This box was used by 'The Twin Cows' (a property?) to hold their dairy products.Dairy farming is the main industry / business in the Kiewa ValleyTimber box without a lid. One side is covered with black print.In black print on the border of an oval shape: ' 56 lbs Kiewa Valley / Butter Factory. Inside oval: Pure Creamery Butter / The Twin Cows / Trade beside (a picture of 2 cows facing each other) beside Mark / Victoria / Australia kiewa valley butter factory, the twin cows, butter, dairy farming

Black and White photograph contained with Reg. Item 1902 - Photo Album from Keith Kings to Les Denmead 1970. Photograph of SEC Geelong No. 19, leaving the depot, with the main office part of the depot building in the background. A number of motor vehicles on either side of the depot entrance. Tram has destination of "Chilwell". On rear of photo is stamped "ll317A and 28.5.70", possibly indicating print manufacture dates. Keith Kings No. Q(u)(3) Scanning: i - image file, p - presentation file, b - back of photograph.Stamp in top left hand corner and handwritten number with "K.S. Kings No. Q(u)(3) Copyright reserved". In blue ink "Geelong "Pengelley" No. 19 leaving the Depot. / Note:- MESCo Ltd. name above entrance / 8/1/56".trams, tramways, geelong, mesco, depot, tram 19

A photo of Jim Tierney who was an employee of Legacy for many years. Jim Tierney was the first paid instructor employed by Legacy for physical training classes in 1927. Later he lived at Legacy's Market St premises as a caretaker until he retired in 1953. The photo was used in an article in the Legacy Newsletter. The article shows his long history of service. An article in The Age 6 Jan 1953 mentions that Jim Tierney was the first paid instructor employed by Legacy for physical training classes in 1927 and was listed in demonstration programmes as 'James Tierney FPCV, Chief Instructor Boys Section'. He also became one of the two Commissionaires at the Shrine of Remembrance for 12 years up to 1953.A record of a long serving employee.Black and white photo of Jim Tierney.Handwritten on reverse 'Jim Tierney 20/7/56, Age 77 years' in blue pen. 'Died 1963' added later in blue pen. '48-908' in pencil. Stamped with an indistinct detail of a photographic studio at 176 Flinders St, Melbourne.jim tierney, boys' classes

Photographs, Black and White, Photo of T modified No. 178 on an all-night service to East Brighton at corner of Swanston and Flinders St, 15/1/1956. Photo by Keith Kings. Photo shows two Austins passing the tram stop with road works signs in position. Would appear that Flinders eastbound has been closed to traffic. In the background is Young & Jackson's, Crofts Store, Coles Store, Nicholas Building, Lyons Cafe,In ink on the rear: Keith Kings stamp and number R(f)(3) "M&MTB - T-178 as "All Night trams, in Swanston St Cnr Flinders City 15/1/56 to East Brighton 7.08am 1/250 f8"trams, tramways, swanston st, flinders st, t class, all night services, road works, tram 178

Bendigo Advertiser "The way we were" from Monday, October 6, 2003. World War 1 classes of 1916: White Hills Primary School grades one and two. the photo is 87 years old and shows a group of 56 students with 18 girls and 38 boys making up the two classes. The children's ages appear to be quite varied as this was 1916 and in the midst of World War 1. The two women teachers' attire reflects the austerity of the times.newspaper, bendigo advertiser, the way we were

Digital Image of a newspaper cutting in the Melbourne Herald, recording the retirement of Oscar Reginald Turner. Titled "His pay was 10d a trip" - reports on the career of Oscar starting as a cable tram conductors, passengers, pay rates, picking up the wealthy passengers who leave a tip. Has a photo of Oscar - Cap No. 56. Part of the bottom of the cutting is missing. See htd1930i for Certificate of Service - gives retirement date of 8/8/1953, i2 - tiff filetrams, tramways, mto co, conductors, cable trams, mmtb, camberwell depot

Set of two Agfa colour slide, blue and white plastic mount, photo by Keith Caldwell Oct. 22/3/1969 of trams on the Royal Park - West Coburg line, route 55. .1 - W5 684 turning onto the West Coburg via William St line from Flemington Road. Has advertisements for CU Insurance and First? drinks. .2 - W2 486 inbound in Royal Park, with destination of Domain Road Route 56..2 has "22/3/1969" in black ink.trams, tramways, route 55, west coburg, the zoo, flemington rd, route 56, royal park, domain rd, tram 684, tram 486, w2 class, w5 class

Written on clipping, "Ringwood High School's top scholars for 1955. L. to R.: Judith Nott, 3rd: Victor Greenham, Dux of School: Colin Grant, 2nd. Victor also found time to be the club swimming champ." "Mail 12/1/56".

Yields information about Geelong 1in Ryrie St during the mid 1930's.Black and White Photograph of Geelong No.19 at the depot, with the destination of Chilwell. Shows the tramcar in detail, such as the trolley rope. Photo by John Radcliffe, 11/1/1956, three days after the first closures.In hand writing on the rear "Geelong Pengelly car 19 on depot forecourt 3 days after the fist closures." In the bottom left hand corner "11-1-56" and in the bottom right hand corner "WFS Collection / J. C. Radcliffe (Adelaide)" trams, tramways, geelong, depot, pengelly, tram 19

Gordon Spittle was the youngest of Three brothers. He grew up in Creswick and attended Creswick Grammar School. Gordon purchased 'Mt Cavern' in 1912. It had 4 years of a 10 year lease to run. His mother and father took delivery of it on 1 April 1916. They lived there and farmed it until Gordon returned from active service in May 1919. S. Gordon Spittle married Violet Holmes and both lived at "Mt Cavern" until their deaths. Gordon died in 1942 aged 51. Violet Holmes-Spittle died in 1949 aged 56. Handwritten lower front 'Do we look down hearted?' Handwritten verso 'Egypt, March 23rd 1916. Dear Mrs Troup. Your very fine and interesting letter dated Feb 15th came to hand to-day and needless to add was delighted to receive it, and can promise you that I'll answer it at my earliest opportunity. We are now having a better time since we came to this part, as we are able to enjoy a little of city life, although we have a good deal more work to do, & which is mostly carting goods to & from the ships & railway stations etc, all of which is interesting & quite a change from our life on the Desert. Hope this card finds you in good health. I will now have to say au revoir for the present with kindest regards to Mr Troup, self and family. From your very sincere friends, A. Gordon Spittle."Two uniformed Australian soldiers pose for a photograph during World War One.chatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, france, spittle, gordon spittle

Gordon Spittle was the youngest of Three brothers. He grew up in Creswick and attended Creswick Grammar School. Gordon purchased 'Mt Cavern' in 1912. It had 4 years of a 10 year lease to run. His mother and father took delivery of it on 1 April 1916. They lived there and farmed it until Gordon returned from active service in May 1919. He married Violet Holmes and both lived at "Mt Cavern" until their deaths. Gordon died in 1942 aged 51. Violet Holmes-Spittle died in 1949 aged 56. Image of eight Australian soldiers during World War One. They stand in front of damaged palm trees alongside their horses. Each of the soldiers are from Ascot, Victoria. They are Harry [Holmes], Jack Nase, Harold Reid, Gordon Spittle, Les Walters, Archie May, Frank Thomas, Joe Fawcett.'Verso 'A group of the Ascot boy. Taken with our own horses. from left to right:- Harry [Holmes], Jack Nase, Harold Reid, Gordon Spittle, Les Walters, Archie May, Frank Thomas, Joe Fawcett.'chatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, france, ascot, harry holmes, gordon spittle, les walters, archie may, frank thomas. mase, reif, spittle, walters, may, thomas, fawcett

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The Ernest House (former) at 75 Walpole Street was designed by Harry Ernest in 1955/56. It is one of ten Victorian dwellings in Neil Clerehan’s important 1961 book Best Australian Houses, which illustrated cutting-edge residential design of the day. The house is also significant as Harry Ernest’s first residential commission, introducing elements that characterised his subsequent output.This drawing of the house is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 75 Walpole Street, Kew by Margaret Picken.75 WALPOLE ST., KEW / MARGARET PICKEN '90 / WOODARDS ~artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 75 walpole street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The Ernest House (former) at 75 Walpole Street was designed by Harry Ernest in 1955/56. It is one of ten Victorian dwellings in Neil Clerehan’s important 1961 book Best Australian Houses, which illustrated cutting-edge residential design of the day. The house is also significant as Harry Ernest’s first residential commission, introducing elements that characterised his subsequent output.This drawing of the house is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 75 Walpole Street, Kew by Margaret Picken.75 WALPOLE ST., KEW / MARGARET PICKEN '90 / WOODARDS ~artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 75 walpole street -- kew (vic.)

Hardcover book made in 1968 made to keep original copies of “The Football Record”. This book contains all Football Records relating to Carlton games for the home and away season of 1968. Carlton would win their ninth VFL/AFL premiership in 1968 defeating Essendon by 3 points in the 1968 Grand Final. Essendon 2.1 5.1 6.4 8.5 53 Sat 28-Sep-1968 2:50 PM Att: 116,828 Venue: M.C.G. Carlton 2.2 6.8 7.9 7.14 56 Carlton won by 3 pts Hardcover book, navy blue

Book. ALEC H CHISHOLM COLLECTION. 56 page soft cover book of tributes to John Shaw Neilson, poet. Alec Chisholm contributes one of 28 tributes. Biographical note by Robert Henderson Croll. B & W portrait of John Shaw Neilson after title page. Two poems by the poet precedes the tributes. Published in 1942 by the Bread and Cheese Club, Melbourne and printed by J. Roy Stevens, Melbourne. Catalogue sticker ''2149 VAR'' on front cover.Variousbooks, collections, tribute, alec h chisholm collection, john shaw neilson, tribute, poetry

William Ireland was an orchardist in Mitcham. His cool store stood on the corner of Deakin Street and Ormond Avenue, Mitcham, behind the family's home in Gillies Street, MitchamBlack and white photograph of the Ireland family of Mitcham c1910 Back row: Henry, Albert, Alfred, Alice, Arthur Front row: Myrtle, Edward, Kezia d. 1914 aged 56, William Absent: Elijah d. 1908 aged 50, Amelia (Halliday), Emily d.1892 aged 4 years 7 months, John d. 1902 aged 27, and Rose d.1905 aged 12 years. There was also one still born child.ireland family, orchards

Newspaper cutting, undated, from Melbourne Herald on a trip on the Bendigo Tramways - following the announced closure - c1968. Has photo of 24 at Eaglehawk and Tram Driver Jack Hogan, No. 22, age 56. Item written by Garry Jones. Photos by Peter Ward. Reporter hired a tram for a trip to Eaglehawk. Mentions Bendigo Mayor Warren Cambridge, Inspector Gordon James and Chairman of the TMSV, Bob Prentice. Item has been glued onto a sheet of foolscap paper - white.trams, tramways, bendigo, tram hire, closure, jack hogan

Set of two drawings titled " Motor Bus Data", .1 - R1912 - dated 24/2/1927 - Gives bus numbers 1-56 - make and type number of vehicles in service, capacity, turning circle, wheel bases, Tare weight, overall length, width and height and engine details. Covers the Tilling Stevens Petrol electric, Thornycroft and Garford models. .2 - R4211 - dated 5/8/1935 - as above, including the Daimler, Tourist Bus, Albion and Leyland buses.trams, tramways, buses, mmtb, lists, thornycroft, tilling stevens, garford, tourist bus, leyland, daimler, albion

Clothing rationing was gazetted in May 1942 and continued until June 1948. It allowed each person 112 coupons per year and each item of clothing had a coupon value. eg. A man's suit was worth 38 coupons and a pair of socks were 4 couponsWWII Clothing Ration Card: beige card with blue flecks, red print "V If this Card is found it must be returned at once to the Deputy Director of Rationing. Melbourne. Commonwealth of Australia. LA 892472. 1948 Clothing Ration Card Rig. D.1 Issued to Name". Hand written in blue ink is "G. A. Jones" (Jones and signature. Address:- 135 Myrtle St. Bendigo. Underneath are small numbered tickets from 41 to 56 with 1948 and Clothing printed across the face.government, federal, clothing ration card, ww11. g. alice jones. clothing ration cards

Standard issue item as used by Australian servicemen during the conflict in Vietnam (1962–1972). 40mm Bofors AA shell (RAN )CP 40 mm ; Balic. MK N2 ; He Sub. T. S.569 Meg 6/69 Plug Firing /REP 259 / MK NI/ AN /1956 MF 40 MM /LOT 281 / 2 / 56 B3 REP T &1bomb shell, bomb, 40mm bofor

Cap Petty Officer Navy blue with Chief Petty Officer cloth bullion badge with crown above an anchor surround by laurel leaves. Chin stay has metal badge with anchor, either sideLabel inside cap lid reads Keepsake/ R.A.N./Herman & Jospe/ Sydney, Australia written on the label in ink is 8405-66-089-3353, 56cm; small printed label centre back reads 56; inside lid written in red is the name" Kinnear".

In October 1947 construction was commenced on the erection of the workmen's camp at Rocky Valley. Also in 1947 construction of a stream diversion was commenced to allow excavation to commence for the dam wall. In the summer of 1948/49, stripping of the foundation area on both sides of the river was carried out. Weather conditions were not always favourable during the construction, particularly 1955/56 summer, and work would have to cease each year for the winter season due to the severe conditions. The dam is a earth and rock fill structure with a height of about 30.5 metres and crest length 518.16 metres and was completed in March, 1959.These photographs show the type of terrain in the area prior to the construction and filling of Rocky Valley Dam. Also of interest is the type of accommodation provided for those working on the construction and the early cranes available in the 1940/50's. Of historical importance to understand the conditions in the early construction of the Kiewa Hydro Electric SchemeEleven small black and white photographsPhoto No. 1 - on the back, printed in ink"Rocky Valley - New Mess & offices Dec. 1948". In pencil '14 on the back Photo No. 2 - on the back, printed in ink "Rocky Valley Camp. October 1948". Also stamped on the back "998L" Photo No. 3 -on the back, printed in ink "Rocky Valley Hostel October 1948". Also stamped on the back '998L' Photo No. 4 - on the back, printed in ink "Spion Kopje from bedroom window. October 1948". Stamped on the back '998L'. Photo No. 5 - on the back, printed in ink "Rocky Valley Basin Dec. 1948." In pencil on back, 14. Photo No. 6 - on the back, printed in ink "Site of Wall for Rocky Valley Dam Dec. 1948". In pencil on back, 14. Photo No. 7 - On the back, printed in ink "Commencing of Diversion Tunnel Rocky Valley December 1948". In pencil on back, 14. Photo No. 8 - on the back, printed in ink "One of the two electric cranes at Rocky Valley December 1948". In pencil on back, 14. Photo No. 9 - on the back, printed in ink "'Rapier' (H.Y.) electric crane Rocky Valley December 1948". In pencil on back, 14 . Photo No. 10 - on the back, printed in ink " Pretty Valley Pump line construction Mt. Cope in Background Nov 1948. Circular stamp with the words 'print by Wilson White Albury' in the circle. Photo No. 11 - on the back, printed in ink "Stringing cable on Ruined Castle October 1948. Same stamp as No. 10. In pencil '31'. rocky valley; pretty valley; ruined castle; bogong high plains; kiewa hydro electric scheme

The information sheet belongs with a map showing the Burma Thailand Railway and it's route with the various camps and P.O.W centres. The map was produced over a period of 15 months and drawn in four stages. Shows Hellfire Pass formerly ( The Konyu Cutting). The 50 Kilo Camp in Burma. There were 56 stations and 87 camps on the route of the map. The map gives due credibility and was released as a limited edition of 1000 copies only. Copies of the map are displayed all over the world including Staffordshire in England, University of Houston, National Guard Museum of Texas and on display at the Australian and New Zealand Embassies in Bangkok.Framed information sheet of the map produced to show the various camps and sights along the Burma Thailand railway. The map was produced using a number of older railway maps, including the Escritt translated map and a local Thai road touring map.

This metal and enamel sign is believed to have hung outside the Myrtleford Forest District Office. It includes directions to the Ovens Nursery, Office and Residence Phone numbers, radio call signs (VL30V) and office hours are included It also makes reference to hardwood and softwoods In 1956, the new Chairman of the Forests Commission, A V Galbraith, introduced a major restructure of the organisation to create 56 Forest Districts. The process included amalgamating the plantations and hardwood divisions, which had been separate and rival entities up to that time. Things remained largely unchanged for the next three decades until the early 1980s.Myrtleford Forest District office signforest signs, forests commission victoria (fcv)

A “Bill of Fare” is a menu or list of food offered for a meal. This Bill of Fare from the sailing ship Schomberg is handwritten in pen in hard-to-read script on the printed pages specifically for the Schomberg ship, of the Black Ball Line of Australian Packets. (‘Packets’ were vessels that had a regular trade run of cargo, passengers and mail; the sailing ship Schomberg was designed for long voyages between England and Australia.) These menus posed a puzzle as they have the handwritten dates of, May 10 and 12, 1856, by which time the Schomberg had sunk (she sunk on December 26, 1855). The donor of these pages of Bill of Fare is a stamp collector from Melbourne. He came across the menus in a package that he bought in 1980 at a stamp auction in Tasmania. He decided to give the menus to Flagstaff Hill this year during his annual family holiday in Warrnambool. A 1981 newspaper article about this donation included an interview with Flagstaff Hill’s curator Mr Peter Ronald, who said that the stationery of these menus is genuine. He went on to say that there would have been much stationery printed for use on the Schomberg although she sank on her maiden voyage. These menus could have been written at a dated late because the surplus Schomberg stationery could have been used for menus on other ships. We will probably never be sure of the answer but none-the-less the pages are still connected to the Schomberg. Below is what we believe the menu consists of although some of the writing is indecipherable - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - (first menu) Roast Mutton Boiled Mutton? Ox Tail Mulligatawny? Or possibly Ox Tail Vegetables? Mutton Pies? ------------------------------- Vegetables Potatoes ---------------------------------- Dessert Fruit Puddings? Saturday May 10, 1856 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - AND - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - (second menu) Boiled Mutton Roast Mutton? Roast Geese? Ox Tail?? Calves Head Broth? ------------------------------- Vegetables Potatoes ------------------------------- Dessert Tarts? Rice Pudding? ?...Maids?? Monday May 12, 1856 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Background of “SCHOMBERG” When SCHOMBERG was launched in July, 1855, she was considered the “Noblest ship that ever floated on water.” SCHOMBERG’s owners, the Black Ball Line (one of three companies by that name), commissioned the ship for their fleet of passenger liners. She was built by Alexander Hall of Aberdeen, UK at a cost of £43,103. She was constructed with 3 skins: one planked fore and aft, and two diagonally planked, fastened together with screw threaded trunnels (wooden rails). Her first class accommodation was luxurious: velvet pile carpets; large mirrors; rosewood; birds-eye maple; mahogany; soft furnishings of gold satin damask; an oak-lined library; and a piano. Overall she had accommodation for 1000 passengers. SCHOMBERG’s 34 year old master, Captain James ‘Bully’ Forbes, had promised Melbourne in 60 days at the launch, "with or without the help of God." James Nicol Forbes was born in Aberdeen in 1821 and rose to fame with his record-breaking voyages on the famous Black Ball Line ships MARCO POLO and LIGHTNING. In 1852 in the MARCO POLO he made the record passage from London to Melbourne in 68 days. There were 53 deaths on the voyage but the great news was of the record passage by the master. In 1954 Captain Forbes took the clipper LIGHTNING to Melbourne in 76 days and back in 63 days, this was never beaten by a sailing ship. He often drove his crew and ship to breaking point to beat his own records. He cared little for the comfort of the passengers. On this, the SCHOMBERG’s maiden voyage, he was going to break records. SCHOMBERG departed Liverpool on her maiden voyage on 6 October 1855 flying the sign “Sixty Days to Melbourne”. She departed with 430 passengers and 3000 tons cargo including iron rails and equipment intended to build the Melbourne to Geelong Railway as well as a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, and 90,000 gallons of water for washing and drinking. SCHOMBERG also carried 17,000 letters and 31,800 newspapers. The ship and cargo was insured for $300,000, a fortune for the time. The winds were poor as she sailed across the equator, slowing SCHOMBERG’s journey considerably. Land was first sighted on Christmas Day, at Cape Bridgewater near Portland, and Captain Forbes followed the coastline towards Melbourne. Forbes was said to be playing cards when called by the Third Mate Henry Keen, who reported land about 3 miles off. Due in large part to Forbes regarding a card game as more important than his ship, SCHOMBERG eventually ran aground on a sand spit near Curdie's Inlet (about 56 km west of Cape Otway) on 26 December 1855, 78 days after leaving Liverpool. The sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to SCHOMBERG and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted the steamer SS QUEEN at dawn and signalled it. The master of the SS QUEEN approached the stranded vessel and all of SCHOMBERG’s passengers and crew were able to disembark safely. The SCHOMBERG was lost and with her, Forbes’ reputation. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the SCHOMBERG. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Later one plunderer found a case of Wellington boots, but alas, all were for the left foot! Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. In 1864 salvage efforts were abandoned after two men drowned when they tried to reach SCHOMBERG. Parts of the SCHOMBERG were washed ashore on the south island of New Zealand in 1870, nearly 15 years after the wreck. The wreck of the SCHOMBERG lies in 825 metres of water. Although the woodwork is mostly disintegrated, the shape of the ship can still be seen due to the remaining railway irons, girders and the ship’s frame. A variety of goods and materials can be seen surrounding the wreck, by divers. Flagstaff Hill holds many items salvaged from the SCHOMBERG including a ciborium (in which a diamond ring was concealed in concretion), communion set, ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the SCHOMBERG. These Bills of Fare are significant due to their connection to Flagstaff Hill’s collection of artefacts from the Schomberg, which is significant for its association with the Victorian Heritage Registered shipwreck S612. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. The Schomberg collection is archaeologically significant as the remains of an international passenger ship. The shipwreck collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day. The Schomberg collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Menu, or Bill of Fare, on cream coloured stationery from the sailing vessel “Schomberg”. Two rectangular pieces of paper, each bears the printed words “Black Ball Line of Australian Packets, Bill of Fare, Ship, Schomberg”, a printed symbol of the Black Ball line (a black ball on a red flag) and a decorative border. Both pages are handwritten, in similar but different sized writing, with a Bill of Fare and a date, Page (1) dated May 10th 1856 and (2) dated May 12th ’56, (Both dates are AFTER the Schomberg sank in December 26th 1855.) Both pages have three fold lines spaced across their width. To be used for the return voyage.Printed on the pages ““BLACK BALL LINE OF AUSTRALIAN PACKETS.” “Bill of Fare, / SHIP / “SCHOMBERG”.” Handwritten list of food, and on one page “Saturday May 10 1856” and on the other page “Monday May 12” warrnambool, peterborough, shipwrecked coast, shipwreck coast, flagstaff hill maritime museum, flagstaff hill maritime village, maritime museum, great ocean road, flagstaff hill, sailing ship schomberg, shipwreck schomberg, black ball line of australian packets, bill of fare schomberg, menu schomberg 1856, food mid-1800’s, food on ships mid-1800’s, menu, may 10, 1856, may 12, 1856

Photo, black / white, 6 soldiers in uniform without head gear. 3 standing at rear, 2 seated in centre, 1 lower in front. Photo is in brown wooden frame with glass front & fawn paper backing. Photo is mounted with brown / gold border & features NCO's who survived the Messines Armentiers Battle. D Coy 38th Battalion AIF.Information on cardboard marker at bottom of photo identifies 2 members: 1. Centre front: R H LUXON (Cpr) 2. Seated RHS: Harry W SHELTON (CQMS) In black texta & black ink on backing: Trust 31 On stickers front / back: No 56soldiers, framed photographs, group portraits

Share certificate, printed on salmon coloured paper, for shares in the Ovens & Murray Dairy Company Limited, of Springhurst. Specific details for this certificate are hand written in ink, with the certificate number added by rubber stamp.No. of Issue: "56" Folio: "11" "This is to Certify that F. Jacobson of Norong is the proprietor of 25 shares numbered 866 to 890 inclusive in the Company The Ovens and Murray Dairy Company Limited. and that the sum of 3/- per share has been paid..." Certificate dated: 30/3/1893ovens & murray dairy company, business documents, share certificates, jacobson family.

'Skin, Surfaces and Shadows' was created by Tommaso Durante in 2004 during his stay in Bundanon (gifted to the Australian people by Arthur & Yvonne Boyd - South East Australia) as international artist in residence and it was enriched during the artist’s stay in Broome (Western Australia) in 2005. On that occasion he collected the raw materials that were subsequently wrought to develop the actual bookwork.On the edge of artistic practice and philosophical inspiration, 'Skin, Surfaces and Shadows' pushes the boundaries of art, craft and design by combining digital technologies with traditional techniques and materials. Durante visually explores the surfaces of organic things (trees, surface textures, etc.) and the figurative dividing line of the shadow. The poet Wallace-Crabbe responds to these images in words. The poet and the artist flit in and out of shadows, skin and the surfaces of paper and life.(a) prints, artist's book (80 pages), ink; Somerset Book White paper (175gsm), digital images, printed in eight inkjet colour pigments, from digital files. Set in digital typefaces Utopia STD Display, Italic and Bold, Frutiger 57 Condensed, 67 Bold Condensed, and 56 Italic. Section sewn around 3 tapes. Full paper binding with blind blocking on front cover handmade head and tail bands. (b) CD of slide presentation to accompany bookwork on display Primary Insc: In black biro, signed and editioned by Tommaso Durante and Chris Wallace-Crabbe (last page '8/25 T DURANTE CWallace-Crabbe')prints, artist book, skin, surface, shadow, poetry, durante, wallace-crabbe