Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. P.C. Edwards, Mayor of Kew 1928-9. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. P.C. Edwards / Mayor 1928-9mayors of kew (vic), cr. percy clifton edwards, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. J.R. Mathers, Mayor of Kew 1930-1. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "J.R. Mathers / Mayor 1930-1"cr. j.r. mathers, mayors of kew (vic), kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. C.S. Parry, Mayor of Kew 1931-32. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.[Inscription] "C.S. Parry, Mayor 1931-32" [Photographer] "Melba / Melbourne"australian photographers - melba - melbourne, cr. c.s. parry, mayors of kew (vic), kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. A.G. Gutteridge, Mayor of Kew 1933-34. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. A.G. Gutteridge / Mayor 1933-'34 C Stuart Tompkins / Photo / Camberwellmayors of kew (vic), australian photographers - c. stuart tompkins - camberwell (vic), kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. H.L. Morgan, Mayor of Kew 1936-7. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.H.L. Morgan / Mayor 1936-7 Melba, Melbournemayors of kew (vic), australian photographers - melba - melbourne, cr. h.l. morgan, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. W.J. Price, Mayor of Kew 1940-1. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. W.J. Price / Mayor 1940-41 C Stuart Tompkins ARPS / Camberwellmayors of kew (vic), australian photographers - c. stuart tompkins a.r.p.s. - camberwell (vic), cr. w.j. price, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. G.F. Pedersen, Mayor of Kew 1941-2. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. G.F. Pedersen / Mayor 1941-2 H Pullan Cooke Studiosmayors of kew (vic), australian photographers - h pullan cooke studios, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. H.E. Brehaut, Mayor of Kew 1942-3. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. H.E. Brehaut, Mayor 1942-3 C Stuart Tomlins ARPS / Camberwellmayors of kew, cr. h.e. brehaut, australian photographers - c. stuart tompkins a.r.p.s. - camberwell (vic), kew (vic.) — municipal collection

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic GardensA primary source of information on memories of the Gardens. Chic is the daughter of Ernie Anderson who worked at the Gardens from the age of 15 until he retired at 65. Ernie’s full name was Ernest Rupert Cyril Anderson. Chic verified from her Mother’s bible that her Father was born 19th June 1895. The Anderson family moved into the Curator’s Lodge in the grounds of the Gardens in 1938 following the death of the previous Curator, William Joseph Crowe. CD and transcript of interview with Chic Wyatt (nee Anderson) and her memories of the Gardens from her childhood through to adulthood. The purpose of the interview is to discuss a collection of photos she lent to the Gardens for copying (registration no. 2013.001) and to recall memories of her Father, Ernie Anderson and of living in the grounds.chic anderson, chic wyatt, anderson, fish pond, ornamental lake, gates, curator, horse, army camp, americans, world war 2, cannons, williamstown botanic gardens, hobsons bay city council, william joseph crowe

Murray Comrie Collection. Murray Comrie's information about Renshaw's to be added. This photograph is a dark copy probably created from an older original.Monochrome photograph of people outside Renshaw's Store in Tarnagulla. Three women standing on curb and a man standing on wagon with two harnessed horses. The woman in the middle is Mary Renshaw, and she is surrounded by her daughters. The gable roof of the Golden Age Hotel can be seen dimly on the left.tarnagulla, renshaw's, renshaws, renshaw, shops, businesses, commercial road

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of an Indonesian Naval training ship, cutting across the bow of the Vung Tau Ferry HMAS Sydney as she moves through the Sunda Strait on the way to taking 9th Battalion to Vietnam. The sailing vessel repeatedly cut back and forth across the Sydney's bow.photograph, hmas sydney, vung tau ferry, 9th battalion, royal australian regiment, sundra strait, gibbons collection catalogue, denis gibbons, photographer, vietnam war, indonesian naval training ship

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Nursing Sister, Capt Ann Hall. She is in deep conversation with a patient at the 1st Australian Field Hospital, Vung Tau, South Vietnam, as he waits his turn to be loaded onto a stretcher to be medivaced back to Australia by an RAAF C130 Medivac flight.photograph, capt ann hall, 1st australian field hospital, vung tau, raaf, c130 medivac flight, gibbons collection catalogue, denis gibbons, photographer, vietnam war, nurses, australian army nurses

A fading crimson envelope containing items of interest. The envelope is addressed to, ' Mrs L. Chancellor, Room 22, Bethlehem.' - (i) A handwritten letter to Mrs Chancellor from Nancy ? From Box 3 Colbinabbin dated 1-11-73 telling of family activities. (ii) A handwritten letter on pink writing paper from Mrs Janice McGowan, 3 Churchill Ave., Flora Hill, Bendigo. It appears she is asking Lydia for information on some possessions of hers so she can value them. Lydia has written on the top of the letter, ' ans. & posted it 18/4/75.' (iii) some handwritten lists on note paper with pictures of roses on it.ephemera, mementoes, correspondence, lydia chancellor, collection, correspondence, death notice, ephemera, personal effects, communication

Photo of a woman of about sixty standing in a garden with a house in the background. The woman has thick grey/white hair swept back, and she is unsmiling and looking to her left. She is wearing a dark skirt and jacket with three buttons over a pale blouse with a frilled collar. In her hands is a twig or piece of grass or similar. There is a wedding ring on her hand. The house in the background is the same house as in other photos. The land slopes upwards and Monbulk Road is most likely hidden by the thick bush behind the house. Trees and bracken edge a cleared area of land. The house is probably located at present-day 20 Monbulk Road, Belgrave and is no longer standing.

Collection of newspaper articles and colour photo of Violee Davey, who was a student at Golden Square Laurel St. 1189. Violee was born on 10th June, 1906, to David and Margaret Davey, one of 16 ? Children. She was a volunteer at the Bendigo Easter Fair for 81 years. She received the Order of Australia Medal for services to community. Violee was the oldest living ex pupil at the 125h. Anniversary celebrations in 1998. Photo shows Violee cutting the 125th. Centenary cake, with Zac Allen, the youngest student. Photo is entitled 'youngest and oldest student' Article 'Happy days recalled' tells the story of Violee's days at Golden Square Primary and the celebration of her 100th. Birthday.Bendigo Advetrtisereducation, primary, golden square laurel st p.s.

This image shows two of the 'Melbourne District Nursing Society After Care Home' Sisters who worked in the After Care section of the Society during the 1930s. The image was taken on the balcony of the After Care Home at 39 Victoria Parade, Collingwood. It depicts the style of uniforms worn by trained nurses (Sisters) in that era. The Society were pioneers in recognizing the need for premises where patients too ill to be in their own home, but not ill enough to go to hospital, was needed, and the Melbourne District Nursing Society (MDNS) built, then opened, the After-Care Home in 1926, (from 1934 called After-Care Hospital), for these patients, and patients from Melbourne Hospitals who required recuperation before returning to their home. Many children were nursed there, some long term during the Polio epidemic, and the Society employed two School Teachers. The Society now ran two divisions, the After-Care with its own nursing staff and the District division. The Society were the first in Melbourne, in early 1928, to recognize some patients leaving the After-Care, and many at home, needed further social care and they set up ‘Almoners’ from their committee to visit these patients and be intermediaries in getting them social assistance. It was late the following year before the first training of Almoners took place in Melbourne. In 1930 the Society employed a full time kindergarten teacher to visit poor children in their homes. That year the Society were pioneers in opening an Ante-Natal Clinic at the After-Care, setting a high standard with equipment, keeping records and providing leaflets with instructions in how to keep healthy during pregnancy, what complications to look for and what to do when labour commenced. In 1934 the Society were pioneers again when they opened the first Women’s Welfare Clinic in Melbourne giving advice on birth-control, at first attended by their own patients, but then accepting patients from public hospitals until their own clinics were opened. A trained Almoner was employed in 1934 but only stayed twelve months due to the amount of work required. Due to shortage of trained Almoners, a Social Service Officer was employed at the After-Care who successfully gained better housing from the Housing Commission for families living under unsuitable conditions. In the 1950s the Hospital and Charities Commission decided to take over the After-Care Hospital, so the Melbourne District Nursing Society and After-Care Hospital separated and the Melbourne District Nursing Service was formed, setting up Headquarters at 452 St. Kilda Road. With Royal patronage the name changed in 1966 to Royal District Nursing Service (RDNS).Digital image of two Sisters from the Melbourne District Nursing Society (MDNS) After-Care Home standing on the balcony of their building. The Sister on the left hand side is wearing a dark cape over her white uniform; she wears a white veil over her dark hair. The Sister on the right hand side is wearing a long white apron over her grey uniform which has white cuffs on the sleeves. She is wearing a white veil over her dark hair. They are leaning on the scrolled metal rail of the balcony which runs along the grey building; part of which can be seen behind them.mdns, melbourne district nursing society, after- care hospital, after-care home, rdns, royal district nursing service, nurses uniforms

Compares the College of today with the College 29 years ago especially in relation to the proportion of female students.2 copies of Article in "The Sun" July 26, 1963 p22. (1) "Susan Axnick, 18, finds plenty of poppies ready for the picking in the plot she has been tending. In the shops now these are as scarce as vegetables." (2) "Tractors have come these days even to the small plots of the horticulturalist. Here Lawrice Inglis, 17, (1966) drives while Paul Bucknell (1966), 16, left, and Rod Dawson (1966), 17, stand with their shovels ready." (3) "Cathy Taylor (1965), 18, a second year prefect at the school, holds up two cauliflowers of a size that would be hard to buy anywhere today. She grew them herself."lawrice inglis, paul bucknell, rod dawson, cathy taylor, susan axnick, poppies, students working outside, tractor, prefect, cauliflower, orchard

Sister Watt is an RDNS Liaison Sister and has arrived at the Community Care Centre at Southern Memorial Hospital where she works. She attends discharge meetings and visits patients who will need nursing care from RDNS when they go home. Sr. Watt is wearing the RDNS winter uniform of a blue/grey skivvie under a blue/grey V neck tunic style dress made of herringbone winter material. The RDNS logo on the car is a royal blue edged circle with the words "Royal District Nursing Service" written in white capital letters around it. The centre of the circle is divided in three with the upper and lower sections white, and the centre section royal blue with white capital letters "RDNS".Liaison had occurred between Doctors and the Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885. This increased when Midwifery was introduced in August 1893 with close liaising with the Women’s Hospital. As District nursing grew it was recognized that closer liaising between many Public Hospitals would be beneficial, for not only the MDNS, later called Royal District Nursing Service (RDNS), Trained nurses (Sisters), but also for the patients and the hospitals. In August 1964 a Liaison Officer commenced at the Alfred Hospital. This soon increased to Liaison Officers working full time at several Public Hospitals. They facilitated the smooth transition from hospital to home for many patients who required ongoing nursing care. Liaison Sisters regularly attended discharge planning meetings, interviewed prospective patients, co-ordinated discharge and booked the first visit by the visiting RDNS Sister. At the time of a patient’s discharge, the Liaison Sister forwarded information on their diagnosis and instructions regarding the care required at home to the appropriate RDNS Centre, and in turn the attending District Sister wrote a report of progress and any queries to the Hospital Doctor, via the Liaison Sister, at the time the patient was attending outpatients. Any new instructions were then sent back to the District Sister. Liaising also occurred between District Sisters and Doctors when patients were referred by General Practitioners and did not attend a hospital.On the left of this black and white photograph is Royal District Nursing Service (RDNS) Sister (Sr.) Helen Watt, who has short dark wavy hair; is smiling and is looking towards the camera. She is standing with her left hand on the bottom edge of a large white sign with a black border and capital letters. It reads, in four lines, "Community Care Centre/, Southern Memorial Hospital/, 240 Kooyong Road/, Caulfield/." Sr. Watt is wearing a light grey skivvie and a darker grey V neck tunic style frock. Her right hand is holding the solid horseshoe style handle on top of a black leather bag with the light colored letters "RDNS" in the upper centre. The sign is held up with white round poles either side. These are placed in a garden bed with low foliage and a rock border. Directly behind Sr. Watt is a grey Torana car with the RDNS logo on the upper section of the door. In the left background, behind the car, is a wooden fence and behind that a brick building with a tiled roof and a large window. In the right background, behind the sign, Is part of a brick building with part of a doorway. It has a flat roof.Barry Sutton LO 28royal district nursing service, rdns, rdns liaison, rdns uniform, sister helen watt

A woman wearing a hat and gloves removes an Australian flag to unveil a plaque in a rock commemorating the Pioneers of Ascot, Victoria from 1838. The plaque is in front of the Ascot District Community Hall. The woman is Mary Coghill Holmes, in 1988 she was the oldest living descendent of the district's pioneer Coghill FamiiyIn blue ballpoint pen verso: "Auntie Mary coghill - Holmes. Ascot 150 years Celebrations in from of Ascot Hall. chatham, chatham family collection, ascot, mary coghill, mary holmes, mary coghill-holmes

Photograph - black and white. Portrait of a woman. She has tight curls. Wearing a high collar, lacy neck tie, satin ribbon on shoulders and around neck. Wearing sleeper earring. Written on back 'Phoebe Jane Lansell, youngest child of Wootton Lansell, (brother of George and William).'Eden Society Studiosperson, individual, female portrait, photograph. portrait of phoebe jane lansell. daughter of wootton lansell.

A light blue card depicting a bunch of blue flowers. Forget-me-nots) In the top right hand corner is pasted a photo of an unknown woman (head and shoulders). She is wearing some ornate jewellery, 2 chains and a choker. At the bottom of the card is written 'Birthday greeting' in ornate scriptcottage, miners, birthday card, birthday card

Studio photograph of an unknown bridal couple. The woman is wearing a white wedding dress with a long train. She is wearing gloves and an elaborate attachment to the veil on her head. The man has a moustache and is wearing a dark coloured three piece suit, he is half seated on the back of an ornate chair.Bartlett Bros. Sandhurstperson, family, wedding photo, bartlett bros.

Black and white photo of five bandsmen and lady. (Gerversoni orchestra). The lady is holding a rolled piece of paper and she is wearing an evening dress. The men are wearing dinner suits. Their musical instruments are a violin, two wind instruments, banjo, bass drum and above the drum are five rounded bells?photo, group, bandsmen, peter ellis collection, gavasonis orchestra

Four pages from school report dated 1967, for Leonie Saville. Comment at end 'Leonie is making very good progress, but she must try to control all un-necessary talking.' Signed M. McClellan, teacher, F. Robinson Infant Mistress, B. Saville, parent.education, primary, golden square laurel st p.s.

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. W. M. Derrick, Mayor of Kew 1864-5. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.W.M. Derrick / Mayor 1864-5mayor of kew, cr. w. m. derrick, photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. Herbert J. Henty, Mayor of Kew 1868-9. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Herbert J. Henty, Mayor [of Kew] 1868-9mayor of kew, cr. herbert j henty, kew (vic.) — municipal collection

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. Robert M. Young, Mayor of Kew 1869-70. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Robert M. Young, Mayor [of Kew] 1869-70cr. robert m. young, mayors of kew (vic), kew (vic.) — municipal collection