Black and white photo of lithograph. 4 sailing ships in harbour. 5 small boats in bay. Trees on Battery Point. 3 small building under cliff. Pier.Front: Looking South from London Inn 1853.

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing wooden tower surrounded by trees, a woman is half-way up a ladder on side of tower.Front: (no inscriptions)esther winifred hall, henty, 1934, portland centenary

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing body of water with small island with trees on it. Mount GambierFront: (no inscriptions) Back: Mt Gambieresther winifred hall, henty, portland centenary, 1932, mount gambier

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing house with wide verandah of three visible sides, behind light-coloured post and wire fence with a metal gate.Front: (no inscriptions) Back: Homestead 1920. Now all creepers and trees.esther winifred hall, photography, henty, portland centenary, 1934

Black and white photo - 2 photos joined together. Ship on left. Ship at Pier. Fishermans wharf. Railway pier. Long pier. 3rd baths in foreground. Van on road below cliff. 2 cypress trees in foreground. 2 people on beach.fishermens wharf, portland baths, railway pier, portland harbour

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing stone building (church) in shade of tree with stone fence and iron gate in foreground. Crosses attached to roof of building.Front: (no inscriptions) Back: St. Stephens Church Portland. New fence erected for Centenary 1934.esther winifred hall, portland centenary, 1934, henty

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 ans 1984Laminated screenprint with three panels separated by a green border. The panels vary in size and are predominantly various shades of green. Within all panels the foreground illustrates gum tree foliage and the background shows a cloudy sky.Front: Artists Proof (lower left) Urban Gums (lower centre) R.Davies 84' (lower right) Back: 3

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of four images of houses displayed in a vertical layout. The top image is a close view of a yellow wall, white door and green foliage. The next image shows a pink house with purple and yellow details, a white picket fence and several large trees. The third image is of a yellow house with a red roof, white wire fence and trees. The bottom image shows a pink brick house with brown roof.Front: 20/22 One Farm's History, Tyrendarra. Carmel Wallace 1984 Back: 48

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Three indigenous women stand before trees and grass trees. The fgiure on the far left is wearing traditional clothing, and the two figures on the right wear Victorian period dresses. The background depicts abstract patterning. At the top of the print are the words "Portland is for Everyone". The bottom of the image includes the words "Thanks to the Aboriginal Cultural Centre, Heywood, and the Portland Historical Society." Background is mauve and colours include green, blue, yellow, orange and tan. Mounted in dark cream matt in an ornate gold-detailed wooden frame.Front: 41/60 (lower left) Angela Gee '83 (lower right) (pencil) Back: (no inscriptions)

The watercolour painting depicts a street scene with a grass hill in the background. The street forms the centre of the foreground and features a row of buildings and cars on both sides of the street. Long shadows extend from the buildings and trees with yellow leaves frame both edges of the work. Across the middle of the work green trees are used to separate the street from the hill in the background. The large grass hill features an outlined shape (Scout symbol) on the side and a building surrounded by trees on top. The work is mounted and framed in a brown and gold frame with glass.Front: Mervyn Hill/95 Back: Framing by W.D. & C.M. Davis RMB 1256 Casterton 3311 Phone (055) 75 3290

Displayed in History HousePen and ink sketch of a house partially obscured by trees. In foreground are two paddocks, with two horses grazing at centre right. Mounted in grey matt in black wooden frame, under glassFront: C G Darvall/Jan 1890

Included in the 1999 "Salvage" Exhibition at CEMA Arts CentreThe painting depicts numerous leaf-less trees in the moonlight. The trees are painted in shades of brown, black and cream with the main focus on those in the centre foreground. The surrounding trees are completed in darker shades and are hazy and out of focus. The glow of the moon is depicted in white which dissipates into the dark blue/green sky. In contrast to this, a burnt orange is used as the background for the trees. The work has a gold and black frame with no mount or glass.Front: 67 PRO HART (black and gold paint, lower corners) Back: PRO HART "UN-NAMED" (1967) Donated by the Artist (typed label) White Sticker: 2 (in a circle)

Depiction of a bridge over a creek edged with trees. On left are the branches of a tree with grey-green leaves. The creek fills the lower centre area of the image, painted in pale blue, grey, highlights of white and darker areas of dark blue. The wooden rail bridge curves in an even arch in centre of image. On right is a bank rising from the creek, with large tree with pale grey-green foliage and a tree with darker olive foliage. The background shows what could be hills and the sky is very pale blue. Mounted in a double matt (white on orange), framed under glass in wooden frame with gold details.Front: Phillip Petrie 90 (lower left) (grey paint). Back: "Langley's Bridge" watercolour. 570 x 420 mm $150.00

Con Kroker Private CollectionBlack & white photo of a vertical clay cliff with dead trees at the top & exposed roots hanging down the cliff.

Illustration. Taken and cut from a book. Rectangular bordered image. Black and white. Cream coloured paper. View of Portland Victoria from Observatory Hill. A man in a waistcoat and a hat with dogs stands in the foreground on the edge of a large rising to the left of the image. a body of water snakes through the centre with a large patch of trees behind. In the distance a large cluster of dwelling of various sizes and shapes are visible to the right of the image. Printed underneath GENERAL VIEW OF PORTLAND. Front: 'GENERAL VIEW OF PORTLAND' - printed, lower frame.city of portland

Displayed at History House.Lithograph, engraving of men on horses standing outside a wooden cottage and pole fence. Trees in background. On far left man is standing observing another standing man shaking hands with a central mounted figure. Framed under glass in wooden carved frame with inner gold-coloured frame.Front: Meeting of Major Mitchell and Edward Henty, Portland Bay, 1836 (engraved, lower centre

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of a seascape with water and trees (she-oaks) in the foreground. The background illustrates a calm ocean meeting a cloudy sky. Only two colours have been used within the print, a light blue and a dark green.Front: 8/20 (lower left) She-oak (lower centre) Signature (lower right) (pencil) Back: 6

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of twig with flowers. The twig has green leaves, red buds, and red flowers with yellow centres. The work is printed on cream paper with torn edges.Front: 17/18 (lower left) MD Solly '84 (lower right) (pencil) Back: 40

Abstract depiction of a bird in trees. Trees are picked out in strong vertical strokes of white, grey, black and russet. Background and foliage is depicted in swirling blues and greens; the sky is grey at top of image. At top centre is a bird in blue and white. Mounted in a cream matt in aluminium frame.Front: Monoprint and montage (lower left) (pencil). Back: Nancy Malseed (top centre) (pencil). 1990 (top right) (pencil) 1996 (top left) (pencil).

Project to interconnect NSW, Victoria and SA power grid officially opened 30 March 1990. Painting one of several commissioned to mark the link up. Presented to Cr. Bob Menzel at Heywood terminal station. Later in Admella Week activities display (Aug. 4-18, 1990). Displayed at Woodturners' Guild rooms in 1992 (Source: Portland Observer, 12/8/92).Depiction of a harbour and port with industry, boats, ships and a town in the background. In foreground is a road and a grassy area with pine trees. Jetties lead from this area into water. At centre right is an active port with woodchip pile, cranes, buildings and silos. To the left is a red vessel. At top left is a shore area with a road rising to the right, a spired church and several buildings. Large amounts of steam rises from the pile of woodchips of the port. Unframed.Front: (no inscriptions) Back: (no inscriptions)

Circular tapa cloth on masonite backing board, with edges sewn with plant fibre. Scene painted on cloth depicts huts with palm trees by the side of a creek. The creek is edged by a sandy verge and reeds. In the creek are fish traps. The image is painted in black and dark ochre dyes.