Document. Invitation to Mr. T. Langdon to a ''Conversazione'' from the Council of The Institution of Electrical Engineers on July 1st 1902.document, memo, invitation to mr. langdon

Beech Forest. Narrow gauge locomotive No.5A, 1902. Seven men (unknown), five on train, two on ground.beech forest; locomotive no.5a; railway; narrow gauge;

Small black and white photograph of the "Mariposa" at sea "Mariposa 1902"

Record Book - The Whipstick Cyanide Company 1902-03. Cyanide records from March 1902 - March 1903; Petty Cash records and 'Rough Statements' from March 1902 to March 1903; Summary of Smelting April 1902 to Dec 1092 ( for Whipstick Cyanide Company and The Marong Gold Company); Various statements of expenditure; Income Tax Return 1902.bendigo, industry, whipstick cyanide company, whipstick cyanide company

Box Cottage Museum, a reconstruction of an early settler hut, is named after the Box family who resided there 1865 -1913 . George William Box 1870 -1933 was a son, and twin brother of Cecilia Eliza, of William and Elizabeth Avis Box who lived in Box Cottage and farmed the land 1865 - 1913 . George William Box married Elizabeth Honor Tippett 1902 and they had 8 children. Elizabeth Avis Box gave them a shop with a dwelling in Jasper Road where Elizabeth Honor sold groceries and vegetables while George obtained various jobs. Box Cottage Museum, a reconstruction of an early settler hut, is named after the Box family who resided there 1865 -1913 . George Box was the father of William Box who with his wife Elizabeth Avis Box and 13 children lived and farmed on the block of land in Jasper Road, East Brighton ( now McKinnon / Ormond) that was part of the Henry Dendy Special Survey 1841 Inscribed inside Album : “ The early photos in this album were found by Mr (Laurie) Lewis when he was demolishing the Old Box Cottage. He gave them to Mrs Avis Box Eldridge who in turn gave them to me. They were not identified. I believe they rightly belong in the Cottage. I have attempted to identify them and present them in a way they can be preserved as a historical record of the era.” A B Leigh A black & white Wedding photograph 1902 of George William Box 1870-1933 and Elizabeth Honor Tippet Box d1953TALMA 119 Swanston Street / Melbourne / and at Sydneybox george, box mary, box william, box elizabeth, box alonzo, box mary louisa, dendy henry, were j b, dendy's special survey 1841, brighton, moorabbin, bentleigh, mckinnon, ormond, market gardeners, dairy farms, early settlers, pioneers, jasper road, gurr jabez, gurr eliza, pay henry, pay anna, ward willam, box henry, ward elizabeth emma, box john, sheldrake martha, rushall eleanor, box caroline, box william, box elizabeth avis

In February 1959 eight NBH carriages were tranfered from storage at Newport to Colac in time for the first tentatively organized trip over the Colac-Beech Forest railway line. Eventually seventeen excursion trains ran, with carriages and an NC guard's van, usually hauled by G41 or G42, but occasionally 14A locomotive. The train run by 14A ran soon after the carriages were delivered.B/W. At McDevitt station locomotive 14A passes through on a rare NA-hauled eight excursion carriage and NC guard's van train. The front of the engine is labelled "The Ridge; 21 M(arch) 1959; ARHS", the Australian Railways Historical Society.colac; beech forest; railways; mcdevitt;

Negative No. N392 and black and white print made by a laser printer (stored in folder) of Ballarat tram No. 40 at the City terminus in Sturt St. on the south side. Tram has the destination of Sebastopol. Has the National Mutual Life Association building in the background, the Commonwealth Bank building and Prouds Jewellers. Date of photo on folder - 5/9/1959. Original negative rescanned 24/5/2020 and image file updated.Paper folder that contained the negative had "NR6A" in red ink, "BA20" in pencil, date stamp of "5/9/1959" on front, and on rear date stamps "26 Sep 1962" and "26 Sep 1962".trams, tramways, sturt st, grenville st, signals, safeworking, tram 40

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of members of the cast of the "Q" Theatre Guild in their 1959 production of Michael Balfe's The Bohemian Girl. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following names underneath the photograph: "Fred C., Esme M., Val Breen, Jeanette R., Alan Wilson, B. Meagher, Irene T., Gwen Bolden".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The subject item was made by G. Pearson and Co Ltd. of the Hope Works, Sheffield England. This company was established in 1854. By 1914 the company was manufacturing many differing types of edge tools, joiners' tools, forks and garden tools. Their specialities were hay, manure and coke forks, punches, armourers' tools etc. In 1938 the Company was styled F. G. Pearson and Co (Sheffield) Ltd and they were still making plane and other sharp edged blades as late as 1957, but by the 1970s they had gone out of business.A significant company based in Sheffield England and making tools of all types and exporting same to various countries around the world. This particular item is a vintage joiners screwdriver possibly used by a local Warrnambool carpenter (J Rob).Screw driver wooden handle shaped blade & brass metal ferrule1902 Sheffield marked on blade, F Rob owner Marked on handlewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, joiners tools, screwdriver, carpenters tools, f g pearson sheffield

Owned by the Late Hilda Sebire as a child.Round white china plate commemorating the Coronation of King Edward V11 and Queen Alexandra."Coronation King Edward V11. Queen Alexandra. 26 June 1902"

This bracelet was sent by a seafarer Mariner Merrilees while in Australia in the 1940s to his sister Marjorie, who lived on Manitoulin Island, Canada. The bracelet was received in a Mission to Seamen Christmas Greetings cardboard box in 1943.This bracelet was inherited by the donor, and kindly donated to the current collection of the Mission to Seafarers Victoria. This world war 2 era gift of a bracelet is significant in not only demonstrating the international significance to seafarers of the various Missions to seamen who facilitated contacts with family as illustrated by the gift box but in this instance the gift is also of historic numismatic interest. 19 Silver Peruvian ½ Dino coins made in 1902 linked to be used as a bracelet. The full piece contains 19 coins attached by metallic weld linked pieces and a silver spring clasp to hold ends together.Front side, FIRME Y FELIZ POR LA UNION / ½ DINO / LIBER / TAD Back side, REPUB : PERUANA LIMA 9 D : FINO J/F 1902 Coins Images: Front side, Woman sitting and holding a shield in her right hand and a paddle in her left hand. At the right side of the coin, there is a pedestal with a Laurel or olive leaf wreath on top and a ribbon with the word liberty in Spanish “LIBERTAD”. Back side, code of arms with a stamped inscription that said “REPUBLICA PERUANA LIMA 9D” dated from 1902.the mission to seamen, bracelet, christmas greeting, dino, numismatics, peru, lima, peruvian, coins, silver, jewellery, christmas, marjorie merrylees, manitoulin island, canada, robert leighton, gift, ww2

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Val Breen and members of the cast of the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Val Breen in my wedding dress".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Val Breen and Alan Wilson in the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Val Breen in my wedding dress".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

Collection of approximately 19 Post Office telegraphs to S. A. Bush relating to the death of his wife, Nina, July 1902.person, individual, bush collection - personal

Document. Concert program for the Royal Metropolitan Liedertafel, Town Hall, Melbourne.1902. Six page program includes lyrics.performing arts, elocution, concert program

Railway bridge over the Gellibrand River, 1902. Note the people on the roadway bridge in the top left corner. B/W.colac; beech forest; gellibrand; railway;

Document. Evans & Coy. Accounts 1902. Handwritten page of receipts and expenditure for Evans & Coy. Dated 4/4/1902. Names mentioned include J Evans, E H Thomas, W Gee, J Gee, W McM (probably McMaster), A H Thomas, G Green, Beves, Dellar.cottage, miners, evans & coy. accounts 1902, j evans, e h thomas, w gee, j gee, w mcm (probably mcmaster), a h thomas, g green, beves, dellar.

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Alan Wilson and Iaan Young in the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. The photograph shows two cast members: Alan Wilson seated, and Iaan Young who played Thaddeus (an exiled Rebel).Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Alan Wilson, Iaan Young".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

Document. The Marong Gold Company Accounts 1902 May. Ledger page of 'Cheques for May 1902' for the Marong Gold Company. 'The Marong Gold Company' is stamped in purple ink. Names mentioned include J. Gee, Markwald, Brown, Dellar & Perry, A. H. Thomas, Felton Grimwade & Co., Whipstick Cyanide Co.cottage, miners, the marong gold company accounts 1902, j. gee, markwald, brown, dellar & perry, a. h. thomas, felton grimwade & co., whipstick cyanide co.

A newspaper clipping about the 'Gown of the Year' from a book compiled about the Legacy children's residence called Stanhope. The newspaper clipping shows a photo of junior legatee girls on the steps of Stanhope watching Justine Silver model a ball gown. The caption says 'Legacy girls "Ooh" and "Ah" over this ruched gown which could have come straight from the pages of Cinderella. The flowing gown, worn by Justine Silver, is in chiffon.' The note below the picture adds 'Grey tulle (50 yds) over old gold'. The Gown of the Year was annual event modelling the latest ball fashions with the proceeds going to Legacy. Stanhope was supervised by Matron Dorothy (Dorrie) Vines from the time it opened in 1946 until she retired in December 1966. It is likely she compiled this notebook as she is referred to as 'self' in one photo. Individual pages of photos or newspaper clippings have been added separately. Items 01817 to 01834. Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950) were residences run by Melbourne Legacy to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for further education. Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent. A record of Stanhope being used as the setting for publicity for the Gown of the Year gala.Newspaper clipping of a girl modelling a gown for girls on the steps of Stanhope in October 1959.stanhope, gala performance

Document. Bi-fold concert program for the Bendigo Musical Society. Masonic Hall, Bendigo. November 1902. Program printed inside.performing arts, elocution, concert program

Group portrait of the members of the Good Templar Lodge (Mayflower) Rutherglen.On verso: "Members Good Templar Lodge (Mayflower) taken at Rutherglen about 1902"good templar lodge, mayflower, lodges

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria