl pearson, edgar schuster, dr. kerr love, mcaleod yearsley, dr haslam, charles heath, helen keller, ida m tarbell, anne sullivan, womens guild, mens guild, lacrosse, solomon moss, lucy moss, allsop, sutherland, james gibson, mrs lawson, mrs muir, ashby, maloney, e. rose, g. mortimer, c. hunt, j. mason, r. white, e. rainesw. h. crush, a. aird, v. wilson, h. s. nathan, halliday, nolan, j. lindsay,

Newspaper articles. Sunday Herald Sun. Black and white photograph of Jenny Bright. wineries, shows and exhibitions