This is a photo of a group of six men taken at Sorrento Back Beach February 1906.B/W photo of a group of six men in suits and hats.Printed on mounting: A. E. M'NICOL Written in biro across photo at bottom: TOP. Bill Eadie, Gus Ford, Tom Hamilton Bottom row Frank Millet, Jim Wilson, Terence O'Brieneadie, bill, ford, gus, hamilton, tom, millet, frank, wilson, jim, o'brien, terence, sorrento, m'nicol, a. e., photographers, clothing and dress, george evans collection

The photo was possibly taken after a sports meeting. Some men are wearing official rosettes on their lapels.A faded sepia photograph of the Sunbury Sports Committee. There are 12 men, 5 are standing at the back, 6 are seated on a long form and one is sitting at the front on the ground. A young boy is sitting on the ground in the middle of the group. A tennis court is in the foreground as well as a picket fence. It is mounted on fawn card.hewitt, g. h., photographers, sunbury sports committee, clothing and dress, george evans collection

The area near the 'Nook' was used as a swimming pool by Sunbury residents before the swimming centre was built in Ligar Street, Sunbury. Sunbury Swimming Pool - written on the back.A snap shot of 11 people (unidentified) sitting on the bank of a river. There are two men and 9 children of varying ages in the photo.swimming, sports, jackson's creek, clothing and dress, recreation, swimming pools, sunbury swimming pool, george evans collection

This photo was taken on a track outside one of the wards up at the Sunbury Asylum.Faded sepia photo of carriage drawn by 2 horses with 1 male standing near the horse's head and 1 adult male seated with 1 male child in carriage.Written across bottom under photo in blue biro: Superintendents Carriage. ASYLUM. SUNBURY ABOUT 1870dixon, c., transport, horse drawn vehicles, clothing and dress, sunbury asylum, hospital for the insane, mental health, photographers, george evans collection

Chris. Christiansen was a barber in Sunbury. He also ran a photographic studio from 1892 - 1916. His business was situated on the corner of Evans and Brook Streets. The Gillies Bridge is Situated on the Wildwood Road just off the Lancefield Road.A mounted sepia photograph of the Gillies Bridge at Sunbury. Across the bridge there are three men on a steam roller and one man behind on horseback. There are four men standing across the creek bed. The mounting is cream, 2 cm wide with silver writing under the photo. Cream mounting - 2 cm wide with silver inscriptionsGILLIES BRIDGE / SUNBURY / CHR. CHRISTIANSEN /gillies bridge, wildwood bridge, bridges, horses, christiansen, chris, photographers, animals, steam rollers, sunbury, men, clothing and dress, george evans collection

A photo of a race meeting at the Sunbury racecourse with the crowd watching the horses from the fenceA sepia coloured photograph mounted on cardboard of a race meeting at the Sunbury Racecourse with the crowd watching the horses from the fence at the side of the track. Mounted on cardboard.sunbury racecourse, horse racing, clothing and dress, sport, racecourses, horses, sunbury, george evans collection

The photograph depicts nine Ruyton Girls' School prefects and probationers in 1952. The four students standing in the back row are probationers, who have been identified from left to right as M. Hartshorn, C. Kent, J. Hodgson, and M. Morrison. The five students seated in the front row are prefects identified from left to right as E. Macdonald, V. Mummery, H. Cole (School Captain), S. Backhouse, and T. Abson. All of the prefects and probationers are dressed in full Ruyton uniform including knee-length check-print skirts, brown lace-up shoes, dark jumper, white collared button blouse with a tie, and wool blazer. The students are all looking straight at the camera and smiling. The image is an official school photograph taken by Clive Stuart Tompkins. The same photograph appears in the 1952 Ruytonian.The record holds strong historic significance as it provides insight into the history of student leadership at Ruyton Girls' School. Student leadership commenced in 1906 with the introduction of the prefect system. Prefects had numerous responsibilities—gate duty, grounds duty, classroom marking, assembly door watch, uniform monitoring, and even supervising student detention. In 1947, a dedicated Prefects Room was erected on the east side of the Ruyton Girls' School Assembly Room in Henty House. The prefects system was revised in 1968 with a new leadership structure: there would be a permanent School Captain, Vice Captain and School Sports Captain; six permanent prefects would be elected, and the rest of the Matriculation class would form committees. These included Library, Social Services, S.C.M., Editorial, and Music. In this way, it was thought "that each Matric girl would have a certain amount of responsibility." With this revised structure came a brand new Prefects' Study, located in a former classroom next to the Domestic Science building. Each prefect was allocated one book locker, one clothing locker, "a small share in the heater", plus a new shared lounge. The prefect system was updated again in 1974. All sixth formers would become prefects, or "school officials." This saw the sixth form divided into two halves: one group would be prefects for the first half of the year, then the second group would take the reigns in the latter half of the year. In October 2023, Ruyton announced a new collaborative leadership structure for captains, prefects and house leaders, which would see two students in each leadership role. The record's significance is further enhanced by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection.Black and white rectangular photograph printed on matte photographic paper.Obverse: C STUART TOMPKINS / CAMBERWELL / Reverse: Ruyton / Rawcey Ware (?) / Add to order / no 5488 / & make a / others / Ruyton / [illegible] /ruyton girls' school, ruyton, students, school, senior school, girls school, kew, melbourne, school uniform, prefects, photograph

The stays were used as stiffening and for support in foundation wear and bodices in women's dresses (and waist bands).7 stays encassed in cotton with blue herringbone stitching used to fasten off each end. The stays are bundled together with white cotton thread.corsetry, foundation garments, fashion, clothing and dress, haberdashery, costume accessories, george evans collection

The stocking were worn with corsets or a suspender belt and were fastened to the foundation garments with suspenders. 60 denier stocking were not the finest knit stocking. The stockings are seamed and have a heel and toe shaping.A coffee coloured pair of 60 denier nylon stockings Size 10. The 'Myer' price tag is on the inside of the leg and shows the department (26), the size (10) and the price (9/9). There is a band of red around the top of the ribbing.GOLDEN OPPORTUNITY / 60 DENIER / SELECTED MEDIUMS / NO 2 NYLON 10myer, hosiery, nylon stockings, clothing and dress, footwear accessories, george evans collection

Inmate's dress in off-white canvas (?) with narrow red stripes. Back opening from neck to thigh with six pairs of eyelet holes (unhemmed). Reinforcing panel at front neck. Shoulder and side seams French stitched. Bodice and skirt pleated into waistband.costume, sunbury asylum, george evans collection

Worn at the Sunbury AsylumInmate's dress in off-white canvas (?) with a red stripe. Round neckline reinforced at front. Bodice and skirt pleated into waistband. Back opening from neck to thigh with three pairs of eyelets, sealed with brass rings. Skirt hem hand sewn inside out.Handwritten in black ink on bodice back "canvas dress" and F7 (partly destroyed by lacing eyelet)costume, sunbury asylum, george evans collection

Garment was worn by female patients at the Sunbury Asylum.Inmate's dress in off-white canvas (?) with red stripe (blue stripe on left arm only). Round neck with front reinforcement and added panel and binding in cream cotton. Bodice and skirt pleated into waistband. Back opening to thigh level with three pairs of button-stitched eyelets.costume, sunbury asylum, george evans collection

The hat belonged to Edna Vlassopoulos who with her husband Andrew, had a poultry farm and market garden in the old Westmeadows township and later at Bulla. The hat was purchased to wear at a family wedding.A pink straw hat with a pink silk folded band wrapped above a narrow brim. There is a full-blown pink silk rose which is a trim on the RHS of the crown. There is a band of petersham ribbon inside the crown with black hat elastic fastened on either side.clothing and dress, headwear, female, george evans collection

The hat belonged to Edna Vlassopoulos of Bulla and Sunbury. It was purchased to wear at a family wedding.A steel blue mohair and felt lady's hat with an upturned brim which is trimmed with blue fake fur. There is a band of blue petersham ribbon inside the crown with black hat elastic fastened to the ribbon.STYLED BY / MICHELEclothing and dress, headwear, felt, costume, george evans collection

The blouse made from a man-made fibre which resembled linen and trimmed with crochet motifs and edging was fashionable during the early 1970's. They were often worn with batik printed skirts.A cream linen blouse with three pin tucks and a crochet band on either side of the centre front opening. There is a shell pattern crochet border around the square neckline and across the hem of the short sleeves and around the bottom of the blouse. There are two darts in the back. there are five brown buttons down the centre front."Made in the/PHILIPPINES/..."1970s, clothing and dress, george evans collection

Thought to have been worn at Sunbury Pop Festival early 1970's held on George Duncan's property.Blue denim mens jeans, two silver studs on waist band. Two zipper pockets front and back. Wide bottom flares.on label on waist band "Staggers/RegdTM..."sunbury pop festival, clothing and dress, george evans collection

This item was used by women to enhance their figure (body) and hold their stockings in place. Although still sometimes used they were mainly used prior to the making of panyhose approximately 1960.Flesh coloured leaf embriodered cotton material corset with rigid metal stays and clips, two elasticised strips on sides and four suspenders. Six elastic straps with buckles.clothing and dress, george evans collection

This item was used by women to enhance their figure (body) and held their stockings in place. Although still sometimes used they were mainly used prior to the making of pantyhose approximately 1960.Flesh coloured leaf and flower embriodered cotton material corset with stays, elastised inserts and full length hook and eye closure. There is a small attached inner control with stays, elastised and hook and eye closure. Four suspendersManufacturers tag "Liberty/Made in Australia..."clothing and dress, george evans collection

This item was used by women to enhance their figure (body) and hold their stockings in place. Although still sometimes used they were mainly used prior to the making of pantyhose approximately 1960.Pink floral embriodered cotton material corset with stays, elastised inserts, metal hook and eye closure, two lace-up sections with elastic straps and metal buckles, four suspendersTag "Gross/Support"clothing and dress, george evans collection

This item was used by women to enhance their figure (body) and hold their stockings in place. Although still sometimes used they were mainly used prior to the making of pantyhose approximately 1960.White elasticised and satin material corset with stays, metal hook and eye and four suspenders."Jenyns/Patent..."clothing and dress, george evans collection

Wedding Dress - Mrs Langsford. Chiffon and Silk. Langsford Phillips.stawell clothing material

Fine Cotton Crochet Yoke. Square necked yoke for dress or nightdress. White crochet. Four petal flower leaf design. Mrs M Brame.stawell clothing material

Five Piece Cream Satin Wedding Dress worn by Emily E A Giles Wal Wal when married. stawell clothing material

Child's Pinafore dress with long sleeves. A tight cuff fastened with a button. Square yolk. Pleated Bodice which is long. Full pleated skirt. Opened right up the back buttoned and hooked. Belonged to Irene Crowley who passed away c1914 aged 3 or 4. Her mother kept this frock and the family found it after she had passed away. stawell clothing material