A small wallet of badges donated back to Melbourne Legacy by the family of Field Marshall Sir Thomas A Blamey (who was once a Patron of Legacy) and his son Lt. Col. Thomas R Blamey who was an active supporter of Legacy throughout his life, especially on the Mornington Peninsula. The folder contains 21 badges of various colours and donation values. One green enamel on metal badge marked 10 pounds or 20 dollars - oldest one as pre-decimal. With a clip on back. One green enamel on metal badge marked $20. With a clip on back Four orange enamel elongated shape stick pin marked $25 Four blue enamel shield shape stick pin marked $10 Two yellow enamel pentagon stick pin marked $5 One yellow plastic pentagon badge on short pin $5 Three blue plastic torch badges on short pin $1 Three red plastic torch badges on short pin $2 One pink plastic torch badge marked $2 One pink plastic rectangle badge marked $2 One gold with red enamel Widows broch missing its pin. Various manufacturing dates but all produced by AJ Parkes.Shows that the Blamey family supported Legacy with badge day.Dark brown thick cardboard folder with sponge inside to hold badges. 21 Legacy badges and one Legacy Widows broch.badges, blamey

The Linton library opened in 1871 under the auspices of the Linton Mechanics' Institute. It was later funded by grants for Free Libraries, and operated as a lending library until the 1960s. It was known at different times as the Linton Public Library and the Linton Free Library. This photograph shows a somewhat dilapidated "Linton Free Library". The verandah shown in earlier photos of this building has been removed. The building next to it is the former Nelson family home and Nelson Bros. undertaker's office, which was restored in 1987 to become the LDHS Resource Centre.Colour photographs taken in 1988 showing front of a building with a square, pedimented parapet. The building is painted pale blue with white trim, and a chimney can be glimpsed on the right. Next to it a white-painted building with green trim, which has a verandah and pitched roof. Buildings formerly used as library and undertakers.linton free library, nelson brothers undertakers, ldhs resource centre, buildings

Murrell's newsagency, originally the home & shop of the Cornish family. (Dan Cornish's shoe shop.)Colour photograph showing a brick two storey building with chimney, green trim and verandah, next to a smaller building with brick front and verandah.railway hotel, murrell's newsagency, buildings

Translucent green plastic cover with black spineTreewheela and Buzza Family Histories Corwell to Belfast (Port Fairy), Creswick & Stawell Jim O'Brien Author (This is one branch of my Family history) ( Adress ) Any early stories of these families would be most welcome.stawell, family history

Party hats and Lolly baskets used at family celebrations in 1960/1970s. Various bright colours.7 brightly coloured hats Various shapes Elastic straps Hat No.1 - Red paint. blue peak, gold tinsel Nat No.2 - Pink conical hat Hat No.3 - Red with silver decoration conical with raised peak. Hat No.4 - Multi-coloured round hat with blue peak and blue star decoration. Hat No.5 - Round, red, gold & blue colours, silver - white tinsel Hat No.6 - Hat - flat, round, bright pink with glitter: pink and green paper decoration. Hat No.7 - Flat, yellow. scallop edging, green butterfly with black and silver lines: red tinsel decoration. 5 Brightly coloured Lolly baskets.party hats, lolly baskets

Green card Cover with black line border.Dadswell Family History Dadswells of Dadswells Bridge Harley R Dadswellstawell

Medium Sized book. Green Tones around front cover. Large tree. Book Title in red.First She Lived The Journey pf Elia Lipson Allan Rhonda Poholke Page 3: Hope you enjoy our "Eliza" - Rhonda Poholke.stawell, family history

The Original Beehive store dates from the early tent days of the gold rush. A two story building was erected in 1864, which included mining exchange offices on the upper floor. The building burnt down in 1871. The current building, designed by Charles Webb, was built in 1872, Allens Walk shopping arcade on the ground floor runs between Pall Mall and Hargreaves St. with offices on the first and second floors. Robert Oswald Henderson was the managing proprietor of the Beehive Stores. Born on the 27th of March 1875, he was the second son of Thomas Hope and Marion Henderson. Thomas Hope Henderson was formerly part owner of the Beehive store, in the firm of Henderson and Goodisson. After the death of his father in 1899, Robert Oswald Henderson assisted Mr. J. R. Goodisson in the management of the Beehive. The Stores passed into the ownership of the Henderson family after the retirement of Mr Goodisson and Robert Oswald Henderson was appointed managing proprietor. A flattened cardboard box in two pieces that would have measured 46 by 31 by 10 centimetres. Printed on the box in black ink. R.O. HENDERSON PTY. LTD. Two vertical decorative strips, an image of the Beehive building Phones: 31 & 32 PALL MALL, through to HARGEAVES ST., BENDIGO There is a 14 by 11 centimetre white sticker with green printing on it which includes the company name and other information. There is also blue handwriting which includes the date 7-9-55 A small white sticker has 25th October 1888 Harvey/ Bray written on it. Part of the McKenzie Family Collection. beehive bendigo, r.o. henderson

A flattened brown cardboard box in two pieces which would have measured 45 by 35 by 10 centimetres. printed on the box in black (cursive script) I came from (black background highlighting) ASHMANS (three Black lines with black handwriting) Mr D McKenzie SMALL DINNER SUIT (TAILS) 2 TROUSERS (cursive script) The home of Better Suits. Attached to the top right corner there is a green dot with 3804 written on it. IN the bottom right corner there is a white sticker with black printing Ashmans Tailors Dinner suit and extra trouser Part of the McKenzie Family Collection beehive bendigo, r.o. henderson, ashmans box

At the time of the 1982-83 bushfire season FCV firefighters wore either navy blue issue overalls or their own clothing, generally a checked flannel shirt and jeans. Uncomfortable safety boots and hardhats were issued. The CFA had switched from white overalls to their distinctive yellow kit by 1983. In about 1980, in a far-sighted corporate move for the time, Alan Threader, who was the Chairman of the FCV, established a departmental safety committee, which he personally chaired. The Committee, among other things, wanted to upgrade fire safety clothing. Alan also initiated a radical colour idea after a work trip to the UK in about 1981 and brought home a small sample swatch. Alan believed that the now distinctive bright yellow-green was a good colour contrast to the Victorian bush which is a blue-green hue. Trevor Brown from Stores Branch scored the task to make the change and letters were sent to the UK seeking information about the pigment. The FCV worked with the Commonwealth Dyers Association and Cushen Clothing to replicate the shade on cotton drill, which presented darker when it was treated with the flame-retardant chemical, Proban. The first of the new Kermit Suits were rolled-out in late 1984, and the stylish colour was initially registered and patented to the Department. But it's also fair to say that the new gaudy shade of apparel wasn’t universally popular with staff. The lime green overalls were an Australian first, and forest agencies in other states followed a few years later. In the early 1990s, armed with a pair of dressmaker’s scissors, the baggy one-piece Kermit boilersuits were tailored by Peter Billing from Fire Protection Branch and Trevor Brown in conjunction with the family-owned business, Top Level Workwear, which saw numerous enhancements and prototypes. The two-piece Kermit suits were available in the late 1990s after many years of argy-bargy and complaints from field firefighters. Protective overalls Two types - early FCV (c 1983) and later CNR (1992) forests commission victoria (fcv), protective clothing, safety equipment

"Green Valley" series articles about people and artists in Greensborough and surrounds. Front page article about Vin Harris, a Greensborough farmer. Page 2 article about the Harrison family of Lower Plenty and page 3 covers local artists Alan Sartori, George De Nemes and Wayne Viney.Three pages of text and black and white imagesgreensborough, artists - greensborough, vin harris, farming

Built early 1900's for member of the Sutherland family, early residents of Lakes Entrance. Late occupied by Tom Beyer and family 1930's, Jean and Ray Green (baker at Freeman's store) 1950 - 1960's.Colour photograph timber dwelling with hipped roof at 4 Orme Street, the dwelling was demolished. Lakes Entrance Victoriahouses, township, heritage study

Believed to be built late 19th Century, home of Deery family.Colour photograph of a Victorian homestead with gable and hip roof. Protruding gables at front and east side linked by a bullnose veranda. Decorative timber fretwork and finials. Two chimneys visible. Timber cladding painted cream, roof green. Situated north side of Princes Highway, Johnsonville, Victoria.houses, local history

Hardcover book, 314 pages. Book has a green cover with black printed text and a family creat. Lower corner of book has a yellow label attached.fictionlucas cleeve, fiction

Part of the Laby Collection of material donated by the family of TH Laby and daughters Jean and Betty in August 2014. This particular book is one of two copies acquired together as part of the Laby Collection, the other being inscribed with Betty’s name, suggesting that this volume belonged to Jean Laby. At some point the ornament has been stuck in the book on the first page.This volume is a softcover book with green coated fabric cover and black lettering. The front cover is horizontally bordered top and bottom with a double black line. A flat, decorative ornament of a person playing a piano, threaded with a pink ribbon, is stuck with tape to the inside front page.Written inside front page with blue ink: ‘Jean / from D. K. [P.]’ Front cover in black: ‘A FIRST / TRIGONOMETRY / BY / WINIFRED WADDELL / AND / D. K. PICKEN’laby, picken, books, trigonometry, jean laby

These books contain reports of the Supreme Court of Victoria in 1960 and 1961. They came from the Ardlie family, members of which have been associated with Warrnambool and legal affairs since the early 1850s. John Ardlie came to Warrnambool in 1852 as the Clerk of Courts and his son William Ardlie was a prominent lawyer in Warrnambool for over 60 years. If it is this William Ardlie’s stamp in these volumes then it was used after his death. The signature is of John Ardlie, also a lawyer in Warrnambool and Port Fairy in the later decades of the 20th century.These volumes are of interest as they are connected to members of the Ardlie family, prominent lawyers and community members in Warrnambool in the 19th and 20th centuries.These are two volumes of law reports of the Supreme Court of Victoria– hard cover books with dark green covers and spines with red and gold bands and gold print. Inside the front covers are the stamp of a Warrnambool lawyer and a signature in black handwriting.‘William Ardlie Solicitor Warrnambool’ ‘J.M.Ardlie’ ardlie family, warrnambool, history of warrnambool

Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.Watercolour painting of a standing woman with short light brown hair, in a green striped sleeveless shirt, a dark green shorts, and green heels, she is at the beach and there are birds in the background.Watermark (1917 UNBLEACHED ARNOLD)alice watson, beach, cape, woman, ballarat technical art school, alumni

This poster is advertising the launching of James Affleck’s Book, Stories Untold & Faces Forgotten.”This project started from the discovery of named photographs which were discovered behind an Honour Roll at the Koroit Primary School during renovations in 2009. These two volumes contain enlistments in the First World War, from the area of Koroit, Port Fairy, Macarthur, Penshurst and surrounding hamlets. It stretches from Codrington in the West through to Byaduk, Penshurst, Caramut in the north, and down though Woolsthorpe, Winslow and Dennington. It includes the personal family details, military records, photographs where possible, and fate of each soldier. Enlistments from the district numbered 250 men who paid the supreme sacrifice and 1100 who returned. It includes citations for bravery, excerpts from correspondence and local press.This poster is a link to an important publication relating to the soldiers from the district who fought in World War 1. Photos of soldiers in tones of green and brown with title in white on a black background at the top of poster. Similarly author’s name is at the bottom of poster.stories untold and faces forgotten, james affleck, first world war

John McLennan's Period as Manager of the Ord River Station. W.A. adjoining Negri Station N.T., was 1895-6. The whole area consisted of 3,365,000 areas under a number of leasesand the then owner was Mr W.H. Osmand, who lived at "The Sycamores" four miles east of Stawell in Victoria. The Distance to Ord W.A. is 4,000 Miles.LIght green card cover with border, inside print and picture of a map Ord River Station W.A. 1895-1896 Yesterday and Today Map of North-East of W.A. Kimberly Ord River area Negri Station N.T. Complied and written by N.A. McLennan December 1965 1965 Victoriastawell, mclennan family

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter

BHS CollectionBlack and white/sepia? Photograph mounted on green board. Narrow panoramic view of 'Bendigo from Camp Hill Fire Tower'. Rosalind Park in foreground., School of Mines, Town Hall, Bendigo Arcade, Banks, The Beehive, City Family Hotel, Law Courts and Post Office in foreground. Shamrock Hotel to left. Poppet legs of Royal Hustler's Mine Pall Mall. Inscriptions: 'Copyright Melb. P Scott', 'Bendigo from Camp Hill Fire Tower'. Royal Historical society of Victoria, Bendigo Branch, Circular blue stamp on back. 'MP270' TR corner. Portion of oval stamp on bottom right. Hand printed across bottom in ballpoint pen 'property of HJG Biggs, Town Hall Eaglehawk'. Portion of oval rubber stamp, purple, 'T. CA.., FOO.. Mark.. Be..' History: Previous Acc. No. MP 270.P Scottplace, landscape view, bendigo, bendigo, rosalind park, school of mines, bendigo town hall, camp hill, landscape, post office, bendigo post office, shamrock hotel, pall mall, fire tower