George Henry Smith was Grenville Shire Secretary between 1894 and 1903. He was succeeded in this position by his son, Alf J. Smith.Black and white photograph of a gentleman with moustache, wearing suit, high collar and wide tie, handkerchief left breast pocket."Mr Smith, second sec.".mr smith [grenville shire secretary], faull collection, george henry smith

The RI stands for Rex Imperator. This letter / certificate was given to Don Dunoon (father of Lynn Brown) who served in World War 1. He later came to Orbost and married into the Lynn family - Mary Ellen Lynn. This certificate was given to all servicemen who survived the war. A World War I demobilization certicate / letter from Buckingham Palace to those who served in the Great War. At the head of the letter is the royal coat of arms and 'Buckingham Palace' letterhead in red printed ink. The text reads: 'The Queen and I wish you God-speed, and a safe return to your homes and dear ones. A grateful mother country is proud of your splendid services characterized by unsurpassed devotion and courage' Below is the ink printed signature of King George V - 'George R. I.' Additional information : These certificates were given to Dominion and Empire troops from Canada, New Zealand, Australia & etc., who had survived the Great War as it was then known. These documents were an Empire issue, not an issue for British service persons. R I is short for Rex Imperator which is Latin for King & Emperor. The document was sent to Colonial, Empire & Dominion troops only. This personal document gives an insight into the human element of World War 1 ensuring that those who were part of the Orbost community and died while playing a vital role during this time are remembered.A certicate / letter from Buckingham Palace to those who served in W W 11. At the top is the royal coat of arms and Buckingham Palace in red print. Print is black and it is signed by "George R.I."ww1 georgev dunoon-don

A short article about James George Gosstray and his service in World War 1. At the time of his enlistment, James was living in Diamond Creek.One page, text and colour images.world war 1 project, james george gosstray

Family history by Kay Walker, great grand-daughter of George and Jane Gray. The Gray family were the owners of the 'Cleir Hills' nursery in Cottlesbridge.George Gray's parents lived in Greensborough in the 1850s. His father Owen was a local storekeeper.Spiral bound folder with clear cover. Approx 40 photocopied pages of Gray family history.gray family, george gray, cleir hills, cottlesbridge

Political campaign advertisement for George Tippett, a candidate for Central Ward in the St Kilda Council elections of 1932. Includes a photo of the candidate. He was unsuccessful.Yellow coloured paper, folded, printed in red and blue on both sides.george tippett, st kilda council, st kilda council elections

Hairdressers - George Giles shaving his brother Charlie Giles. Business was in Main Street Stawell between the Town Hall and Holy Trinity Church.stawell

The Vogt LO150 is a sailplane first produced in 1954. Designed in Germany by Alfred Vogt, the LO150 is of wood construction. It has a two piece wing of 15 metre (49 feet) span and a fuselage of monocoque design. The first of the type to be imported into Australia arrived in late 1955. In January 1956 this aircraft type was used to create a world speed record of just under 75 km/h for speed around a 300 km triangle and went on to win the Australian National Gliding Championships. The Museum’s LO150 (VH-GUC) – serial number EB71 was imported from Germany in 1971 by the late Frank Erdmann and an ownership syndicate formed. Following Erdmann it has had a number of owners. Much of its usage was at Bacchus Marsh and Horsham with excusions elsewhere for competition. This Vogt LO150 was last flown on 3 January 1988. Overall, since arriving in Australia, it has flown 315 hours from 273 launches, which is a commendable average performance of over an hour per flight. VH-GUC was donated to the Museum by Warren Mayfield in 2002. Substantial glue deterioration was discovered in one wing and, as a result, a decision has been made not to restore the glider to an airworthy condition. In due course the glider will be repainted and further prepared for display. This exhibit is an example of the Vogt LO150 semi-aerobatic competition sailplane.Single seat competition sailplane of wood construction.Builder's serial number EB71australian gliding, glider, sailplane, vogt, lo-150, erdmann, mayfield, geelong gliding club

Lance Corporal "Alfred Alexander Priest" No. 5162. Enlisted 31/12/15 into 6th Battalion, 16th Reinforcements. Embarked 1 April 1916 for England the 29 Aug 1916 to France. Hospitalised 8 Nov 1916 for trench foot and rejoined unit 11 Feb 1917. WIA 27 Feb 1917 GSW left forearm and rejoined 30 July 1917. WIA 4 Oct 1917 GSW left finger and rejoined 1 Jan 1918. WIA 16 May 1918 multiple gunshot wounds - died 27 May 1918. Buried at Boulogne Eastern Cemetery.Ful length portrait of Alfred Alexander Priest in full uniform of WW1 ANZAC Soldier, in sepia. Man standing in an outside setting, holding a cane.Front bottom right hand corner written "KALMA BENDIGO". Back top right corner written "Len's Uncle, Alfred Priest".ww1, 6th battalion, alfred alexander priest

The wedding in 1930 of George Chilianis and Anthi Mavrokefalou. To the left of the couple is the groom's sister Ekaterini Chilianis-Koutsouveli; on the far left is her husband Nikolaos Koutsouvelis (Black) holding their young son Billy. To the left of the bride is Vasiliki Koutsouveli-Adamopoulou. Both George and Anthi were born in Ithaca and migrated to Australia in the 1920s. Like many early Ithacan immigrants George eventually went into his own business in the 1930s in partnership with Panayioti (Peter) and Theofilos Kouvalias, a fruit shop, the 'South Melbourne Fruit Palace' at 288 Clarendon Street, South Melbourne. Anthi was an active member of the Ithacan Philanthropic Society was awarded Honorary Life membership in 1995 - the first time that women were bestowed this award by the IPS.A copy of a studio photograph of a family wedding group. There are six people in the group namely the bridal couple, two ladies and a man whom is holding a young child.

George Hathersich made wood moulding planes at 30 Shade Hill Street, Manchester, England, from 1797 to 1851. After his death, his wife, Elizabeth, carried on making planes. Moulding planes are used to create decorative edges on timber for doors, tables, cabinets and elaborate cabinetry.The maker, Hathersich, was a very early plane maker from Manchester, England. Hathersich's early 19th-century hand-operated planes are rare examples of crafted woodworking tools. Similar tools are still made today and used by specialists in cabinet and woodcraft trades.Plane; hand-operated mounding plane, round type. A narrow rectangular plane with a wooden wedge and an iron blade inserted in the bed. The wooden surface is stained and varnished. It has inscriptions. Made by George Hathersich of Manchester, UK. Also marked C S Schofield. "Hathersich" "C S Schofield"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wood work, builder, carpenter, wood worker, woodworking, plane, moulding plane, tool, woodworking tool, george hathersich, shudehill, manchester, england, c s schofield

Digital Image of Ken Wilson's (a BTM Volunteer worker) father, George Wilson boarding a Geelong tram on his first day of school late 1920's. The family lived in Corio St, near the North Terminus. Three school children and possibly a Conductor boarding a tram with the driver in rear cab. Tram has destination of Belmont. trams, tramways, geelong, schools, belmont, north

This collection of Stereograph card depicts scenes from the Coronation of King George V. Produced by 'The Rose Stereographs. George Rose was born in Clunes, Victoria in 1861 and later worked in his father’s boot-making business in Prahran while studying photography. In 1880 he founded the Rose Stereograph Company and became famous for producing stereographs, or stereoviews, which gave the illusion of being in 3D when seen through a hand-held viewer. Some of the pioneers of Moorabbin were staunch supporters of the Monarchy of England. This collection of cards was donated by one of the founding pioneer families.Stereograph cards - 25 cards produced by Rose Stereographs. - black and whiteDescription of each card written on bottomcoronation, king george v, england, monarchy, moorabbin, london, westminster abbey, trafalgar square, boy scouts, crystal palace, queen mary

Grave of George S Davis (died 30/06/1942) in Plot# Q19 Greensborough Cemetery. The Davis family lived in Britnell's Road, Briar Hill.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Links: 01859.01936 Digital copy of colour photograph of grave/headstone.george s davis, greensborough cemetery

A short article about George Fineran and his service in World War 1. At the time of his enlistment, he was living in Yan Yean Road Plenty.1 Page, text and colour images.world war 1 project, george fineran

The Wendouree Parade residence of George Smith, Nurseryman. The house included an iron balustrade, glass window paned conservatory and square pillars holding up the veranda.george smith, wendouree parade, building, public dwelling, garden, ballarat, house

St. George Public Crushing Battery with dam in foreground. Erected in 1860 one of four public crushing batteries. Enlarged later in 1864 by new owners.Settling ponds in foreground crushing shed with chimney on right. Methodist Church in distance on leftmining

Photograph of Legatee George McKenzie who was President of Melbourne Legacy in 2004. Appears to be a professional photo taken for use in publications during his term as president. A record of the past presidents of Melbourne Legacy.Colour photo x 4 of Legatee McKenzie.past presidents, george mckenzie

Ethel Bersey was born at Linton in 1882. She married James Wishart in 1910. George Bersey was born at Linton in 1887, and married Wilhelmina Collins in 1910.Black and white copy of original photograph which shows a woman seated slightly sideways on a chair, with her hand resting on a table, and a man standing behind her, one hand in his pocket and the other appears to be resting on the back of the chair. The woman is wearing a dress with a high collar, sleeves decorated with large buttons, and a spray of flowers on the bodice. The man is wearing a suit, with a fob and chain, and a buttonhole flower.ethel bersey, george bersey

Old Princes Bridge - 1845. copied from book "Melbourne's Yesterday's" See Phillip Island Book re Solomon West etc. Nov. 1983Sepia photograph of the old Princes Bridge Melbourne decorated for Prince Alfred's visit in 1867."Old Princes Bridge decorated for Prince Alfred's visit 1867"old princes bridge melbourne, prince alfred's visit 1867, w a mcleod

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. Miniature oil painting of a landscape, with creek in foreground and bush and hill behind, by A.W. Eustace, under glass, in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, chiltern, oil painting, landscape

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape with creek and surrounding trees by A.W. Eustace, under glass, in original dark brown timber frame with beige matte and a twist wire stand. One of 3 miniatures. Sticker on back: 188 (original Registration number)alfred eustace, chiltern, oil, landscape

This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold

George was the first soldier from the Shire of Eltham to be killed in the Second World War. He was engaged to Miss Jean Simonson of Montmorency. Sapper George Ernest Castledine (1914-1941), son of Arthur Frederick (dec.) and Annie Castledine, enlisted 23 January 1940 at Lower Plenty and was assigned to the 2/2 Field Company. He is buried in the Phaleron War Cemetery, Athens, Greece and is remembered on the Roll of Honour located in the Eltham War Memorial Hall.Sapper George Ernest Castledine VX10044 was the first soldier from the Eltham District to be killed in the Second World War, an event that ultimately resulted in the women and men of the district raising funds to create the Eltham War Memorial to benefit the children of the district as a living memorial in memory of the fallen soldiers of the district in that war.Digital file only created from scan of print on loanannie castledine, arthur frederick castledine, athens, eltham, eltham war memorial, eltham war memorial hall, emily beckett, george ernest castledine, greece, jean simonson, montmorency, phaleron war cemetery, roll of honour, second word war

Grave of George Byrne (died 13/10/1938) and Eleanor J. Byrne (died 26/01/1945) in Plot# Q12 Greensborough Cemetery. [damaged headstone]Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone [damaged]george byrne, eleanor byrne

Grave of George Byrne (died 13/10/1938) and Eleanor J. Byrne (died 26/01/1945) in Plot# Q12 Greensborough Cemetery. [damaged headstone]Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.george byrne, eleanor byrne, greensborough cemetery

The shop was located in Bridge Street. The photo shows the external fruit displays and prices. The shop included a Nestles chocolate machine. It is presumed that George Russo is standing in front.building, commerical, george russo, fruit shop, bridge street

Willinda Park is situated in Beatrix Street Greensborough. It has an athletics track and field and is adjacent to the Plenty River. This photograph shows the footbridge across the Plenty River to George Court.Digital copy of colour photographwillinda park, beatrix street greensborough, athletics, plenty river