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Ballarat Heritage Services
Ceramic, Lidded Container, c1988
Sweenies Creek Pottery was located at 1507 Strathfieldsaye Rd, Axe Creek. Owned and run by Graham Masters, he specialises in a patented technique of low relief stoneware depicting Australian animals and landscapes. Graham Masters graduated from Bendigo Institute of Technology in 197 with a Diploma of Art and Design in Ceramics. He operated a pottery for a year in Bendigo, before working at Maldon Pottery, Maldon, Victoria, with Neville Wilson and Thomas Metcalf. He left Maldon to set up his own pottery at Sweenies Creek in 1984 and has been there ever since. Pierced lidded container by Sweeney Creek Potteryceramics, sweenies creek pottery, australian studio pottery -
Ballarat Heritage Services
Ceramic - Ceramics, Garry Bish, Plate by Garry Bish, c2023
Garry BISH (1950- ) Born Charlton, Victoria After training as a secondary school art teacher in Melbourne in 1968-69, Gary Bish moved to Bendigo, where he established the Potters Arms Studio in Epsom in 1972 while studying for a Diploma of Art and Design in ceramics at the Bendigo Institute of Technology, graduating in 1974. Establishing an independent studio in Epsom in 1972, Garry Bish has lectured in Ceramics for many years. Bish marks his work with his signature or an impressed 'B' with a stem like a feather, or in later years the Initial GB in a square. Plate by hand drawn glaze designceramics, gary bish, australian studio pottery -
Wodonga & District Historical Society Inc
Functional object - Thornton-Pickard Ruby Enlarger, Thornton-Pickard, c1890
Thornton-Pickard was a British camera manufacturer which was established in 1888 and closed in 1939. The company was based in Altrincham, near Manchester, and was an early pioneer in the development of the camera industry. The Thornton-Pickard company was founded by John Edward Thornton and Edgar Pickard in Manchester,. Also referred to as a Magic Lantern Projector, the Ruby enlarger was used to project images from glass negatives using a variety of light sources and eventually adapted for electricity.. As photography technology developed the size of slides became smaller and the "magic lanterns" were replaced by more compact film and slide projectors.This item is significant as it represents a step in the development of photographic technology and home entertainment in the early 19th century.A large photographic enlarger made primarily of wood, tin plate and glass. The enlarger is fully intact and has the original patent and registration on a badge attached on one side. The enlarger extends when in use but folds up accordion style when not required. Its length at maximum extension is 90 centimetres. It has a slot on one side for glass negatives negatives to be inserted in a wooden holder.Badge attached to side:- 'THORNTON-PACKARD/ RUBY ENLARGER/ ALTRINCHAM" On metal rectangle: "PROTECTED BY / PAT. No. 18478. 08. / REG. No8. 529944 & 580047."thornton-pickard, photographic equipment, ruby enlarger, glass negatives -
Federation University Art Collection
Print - Etching, 'Docklands Melbourne' by Jimmy Pasakos, 2015
James PASAKOS (13 December 1967- ) Jimmy Pasakos graduated with a Bachelor of Fine Arts majoring in Printmaking from Caulfield Institute of Technology (1986-1988); Postgraduate studies majoring in Printmaking at CIT (later Monash University) in 1989, and between 1991-93 he pursued a Masters of Fine Arts at Monash University majoring in Printmaking and Drawing. Pasakos is Art Lecturer at the Arts Academy, Federation University Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition etching on paperEditioned, signed and dated in pencil bottom edge '2/36 Docklands Melbourne J Pasakos '15'james pasakos, etching, melbourne, parallel prints, printmaking, docklands -
Federation University Historical Collection
Book, American Institute of Mining Engineers, Transactions of the American Institute of Mining Engineers, Vol 1, 1871-1873
Meetings of the institute were held in Wilkes-Barre, Bethlehem, Troy, Philadelphia, New York, Pittsburgh and Boston.Red hard covered book. Contents include: * List of members * Geological Distribution of MIning Districts in the United States (R.W. Raymond) * The Relation between the Speed and Effectiveness of Stamps (R.W. Raymond) * Remarks on the Waste in Coal-Mining (R. P Rothwell) * An Eccentric Theodolite (Francis Vinton) * The Use ad Advantages of the Prop Srew-Jack (E. Gaijot) * The Manufacture of Iron and Steel Rails ( John B. Pearse) * The importance of Surveying in Geology (Benjamin Smith Lyman) * Use of Blast-Furnace Slag (T. Egleston) * The Geonostical History of Metals (T. Sterry Hunt) * The Mining and Metallurgical Laboratories of the Massachusetts Institute of Technology (Robert H. Richards) Stamped "Department of Mining University of Melbourne"american institute of mining engineers, mining engineering, prop screw jack, mining districts in the united states of america, waste inn coal mining, lehigh zinc company, lake superior copper districtblast furnace, rolling versus hammering ingots, indianablack coal, pig-iron, longwall system of mining, wickersham process, midlothian colliary, virginia, plummet lamp, diamond drills -
The Beechworth Burke Museum
Photograph - Photograph - Reproduction
This photograph depicts the Great Southern Mine located in Rutherglen as it was during the 1900. After the initial Gold Rush of 1853-1854, Gold was discovered deeper under the surface of the earth in the 1860 after the discovery of another deep lead system. Due to the discovery of Gold in Rutherglen, Rutherglen developed into a community in its own right, possessing a population of 6600 by December 1860 and developed into a municipality in 1862. The Great Southern Mine depicted in this photograph required the use of a range of modern technologies, including the hydraulic pumps, in order to reach gold. This photo depicts the mining operations as they were undertaken around the turn of the century.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray a modern mining operation undertaken in the 1860s, can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about the methods used to extract gold in 1900. It is significant as most mining operations around the region, particularly earlier on in the period, used different technologies such as water races. This image is important for current research into the history of Rutherglen more generally, a town which developed singlehandedly due to the discovery of minerals and mining, as depicted here in this photograph, thus indicating an element of social significance as well as historic. The Beechworth Burke Museum has additional images relating to mining and Rutherglen which can be analysed and studied alongside images like this one.A black and white rectangular photograph printed on matte photographic paper.Reverse: $ 3.00 19972503 / a02503 / Great Southern Mine Rutherglen 1900rutherglen mine, rutherglen, great southern mine, beechworth, mine, mining, post goldrush, victoria, gold, 1860s, sluicing, hydrolic sluicing -
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia 1. The International Blender, 1964
Robin Boyd was involved in creating several television programmes, as author and presenter. 'Design in Australia' was an eight part series for the ABC television series 'University of the Air'. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 1, Boyd discusses the general framework of the series in which the relationship between an Australian identity and a homogenising cultural force reinforced by technology and mass production is explored. Boyd questions the wholesale acceptance of imported ideas and goods, and instead advocates a critical examination of the Australian design culture, a search of an originality that does not fall into the myths of bush values.This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D191 is the revised version.Typewritten (c copy), foolscap, 12 pagesuniversity of the air, design in australia, robin boyd, australian design, nationality, national style, manuscript -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Vaporiser, c. 1958
The Fluotec vaporizer was made to administer only halothane (Fluothane). It was one of the first vaporizers made for use with only one anesthetic, and one of the first to use a bimetallic coil for temperature compensation.The bimetallic coil is part of the valve that controls how much of the carrier gas enters the vapor chamber to vaporize the anesthetic.Modern vaporisers still use this bimetallic coil technology today. Serial No: 5040 Patent No: 814427 A ready reference “calibration card” came attached to these vaporizers. The card was printed with a scale that indicated the concentration of halothane produced at different flow rates and dial settings.This item does not have a reference card with it.This Flotec vaporiser holds historic significance as a very good example of an early model piece of equipment for halothane only administration. Modern vaporisers still use the bimetallic coil technology and therefore this object has scientific and research significance.Small metal stand with 3 rubber feet, Main metal cylinder body housing the bimetallic coil. Inlet valve with a brass attachment and metal outlet valve. Metal dial that controls % Penthrane. Dial notches range from OFF to 1.5. Small silver chain hangs from the top of the dial lever. Small silver metal box held by 4 screws and a round bakelite window with FULL inscribed in white text located on the front of the main cylinder Fluothane Cyprane vaporiser. Fluotec Mark II by Pentec, with stand. Royal Children's HospitalStamped on Inlet and outlet valve: INLET OUTLET Stamped on to a plate on the front of the vaporiser: KEEP UPRIGHT / PENTHRANE / WHEN CHARGEDinhaler, fluotec mark ii -
Warrnambool and District Historical Society Inc.
Badge - Melbourne Olympic Souvenir 1956 Badges x 15, 1956
The Melbourne Olympic games were mainly conducted at the Melbourne Cricket Ground and were one of the most successful in terms of medals for Australia. Among the medal winners were Shirley Strickland, Betty Cuthbert in Athletics and Dawn Fraser and Murray rose in swimming. The games commenced in November 1956. The games were noted for the 19 Hungarian athletes who applied for asylum with their home country undergoing upheaval at the time. The Melbourne games also enjoyed the advent of television with the technology having recently been introduced to the country. These badges note ten of the many athletes who competed for Australia in 1956. These items are of social significance and interest. Among the names listed, Dawn Fraser and Shirley Strickland were two of Australia’s best known athletes.001042.1 Dawn Fraser Swimming 001042.2 Dawn Fraser Swimming 001042.3Gary Chapman Swimming 001042.4Gary Chapman Swimming 001042.5Gary Chapman Swimming 001042.6Jim Bailey Athletics 001042.7 Winsome Cripps Athletics 001042.8 Lionel Cox cycling 001042.9 Hector Hogan Athletics 001042.10 Kevin O’Halloran Swimming 001042.11 Shirley Strickland Athletics 001042.12 Merv Wood Sculling 001042.13 Jon Henricks Swimming Items 001042.1-001042.13 are white background with green wreath , black text on yellow background and have B & W photo of Olympian in centre. 001042.14 Melbourne Olympics Souvenir dark blue text, pale green with wattle 001042.15 Melbourne Olympic Games 1956 with red text Straight pin at the back. Patrick Pty Ltd on edge.1956 olympics, melbourne olympics, souvenir badges, dawn fraser, gary chapman, jim bailey, winsome cripps, lionel cox, kevin o'halloran, hector hogan, shirley strickland, jon hendricks, merv woods, melbourne olympic games -
Flagstaff Hill Maritime Museum and Village
Machine - Voice Recorder, Thomas A. Edison, Edison Laboratory, 1916-1929
This Edison Ediphone voice recording electronic business machine is manufactured to suit a small office and is light enough to carry between work and home for use outside normal business hours. It is a dictation machine, also called by the competitor’s brand name ‘Dictaphone’, and is used for recording spoken words that would later be transcribed and typewritten. A wax cylinder would be installed onto the machine’s drum and the Reproducer on the machine would be lowered onto the cylinder. The user would speak a message into a microphone and the reproducer would then convert the sounds to scribed marks on the cylinder. Later, the cylinder could be played and the Reproducer would enable the sound to be amplified through an attached speaker. This machine is currently without its power cord, microphone and speaker horn. Thomas A. Edison extended the technology of the telegraph to his phonograph machine, invented in the late 19th century. It could record and play back sounds of music and voice on a manually operated mechanical machine that used wax cylinders to store the sound. He envisaged the way this technology could be an asset in the office, and he was right! However, most of his phonograph machines were used for entertainment, some for playing lessons, and some for-teaching languages. In 1916 Edison introduced the Ediphone, which grew in popularity after the First World War and into the late 1920s until flat round records replaced the wax cylinders. This Edison Ediphone is significant for improving the way business administration was carried out in the early 20th century, freeing up precious time for professionals and administrative personnel. It was the forerunner of audio tapes and digital technology. The Ediphone enabled letters to be dictated when the time and place suited and reduced the time professionals needed to spend with their secretaries. Secretaries were able to type the letters as they played the recording and they could replay the message if necessary.Voice recorder; a dictation machine; desktop model Edison Ediphone. The electronic machine is in a medal case with remnants of the original grey colour. It has a rectangular base with an A4-sized footprint and a domed hood that retracts halfway into the back of the base. The corners of the base have metal reinforcing, and a short metal bar is on the front centre edge of the lid and the base. A long metal drum is mounted inside the machine. A round device called a ‘reproducer’ is mounted above the drum. There is a folding handle on the left front of the machine and an angled stand with paper guides in front of the drum. A rear cover has the maker’s name stamped on it. An electrical socket with eight pins is recessed beside the cover. Made by Edison.In white letters; “EDISON”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, edison, ediphone, dictating machine, office equipment, voice recorder, usa, dictation, communication, office machine, dictaphone, speaking phonograph, thomas edison, ediphone voicewriter, voice writer -
Federation University Art Collection
Artwork, other - Handcut & Collaged maps on paper, 'Survey Vessel I' by Carole Wilson, 2008
Carole WILSON (1960- ) Born Canberra, Australia Carole Wilson undertook undergraduate studies at the Canberra School of Arts and Phillip Institute of Technology. She completed a Graduate Diploma in Education at the University of Ballarat in 1987, and a Doctor of Philosophy in 2000. She has chosen central motifs in her work, which she incorporates throughout a series. The urn has been a unifying motif in Wilson's map work and testifies to the way in which function drives form across cultures. Carole's work is held in many public collections including the National Gallery of Australia, the Powerhouse Museum, State Library of Victoria and a number of regional Victorian galleries. Her posters are in museum collections in Finland, Moscow and Poland. In 2001 Dr Wilson was awarded a Doctor of Philosophy (Visual Art) from the University of Ballarat (Now Federation University). She graduated with a Graduate Diploma in Education from University of Ballarat in 1987, and a Diploma of Art from the Phillip Institute of Technology (RMIT) in 1984. Carole Wilson lectures at Federation University Australia: 2010- Senior Lecturer in Visual Arts, Honours and Research Degrees Co-ordinator 2009-2011 Lecturer in Studio Practice and Postgraduate Co-ordinator 1999-2008 Lecturer in Visual Arts (Sessional) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Donated through the Australian Government's Cultural Gifts Program by Anne M. Drum, 2011art, artwork, carole wilson, maps, urn, alumni, available, staffmember -
Federation University Art Collection
Print, 'Collagraph 3' by Carole Wilson, 2007
Carole WILSON (1960- ) Born Canberra, Australia Carole Wilson undertook undergraduate studies at the Canberra School of Arts and Phillip Institute of Technology. She completed a Graduate Diploma in Education at the University of Ballarat in 1987, and a Doctor of Philosophy in 2000. She has chosen central motifs in her work, which she incorporates throughout a series. The urn has been a unifying motif in Wilson's map work and testifies to the way in which function drives form across cultures. Carole's work is held in many public collections including the National Gallery of Australia, the Powerhouse Museum, State Library of Victoria and a number of regional Victorian galleries. Her posters are in museum collections in Finland, Moscow and Poland. In 2001 Dr Wilson was awarded a Doctor of Philosophy (Visual Art) from the University of Ballarat (Now Federation University). She graduated with a Graduate Diploma in Education from University of Ballarat in 1987, and a Diploma of Art from the Phillip Institute of Technology (RMIT) in 1984. Carole Wilson lectures at Federation University Australia: 2010- Senior Lecturer in Visual Arts, Honours and Research Degrees Co-ordinator 2009-2011 Lecturer in Studio Practice and Postgraduate Co-ordinator 1999-2008 Lecturer in Visual Arts (Sessional) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Carole Wilson lectures at Federation University Australia: Framed collograph by Carole Wilson. art, artwork, wilson, carole wilson, available -
Bendigo Historical Society Inc.
Book - LYDIA CHANCELLOR COLLECTION: RADIO & ELECTRICAL ENCYCLOPAEDIA AND 1935 CATALOGUE, 1935
A damaged soft covered book titled 'Radio & Electrical Encyclopaedia and 1935 Catalogue. Homecrafts Pty. Ltd. 211 Swanston St. Melbourne C.1. Verona Press, Melbourne, 1935.electronic, multimedia, radio, lydia chancellor, collection, electrical, electrics, electronics, sciences, radio, technology, radio, encyclopaedia, catalogue -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Leisure object - Stereographs, view-finder & photo cards, Stereographic Photos Copyright 1911
Stereo-graphs were popular 1850 - 1930 Most stereoscopic methods present two offset images separately to the left and right eye of the viewer. Stereo-graphs feature two photographs or printed images positioned side by side about two and half inches apart, one for the left eye and one for the right. When a viewer uses a stereoscope, a device for viewing stereo-graphs, these two-dimensional images are then combined in the brain to give the perception of 3D depth. The London Stereoscopic Company quickly developed technologies for mass - producing stereo-graphs; and between 1854 and 1856 the company sold over half a million stereo-graphs. Small, hand-held metal and timber steroeographic view-finder. The metal goggles are engraved with a free-flowing design. The rim of the goggles are covered in red velvet. A timber handle is attached with a metal hinge to the timber extension that has a wire frame to hold the stereo photographs. The streographic photos comprise 2 identical black and white photos mounted, side by side on brown card.Photocards 'ROSE'stereographs, stereoscopes, photographs, view-finder, wheatstone charles, london, moorabbin, melbourne, bentleigh, early settlers, market gardeners, entertainment, stereograph cards -
Federation University Historical Collection
Book, University of Ballarat Annual Report, 2013
On 01 January 2014 University of Ballarat became Federation University Australia. The 2013 University of Ballarat Chancellor was Dr Paul Hemming, and the Vice-Chancellor was Professor David Battersby. The Manufacturing Technology Training Centre (MTTC) was opened at the SMB Campus, and the Science and Engineering Building, as well as the Sports and Recreational Centre were completed at the Mount Helen Campus. Members of the 2013 University of Ballarat Council were Mashelle Parrett, George Fong, Michael Ryan, Peter Wilson, Tony Stone, Steve Davies, Warwick Spargo, Meredith Doig, Rowena Coutts, Deborah Spring, Karen Douglas, Paul Hemming, David Battersby, and Kim Dowling.52 pages soft covered annual report. Contents include the University charter, highlights of 2013, University of Ballarat Foundation, Sustainability, About the University, Council Members, Industrial relations, public information and financial statements.mashelle parrett, michael ryan, george fong, peter wilson, tony stone, steve davies, warwick spargo, meredith doig, rowena coutts, deborah spring, karen douglas, paul hemming, david battersby, kim dowling -
Kiewa Valley Historical Society
Newspaper Article - Tawonga School Centenary 1980 x2, Alpine Courier incorporating The Hydro Courier, 1980
This newspaper article was produced at a time when newspapers were the main source of local information. The period before the explosion of mobile communication technology and the cost effectiveness of communication by "texting" and internet "social connections, eg. facebook and other social media networkings" The newspapers were the main links between and within large regions. The Hydro Courier was first printed in 1950 as a YMCA community service publication by Mr. Albert Clarke YMCA Officer and Mr. Alex McCullough a State Electricity Commission employee. This paper was one very important publication that provided relevant community information to all and was the major contributer to the "Valley" cohesive fibre and unity. This article not only records the celebration (centenary) of the Tawonga School but also presents the history of the school and important events such as various relocations of classrooms and how the region was settled and developed from the 1870's onward. The yawonga school opened in 1880 on 8 acres of land. It consisted of one large wooden building (22 ft x 11 ft). It had two windows, one brick chimney, bare wooden floor and a shingle roof. This article also presents the time when Mount Beauty area was likened to an island and occasionally school children could not attend school because of a flooded Kiewa river. The article also covers the changes brought about by the increased employment opportunities from SEC Kiewa Works(1935), the Sawmill(1946), the Gold mine(1949) and the Tobacco Industry (largest growing area in Australia).This item is a one page (original) article of the centenary celebrations for Tawonga Primary School came from the Alpine Observer and incorporated the Hydro Courier. It covers the arrangements for the celebration of the 100 years of the school's existence. The printed layout is typical of the typeset in use in 1980's. There are seven distinctive type collumns separated by a printed line. Three photographs are published with one photograph of a demountable classromm ,circa 1980, and the other two of student class photos of 1899 and 1914. Teacher and student names are listed below each photograph. On the back of this page are "specials" for "Sam's Cut Price Stores", specifically the Myrtleford store. Of interest is the advertisement of "Cartons of Cigarettes at cut prices". The page was produced as part of a "run" with "telltale" holes at each corner for stabilising the page in the printing process."Centenary Celebrations For Tawonga Primary School" below this in an enclosed heading "ALPINE OBSERVER" underneath in smaller print "WITH WHICH IS INCORPORATED" below this in larger print "THE HYDRO COURIER" and below this from left to right, "No. 719 (Vol. 3) THURSDAY, 23rd OCTOBER, 1980" next "in smaller print Recommended Price Single Copy, 20c "(cents)rural school development, tawonga school centenary, kiewa valley development 1880 to 1980 -
Federation University Art Collection
Print - Artwork - Bookplate, Bookplate for Caitlin E. Littlewood by David Frazer
David Frazer (1966- ) David Frazer is an Australian artist who works in painting, wood engraving, etching, lithography and bronze. Born in Victoria, David Frazer graduated from the Phillip Institute of Technology, Melbourne with a Fine Art degree specialising in painting. In 1996 he achieved an Honours degree from Monash University specialising in Printmaking and in 2000, gained his Master of Arts. In 2002, David was awarded the Keith Wingrove Bookplate Design Award and in 2007, he was a major prizewinner at the International Print Biennial in Guanlan, China and a featured Australian artist on the ABC’s documentary series ‘Artist at Work’. (http://www.goldfieldsprintmakers.com/david-frazer.html)Bookplate for Caitlin E. Littlewood by David Frazer featuring the skipping girl neon sign at Richmond. The skipping girl is known as 'Little Audrey'.bookplate, david frazer, caitlin littlewood, skipping girl, little audrey, keith wingrove bookplate design award -
Orbost & District Historical Society
book, Vic Roads Centenary 1913 -2013, 2013
The publication, VicRoads Centenary: Keeping Victorians Connected for 100 Years, looks at the people and projects that define VicRoads’ history. Written by current and former VicRoads’ employees, the publication details the organisation’s portfolio of major projects, which includes the Great Ocean Road, Hume Highway and Eastern Freeway. Other sections report on Victoria’s world-first road safety initiatives, VicRoads’ use of technology and sustainability measures. (ref VicRoads) This item is one of several books donated by David Jellie at a presentation to Orbost Historical Society. He was a contributor to the book and was the engineer for the Snowy River Bridge (Princes Highway) at Orbost 1974-1976.This book is a useful reference tool on the history of road construction in Victoria including East Gippsland.A thick, bound paperback book, titled "VicRoads Centenary Keeping Victorians Connected for 100 Years". On the front cover is a black/white photograph of two men working on a road. One has a pick. The book contains the history of VicRoads, photographs, maps and advertisements. Some are b/w. Others are coloured.vicroads book roads snowy-river-bridge jellie-david -
Ballarat Heritage Services
Photograph - Digital photographs, L.J. Gervasoni, stained glass window - St John of God, c2016
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. Stained Glass at the St John of God Hospital Chapel .ballarat, heritage, st john of god, hospital, stained glass -
Ballarat Heritage Services
Photograph - Photograph - Colour, Bruce Hutton (Almond Glass Works), Stained Glass at the St John of God Hospital Chapel by Bruce Hutton, 2017
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. Colour photograph of stained glass feature wall at the chapel in St John of God Hospital, Ballarat.stained glass, st john of god hospital, ballarat, bruce hutton, almond glass works -
Ballarat Heritage Services
Photograph - Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. stained glass, st john of god hospital, ballarat -
Ballarat Heritage Services
Photograph - Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. stained glass, st john of god hospital, ballarat, bishop, pectoral cross -
Ballarat Heritage Services
Photograph - Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. Detail of a nun in stained glass window at St John of God Hospital, Ballarat.stained glass, st john of god hospital, ballarat, nun -
Ballarat Heritage Services
Photograph - Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. Stained glass panel of 'Weeping Bailey's' house, now part of St John Of God Hospitalstained glass, st john of god hospital, ballarat, bailey's mansion, weeping bailey, architecture -
Trafalgar Holden Museum
Vehicle - VS model commodore, April 1995
The extent of exterior changes veered not much further than a redesigned Holden logo and wheel trims. An updated Ecotec (Emissions and Consumption Optimisation through TEChnology) version of the Buick V6 engine coincided with the changes to the engine in the United States. The Ecotec engine packed 13 percent more power, an increase of 17 kilowatts (23 hp) over the VR, cut fuel consumption by 5 percent, and increased the compression ratio from 9.0:1 to 9.4:1. Holden mated the new engine with a modified version of the GM 4L60-E automatic transmission, bringing improved throttle response and smoother changes between gearsThe VS Commodore was the last of which to be sold as Toyota Lexcens, as Holden and Toyota ended their model-sharing scheme The last Lexcens were built during 1997This model was also sold between 1995 and 1997 in small numbers to Malaysia and Singapore as the Opel Calais.4 door sedan VS Commodore sedanLion and stone badge on Bonnet and on Boot centre, Commore on both mudguards Holden badge on Rear under tail lightsvehicle, vs commodore, car -
Federation University Art Collection
Painting, "Tiger, Tiger" by Leslie Dumbrell, 1994
Leslie DUMBRELL (1941- ) LEslie Dumbrell was a pioneer of geometric abstraction in Australia. After completing a Diploma of Art (Painting) at the Royal Melbourne Institute of Technology (RMIT) in Melbourne in 1962, Leslie Dumbrell adopted the international style of colour field and hard-edged abstraction. She taught alongside Peter Booth, James Doolin and Alun Leech-Jones at RMIT and Prahran College of Advanced Education. In 1966 Dumbrell was appointed to the Prahran College of Advanced Education teacing with Alan Leach-Jones and Jim Doolin. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A large painted canvas.art, artwork, dumbrell, hard-edged abstraction, colour field, leslie dumbrell -
Vision Australia
Audio - Sound recording, Vision Australia, Around Vision Australia: Episode 9
Covering issues and news about Vision Australia and the opportunities it provides for clients, volunteers and staff. Host: Stephen Jolley with guest interviews by Valerie Thomas. Robyn chats with Glen Morrow, adaptive technology trainer, and the internet shopping program available at the College, Valerie interviews Natali Cutri and his work as a member of the Client Representative Council, and Robyn discusses Arts for Athletes (creating tactile art by education centre students to give to vision impaired athletes at the 2006 games) and a service developed with the Victorian Election Commission, whereby voters can access recordings about electoral candidates in upcoming council elections with Megan Denyer.1 digital sound file in WAV formatradio shows, vision australia, valerie thomas, glen morrow, natali cutri, robyn mckenzie, megan denyer -
NMIT (Northern Melbourne Institute of TAFE)
Folder: of documents used for researching the history of NMIT for the 2012 centenary
Manila folders of documents, some photocopies, some original used when researching the history of NMIT for the 2012 centenary. Headings of folders include: Northern Metropolitan College of TAFE Interim & Proposed permanent structure 1980s X 2 Organisational charts Preston College of TAFE – Northern Metropolitan College of TAFE . Amalgamation process Preston College of TAFE and Collingwood College of TAFE. Northern Metropolitan College of TAFE Constitution (includes Model constitution for TAFE College Councils and Consultation paper issued August 1991 by State Training Board. Preston Technical College, Preston Institute of Technology to 1990; Heidelberg Campus of Northern Metropolitan College of TAFE. All folders housed in a box preston college of tafe, preston institute of technology, northern metropolitan college of tafe, history, nmit -
The Beechworth Burke Museum
Photograph - Photograph - Reproduction
After gold was discovered to be deposited "for miles along Woolshed Valley" in the early 1850s, the Woolshed became a major site of mining activity in the north-east . This region was divided into large claims of 80 yards long, one of which was the one depicted in this photograph, called 'Big Johnson's Claim'. Claims such as this utilised a range of technology, including water wheels, steam engines, sluices and toms, most of which would not arrive until after 1856 when this photograph was taken. The Woolshed initially became prosperous in 1855, and labourers, such as the ones depicted in this photograph, engaged in sinking work for 7 pounds a week, whilst other mining labourers could earn up to nine. The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about the operations of mining claims, particularly of the Woolshed Valley area that this photograph documents. This image is important for current research into the history of Woolshed, which was a major site of mining significance and operations. Therefore, this image has the capacity to be beneficial for research into society and the motivations of those living and working in this region during this period and therefore, has social significance. The Beechworth Burke Museum has additional images relating to gold sluicing and the Woolshed area which can be analysed and studied alongside images like this one. A black and white rectangular photograph printed on matte photographic paper.Reverse: 7791 / page 34. / 52% / Big Johnstone / Claim on Woolshed Goldfields / 1856 / Note canvas [illegible] building / Burke Museum /woolshed, mining, claims, mining claims, big johnson, gold -
Federation University Historical Collection
Photograph - Computers, Applied Physics MicroBee Computer, 1983
MicroBee was a series of networkable home computers by Applied Technology, which became publicly listed company MicroBee Systems Limited soon after its release. The original Microbee computer was designed in Australia by a team including Owen Hill and Matthew Starr. The MicroBee's most distinctive features are its user configurable video display and its battery backed non-volatile RAM and small size allowing it to be powered off, transported, and powered back on and resume activities on the currently loaded program or document. It was originally packaged as a two board unit with the lower "baseboard" containing all components except the system memory which was mounted on the upper "core board". (Wikipedia).1) Ballarat College of Advanced Education Applied Science students demonstrate the use of the Applied Physics MicroBee Computer. .2) Jenny Simkin and Graeme Clark demonstrate the Microbee in Applied Physics at the Ballarat College of Advanced Education in August 1983. The MicroBee interfaced to radio, and assisted in finding messages via Amateur Radio (note the transceiver and RTTY interface VK3NV) An audio cassette for program and data storage is located to the right behind the keyboard. .1) verso Ballarat CAE Applied Science students test 'Microbee' computers which are used by students staking studies in Applied Physics. Frances, would be grateful if this could be returned. Thank you Mike .2 verso Jenny Simpkin Graeme Clark Microcomputer/Radioteletype demo App Physics Aug '83ballarat college of advanced education, jenny simpkin, graeme clark, microbee computer, physics, applied scinece, computer science, computers