This item was used to measure accurately the length of cloth on a bolt of material without unwinding it. It also measured lace, all types of textiles and spools of ribbon. It is surmised it would have been used in general stores or department stores in the late 19th and early 20th centuries. This item was discovered in the late 1980s behind an old safe at Swintons Stores in Timor Street in Warrnambool. The item appears to have been used extensively and would have been very useful during a stocktake. It may have been used in the Swinton Stores which were first established in Timor Street in 1865 with one section of the stores selling furnishings, furniture, clothing and clothing materials. The item was manufactured by A.E. Putnam of Iowa, U.S.A. There was a patent registered in 1896 and a later 'improved' model with a patent date of 1907. This item is of considerable interest because of its rarity and survival, its connection to Warrnambool General Stores in the past and its value as a research tool in local social and economic history. The possible connection to Swintons Stores is important as this business operated from 1865 to 2024 and was one of the longest-surviving family businesses in Australia. This is a rectangular-shaped wooden pole with one slightly flattened side and numbers marked on each side in patterns resembling brick walls. At the top of the pole are two wooden pieces attached to the pole by metal clips held by screws. The two wooden pieces are attached at a slight angle to the pole. The lower wooden piece is movable along the pole and has incised numbers. The wooden pieces are rectangular in shape with a large curved piece cut out to form the shape of a pennant. The maker's name is incised into the metal on the top attached wooden piece. Putnam's Cloth Chart Copyrighted 1896 Patent Pend'ggeneral stores in warrnambool, swintons stores in warrnambool, vintage measuring instrument for cloth

Petrol rationing was gazetted in May 1941. Australia's lack of fuel storage options and the diversion of tankers bringing fuel here forced the government to begin rationing. Initially it was proposed that consumption should be reduced by 50% but this was modified to 1/3 reduction. People had to apply for a petrol licence and this was then used to obtain ration coupons. Initially coupons were issued on a 6 monthly basis but this was reduced to 2 monthly and allowed people roughly 2000 gallons per year. Coupons allowed for 1, 2, 5, 10, 44 and 100 gallon amounts depending on need. eg. private, commercial, farm use. Rationing was strictly enforced until 1942 but remained in effect until 1950.WWII One Gallon Fuel Ration Ticket: 5 x tickets cream card with blue flecks, perforated edges, blue print. Across the top in a leaf design is "Commonwealth of Australia", underneath is the Commonwealth Emblem with "Motor Spirit Ration Ticket" next is 1 One Gallon and Valid only until 30th Sept 1947 Not Transferable on a back ground of a wall of banner shapes with, Department of Supply and Shipping. At the bottom, "This ticket must be endorsed in ink by consumer with Name". Licence Number and Vehicle Registration number.Printed by the Authority of the Government of the Commonwealth of Australia.government, federal, fuel ration ticket

BHS CollectionPhoto of Hanro Employee and Model: Black and white photo with an employee examining a two piece dark suit buttoned up the front with five buttons. Pockets either side of the blazer have a flap and button. The blazer is V necked with a collar and it has a straight skirt. The ladies are standing against a wall of wood panelling. On the back is a medium water stain. Printed in blue ink is *Copyright 'Bendigo Advertiser', Bendigo Advertiser Photographic Service. For re-order Quote CK246* Hand written in pencil is CK246. Box 116ABendigo Advertiser Photographic Servicephotograph, person, hanro, bendigo advertiser photographic service. hanro.

Petrol rationing was gazetted in May 1941. Australia's lack of fuel storage options and the diversion of tankers bringing fuel here forced the government to begin rationing. Initially it was proposed that consumption should be reduced by 50% but this was modified to 1/3 reduction. People had to apply for a petrol licence and this was then used to obtain ration coupons. Initially coupons were issued on a 6 monthly basis but this was reduced to 2 monthly and allowed people roughly 2000 gallons per year. Coupons allowed for 1, 2, 5, 10, 44 and 100 gallon amounts depending on need. eg. private, commercial, farm use. Rationing was strictly enforced until 1942 but remained in effect until 1950.Fuel Ration Tickets 1 Gallon: rectangle in shape with perforated edges. Printed in black ink the background is a wall paper of small oval shapes with "Motor Spirit Ration". Over printed is "Commonwealth Liquid Fuel Control Board, in the middle is the commonwealth emblem and Motor Spirit, one 1 Gal, not transferable Ration Ticket". Department of supply & Development issued under National Security Act 1939-40. On the back of each is printed in black ink and hand written is "G. Alice Jones 2(e)/3869".W.C.G. McCracken Australia

Black and white photograph of W2's in Wellington Parade, late 1950's or early 1960's on route 74, Burwood in Wellington Parade between Clarendon and Lansdowne St, Melbourne. Has the Clifton Hill rail line in the background. .1 - W2 472, outbound - with a Wilkinson Sword razor blade and "Catch onto Crest" body adverts. .2 - W2 534, in bound?, with Tolley's Brandy, Johnson ceramic wall tiles and another advertisement. Printed on Fujichrome paper. Not known who took the photograph or when it was printed.Stamped in black ink on back "TMSV Sales"trams, tramways, wellington parade, burwood, tram 472, tram 534

This tea towel was manufactured in 1978 in Ireland and shipped to Australia. This was in a period when the C.W.A. was the major women's organisation which had the greatest influence amongst rural women (especially in isolated areas). This was a period when broad based communications were mainly by radio,women orientated magazines and the telephone. The relay of television to "remote" rural areas was not yet established. The CWA was therefore a very important organisation that catered exclusively to women's needs. The C.W.A. motto "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women." The atmosphere was one of "sisterhood" and covered nearly all the needs of rural based women. This one organisation incorporated knowledge and learning targeting women who physically may be isolated but not mentally. On the tea towel are portrayed all the activities that would be beneficial to rural women.This tea towel with its respective motifs is very significant to the Kiewa Valley as it related especially to women who felt the limitations of social interactions within a rural area. This tea towel represents a era where communications was relatively based on radio, magazines, books and limited telephone access. Within these restrictive interactive communication levels, the isolation of a "back o' Bourke" location applied tremendous mental fatigue on women more than on men.This CWA Victoria Golden Jubilee (1928-1978) tea towel is made from Irish flax at the Blackstaff Flax Spinning and Weaving factory. It is therefore of high quality and very durable. The major colours projecting from a light blue background are red, yellow, green, orange and black. The motives portrayed the activities of the CWA in 1978. These activities are embroidery, crocheting, dress making, knitting, cooking, art, macrame, drama, music, patchwork, toy making and community relief, pennies for friendship, emergency relief and welfare, residential club flats, the thanks giving and Papua New Guinea.The main or central theme of this tea towel is presented in the central area within three rings. "1928" on the left and "1978" on the right. On the top part "GOLDEN JUBILEE" and at the bottom "COUNTRY WOMEN'S ASSOCIATION OF VICTORIA" There are various shapes representing the activities listed above.cwa promotional material, cwa golden jubilee, women only organisations, country women's association

TEXT OF TALK - ''THE FIRST 50 YEARS OF FREEMASONRY IN BENDIGO''. (Stamped on first and last page with name of Mc.G W Morse 'Dunmaghlas' 36 Thomas St, Kangaroo Flat. (author?; no date provided). Typed pages cut and mounted on 17 stapled pages. References to: W C Vahland; ''The Golden Lodge of Bendigo''; organ; Corinthian Lodge of Sandhurst; ''Black Liners''; Eaglehawk Lodge; Zenith Lodge; Golden and Corinthian Lodge; Art Union; Masonic Charity Sunday; Sandhurst Lodge; Corona Lodge; Royal Golden Chapter; Kinghts Templar; Mark Master Masons Degree;mcG. W. Morse, Dunmaghlas, 36 Thomas Street Kangaroo Flat. 3555clubs, social, freemasonry, bro. w.c. vahland, boltons brothers, bendigo gold rush, freemasons, brother r.c. mackenzie, criterian hotel, brother w. scott, brother edward salaman, grant's cafe.

48 paged booklet - ''Bendigo in 74 - The Tourist Centre of Victoria'' - compiled as a community service by Bendigo Jaycees. Comprehensive information about Bendigo and attractions - Index: Accommodation; Additional information; An introduction to Bendigo; Aquarium; Art Gallery; Bendigo Trust; Caravan parks; Dai Gum San; Directory; Eaglehawk Museum; Entertainment; Emergency services; Joss House; Lake Eppalock; National Trust classified buildings; Natural history; Map of Bendigo; Map of city centre; Pottery; Picnic areas; sporting facilities; 'Talking Trams'; Thanks; Tours; Tourist attractions; Victoria Hill; What's on in Bendigo.Bendigo Jaycees. Espress Printers Bendigo.bendigo, tourism, guide 1974, bendigo jaycees, radio 3bo, city family hotel, don murray's hotel motel, cambrian hotel, charlies craft & lifestyle store, powneys authorised newsagent, the bendigo trust, white hills panel works, bendigo pottery, bendigo racecourse, homestead motor inn, peter wade, the persian room, sandhurst trading co. pty. ltd., bendigo air services, bendigo sec, geo. r. innes & sons, cohns, the copper pot, sandhurst travel service. golden hills motel, welcome stranger motel, brian boru hotel, john lindsay's pharmacy & photographic centre, alf morris motors

Large cream, brown, green and beige certificate awarded to Miss M Foster for Piano Solo (under 14) at the Austral Literary and Debating Society's Seventh Annual Musical, Elocutionary, and Literary Competitions. Bendigo, 1903. Certificate has 2 angels at the top, 1 with a harp and the other writing. At each side and at the bottom are ladies dressed in robes. There is decorative scroll work and leaves at the top & bottom. Certificate is signed by E. S. Cahill, President and Frederic A King, Hon. Sec. On the mounting board is a label: D. G. Coope & Son Fine Art Gallery Mitchell Street, Bendigo.document, certificate, music, foster & wilson collection, piano certificate, miss m foster, austral literary and debating society, e s cahill, frederic a king

Large cream, beige and green certificate awarded to Miss M Foster for First Prize in the Violin Solo Open at the Austral Literary and Debating Society's Annual Musical, Elocutionary, and Literary Competitions. Bendigo, 1908. Certificate has angels at the top, one with a harp and one writing. There is a lady at each side and one at the bottom, all dressed in robes. There are decorations of leaf and scroll work designs. Certificate signed by M. ?, President and Thomas Byrne, General Secretary. On the back of the mounting cardboard is a label: D. G. Coope & Son Fine Art Gallery Mitchell Street Bendigo.document, certificate, music, foster & wilson collection, violin certificate, miss m foster, austral literary and debating society competitions bendigo 1908, thomas byrne

Malone Collection. Greeting card. Small white card with red & blue flowers And brown border along the top, bottom and right sides. A gold disc with red & blue dots around the top & bottom edges is mounted on a blue pillar with red & gold scrollwork. On the disc is printed a large D printed in red. The D is part of Days many and bright For thee be thy lot, Be it fortune's delight That thou ne'er art forgot. The F & T at the beginning of the lines are printed in blue and the B is printed in red. Some holly at the top and bottom. Given to Miss Malone.person, greeting cards, malone collection, malone collection, greeting card

Coloured printed postcard. Image is of a black and white painting entitled 'Runswick Bay'. Image is of a steep cliff with houses and cottages above rocks. Waves are breaking over the rocks and gulls are flying over the waves and in the sky. The words Runswick Bay are printed in white along the lower right hand edge. On the reverse, it is addressed to Miss Dean McKenzie Street Golden Square with a one penny stamp affixed postmarked Bendigo. The words Raphael Tuck and Sons "Sapphire Rough Seas" Series 6307 Phototyped in Berlin "Whitby" Art Publishers to Their Majesties The King and Queen appear along the lefthand edge.Raphael Tuck and Sons 'Sapphire Rough Sea' Series 6307 'Whitby'postcard

Printed coloured postcard. Image is of The Eddystone Lighthouse and depicts a lighthouse on rocks with a smaller brick structure nearby in stormy seas and gulls in the sky. The words The Eddystone Lighthouse with a small symbol in white appear along the bottom left hand edge. Reverse is addressed to Miss Dean 'Esmond' Golden Square Bendigo and has a one penny stamp affixed postmarked Kerang. The words Raphael Tuck and Sons "Oilette" (Regd) postcard 7062 "Rough Seas" Art Publishers to Their Majesties the King and Queen after the black and white originals by Elmer Keene are printed in red along the left hand edge.Raphael Tuck and Sons 'Oilette' Regd Postcard 7062 'Rough Seas'postcard

Winner of "Expressions 2006: The Wool Quilt Prize". Artist statement: 'Dressed in Memories IV is my continued exploration into contemporary quilting by looking back to the history of women, the quilts they made and the memories their work holds. Layered on the wagga of recycled materials is embroidered a dress that my mother made when she was in her teens. This contemporary quilt celebrates women's domestic work through the generations in Australia.'W7183 'Dressed in Memories IV' Detail of 'Dressed in Memories IV' (full photo in W7183textilefibreforumarticle2007.pdf) CV of Michele Eastwood Article 'Stitched and Bound' by Alvena Hall in "Textile Fibre Forum, vol. 21, issue 1, No. 65 2002. Article 'What is a Contemporary Art Quilt?' from "Popular Patchwork, April 2002, England. Article 'Quilt winner dressed for success' from "The Weekly Times", January 3, 2007 Article 'Expressions 2006: The Wool Quilt Prize' from "Textile Fibre Forum" no 85, 2007 Catalogue worksheet page 1 Catalogueworksheet page 2Dressed in Memories IVquilting textile art wagga, eastwood, ms michele, quilting, textile art, wagga

Book - 6 sections, sewn hard cover with glued face sheets, 122 pages, full colour printing, art paper with table of contents, index, sources and maps, titled "An Eden of Leveliness - Ballarat Botanical Gardens". Provides a detailed illustrated history of the Ballarat Botanical Gardens. Looks at the creation of the gardens, the north and south foreshores, Lake Wendouree, Friends of the Botanical Gardens, Begonias, the Heritage trees and provides a timeline of development. Has some notes on the Ballarat Tramway Museum, fish hatchery and other features of the area. Published by the Friends of the Ballarat Botanical Gardens, 2012.On inside of the front cover "To the Ballarat Tramway Museum, Enjoy, from the Friends of the Botanical Gardens June 2016"trams, tramways, lake wendouree, botanical gardens, btm, gardens, begonia festival, local history

Yields information about the Sturt St west of the Town Hall c1900 and horse tram operations.Digital image of a horse tram travelling east bound in Sturt St near the corner of Armstrong St, c1900. Photo taken from the Town Hall clock tower. Note the horse drawn cabs, building on the north side of Sturt St, Art Gallery Association, Craig's, stores Woodrow's Hats and Jago Boots. George Crocker's store and HP White side building. Made from a scan of a Magic Lantern slide by John Hyett, ([email protected]) June 2010. See email to Secretary dated 21/6/2010 copy with the worksheet file.trams, tramways, sturt st, horse trams, town hall, horse cabs

Book, 64 pages, gloss art paper, in black ink with a yellow card cover in green ink, centre stapled, titled "The Ballarat Tramways" Details history of Ballarat tramways, its tramcars and the involvement of the various operators. Has maps and photographs. Written by Keith Kings and published by the Victorian Division of the Australian Railway Historical Society and others at the time of the closure of the Ballarat system. Has details of the various organisations that published the book on the rear cover. 1345.2 - 2nd Edition Oct. 1971 - see image i4. For a complete image of the book see pdf files i1 to i3.'1345.2 - has the "Technical Book * Mag Co." yellow name label on the front cover and "75c" in pencil in the top right hand corner.trams, tramways, ballarat tramways, history, tramcars of ballarat

Newspaper clipping, from a glossy colour printed magazine or publication, titled "Moving Masterpieces come to an end" about the Stewart Merritt tram, the end of the Transporting Art project - Stewart commented about the number of people who would come to Preston Workshops to see the tram being painted. Notes that it was actually painted by Dennis Dunkinson in thick signwriter's enamel. Mentions the other artist sin the project and comments from advertising consultant - Phillip Adams Has photos of Clifton Pugh tram No. 504 and Erica McGilchrist No. 497 - see http://www.hawthorntramdepot.org.au/papers/tram497.htm for details.trams, tramways, transporting art, ministry for arts, w2 class, tram 439, tram 504, tram 497

Double sided A4 sheet, on plain paper, printed in colour, titled "A Centenary of electric trams - A Melbourne celebration" - looking at the design of The Centenary Art Tram" designed by Millimetre for Yarra Trams and Siemens. Looks at the design of the tram, The brief, the solution and has the individual drawings of the various types of tram with notes. Note some the notes on the trams, eg the W class are incorrect. See Reg Item 843.4 for a photo of the tram - 5006. See Reg Item 1215 as well. 2nd copy added 7-1-2015 from donation of Adam Chandler - 24-12-2015.trams, tramways, centenary, yarra trams, siemens, decorated trams, transporting art, 100 years of electric trams, tram 5006

Folded Map of Melbourne Rail and Tram lines, titled "The Met PASS Map to Melbourne" Tram Map - probably soon after conversion of the St Kilda and Port Melbourne lines to Light Rail, though these are not shown. Opened November 1987. Rail Map - shows Route 96 north section as Light Rail, co-ordinated bus routes, and the Altona line as going to Werribee. This route was opened in 1985. Date of Map c1988/1990. Has details of Museums, Art Galleries, Shopping, Gardens and Sports Arenas. See also Reg Item 379 for a similar item.trams, tramways, the met, melbourne, maps, tourist tickets

These folders contain the historical notes written by Bruce Morris in regard to the life story and achievements of George Lance. These notes were used by Bruce Morris to write a great number of historical articles on George Lance and these were mostly published in the Warrnambool Standard. Bruce Morris (1903-1986) was the editor of the Warrnambool Standard from 1946 to 1968. During that time he was prominent in community activities in Warrnambool and was well-known for the great number of historical articles he published in his paper, making him one of Warrnambool’s most important historians. George Lance, the subject of the notes in these folders, was Bruce Morris’ grandfather. George Lance (1933-1901) was a plumber particularly associated with the development and use of gas power in Warrnambool and the inventor of the Eureka Pump and the Lance Patent Cess Pan. He was also a writer of historical articles, a musician with the Warrnambool Artillery Band and an important artist in the town, with some of his works of art in the Warrnambool Art Gallery today. He is regarded as the person most responsible for the establishment of the Warrnambool Art Gallery in the 1880s. Bruce Morris’ notes include material on George Lance’s involvement with the Warrnambool Bowls Club, the School of Arts, the Mechanics’ Institute, the Baptist Church and the Manchester Unity Independent Order of Oddfellows.These folders are of considerable importance as they contain the historical notes of Bruce Morris regarding his grandfather, George Lance. Both Bruce Morris and George Lance are significant in Warrnambool’s history, the former as an important historian and newspaper editor and the latter as an inventor, writer, artist, musician and a person regarded as the 19th century founder of the Warrnambool Art Gallery .1 This is a lime-green rectangular-shaped folder made of stiffened cardboard with a black plastic handle on the top with a black plastic catch on the side. Inside the folder are paper inserts that fold up in concertina fashion. In the inserts are twelve blue plastic folders that contain handwritten and typed material. .2 This is a purple rectangular-shaped folder made of stiffened cardboard similar to .1 above. It has a black plastic handle on the top and a black plastic catch on the side. Inside the folder are paper inserts that fold up in concertina fashion. In the inserts are twelve blue plastic folders that contain handwritten and typed material. George Lance Folders. Bruce Morrisbruce morris, warrnambool, george lance, warrnambool, history of warrnambool

Charles Platt was born in New York in 1861 and died in 1933. He studied art at the National Academy of Design. In 1880, Charles went to Paris to study landscape painting and, while there, he travelled to Italy with his brother. Though he was influenced by Italian detailing, his designs were not copies of Italian gardens He was known as an architect and illustrator not as a garden designer. In 1880, he trained as an etcher with Stephen Parrish in Gloucester, Massachusetts. He also trained at the National Academy of Design and the Art Students League in New York and later in Paris with Gustave Boulanger and Jules Joseph Lefebvre at the Académie Julian. Charles exhibited his paintings and etchings and gained his first audience in Paris Salon of 1885. Betweem 1880 – 1890 , he made hundreds of etchings of architecture and landscapes. In 1900, Charles received a bronze medal at the Paris Exposition Universelle. In 1907 he designed a townhouse for Sara Delano Roosevelt on East 65th Street in New York. Eleanor Roosevelt called Charles A. Platt "an architect of great taste" who with the townhouse had "made the most of every inch of space." and in 1918, he de­si­gned the Freer Art Gal­lery in Wa­shing­ton. Book, Hard brown Cover. Title on the spine "The work of Charles A. Platt". Manufactural details on spine. Page no. 181. Black & white plates and plans. Stamped on page 43, 93, 123, 135, 161, 171"Picton Hopkins & Sons PTY.LTD"architecture design, domestic architecture, designs and plans, landscape gardening

A design for a Trade and Art Workshop at the Ballarat School of Mines was prepared by Ewan Jones and Associates on the Albert Street boundary around 1984. The M.B. John Building (Building K), a three storey, face red brick, restrained Late Twentieth Century International styled building with an elongated, cuboid form (defined by the parapeted facades) that is offset by projecting exposed concrete framed, round‐arched entrance and stair wells on the east (Albert Street) elevation (the centrally located entrance breaking the brick façade with glazing). The facades are also characterised by banks of aluminium framed, horizontal ribbon windows, which wrap around the building corners. Metal shades project beyond the windows, while post‐supported bullnosed verandahs and hoods and projecting concrete stairs are other features. On the west elevation, the cuboid façade is punctuated by projecting curved concrete and glazed, elongated bays at first floor level. (David Rowe/Wendy Jacobs) The M.B. John Trade–Art building of SMB was officially opened by the Hon. John Cain, Premier of Victoria, in the presence of Morgan B. John. Programs include 3 Dimensional Art, Painting & Decorating, and Engineering Trades. (SMB Institutional Plan 1989)Black and white photograph of a sketch for the proposed Trade Workshops at the Ballarat School of Mines, from the Albert Street vantage point. This building is known as the M.B. John Building on the SMB Campus.ballarat school of mines, trade workshops, flecknoe, m.b. john, ewan jones and associates pty ltd, albert street, morgan b. john, ewan jones and associates

MEDIUM: Photographic print. DESCRIPTION: A photograph of abstract architecture. Black outer frame with glass front panel and white board inner frame. An abstract collection of building faces meeting towards a left off centre vertical line collision point. This picture is a meeting of mirrors, how many remains a mystery. Where one mirror or building starts and another ends, to the viewers eye is met with some uncertainty. Following lines, the clearest meeting of mirrors is where the building on the left appears to be the same and collides with a variety of other buildings coming horizontally in a distinct vertical line to the top of the image. The bulidings on the right have somehow through the skill of the photographer captured a bermuda triangle of walls. The mirroring angles of the walls being from either several different buildings, or from several different mirrors. This creates a strange collecetion of imagery, the viewer unable to make clear distinctions of where something starts or ends or from where it is coming from. The tonal shades and shadows created also play a role in creating an interesting collage of shapes and lines. This piece essentially speaks of lines, angles, geometric shapes, meeting points, shadow and light. Signed and dated on white board inner frame, directly under left corner of image.photograph, st, considine, converge, collins

The late 19th to early 20th century stone cottage with weatherboard extensions. From research, it has been determined that the cottage was the Port Fairy (Belfast) Lighthouse Keepers cottage. The dome roof in the background indicates a lighthouse, in which case the cottage would have been the living quarters for a lighthouse keeper and assistant keeper. The narrow poles could have been for signals and antennae. The object on the rock stack looks like a large metal milk can.The photograph shows a typical late 19th to early 20th century cottage, abandoned at dilapidated for many years. Black and white rectangular photograph mounted on card. The image shows a dilapidated stone cottage with an old picket fence. Extending behind the stone cottage are gabled roofs above weatherboard walls. The cottage has corrugated roof sheets of different colours, and four chimneys, three with chimney pots. From research, it has been determined that the cottage was the Port Fairy (Belfast) Lighthouse Keepers cottage. Near the fenceline on the left, a corrugated water tank is positioned below a pipe joined to the roof gutter. Nearby are a timber shed and timber walls or screens. In the background are two tall narrow poles with spheres on top, higher than the cottage, with one pole on each side, the left one attached to the building. A domed roof with a knob on top is on the right behind trees. Several angular shapes appear on the horizon on the left, one almost hidden by the trees. The foreground is rocky and slopes uphill on the right. At the foot of the slope is a stack of closely fitted rocks with an object shaped like a milk can on top and an object to its left that is like an open grid. Handwritten Inscriptions are on the reverse side of the photograph.Pencil on board: " D9 / 200 x 150" Pen on sticker: "52"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, cottage, lighthouse, iron roof, stone building, picket fence, water tank, weatherboard building, 19th century cottage, early 20th century cottage, abandoned cottage, antenna, chimneys, milk can

Hugh Fraser Morrow was Dux of Ballarat College1939, Prefect, and member of the Cricket, Football, Rowing, Athletics, and Tennis teams. He served on the Ballarat College Council 1953-73 and the Clarendon PLC Council 1951-64. The school H.G. MORROW Art and Craft Centre is named after his father. Emerald green cloth covered book with printed dust jacket; handwritten inscription on front cover and flyleaf; On front cover: H. F. Morrow On flyleaf: H. F. Morrow / Ballarat College / 1939ballarat college council, clarendon plc council, dux, morrow

This book was written by Alexander Sutherland from the discovery of Australia, through to the exploration of Victoria and the first settlers to the pioneers. It then continues on to discuss immigration, the era of gold, the development of government, agriculture, music and art, literature and the metropolis of Melbourne. There were two volumes. It was published to co-incide with the centenary of Australia's first settlement.This book is a history of Victoria and Melbourne to 1888 and is useful resource for all local and social historians of Victoria and the metropolis of Melbourne.A very large book. It has no cover. Pages are gold edged and there is string in the binding.history-victoria sutherland-alexander melbourne-history