Showing 1192 items
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Tennis Australia
Racquet, Circa 1933
A Wright & Ditson 'Surprise' model tennis racquet. Throat wedge has marble laminate. Striped plastic tape around shoulders and base of throat. Model name printed across throat on obverse and manufacturer's trademark features on throat on reverse. Manufacturer name and country of origin printed on right side of shaft. Fine-grooved octagonal handle with leather end wrap. Pale green paint splashed along one side of head. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Nylon, Paint, Plastic, Leathertennis -
Tennis Australia
Racquet, Circa 1932
A Wright and Ditson 'Gold Star' tennis racquet, with: string whipping around shoulders and shaft; hide strips along underside of shoulders; and, fine-grooved, short, octagonal handle. Decal inscription across base of head on obverse: GOLD STAR. Wright & Ditson cursive logo along shaft on obverse, and across base of head on reverse. Wright & Ditson Championship logo with tennis player on ball trademark feature on shaft on reverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Leather, String, Hidetennis -
Tennis Australia
Racquet, Circa 1955
A Spalding, "Pancho Gonzales" Signature Model tennis racquet, featuring whipping around shoulders, leather handle grip with quatrefoil perforations, and a black plastic butt cap. Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, String, Adhesive tape, Leather, Fibretennis -
Tennis Australia
Racquet, Circa 1955
A Spalding, "Pancho Gonzales" Signature Model tennis racquet, featuring whipping around shoulders, leather handle grip with quatrefoil perforations, and a black plastic butt cap. Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, String, Adhesive tape, Leather, Fibretennis -
Tennis Australia
Racquet, Circa 1955
A Spalding, "Pancho Gonzales" Signature Model tennis racquet, featuring whipping around shoulders, leather handle grip with quatrefoil perforations, and a white plastic butt cap. Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, String, Adhesive tape, Leather, Fibretennis -
Tennis Australia
Racquet, Circa 1955
A Spalding, "Pancho Gonzales" Signature Model tennis racquet, featuring whipping around shoulders, leather handle grip with quatrefoil perforations, and a white plastic butt cap. Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, String, Adhesive tape, Leather, Fibretennis -
Tennis Australia
Racquet, Circa 1955
A Spalding, "Pancho Gonzales" Signature Model tennis racquet, featuring whipping around shoulders, leather handle grip with quatrefoil perforations, and a white plastic butt cap. Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, String, Adhesive tape, Leather, Fibretennis -
Tennis Australia
Racquet, Circa 1962
A Spalding, "Pancho Gonzales" Tournament Model tennis racquet, featuring whipping around shoulders, leather handle grip with perforations, and a white leather butt cloth . Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cloth. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Stringtennis -
Tennis Australia
Racquet, Circa 1962
A Spalding, "Pancho Gonzales" Tournament Model tennis racquet, featuring whipping around shoulders, leather handle grip with perforations, and a white leather butt cloth . Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cloth. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Stringtennis -
Tennis Australia
Racquet, Circa 1962
A Spalding, "Pancho Gonzales" Tournament Model tennis racquet, featuring whipping around shoulders, leather handle grip with perforations, and a white leather butt cloth . Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cloth. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Stringtennis -
Tennis Australia
Racquet, Circa 1962
A Spalding, "Pancho Gonzales" Tournament Model tennis racquet, featuring whipping around shoulders, leather handle grip with perforations, and a white leather butt cloth . Manufacturer's name across base of head; model name across throat and along shaft. Black and white photo, head and neck decal image of Gonzales features on throat. Wreathed 'S' trademark features on lower shaft and butt cloth. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Stringtennis -
Tennis Australia
Racquet, Circa 1961
A Spalding, "Pancho Gonzales" Autograph Model tennis racquet, featuring whipping around shoulders, leather handle grip with perforations, and a black plastic butt cap. Manufacturer's name across base of head; model name across throat. Globe and compass symbol features on throat on both sides. Wreathed 'S' trademark features on lower shaft and butt cap. Strings printed with 'WILSON' and 'CHAMPIONSHIP'. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, String, Adhesive tape, Leather, Fibre, Plastictennis -
Tennis Australia
Racquet, Circa 1958
A Spalding, "Fred Stolle" Challenge Model tennis racquet, featuring whipping around shoulders & shaft, perforated leather handle grip, and white leather butt cloth. Manufacturer's name across base of head; model name across throat. 'Shining world globe' symbol on throat. Wreathed 'S' trademark features on shaft and butt cloth. Throat on reverse signed by Fred Stolle in black marker ink. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Stringtennis -
Tennis Australia
Racquet, Circa 1905
A Wright & Ditson 'The Park' model tennis racquet with solid convex throat. Rounded flat top head. Manufacturer name and place of manufacture printed across throat on obverse. Model name printed on crown on obverse. manufacturer trademark across throat on reverse. On side of shaft is printed: PATENTED,/JAN. 3, 05,. Fine grooved octagonal handle with leather end wrap. On leather butt cap is inscribed: B/E/200. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Guttennis -
Tennis Australia
Racquet, Circa 1905
A Wright & Ditson 'Pim' model tennis racquet with composite convex throat. Rounded flat top head with cloth tape reinforcements around shoulders. Model name printed across throat on obverse. Manufacturer's trademark/logo features across throat on reverse. Fine-grooved octagonal handle and leather end wrap. On left side of shaft: PATENTED/JAN. 3, 05. On right side of shaft, manufacturer name and country of manufacture are printed. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Gut, Cloth tapetennis -
Tennis Australia
Racquet, Circa 1904
A Wright & Ditson 'Pim' model tennis racquet with composite convex throat. Rounded flat top head with clear tape reinforcements around shoulders. Model name printed across throat on obverse. Manufacturer's trademark/logo features across throat on reverse. Fine-grooved octagonal handle, leather end wrap. Butt cap printed with WD and racquet care instructions. On right side of shaft, manufacturer name and country of manufacture are printed. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Gut, Cloth tapetennis -
Tennis Australia
Racquet, Circa 1950
A Wilson Famous Player Series, Jack Kramer Staff Model tennis racquet. Base of head features Wilson logo. Shaft features decal of head and neck photo image of Kramer. Throat features decal design of a gold crown within a corona. Base of shaft features 'W' trademark. Leather handle grip features quatrefoil perforations. Autographs by Kramer along obverse and reverse of shaft. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, String, Ribbon, Paint, Plastictennis -
Tennis Australia
Racquet, Circa 1954
A Wilson Famous Player Series, Jack Kramer Fire Star tennis racquet. Base of head features Wilson logo. Throat features decal design of a stylised pentagram. Shaft features decal of head and neck photo image of Kramer. Base of shaft and butt cover features 'W' trademark. Leather handle grip features quatrefoil perforations. Autographs by Kramer along obverse and reverse of shaft. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, String, Ribbon, Paint, Plastic, Clothtennis -
Tennis Australia
Racquet, Circa 1962
A Regent, Don Budge Personal tennis racquet. Regent logo features across the base of the head and on black butt cover. Model name features on the throat, with 'DB' trademark on the shaft. Decal head image of Budge features on lower shaft. Endorsement and model details feature on the left side of the shaft. Leather handle grip is mottled. Autograph of Budge, in blue ink, features along shaft on obverse. Materials: Wood, Nylon, String, Glue, Lacquer, Metal, Paint, Leather, Ribbon, Ink, Adhesive tape, Clothtennis -
Tennis Australia
Racquet, Circa 1932
A wooden tennis racquet with white plastic shoulder reinforcements, red string whipping, and a short, fine grooved handle. Inscription across throat and shaft on obverse: VARSITY/BANCROFT/FRED H. SMITH/"ON THE CIRCLE"/PAL[O] ALTO CAL. Inscription across throat, on reverse: F.J. BANCROFT/PAWTUCKET/R.I./... Accomapnying decal trademark comprises of an eagle grasping a tennis racquet, in front of the Globe, with motto: USED/THE WORLD OVER. Materials: Wood, Gut, Leather, Glue, Lacquer, Metal, Ink, Plastic, String, Clothtennis -
Tennis Australia
Racquet, Circa 1960
A Bancroft Court King tennis racquet, with plastic whipping from shoulders to shaft, and leather handle with patterned perforations. Bancroft logo features across base of head. Throat features model name, and decal illustrations of a stylised gold crown above a black fleur-de-lis. Wreathed 'B' trademark features on lower shaft. Name written along shaft on obverse: DAWN/ALEXANDER. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Cloth, Adhesive tape, Painttennis -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Kitchen Equipment, meat platter 'CETEM WARE', c1930
The Maling Pottery of Newcastle upon Tyne, England, was in production from 1762 to 1963. In its heyday it claimed to be the biggest pottery in the world. The first Maling pottery was established at North Hylton, near Sunderland, in 1762 by William Maling. William’s descendants who moved to the Newcastle area and built a succession of larger works. The last of these – the Ford B pottery – was begun in 1878 and occupied a 14 acre site... Maling’s stock in trade was everyday white ware – marmalade jars for Keillers and Coopers, crockery for railways, shipping lines and hotels, and a huge variety of domestic kitchenware. With a significant export trade in the 1920s they had showrooms in Australia, New Zealand and Denmark. Mary Ford, daughter of an Edinburgh glass manufacturer, married Christopher Maling. Christopher Thompson Maling’s initials form one of the company’s early factory marks – the letters CTM inscribed vertically inside a triangle. The Maling name (which had first appeared with the castle mark in the 1920s) and extended to the trade name “Cetem Ware” when the company adopted its well known trademark of a castle in the early years of this century. The “Cetem” name continued to be used into the 1930s. the Maling name continued to be used as a trademark until the factory finally closed in 1963 The outbreak of World War 11 in 1939 marked the beginning of a long decline. Many of the factory’s workers were called up for military service, and wartime restrictions prevented decorative ware being produced for the home market.A larger oval china platter with blue garland around the rim ‘ CETEM WARE’ EMPIRE c1930 On base ; CETEM WARE / over a Castle / EMPIRE / Rd No 519757 china, pottery, cetem ware, maling pottery co ltd., maling william, maling christopher thompson, ford mary, newcastle upon tyne uk, crockery, north hylton sunderland uk, moorabbin, bentleigh, market gardeners, early settlers, cheltenham, world war 11 1939-45, cooking -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Manufactured Object, Torch 'Eveready' c1950, c1950
George Reed was a draftsman living in the City of Moorabbin c 1950 1899, David Misell, invented this "electric device" ( torch / flashlight) powered by "D" batteries laid front-to-back in a paper tube with the light bulb and a rough brass reflector at the end. Misell assigned his invention over to the American Electrical Novelty and Manufacturing Company owned by Conrad Hubert. In 1905, Hubert changed the name again to The American Ever Ready Company, selling torches / flashlights and batteries under the trademark Ever Ready. In 1906 the British Ever Ready Electrical Company was formed for export of batteries; it became independent in 1914. The American Ever Ready Company became part of National Carbon Company in 1914. The trademark was shortened to Eveready. In 1986, Union Carbide sold its Battery Products Division to Ralston Purina Company becoming the Eveready Battery Company, Inc. and in 1992, it bought the British Ever Ready Electrical Company. Prior to March 1, 1980, the company's alkaline battery had been called the Eveready Alkaline Battery (1959–1968), Eveready Alkaline Energizer (1968–1974) and Eveready Alkaline Power Cell (1974–February 29, 1980). On March 1, 1980, it was rebadged under its current name, Energizer. 2019 production plant in Portage, Wisconsin, but the majority of batteries are made in China and there are also numerous production facilities outside the US. This is an industrial strength Eveready Torch made in England and was used by George Reed, a draftsman, who lived in Bentleigh , City of Moorabbin in mid 20th CLarge 'Eveready' industrial hand torch/ flashlight with rubber protective coverEVEREADY /MADE IN ENGLAND clothing, manufactured lace, dressmaking, blouses, theatrical props, lights, torches, lighting, early settlers, moorabbin shire, mechanics institute cheltenham, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, , clark judy, reed gladys, reed george -
Orbost & District Historical Society
box camera, From 1953 -1957
The box camera is a simple type of camera, the most common form being a cardboard or plastic box with a lens in one end and film at the other. They were very popular in the late 19th and early 20th centuries. A series of film box cameras were made by Kodak Ltd. in England and were made of sheet metal. There were three generations, from 1937-41, 1946-53 and - renamed "Brownie Six-20" - 1953-57. The name "Brownie" was a trademark used by Kodak for an enormous variety of cameras, over an 80-year history.The Brownie cameras were named after the brownies in popular Palmer Cox cartoons. box camera is a simple type of camera, the most common form being a cardboard or plastic box with a lens in one end and film at the other. They were very popular in the late 19th and early 20th centuries.A black box camera, made of sheet metal. A Brownie Six - 20 camera Model E. It has an imitation pigskin covered metal body with two view-finders. It has a a built-in sliding portrait lens for close-ups and a filter for black and white film. It has a 2 pin flash contact and tripod sockets. There is a shutter safety catch. The face plate has a horizontally striped design and the winding knob and shutter release button are plastic. The carrying handle has been replaced by string.On front - Brownie With flash contacts Six-20 Camera MADE IN ENGLAND BY KODAK LIMITED Model E photography camera box-camera kodak- brownie -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, circa 1878
This table spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This table spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417 Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored table spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 15% of the original plate remains. The stem is bent and twisted and the bowl is cracked. Two makers marks are recognisable (WP&Co trademark, Deadeye) and three present as outline only (Rounded square, Circle, Diamond). flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, table spoons -
Tennis Australia
Racquet, Circa 1900
Wooden, slotted handle racquet with a 14 1/2 inch head. Partial inscription across top of racquet head on obverse: 'LEE SPECIA...', i.e. a 'Lee Special' model racquet. Inscription across neck of obverse: HARRY C. LEE & CO./NEW YORK. Company monogram across neck of reverse, and stamped on leather butt cap: L&C/TRADEMARK. Manufacturing and patent information along the sides of the handle, with the numbers '403' and '14 1/2' punched in. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquertennis -
Tennis Australia
Racquet, Circa 1976
A Chemold Rod Laver Professional Model tennis racquet, with ribbon whipping around shoulders, bamboo lamination, fibreglass shoulder support, and leather grip with floral perforations. Chemold logo features across base of head. A head and neck photo decal of Laver features on throat, followed by model name along shaft. Chemold trademark with large 'C' features on lower shaft and on black butt cap. Shaft on obverse features autograph by Laver. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Bamboo, Fibreglasstennis -
Tennis Australia
Racquet, Circa 1973
A Chemold Roy Emerson Junior Pro tennis racquet, with ribbon whipping around shoulders, bamboo lamination, and leather handle grip with X-formation perforations. Chemold logo features across base of head. Model name features across throat and along shaft. Red, white and gold Chemold trademark features at base of shaft. Plain, white plastic butt cap. Autograph by Emerson features along shaft and throat on obverse. Materials: Wood, Nylon, Ink, Plastic, Leather, Glue, Lacquer, Metal, Ribbon, Paint, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1969
A Chemold Owen Davidson Hawk tennis racquet, with ribbon whipping around shoulders and shaft, and red rubber with black trim handle grip. Chemold logo features across base of head. A tartan pattern features on throat. Model name features along shaft. Blue, red and white Chemold trademark features on lower shaft. Plain white plastic butt cap. Autograph by Davidson features along shaft on obverse. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Rubber, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1973
A Rawlings, John Newcombe, 'The Mark of A Pro' tennis racquet, with string whipping around shoulders and shaft, and leather handle grip with quatrefoil perforations. Rawlings logo features across base of head. Model name features across throat and along shaft. Rawlings red, black and white 'R' trademark features on lower shaft, and black 'R' on butt cap. Adhesive tape, with feint remnants of former owner's name features across throat on obverse. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Paint, Leather, Stringtennis