Showing 2763 items
matching aboriginality
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Orbost & District Historical Society
book, Croajingalong 1986, 1986
The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". This is the thirty-eighth edition of the annual magazine of Orbost High School. The magazine belonged to Mary Gilbert, a former teacher at the school. Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. This item is representative of its history. This edition of the annual magazine is a useful reference tool.A school magazine of 36 pp, titled "Croajingalong 1986, A Pictorial History of 1986". The cover is a buff colour and has a brown print drawing of Halley's Comet with the school badge as part of the sketch. magazine-croajingalong orbost-high-school -
Orbost & District Historical Society
magazine, Croajingalong 1985, 1985
The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". This is the thirty-eighth edition of the annual magazine of Orbost High School. The magazine belonged to Mary Gilbert, a former teacher at the school. Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. This magazine is representative of its history and is a useful reference tool.A rectangular 48 pp magazine with a pale green cover which has a black print stylised cartoon in the centre. It is titled "Croajingalong 1985" The cartoon represents the passing on of knowledge into an overflowing cup. On the back cover is a section for autographs. -
Orbost & District Historical Society
magazine, Croajingalong 1984, 1984
The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". This is the thirty-seventh edition of the annual magazine of Orbost High School. The magazine belonged to Mary Gilbert, a former teacher at the school. Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. This magazine is representative of its history and is a useful research tool.A 40 pp magazine style publication with a yellow cover which has a drawing of an ink blot and the words "CROAJINGALONG '84" in black print in the centre.orbost-high-school education magazine-croajingalong -
Uniting Church Archives - Synod of Victoria
Photograph, Charles Harris, 10/1984
The photo is reproduced in C&N along with the report from the 1984 Victorian Synod meeting. Harris is not mentioned personally, but there is a two paragraph statement saying that the Synod overwhelmingly endorsed the proposed mandate and structure for the Uniting Aboriginal & Islander Christian Congress.Standing at a lectern speaking, dressed in a suit."Charles Harris, Charismatic & fervour & liberation theology."harris, charles, aboriginal and islander christian congress -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "The Value of Natural History in Local Historical Studies" - Dr Gary Presland FRHSV, School of Geography, University of Melbourne
Digitised video (4.41GB). Duration: 63 minutes. Recorded March, 2018. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presenter: Gary Presland is an Australian archaeologist and writer who studied history at LaTrobe University, 1973-76 and archaeology at the University of London, 1977-79. He was a staff member of the Victoria Archaeological Survey from 1983 to April, 1988. His research interests are in the Aboriginal and natural history of Melbourne. -
Whitehorse Historical Society Inc.
Document, Melbourne and Metropolitan Archaeological survey, 1/03/1982
History of Aboriginal occupation of the Melbourne area. Evidence of shell midden refuse associated with their campsites. Evidence of scarred trees and scatters of stone artefacts along major stream systems. It has been established that man was in the Melbourne area 40,000 years ago and that Aboriginal occupation probably continued uninterrupted throughout the extremes of the last ice age, around 20,000 years ago when Port Phillip itself was dry land. Study will take 2 - 3 years. Aims (1) identify areas of potential archaeological importance (2) implement a pilot survey program (3) prepare comprehensive proposals for survey of sites. (4) liaise and establish rapport with municipal authorities in study area.aborigines, wurundjeri, bunurong, australian heritage commission, victoria. ministry for conservation, victoria archaeological survey -
Orbost & District Historical Society
magazine, Croajingolong 1950, 1950
This is the third issue of the Orbost High School annual magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". This book belonged to Mary Gilbert, a former teacher at Orbost High School.This third issue of Croajingolong, the annual magazine of Orbost High Schoo,l is a useful reference tool.A 40 pp grey covered magazine. On the front cover is the school crest in black and gold. The book is titled Croajingolong 1950 - this is not on the cover.orbost-high-school croajingolong -
Greensborough Historical Society
Book, Isabel Ellender, The Plenty Valley Corridor: the archaeological survey of Aboriginal sites / by Isabel Ellender 1991, 1991_
This archaeological survey of the Plenty Valley was conducted by Isabel Ellender in 1991 for the Board of Works (Melbourne Water), in particular the Plenty Gorge Metropolitan Park. The area studied is north of Greensborough to Whittlesea. A number of Aboriginal sites were identified and recommendations made for the future.67 p., illus., maps. Plastic spiral binding.plenty river, aboriginal heritage sites, plenty gorge metropolitan park -
Greensborough Historical Society
Article - Newspaper Clipping, Cara Waters et al, Turning back the clocks, by Cara Waters and Patrick Hatch, 25/05/2023
In 2018, excavations in the vicinity of Flinders Street Railway Station uncovered about 300 aboriginal artefacts which indicated that the site was used for corroborees and other celebrations. Results of other archeological digs in the city area are also described by archaeologist Jeremy Smith.2 p. Article from "The Age" 25/05/2023, text and colour imagesnon-fictionaboriginal heritage sites, melbourne - history, jeremy smith -
Greensborough Historical Society
School Magazine, Kurnaji 1968 Watsonia High School Yearbook WaHIGH, 1968_
Depicts events and attitudes, primarily of students as they go through their adolescent years in the late 1960's. The word Kurnaji is thought to have been derived from the indigenous Aboriginal language with the meaning "Windy Hill" - refer 1971 Kurnaji Editorial page.Annual record of teaching staff, students and events that took place over the year by using both photos and reports. Includes Roll Call section with names of all students.Note: This was the 1st Year of Kurnaji's publication, the last being in 1989 (see Record Item 274).52 Pages, Blue cover, Title "Kurnaji" in Red ink. Cover drawing of students. Headmaster / Principal - Mr. C.K. (Ken) Canty. 2 copies.watsonia high school, yearbook, kurnaji, school magazines -
Greensborough Historical Society
Booklet, Banyule City Council, Banyule: Heartland of the Wurundjeri willam, 2011_
This booklet "looks into Banyule's Aboriginal heritage" by detailing some of the history of the Wurundjeri willam clan, including William Barak. Illustrations are from La Trobe Picture Collection, State Library of Victoria. Booklet prepared for Banyule City Council by Phillippa Sutherland.6 pages, colour illustrations. Cover is mainly orange with line drawings courtesy of the Rare Book collection State Library of Victoria. 2 copiesbanyule, wurundjeriwillam, william barak, phillippa sutherland -
Tatura Irrigation & Wartime Camps Museum
Booklet, Hiking from the Australian Jamboree, 1935
Souvenir booklet printed for 1935 Frankston Jamboree. A hike to Gilwell Park, Gembrook. Booklet contains fold out maps of hiking areas. Also early aboriginal history of Victoria and in 1837, when John Gardiner occupied Mooroolbark sheep station.Small brown covered booklet, black writing. Sketch of Scout in hiking gear on front. Scout Emblem and kangaroo, Australian Jamboree, Frankston, Vic 1935 on back cover.scouting, books, history, local -
Queen Victoria Women's Centre
Photograph, c.1995
Colour photograph. On Lonsdale street and south entrance stairs of block during door of the building. Four women with hard hats face towards camera. Left to right: Minister for Arts Lorraine Elliot, Minister for Women's Affairs Jan Wade, Chair Janet England, Minister for Aboriginal Affairs Ann Henderson parliamentary representatives, historic buildings, building construction -
Ringwood and District Historical Society
Book, Dr Gary Presland, The Place for a Village - Gary Presland, 2012
Dr Gary Presland studied history at LaTrobe University, Melbourne and archaeology at the University of London. His major research interests have been in Aboriginal and natural history of the Melbourne area. He researched The Place for a Village as a PdD, in the Department of History and Philosophy of Science at The University of Melbourne. His previous books include Aboriginal Melbourne and For God's sake send the trackers. Gary Presland is a Fellow of the Royal Historical Society of Victoria, an Honorary Fellow at The University of Melbourne and an Honorary Associate of Museum Victoria, where he was the 2001 Thomas Ramsay Science and Humanities Fellow. He is a current Editor of The Victorian Naturalist, published by the Field Naturalists Club of Victoria, since 1884.The Place for a Village won The Victorian Community History Awards 2009 for best publication.How nature has shaped the city of MelbourneHandwritten notation first page - With best wishes, Gary Presland 22 February 2020. -
Ballarat Heritage Services
Photograph - Image - Black and White, Queensland Aborigines' , c1903, c1903
From 'ANNUAL REPORT OF THE NORTHERN PROTECTOR OF ABORIGINALS FOR 1903, Queensland' With regard to the instruction and general education given to the children and adults, I have, as usual, to speak in terms of the highest praise. I do not recognise anything that could be improved upon. For the first time in my life, I have heard little aboriginal children, boys and girls, doing part-singing. The band consists of a drum, four cornets, a tenor horn, and bass; lack of funds alone prevents more instruments being added. A most successful concert was lately given in Cairns in aid of the mission expenses. (https://aiatsis.gov.au/sites/default/files/catalogue_resources/63482.pdf)A black and white image of a musical band made up of Aborigines of Queensland. aborigines, band, music -
Orbost & District Historical Society
eggs
These eggs could be ostrich eggs from an ostrich farm which operated just out of Marlo. It is likely that they were donated by Kate and Richard Earle who ran the enterprise. Emu and ostrich eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and aesthetic appeal.Two painted eggs on stands. 1907.1 is painted black and has white emus or ostriches painted on it. 1907.2 is painted white and has black emus or ostriches painted on it. Both stands are wooden with brass pedestals. The eggs are possibly ostrich eggs.handcraft emu-egg ornament ostrich-egg -
Orbost & District Historical Society
book, The Australian Aborigines. How to Understand Them, 1964
Adolphus Peter Elkin (1891-1979), professor of anthropology was president of the Association for the Protection of Native Races and vice-president of the N.S.W. Aborigines Welfare Board from 1940. He wrote numerous articles, reports and books with detailed descriptions of the aboriginal way of life.This book was one of the few authoritative works on the subject of Australian Aborigines published before the second world war. It is of interest because Elkin was one of the very few white Australians who was prepared to speak for the Aboriginal people. A dark blue cloth-covered book. The Australian Aborigines: How to Understand Them. Written by A.P. Elkin, Univ. of Sydney. 4th edition.australian-aborigines elkin-a.p. anthropology -
Orbost & District Historical Society
book, Gardner, Peter, Gippsland Massacres, 1983
This is an early European history of the region that saw the population of the Kurnai tribes plummet from 3000 to less than 300 in twenty years. Gardner examines the details of five major massacres of Aboriginals that occurred in Gippsland before 1852, as well as other massacre sites.A spiral bound book titled "Gippsland Massacres" written by Peter Gardner, The Destruction of the Kurnai Tribe 1800-1860. It has a pale blue cover with black text and a photo of a seated Aborigine. it has 113 pp.aboriginal-history-east-gippsland kurnai massacres -
Greensborough Historical Society
Magazine, Banyule Banner April/May 2022, 2022_04
The Banyule Banner is published bi-monthly by Banyule City Council to advertise upcoming events in the City of Banyule and to report on past events. This edition contains reports on strategic planning, organics recycling and developments at Barrbunin Beek Aboriginal Gathering Place and Banyule Swamp.A record of events within the City of Banyule.28 pages, colour illustrations. 2 copies.banyule banner, banyule council -
Eltham District Historical Society Inc
Newsletter, Newsletter, No. 86 September 1992
Contents: • Next meeting, guest speaker; Isabel Ellender: Shire of Eltham Aboriginal Heritage • September Meeting • Spring Excursion – Maryborough • 25th Anniversary Meeting • More News Items • Andrew Ross Schoolhouse Museum • Eltham Festival • Shire Heritage Study The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society -
Lake Bolac & District Historical Society
black & white photograph, The Woolshed, Lake Boloke Station, 1894
The Woolshed of Lake Boloke Station, 1894. The woolshed was built by Robert Patterson but at this time was owned by the Moffat family. Identified persons in the photograph are Neil Graham, Dave Sago (with beard, seated centre) and Bill Pitkethly. "Boloke" is a local aboriginal word meaning 'lake'.lake boloke station, woolshed, patterson, moffat, graham, sago, pitkethly -
Federation University Historical Collection
Document, The place of dogs in Victorian Aboriginal society in the nineteenth century: a reconsideration of the archival record
Abstract: ‘Dingo’ is today the name given to Australia’s wolf-like native dog Canis dingo, however it was originally the Dharuk word for a ‘domesticated dog’ - the Dharuk word for a wild dog was ‘warrigul’ (Dixon, Ramson, and Thomas 1992, pp. 65, 87). In its populist usage today this distinction has fallen away and dingo now refers to both wild and domesticated native dogs. Anthropological discussions about the role and significance of dingoes and dogs in northern Australian Aboriginal society have been extensive (Meehan, Jones and Vincent 1999; Smith and Litchfield 2009). Archaeological (McCoy 1882; Barker 1979), ecological (Nowak 2006) and taxonomic debates (Corbett 1995; Coman and Jones 2007) have existed for almost two centuries about the dingo’s origins (Jardine 1839; Gill 1951; Barker 1979; Savolainen et al 2004), and an intense sociological discussion has focused on what has been termed the ‘economic-utilitarian perspective’ that attributes to dingoes a decisive usefulness in Aboriginal people’s food quest (Kolig 1978). Contributors to this lively debate have been almost exclusively northern Australia-centric in their conversations, with the notable exception of Jones (1970), which is understandable given the rich vein of accessible Aboriginal informants in this region and observational data neither of which is possible or available in much of southern Australia. In this paper the authors shall build upon the northern Australian research of Meggitt (1965), Rose (1992), Meehan, Jones and Vincent (1999), and Parker (2006) and demonstrate that there exists a concomitant range of ethno-historical and archeological sources from south-eastern Australia which adds a considerable body of knowledge to our understanding of the utilitarian and symbolic significance of dingoes for Aboriginal communities. Furthermore, the authors shall examine the impact of British colonizers upon Aboriginal peoples’ associations with dingoes in Victoria. The word dingo shall be used throughout this paper to connote dogs as well as dingoes. Unpublished typed manuscript. This item is part of the 'Australian Mythical Animals Collection'.aboriginal, aborigines, fred cahir, ian clark, dog, dingo, australian mythical animals collection, mythical, myth, folklore -
Victorian Aboriginal Corporation for Languages
CD, Robert Mate Mate Gapingaru, Aboriginal sky figures
Robert Mate Mate (Gapingaru), an initiated elder of the Woorabinda_Berigada tribe of Central Queensland has researched the stories on the CD Rom in conjunction with Gordon Patston, an experienced astronomer. The stories from Arnhem Land to Tasmania give a fascinating insight into this rich area of Aboriginal culture and shed new light on Australia?s skies.CDastronomy, dreamtime stories, folklore, stars -
Orbost & District Historical Society
magazines, Croajingolong Document of a Decade, 1970
This is a special issue of the annual Orbost High School magazine. It revisits the decade 1960-1970. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". 2218.1 belonged to Mary Gilbert, a former teacher at the school.This magazine is a useful reference tool.Two copies of a magazine with a dark blue cover. It is titled Croajingolong Document of a Decade. On the front cover the print 1960-1970 Vol.2 No. 3 is in yellow/gold and the Orbost High School crest is on the left hand side in yellow. 2218.2 has autographs inside the covers. 2218.1 has the Orbost Historical Society stamp on the inside back cover.croajingolong orbost-high-school -
Eltham District Historical Society Inc
Book, Banyule City Council Aboriginal Heritage Study prepared by Austral Heritage Consultants, 1998 July
A draft report on the pre-European Aboriginal achaeological sites in the city of Banyule, including results of previous field surveys; Banyule covers a small part of the former lands of the Woi Wurrung. The report discusses heritage overlay, planning issues and the proposed Victorian planning provisions.100p, 30 cm.Marked "Draft"aboriginal heritage banyule, woi wurrung -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1999 c
Built by Captain Newman after retiring as Superintendent of Lake Tyers Aboriginal Station. The building was a shelter built beside the Toorloo road with a bell over the door and s sign 'Devonshire Teas served. For service ring the bell.' Operated by Mrs. Newman for a short timeA colour photograph of the site of the Toorloo Arm Tea Room, built about 1937. Shows a small clearing in a bushland setting. Toorloo Arm Victoriavegetation -
Moorabbin Air Museum
Machine - CAC CA-25 Winjeel A85-418 ("Vmntq")
Historical Details: . Description: The CAC Winjeel was designed as a post-war replacement for the Tiger Moth and the Wirraway training aircraft then in use with the RAAF. Winjeel is an aboriginal word meaning ‘young eagle’. First flown in 1951, the aircraft suffered a prolonged developm. Level of Importance: Statewinjeel ca25 -
Wyndham Art Gallery (Wyndham City Council)
Painting, Tony Albert, Interior Composition (with Appropriated Aboriginal Design Vase) IX, 2022
Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation -
Wyndham Art Gallery (Wyndham City Council)
Painting, Tony Albert, Interior Composition (with Appropriated Aboriginal Design Vase) VII, 2022
Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation -
Wyndham Art Gallery (Wyndham City Council)
Painting, Tony Albert, Interior Composition (with Appropriated Aboriginal Design Vase) X, 2022
Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation