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Hand Tool Preservation Association of Australia Inc
Chisel
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.chisel, wood turning -
Hand Tool Preservation Association of Australia Inc
Chisel
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.chisel, wood turning -
Hand Tool Preservation Association of Australia Inc
Chisel
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.chisel, wood turning -
Hand Tool Preservation Association of Australia Inc
Chisel
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.chisel, wood turning -
Hand Tool Preservation Association of Australia Inc
Chisel
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.chisel, wood turning -
Hand Tool Preservation Association of Australia Inc
Chisel
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.chisel, wood turning -
Hand Tool Preservation Association of Australia Inc
Chisel
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.chisel, wood turning -
Geelong Gallery
Decorative object - 1874 Geelong gold cup, FISCHER, Edward, 1874
Gold and stained wood -
Geelong Gallery
Decorative object - 1890 Geelong gold cup, FISCHER, Edward, 1890
Gold and ebonised wood -
Beechworth RSL Sub-Branch
Sydney P Howe photo
Sydney P Howe 2,6 infantry battalionWood frame with brass -
Charlton RSL Sub Branch
Print - Framed print Major General Harold Edward 'Pompey" Elliott, Framed print
Wood framed print -
Charlton RSL Sub Branch
Print - Framed print of Allied surrender of Singapore Island, Framed print
Wood and glass frame -
Parks Victoria - Gabo Island Lightstation
Flagpole
Found on a wood heap near the tractor shed. Only the top portion remains. The former fixture is the tapered top section of the wooden flagpole that formerly stood at the front of the head keepers quarters. There is a hole with attached metal pulley near the top which allowed for hoisting the flags to signal passing ships. Signal flags were hoisted on the flagpole and were used to communicate with passing shipping. Messages were then relayed by the overland telegraph line to Eden. Remains of black paint provide evidence of the blackout measures implemented during World War 11. The pole is currently fixed to a stand to allow for its display.The pole remnant has second level significance for its historic value and provenance.Top sction of a flagpole. At the top it is tapered and fashioned into a square section. Near the top of the pole is a hole with a metal pulley inside. There is black and white paint flaking off leaving bare wood. -
Wangaratta RSL Sub Branch
Instrument - Pilot Balloon Slide Rule
The Mark II Pilot Balloon Slide Rule was made of wood laminated with heavy white plastic with a length of 24.5-in. and width of 2.5 inches. Mark II rules were manufactured in Australia by W & G (Melbourne). The W & G rule differs only slightly from the English A. G. Thornton LTD rule. The W & G rule uses serif fonts and has some fiducial marks that the English rule lacks. Exact dates of production are not known but the MK II is known to have started production by 1927. The printed scales are engraved in the plastic faces. The slide rule has 4 captive cursors (glass windows and brass guides) that ride in slots on the top and bottom edges. Each can be moved independently of one another. The cursors are missing from this item. Brass knobs at both ends of the slide facilitate its movement. The case is fabric covered wood with felt lining. No known history for this item as located in a property after purchase. The Pilot Balloon slide rule is used to convert the observed azimuth and elevation readings into wind velocity and direction records. The use of slide rules was abandoned with the wide spread adoption of computers and programs to do the calculations, as well as the decline in the use of optical pilot balloon theodolites.Made in Australia by White & Gillespie (Melb) Pty Ltd. Established in 1910, the firm was involved mainly in printing plate manufacture, but during the Second World War it manufactured a variety of navigational aids and range finding devices for the military. About 250,000 instruments were made during that period. After the war the company produced, among other items, drawing instruments and slide rules. The long narrow case is fabric covered wood with felt fabric lining containing a long black laminate ruler with numerous white markings and numbers. Top of the ruler is in three sections with the centre section movable by small gold metal knobs at either end. This slide rule contains a engraved notation on the rear face "IMPORTANT. NORMALLY NUMBER OF GRATICULE SCALE DIVISIONS PER RADIAN (K) X LENGTH OF TAIL IN FEET (I) = 12X 105. IN OTHER CASES MULTIPLY GRATICULE READINGS BY 1.2/KI BEFORE CALCULATION ON RULE" Top of Slide Rule - RAAF Ident No G268/480 Serial WG/22pilot balloon slide rule, raaf -
Flagstaff Hill Maritime Museum and Village
Memorabilia - Wood Sample, about 1871
The American wooden ship Eric the Red was named after the Icelandic Viking Eric 'the Red-Haired' Thorvaldsson, who was the first European to reach the shores of North America in 980 A.D. The ship Eric the Red was owned by the Sewall family of Bath, Maine, between 1873 and 1877 it operated in the coal trade between Britain and America. It then operated on the South American guano/ nitrates trade, before again trading between Europe and New York. On this voyage the Eric the Red had been chartered to carry a full cargo of American merchandise including many exhibits bound for the international exhibition to be held in Melbourne in 1880. Eighty-five days out from New York with 23 crew and two passengers, the Eric the Red approached Cape Otway nearing the end of its long voyage. At 1 am on 4 September the weather was hazy with a moderate north-westerly wind, Captain Jacques Allen had all sail set except for the mizzen-royal and the cross jack sails doing 8 knots, and was steering by the light to keep 5-6 miles offshore and clear of Otway Reef. Returning to the deck after consulting his charts the ship bumped as it ran onto the Otway Reef. It struck a second time and then a heavy sea carried away the wheel ropes and the man at the wheel. A third bump carried away the rudder, and shortly after this the ship completely broke up - within twelve minutes it had disappeared but for floating wreckage and cargo. Captain Jacques Allen recounted that: "The mizzen topmast fell with all the rigging, but strange to say, not a man was hurt by it, although they were all standing about. As soon as I found out there was no hope I said to Ned Sewell, the owner's son, and the third mate on board "Stick to me, and hang on to this mizzen mast". I peeled off everything I had on except my drawers thinking I would be able to swim better without my clothes; and Sewell and myself, clinging to the mast, were washed overboard...It was a fearful sea; I have never seen anything like it". Attempting to swim to a more substantial raft of wreckage, and losing touch with young Sewell in the process, Captain Allen struck out: " Just as I left the spar my drawers got down my legs, and entangled them, and down I went. I managed to clear one of my legs and on coming up I managed to get hold of some floating timber. There was a clear space of water between this timber and the deck, except for the spare royal yard, and I again started, but the surf struck me and I went over and over. I managed to get hold of the spare yard, and after holding on to it for some time I managed to get to the deck. When I was pulled on to it I could not move, being so numb and cramped with the cold. The men had some blankets and other things which they had got from the passengers' room in the deck house, and they wrapped me in these. Shortly after I got onto the wreck we made out the steamer's lights, and as soon as she was within hearing distance the men haled. This must have been about half-past four the Captain of the Dawn sent two of his boats to cruise about, and at daylight, they picked us up off the wreck. We had drifted about four miles from the reef where the ship struck, all those who were rescued were more or less bruised. One man had two or three ribs broken, and another had some fingers crushed off. My left foot is very much hurt, and I am black and blue from head to foot. I never knew such ten minutes as that of the wreck, and I thought the time had come for me to 'hand in my checks'. The ship was worth about £15,000, and neither it nor the freight was insured one dollar". (Argus 14/9/1880). Three of the crew and one of the passengers had been swept away and drowned. Fortunately for those clinging to the remains of the shattered hull and floating wreckage, the steamer SS Dawn passed close by and the crew heard the distressed cries of the survivors. Boats were lowered and the survivors were rescued. The Dawn stayed in the area for several hours searching for more survivors. One body was found washed up at Cape Otway and was buried in the lighthouse cemetery. The captain and crew of the Dawn later received rewards and thanks from the United States consul for their efforts. The hull and cargo were sold for £410, and large rafts of floating wreckage and cargo washed up all over the Victorian coast. A section of the hull lies buried in the sand at the Parker River beach, an anchor is on the rocks at Point Franklin, a second anchor is on display at the Cape Otway lighthouse and parts of the ship are on display at Bimbi Park and the Apollo Bay museum. Various wreckage is located in a concentration off Point Franklin, but suitable diving conditions are rare due to waves and strong currents. At the time of the wreck parts of its were salvaged and used in the construction of houses and sheds around Apollo Bay, including Milford House (since burnt down in bush fires), which had furniture and fittings from the ship, and the dining room floor made out of its timbers. A ketch the Apollo was also built from its timbers and subsequently used in Tasmanian waters.The Eric the Red is historically significant as one of Victoria's major 19th-century shipwrecks. The wreck led to the provision of an additional warning light placed below the Cape Otway lighthouse to alert mariners to the location of Otway Reef. The site is archaeologically significant for its remains of a large and varied cargo and ship's fittings being scattered over a wide area. The site is recreationally and aesthetically significant as it is one of the few sites along this coast where tourists can visit identifiable remains of a large wooden shipwreck and for its location set against the background of Cape Otway, Bass Strait, and the Cape Otway lighthouse. (Victorian Heritage Database Registration Number S 239, Official Number 8745 USA) Wood sample from the wreck of the ship Eric the Red the wood is dark in colour and is very light in weight. Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwreck-artefact, eric-the-red, zaccheus-allen, sewall, 1880, melbourne-exhibition, cape-otway, otway-reef, wood-sample, s.s.-dawn -
Coal Creek Community Park & Museum
Piano, Zenker & Schultes Upright Piano
Piano made of wood. Original wood has been painted over. The maker's name is Zenker & Schultes. -
Tatura Irrigation & Wartime Camps Museum
Vase - wooden, 1942
One of a pair of wood turned vases, urn shape. Polished dark wood. Glass insert in this one.wood, vase, internee -
Tatura Irrigation & Wartime Camps Museum
Vase - wooden, Karl Wied, 1942
One of a pair of turned wood vases. Polished dark wood. Glass insert in one. (see C0232) -
Tennis Australia
Racquet, Circa 1930
Collegian wood tennis racquet, strung with nylon strings. Materials: Wood, Nylon, Paint, Cloth tapetennis -
Tennis Australia
Racquet, Circa 1983
A Donnay 'Ace' wood tennis racquet. Materials: Wood, Plastic, Adhesive tape, Leather, Nylon, Fibreglasstennis -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Plaque - 22nd Battalion RVR plaque
metal colour unit badge, the rifle on the badge appears to be the SLR, the wood used in the plaque is dark wood -
Mission to Seafarers Victoria
Decorative object - Lamp, c. 1930
From research from PROV, maker could be Arthur Apps, a Victorian Railways employee (Head Office liftman), who was making those lamps to sell for his "favourite" charity, the Children's Hospital where he was a Life Governor. (Victorian Railways newsletter April 1948, p 11)The lighthouse is the symbol of hope and security for seafarers.Lighthouse shaped lamp with art deco lamp shade. Base is mallee wood, lighthouse is kauri wood.lighthouse, lamp, maritime art, art deco -
Tennis Australia
Paddle, Circa 1900
A vellum paddle, wood framed with lacquered wood handle. Leather around edge of head and string whipping around throat. Stamp on vellum features bulldog trademark. Impressed into wood handle are words: 'THE CLUB' and an illegible brand name. Materials: Wood, Lacquer, Leather, Vellum, Stringtennis -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Plaque, The Royal Scots
Plaque, wood shield shaped backing on which mounted wood carved badge of The Royal Scots on tartan underlayOn back: Presented by Capt L Taylorplaque, royal scots -
Orbost & District Historical Society
dining chair, from about 1906 until the 1930s
This item is an example of domestic furniture created to reflect an Australiana type design with Australian motifs.Australiana lyre bird wood dining chair. Lyre bird carving on head rest. Wood turned structuressRID 254chair dining-chair furniture-domestic -
Flagstaff Hill Maritime Museum and Village
Block
2 sheave wood block with straps, becket with holes for bolt. Wood has cracks and chips taken out.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood block -
Tatura Irrigation & Wartime Camps Museum
Abacus, Between 1939-1945
Camp 3 was one of the Tatura Group of civilian & prisoner of war internment camps during World War 2. Camp 3 was a civilian 'family' camp. The abacus was made by a German internee, for his son in the camp. It was made from scrap materials found in and around the camp & the beads & other wooden parts of the abacus were turned on a lathe also constructed by the internees. Wood & metal abacus with wooden base, sides & beads (100), & metal rails. Wood painted red & black. camp 3, tatura, internment camps, civilian internees -
Uniting Church Archives - Synod of Victoria
Symbol
The Esquire's Mark symbol. Square brass symbol with wood base and wood cover. Symbol has a blue background.methodist order of knights -
Uniting Church Archives - Synod of Victoria
Symbol
Degree of Sacrifice symbol. Round brass symbol with wood base and wood cover. Symbol has a red background."Sacrifice"methodist order of knights -
Tennis Australia
Racquet, Circa 1920
Slazengers 'Thors' model racquet with metal head and wood handle. Handle finely grooved. Materials: Wood, Metaltennis