Index, bibliography, notes, ill, maps, p.240.non-fictionMore than one quarter of the Australian soldiers chosen to land on Gallipoli at dawn on 25 April 1915 were Western Australians. Four years later, only one in four of them had escaped death or severe injury. But that morning, by climbing the cliffs under a hail of Turkish bullets, they won a permanent place in Australia's most celebrated national legend. At Gallipoli that was all any of the attacking troops won." "The British and French, whose armies also suffered heavy losses at the Dardanelles, regarded the campaign as nothing but a humiliating military disaster best forgotten. In Australia Gallipoli was hailed as 'the proving of a nation's soul' and the day of the landing became sacred.world war 1914-1918 - campaigns - gallipoli, australian army - soldiers - western australia

Ill, p.210.non-fictionAn account of the author's experiences in two World Wars, as a Sergeant Major in a machine gun battalion and as a prisoner of the Japanese in Java, Singapore and Thailand. world war 1939 – 1945 – personal narratives – australia, prisoners of war - australia

Ill, p.160.non-fictionThis book brings the personal stories of the Vietnam war to Australiansvietnam war - 1961-1975 - australian participation, vietnam war - 1961-1975 - works of art

Bib, ill, maps, p.248.non-fictionA significant World War Two mutiny took place on the night of 8 May 1942 in a lonely atoll in the Indian Ocean in a setting of intrigue, rebellion and the blood and tears of war. Japanese naval forces were at the peak of their southward thrust." "While the battle of the Coral Sea raged, gunners of the Ceylon Garrison Artillery on the Cocos (Keeling) Islands off Australia's north-west coast attempted to arrest their British commanding officer and compel him to surrender to the Japanese. One soldier was killed and another wounded, but the mutiny failed and seven men were condemned to death. Ultimately three soldiers were hung, becoming the only Commonwealth troops to be executed for mutiny in World War Twomutiny, world war 1939-1945 - sri lanka

A special from the Bendigo Advertiser on birthplace of a Nation' issued Wednesday, September 23, 1992. This special issue has 100 pages. On the cover a colour photograph of the monument erected by citizens of Australia to honour the memory of Sir John Quick LLD 1852-1932. Lawyer, Statesman, Judge. Qui Patitur Vincet. Cover story: Sir John Quick (pages 2/26) - The Arts (pages 30/31) - Tourist Time (page32) - Water of Life (pages 38/40) - Snaps in Time (pages 45/56) - The Chinese (pages 62/65) - Education (pages83/89) - The Aged (pages 94/100).newspaper, bendigo advertiser, centenary supplements

Document. Two page parchment Concert Program (2 copies), ''Melba''. Australian Concert Tour 1902.performing arts, elocution, concert tour

Document. 24 page booklet with program for Mr Edward Branscombe's Westminster Abbey Glee and Concert Party, Australian Tour 1903. Two X two page programs glued to the back page of the booklet - one white (Princess Theatre Bendigo) with profiles of the performances, one green with program printed inside.performing arts, elocution, concert tour

Prize certificate on card awarded to Mr. Alexander John Hamilton by the Maldon branch of Australian Natives Association for second prize in their Second Annual Musical and Literary and Elocutionary Competition for Bass Solo Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands and McDougall Ltd. Printers Melbourne.performing arts, elocution, competition

Prize certificate on card awarded to Mr. Alexander John Hamilton by the Maldon branch of Australian Natives Association for first prize in their Second Annual Musical and Literary and Elocutionary Competition for Comic Song. Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands and McDougall Ltd. Printers Melbourne.performing arts, elocution, competition

Typed program for the Eaglehawk Dahlia and Arts Festival from 23rd March to Tuesday 4th April 1972. Program lists the displays and entertainment for the duration of the Festival.event, exhibition, eaglehawk dahlia & arts festival, eaglehawk dahlia and arts festival 1972 program, historical society museum, karl steinbergs puppet show, bendigo gem club, australian handicapped and disabled artists, country women’s association, sam cragg, sandhurst boys centre, spastic children's friends & parents committee, sir rohan delacombe, national dahlia society, eaglehawk y m c a all grade basket ball summer competition, game birds society, bushwackers and bullocky's bush band, eaglehawk bowling club, state services orchestra recital, alan paull, arts council of australia, chitrasana dancers from ceylon, eaglehawk croquet club, bendigo music advancement society, phillip miechel, henry wenig, margaret schofield, shirley jacobs, the german national circus, bendigo clay target club, bendigo photographic society, eaglehawk bowling club, kennel club, eaglehawk citizen's band, society of organists, bendigo field naturalists

Opening in 1891 the Moonta School of Mines was intended for students who wanted to increase their knowledge of those arts and sciences which were especially important to miners and others similarly engaged. The School was situated close to the Moonta Mines, at that time the most important copper mines in Australia, and the smelters at Wallaroo. The the mines students were able to acquire practical knowledge of the work of a miner. The close by smelting works at Wallaroo were seen to be of great service to those wanting to become acquainted with chemistry and metallurgy. Subjects taught at the Moonta School of Mines included Chemistry, Metallurgy, Steam and the Steam Engine, Magnetism and Electricity, Mathematics, Machine Design, Mine Surveying and Leveling, Drawing, Plumbing and Sheet Metal Work. The Moonta School of Mines building in Ellen Street was formerly Baptist Church.Stone building used as the Moonta School of Mines. This image can be compared to a 1904 image at http://victoriancollections.net.au/items/519c24142162ef13f0648d42 moonta, school of mines, mining

Three letters in an envelope. The first from the Australian Broadcasting Commission dated 2nd February, 1954 requesting Misses Gertrude Perry and Valda Young to attend Broadcast House at 11.30 am on Wednesday, February 17th, 1954 for an audition. The second also from the ABC dated March 4th, 1954 advising Miss Perry that the test was successful and that her name was added to their list of artists for future engagement. The third letter dated March 10th, 1954 is from Miss Perry and Miss Young to the Manager ABC, in reference to the letter of 4th March asking if the preliminary interview could be on a Saturday as their are business girls with work commitments.performing arts, music, gertrude perry

Prize certificate on card awarded to Mr. Alexander John Hamilton by the Maldon branch of Australian Natives Association for first prize in their Second Annual Musical and Literary and Elocutionary Competition for Recitation Gentlemen Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands and McDougall Ltd. Printers Melbourne.performing arts, elocution, competition

Prize certificate on card awarded to Mr. Alexander John Hamilton by the Maldon branch of Australian Natives Association for first prize in their Second Annual Musical and Literary and Elocutionary Competition for Baritone Solo Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands and McDougall Ltd. Printers Melbourne.performing arts, elocution, competition

Prize certificate on card awarded to Mr. Alexander John Hamilton by the Maldon branch of Australian Natives Association for second prize in their Second Annual Musical and Literary and Elocutionary Competition for Humorous Recitation Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands and McDougall Ltd. Printers Melbourne.performing arts, elocution, competition

'Inspired by the iconic character of the Cowardly Lion in the story 'The Wonderful Wizard of Oz' and his contemplation of what it means to possess the courage to be yourself, no matter who you are.''Courage' honours the contribution, culture and diversity of the Gay, Lesbian, Bisexual, Transgender, Intersex and Queer (GLBTIQ) community, and is dedicated to the legacy of Ralph McLean (1957–2010), Australia’s first openly gay elected official (City of Fitzroy, 1982) and Mayor (1984), an advocate for gay rights and social justice, and a champion of the arts.Bronze statue of a male figure half dressed in a lion costume holding a medal of bravery with a lions head/mask resting on his foot. Accompanying plaquelgtbqia+, wizard oz, ralph mclean, eicholtz

Thesis by Lucilla Lentini, "Australian Nazis: An evaluation of National Socialist support amongst Tatura's first 42 internees before, during and after World War II". Thesis for Postgraduate Diploma in Arts, School of Historical Studies, Faculty of Arts, The University of Melbourne.Thesis, 52 x A4 pages (56 inclusive). Bound in plastic. tatura, bahlsen, fritz alfred, boelter, reinhold, bruelle, wilhelm, dehnel, werner, fent, otto carl, froelich, gustav karl, grasle, kuno hans, hahn, fridolin, haslinger, franz joseph, hemerich, otto, hempel, walter erwin, herbst, otto albert wilhelm, kiessling, walter paul, klenk, karl friedrick, kuldschun, lewandowski, siegfried, luckemeyer, wilhelm ludwig, maltz, otto paul, mayer, gustav adolph, meister, gottlieb friedrick, muffler, karl, pecher, johans, rammstedt, otto joseph, renz, hans, reutter, paul, ritter, konrad, werner kurt, rohling, adolph, schauer, willi, schoeller, ralph, schultz, rudolf, schwarz, strothe, christian, suchting, hans johannes, thierfelder, kurt oswald, utermohle, herbert, ventur, erich august, weber, fritz, weiss, karl friedrich, wildermuth, emil otto, zachen, friederick, documents, reports

Grand Arch is a five-metre by five-metre steel sculpture by Inge King placed as the centrepiece of Alfred Deakin Place, part of a redevelopment in conjunction with the State Government, City of Ballarat, University of Ballarat and Art Gallery of Ballarat. Grand Arch is representative of King's sophisticated style of abstraction that reflected animal and plant forms through to planets and the cosmos. King was a German-born Australian sculptor who created many significant public commissions including the well-loved Forward Surge (1974) at the Arts Centre, Melbourne. She was at the forefront of the development of non-figurative sculpture in Australia and held more than 26 solo exhibitions and participated in more than 60 group exhibitions in Australia, New Zealand, London and New York over almost 70 years as a practicing artist. The artwork is of artistic significance to the people of BallaratLarge steel sculpture painted matt blackgrand arch, inge king, australian modernism

Statue of Ruth is a religious reference to the harvest and to the importance of motherhood. Ruth was sculpted by Charles Summers a central figure in Australian art from the mid 19th Century. Summers was a founder of the Victorian Society of Fine Arts in 1856 and in 1863 he became a member of the commission of inquiry into the promotion of the fine arts in Victoria. He created many portraits and busts and is known for his bronze depiction of Burke and Wills in MelbourneThe sculpture is of historic and aesthetic significance to the people of BallaratMarble sculptural depiction of the biblical figure RuthPresented to the City of Ballaarat by the following citizens./ H F Elliot Mayor/ The Hon E Morey MLC/ Cr C B Retallack/ Cr J Heinz/ Cr C C Shoppee/ J N Wilson/ T Stoddart/ ruth, harvest

Point to Sky is one of Akio Makigawa’s final works, the commission was completed posthumously. It is the only public artwork by the celebrated Australian-Japanese sculptor of this scale located in regional Victoria. You will see two stainless steel forms, a smaller more rectangle form and the towering geometric form, with seed pod shapes at the peak. These forms represent the house, the artist is expressing that home is a shelter and also a place for gathering. The house form grows into a tower to symbolise the achievements of mankind and the action taken to protect the rights of the community during the Eureka Stockade. The top seed pod is gold, referencing Ballarat as the centre of the gold rush in Victoria, as well as representing the sun as the source of life. The paving of the forecourt was designed in bluestone, typical of the work of Makigawa. Stainless steel panelling and shaping on armature. Set into raised platform of bluestone pavers.Point to Sky, 1999 / Akio Makigawa (1948-1999)/ stainless steel/ Born in Japan, Akio Makigawa arrived in Australia in 1974. He worked as a sail maker in Perth before studying sculpture at the Claremont School of Art and WAIT (now known as Curtin University). He moved to Melbourne in 1981 to do post graduate studies in sculpture at the Victorian College of the Arts and set up his studio. From 1984 he was involved in many public commissions in Victoria and interstate and Japan. / Commissioned by the Victorian Government and the City of Ballarat in 1999. point to sky, akio makigawa, modern, australian sculpture

Hand drawn Coat of Arms for the soldiers known as the Rats of Tobruk with signatures of those involved in the engagement between 5th April to the 22nd of October 1941 The drawing is signed by artist John DOWIE AM, SX6087 who served with the 2/43rd Battalion Signatories are: VX42389 Eric Hamilton, 2/32 Battalion; VX30189 F.Baldwin, 2/23 Battalion; VX34544, F.J.Mc.Intosh 2/24 Battalion; VX34554 W.Harrison, 2/24 Battalion; WX7281 P.Bone 2/25 Battalion; VX33719 Duke Goldsmith, 2/24 Battalion; VX41179 Harry Frazer, 2/24 Battalion; VX29652 A.R.Stribley, 2/24 Battalion; SX6367 Jack Foley, 2/43 Battalion; VX48340 Harry Jones, 2/23 Battalion; VX42317 Aub Jarrott, 2/24Battalion; VX28869 Rod Deering 2/24Battalion; VX15719 Ian F. Joss 7th Division AASC; VX19723 Len Dauria, 2/12 Field Regiment; NX35852 R.E (Snowy) Cornelius 2/13 Battalion; VX32559 Jim Gray, 2/24Battalion - James Cyril GRAY Born 6/1/1916 in Orroroo South Australia. Enlisted 28/5/1940 at Mildura. Awarded Military Medal for remarkable coolness, bravery and leadership at Tobruk on 24/4 and 1/5/1941. He was promoted to Sergeant on 14/8/1941, Lieutenant in November 1942 then Captain on 9/4/1945. He was wounded in action on 11/9/1943 and discharged on 20/12/1945. He married and had three children. He died on 10/4/1992 aged 76 and buried at Wangaratta Cemetery.This original drawing is by John DOWIE SX6087 who served with the 2/43rd Battalion during the second world war and is signed by the artist and soldiers from the 2/24th Battalion known as "Wangaratta's Own". John Stuart Dowie AM (15 January 1915 – 19 March 2008) was an Australian painter, sculptor and teacher. He was born in the suburb of Prospect in Adelaide, South Australia, and studied architecture at the University of Adelaide. During World War II, Dowie worked in the Military History Unit of the Australian Imperial Force, and as an assistant to Australia's official war sculptor, Lyndon Dadswell. As a soldier, he was one of the Rats of Tobruk. After studying art in London and Florence, Dowie returned to Australia. His work includes over 50 public sculpture commissions, including the "Three Rivers" fountain in Victoria Square, "Alice" in Rymill Park, the "Victor Richardson Gates" at Adelaide Oval and the "Sir Ross & Sir Keith Smith Memorial" at Adelaide Airport. He was made a Member of the Order of Australia in 1981 in recognition of service to the arts as a sculptor and painter. Dowie died on 19 March 2008, aged 93. There is a similiar version of the drawing on page 32 of the book Desert Sand and Jungle Green by Geoffrey Boss-Walker which is an illustrated history of the 2/43rd Battalion.Timber frame containing hand drawn Coat of Arms consisting of "rats" as shield supporters, crest with a swastika in the centre and motto surrounded by signatures.Signatures of artist John Dowie and soldiers engaged at Tobruk. The crest depicts a latrine and the motto reads NON FASCES SED FAECES (Latin translation - "Do not move but the dregs") rats of tobruk, coat of arms, 1941, john dowie

Colour slide in a mount. Image from magazine- featuring Salle Wilfrid-Pelletier (1963), part of Place des Arts, Montreal, Canada. (Architect: Arcop.)Made in Australia / Encircled 31 (Handwritten)slide, robin boyd

Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government and gifted to the Shire of Glenlyon. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951. 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles. Features on the reverse a design of a banksia and bottlebrush. There was another version of this medal which depicted a pair of gold prospectors on the reverse.This medal was presented to the Shire of Glenlyon in 1951. For over half a century, sculptors Andor (1900-1973) and Michael (1945- ) Meszaros have created medals that reflect the high points of life in Australia. From major awards and portraits of eminent Australians to artwork celebrating popular culture and the natural world, these objects illuminate our culture and history. Grounded in a centuries-old European art tradition, the medals create connections across disciplines and link such diverse subjects as scientific advances, religious themes, sport, the performing arts and motherhood. Through their public and private commissions and their personal artworks, the Meszaros sculptors have defined the modern Australian medal.Bronze medal with images and text insetObverse Description: Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail: A MESZAROS Reverse Description: Stake supporting plant; above, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, Presented to / the Shire of / Glenlyon / 1951 Artist's initials to left of stakeglenlyon, hepburn shire, centenary of government, centenary of gold discovery, history of victoria, victorian governement, meszaros, kg luke, commemorative, commemorative plaque, centenary 1951

The work was installed at the cnr of Bridgport St and the Midland Hwy, adjacent to the Daylesford Library, in 1999. The work was commissioned by the Friends of the Library, Daylesford and funded by Arts Victoria and the Australia Council. Poemscape: a physical anthology is a much loved site specific installation work commissioned by the Friends of the Library, funded by Arts Victoria and the Australia Council, made by Daylesford resident Patrick Jones in response to his interests in the provision of public food, the development of locavore sensibilities and the rethinking of economies of material accountability and regard. Patrick Jones is a poet and non-fiction writer, a visual artist and ecological thinker. In 2013 Patrick Jones was awarded the degree of Doctor in Creative Arts from the University of Western Sydney for his thesis, 'Walking for food. Regaining permapoesis.'Public Art Environmental installation work installed near the Daylesford Library. Poemscape: a physical anthology comprises of 19 apple trees (18 Fuji apple trees and 1 Granny Smith apple tree) planted on the corner of Bridgport St and the Midland Hwy, adjacent to the library. Adjacent to each tree is a hardwood plinth at topped with a laser engraved brass plate that has been screwed in place. The text of each plate is by 19 poets including the artist and Daylesford resident Patrick Jones, local poets Peter O'Mara, Toby Sime and Robert Campbell, Australian poets Geoff Page, Kath Walker, D T Sime, Judith Wright, Ramona Barry, Jack Davis, Robert Campbell, Christopher Brennan and International Poets Dylan Thomas - Welsh, Sylvia Plath - American, Choku Kanai - Japanese, William Blake - English, Duo Duo - Chinese (translated from the Chinese by John Rosenwald), Yannis Ritsos- Greek (translated from the Greek by Kimon Friar & Kostas Myrsiades), Michel Deguy - French (translated from the French by Clayton Eshleman), Seamus Heaney - Irish and Rainer Maria Rilke - German. The title plate adjacent to the Granny Smith apple tree is by the artist/poet - Patrick Jones. See photographs with images of each of the laser engraved brass plates. permapoesis, artist as family, patrick jones, william blake, kath walker, chaku kanai, peter o'mara, sylvia plath, dylan thomas, geoff page, duo duo, d.t. sime, judith wright, yannis ritsos, michel deguy, ramona barry, seamus heaney, jack davis, rainer maria rilke, robert campbell, christopher brennan, hepburn shire, daylesford library, public art, installation art, environmental art, hepburn shire public art collection

Discusses the state of art and culture in Australia, in particular the artists, the art boom, art appreciation and cultural maturity. Beginnings of Australia's own sense of direction in the arts and moving to an Australian identity rather than relying on overseas influencesTypewritten, quarto, (carbon copy), 7 pages. (Two copies)art, culture, artists, painters, australia, australiana, australian identity, sydney opera house, robin boyd, manuscript

Handwritten draft for a speech, date uncertain. Considers the question of Australian identity: whether it exists, what can be done to foster it in the arts, design and culture as a whole. Boyd argues that the only route to a distinctive Australian identity is to develop and foster new ideas rather than taking cultural cues Britain or America.Handwritten, quarto, 3 pagessydney opera house, australian identity, australian culture, robin boyd, manuscript