Photo taken from the Flinders Gate Plaza looking west with the edge of the plaza podium fence in the view. In the view are Flinders St station, the SEC building and Young & Jacksons, which has an advertisement for Taubmans Paints. Two trams are crossing Flinders St, a wide-body tram with no marker lights, and W2 302. Based on the tram not being fitted with marker lights and the opening of the Plaza, photo late 1960s. Yields information about the intersection of Flinders and Swanston Streets.Colour postcard by Nu-Color-Vue No. ML 120, with serrated edges.postcards, swanston st, w2 class, flinders st, tram 302

This bag from the late 1960s or early 1970s shows the influence of Eastern styles on Western fashion. This can be contributed to the rise of the 'hippie' movement of the 1960s.c.1970s tapestry/needlepoint style clutch in a traditional Turkish style pattern. Brown plastic kiss clasp Beige cotton lining.tapestry, clutch, ethnic, ethnic influence, turkish, hippie movement

This is a set of seven photographs of Royal Australian Survey Corps surveyors setting up observation towers in the field and undertaking survey observations during mapping and geodetic control operations. c1950s. Survey observation towers were used mainly to take angular measurements in flat or heavily forested terrain, where height was necessary to achieve observer’s line-of-sight between field survey station. The Bilby Tower seen in photo .5P was erected to a height of 75 feet (23m) above ground level. The use of the Bilby Tower in Topographic Squadron’s field survey operations from 1955 to 1966 is described in page 54 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. CAPT George Ricketts’ period of service was from 1942 to 1976 reaching the rank of LTCOL. It is noted in page 35 of Valerie Lovejoy’s book that then SGT Ricketts hand lettering skills came to the fore from his contribution to the draughting of one of the Japan’s Instruments of Surrender in 1945.This is a set of seven photographs of Royal Australian Survey Corps surveyors setting up observation towers in the field and undertaking survey observations during mapping and geodetic control operations. c1950s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1950s, ‘Bilby’ survey observation tower. .2) - Photo, black & white, c1950s, CAPT George Ricketts climbing ‘Bilby’ survey observation tower. .3) - Photo, black & white, c1950s, geodetic survey equipment on ‘Bilby’ survey observation tower. .4) - Photo, black & white, c1950s, two unidentified field surveyors on ‘Bilby’ survey observation tower. .5) - Photo, black & white, c1950s, two unidentified field surveyors, with CAPT Ricketts climbing ‘Bilby’ survey observation tower. .6) - Photo, black & white, c1950s, two unidentified field surveyors undertaking observations on survey observation tower. .7) - Photo, black & white, c1950, two unidentified field surveyors erecting or dismantling a survey observation tower..1P with paper tag annotated ‘Bilby Tower’ .4P on back – ‘Bilby Tower’. .5P on back – ‘Survey Observing Tower. Observing tower used for angular measurement in flat country. 75’ high – CAPT Ricketts climbing. .6P, .7P on back. ‘1960s?’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, surveying

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Blue brocade, halter neck, full-length sheath, with two blue chiffon drops from back to floor. The dress was worn by Robin Vanser (aka Robin Kelly nee Vandersluys) in live performances in the 1960s, including on the Don Lane Show, and in Sydney in 1966 in a program that included Johnny Ray.performing arts - australia - 1960s, robin vanser, performance costumes, floor show dresses

This shield was a trophy awarded to the lodges of the Independent Order of Oddfellows in the 1960s. The first Warrnambool Lodge of the I.O.O.F. was established in 1860 (Loyal Victorian Lodge) and the Oddfellows Hall in Koroit Street Warrnambool was opened in 1869. One winner of the shield, apart from the Loyal Warrnambool Lodge, was the Loyal Aurora Lodge and the only reference found to a lodge of this name was based in North Melbourne. No information has been found on Frank D. Grayham. This shield is of interest as a trophy given by the Independent Order of Oddfellows in the 1960s. The I.O.O.F. in Warrnambool has been of historical importance in the social and business spheres in the city. This is a wooden shield with a central metal plaque attached and six other smaller metal plaques. The central plaque has an ornamental edging and the plaques are attached with metal pins. Four of the plaques have inscriptions. Both the wooden section and the plaques are much worn and scratched. Central Plaque: ‘W.D.C (or G) I.O.O.F. Lodges Installation of Officers Competition Frank D. Grayham Shield’ Smaller Plaques: ‘Loyal Aurora Lodge No. 82 31st March 1962’ ‘Loyal Warrnambool Lodge No. 131 7th July 1961’ ‘Loyal Warrnambool Lodge No. 131 26th April 1963’ independent order of oddfellows, loyal warrnambool lodge i.o.o.f.

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, shell house, 1960s

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, eureka stockade swimming pool, 1960s

This photograph is from the Max Harris Collection held by the Ballaarat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, aerial, 1960s

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, aerial, 1960s

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, aerial, 1960s

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, aerial, 1960s

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries. ballarat, aerial, 1960s

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, aerial, 1960s

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries. ballarat, aiprort, 1960s

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries. ballarat, albert st, 1960s

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries. ballarat, albert st, 1960s

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries. ballarat, ambulance, 1960s

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries. ballarat, armstrong st sth, 1960s

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries. ballarat, armstrong st nth, 1960s

This photograph is from the Max Harris Collection held by the Ballaarat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, armstrong st nth, 1960s

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This photograph is from the Max Harris Collection held by the Ballaarat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, armstrong st nth, 1960s

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