Huttley- MartinB/W: 2 people, Model T. on Slope of hill, with Flat Tire, Woman in long light coat.huttley, martin

Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Main Street Stawell. Showing shops and businesses in Main Street. education, shops, main street, streetscape

Mixed media on board-

Charcoal on paper

People - "Monti, Joseph Leonard"

See also NP1810 Cross Ref. ND1837.mitcham railway station, glasson, bill

Coloured photo of Blackburn Railway Station area. New third track and platform being added for a terminus while Box Hill Railway station alterations are made.blackburn railway station, car park

Colour photograph used in the television series 'Dr Blake'.car, dr blake

Black and white photograph (Print) with mountboard surround, enclosed in a timber frame (painted green) with Perspex glazing. Hanging string attached at back.car 208, defibrillator

Site said to be the new Mt. Dandenong Tourist Road a short distance past present Silvandale Store (Kalorama Post Office now). Early model vehicle and passengers delayed by tree across road. Not much progress being made with axe.kalorama, mt. dandenong tourist road, silvandale store

Photo from Accession AS/14/612

Colour Photo taken from slide

Has a strong association with event following the Sebastopol horse tram depot fire of 1909, where ESCo obtained further horse trams from the Adelaide trams. Copies of letters.Photocopies of a set of copy letters from the State Records of South Australia, Reference GRG 22/31/Vol. D. Copy of letters between Benjamin Deakin, Engineer and Manger ESCo and the Chief Engineer and General Manager of the Adelaide Metropolitan Tramways Trust regarding the purchase of horse trams harness and other equipment following the Sebastopol depot fire. Correspondence dated Oct. 1909. Has a header sheet - see image file.trams, tramways, horse trams, adelaide, sebastopol, fire, esco

Set of three A3 size photocopies of a drawing held by the Public Records Office Victoria of the Ballarat ESCo Tramway Depot, dated 2/8/1912. Drawn at a scale of 1/16" = 1', shows building layout, track layout, overall dimensions, a proposed extension to hold eleven trailers, a front elevation showing pits, extension (drawn at 1/8" = 1'). On the current tracks, shows the individual track capacities - 26 trams. Drawings copied by Alan Bradley for archives and research.trams, tramways, ballarat, esco, depot, drawings

Set of four A3 size photocopies of a drawing VB4/8709c held by the Public Records Office Victoria of the Ballarat SEC Tramway Depot, dated 5/11/1971, Revision C 22/11/1971. Drawn at a scale of 1" = 20', shows building layout, track layout, overall dimensions, tree locations, pit details, rooms, paint shop, reduced levels, streets, toilets, steps to pits, tennis court and datum point. Drawn after the closure of the tramways, possibly to enable planning for the redevelopment and sale of the property. Drawings copied by Alan Bradley for archives and research.trams, tramways, ballarat, sec, depot, drawings

Colour photograph, printed on a postcard back format of SEC Ballarat of No. 34? in bound in Lydiard St North about to cross the railway level crossing, with the Ballarat Railway Station and signals in the background. Note the very dirty end of the station canopy.trams, tramways, lydiard st nth, railway station, railway crossing, tram 33

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A print made by/for Dorothy Rogers in the 1960s from an original in the La Trobe Library (State Library of Victoria) showing one of the trains on the Outer Circle Railway."Train used on Outer Circle Railway 1893. Only ones available supplied by La Trobe Library"outer circle railway, rowan car, dorothy rogers

Newspaper excerpt from The Sunday Age. Page 5 and a smaller introduction probably from the front page. Smaller excerpt colour photo of blue-stone and cast-iron wall which was to be demolished. Larger excerpt, a black and white aerial view of QVWC and the block where it is situated. building construction, building permits, historic building

tim jones, printmaking, gippsland campis, artwork, artist

tim jones, printmaking, car, artist, artwork, gippsland campus

(1) Rough hand drawn plan in pencil and biro of area between Pergola and roadway to Library opposite Roundabout Lawn. (2) Photocopy.pergola, library

ROSE SERIES P. CROSSROADS, WONGA PARK, VIC.