Early settlers were self reliant and made their own clothes. This nightgown is a good example of the dressmaking and craftwork skills of the women A lady's white cotton full length nightgown with handmade lacework on yoke and sleeve cuffsclothing, dressmaking, craftwork, lacework, early settlers, pioneers, moorabbin, bentleigh, cheltenham, cotton, lace

This fitted cotton blouse with cutwork was made and worn by Mrs Gladys Reed c 1950 whilst a resident of the City of Moorabbin c 1950Mrs Gladys Reed, a member of the Ormond Choral Society c 1950 and was an accomplished dressmaker and craftworker. Theatrical Societies were part of the community recreation for settlers in post World War 11 City of Moorabbin A white cotton fitted lady's blouse with short sleeves, cutwork bodice and flared waist.clothing, dressmaking, cutwork, needlework, ormond theatrical society, mckinnon, bentleigh, moorabbin, reed gladys, clark judy clothing, actors, early settlers, post world war 11 estates, knitting, crochetwork,

Khaki short sleeve - 2 rising sun cloth badges + WO2 cloth badge.uniform, 1990's, army

Polyester short sleeve Lance Corporal (part of complete uniform U222) with Defence Ribbonuniform, 1997, army

This gown was worn by Ellen Harvey Cundy (1857--1939) on her marriage to Thomas Davenport Wood on January 23, 1878. It was the first marriage at St. Paul's Church of England, Clyde Street, Myrtleford. The gown was made by the bride's mother, Marrianne CundyThis is the first bridal gown to grace the former timber church building. Both the Cundy and Wood families were prominent locally, having settled at Waterloo/Barwidgee Creek/Myrtleford area in the 1860s. Marianne Cundy was a teacher at Myrtleford State School 955 from 1870-76, where the gown is now housed.Hand-made cream patterned wedding gown, circa1878, long-sleeved and complete with bustle.wedding gown, cundy, wood,

Short history of 9 Aquandron RAAF in plastic folder with pages held in plastic sleeves9 Squadron RAAFfolder, 9 squadron raaf

Black and white photograph in plastic sleeve of a soldier walking through thick undergrowth with a gunphotograph, soldier

Compiled by the late James Wilson. copied by Lurline Knee. Includes Wilson family history 1879. Tatura and District records from 1856 on wards towns people. History of early settlers and business owners.Clear plastic black back. Sheets in plastic sleeves. 8 pages. Duplicate copieswilson family, tatura early settlers

Contains excerpts from Horsham papers, concerning Dadwells Bridge from the 1860's to 1985?Black covered folder, Handwritten pages in plastic sleeves. Information is from Horsham Papers.on Spine white labels Dadswells Bridge By Mil Priorstawell

Green Hard Cover with paper outer sleeve. drawing of the "The Balconies with a figure near the edge. GRAMPIANS SKETCHBOOK. Drawings by Fraser Hay. Text by John Béchervaise. on the front. On The Spine Grampains Sketchbook Fraser Hay / John Béchervaise. RIGBYstawell education

Pink Fuji Silk Nightdress. Crocheted neckline, short sleeves, 4 panels pintuckingInitials "EM"clothing, nightwear

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.78 RPM vinyl, 1 vinyl disk, plastic sleeve, no cover, contents unknown.lp, sound recording

Type of coat worn by SEC tram crews in Ballarat from the mid 1930s through to 1971. Demonstrates the SEC Uniform in 1921. It is significant for its good condition, which is rare for an item of its age.Green woolen coat with brown leather detailing on sleeves and pockets, and three brass buttons. Buttons - "State Electricity Commission of Victoria 1921" Tag - "David Klein PTY LTD" "22 Patrick Street, Melb. 32 3771" "Name J. Mason SEC Ballarat" "Date D.I 258716" "Pure Wool" btm, uniforms, conductors, ballarat tramway museum, coat, jacket

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'.Full length floral crepe evening dress with squared neck and short puffed sleeves.australian fashion - 1930s, women's clothing, evening dresses