Showing 768 items matching "bear"
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Bendigo Historical Society Inc.
Document - MISS G ALICE JONES COLLECTION: ACCOUNT
The Liquidator. Bendigo amalgamated Goldfields Ltd. To Miss G. Alice Jones. Re Sale of Lands by Auction on 11 Aug. 1938. Pink paper with dates, July 4, 5, 6, 7, 15-21, 23, Aug 4 to 9, Oct 20 to 1938 to Apl 2 1939, Oct 20 to Nov 15, 1939, and 19 August 1941. Account for work involved in sale of land, transfer, letters, and problems of some purchasers refusing to sign. Total cost £18. 1. 0. R702 posted 19/8/41.the miss g alice jones collection - account, bendigo amalgamated goldfields ltd., j. h. curnow & sons, k murdoch, bendigo a 1 co., state land tax office, n bear, o'halloran, rooney, power, huxtable, gray, mcwilliams, eaglehawk municipality, municipality of bendigo -
Hymettus Cottage & Garden Ballarat
Book - The Home at Greylock
fictioncover advertising silver star starch and harper's star oatmeal. -
National Vietnam Veterans Museum (NVVM)
Book, Walker, Keith, A Piece of My Heart: The Stories of Twenty-Six American Women Who Served in Vietnam. (Copy 1)
U.S. women were active participants in the war, (and) although they did not bear arms, they served under horrendous conditions with bravery. The women shar stories filled with terror and pathos, and some of their remembrances, especially those from the nurses, are hard to take.U.S. women were active participants in the war, (and) although they did not bear arms, they served under horrendous conditions with bravery. The women shar stories filled with terror and pathos, and some of their remembrances, especially those from the nurses, are hard to take. 1961-1975 - women - interviews, vietnamese conflict, 1961-1975 - personal narratives - american, u.s.women, u.s. army nurse, bobbi jo pettit - entertainer -
National Vietnam Veterans Museum (NVVM)
Book, Rentschler, Ruth ed, Museum Marketing: Competing In The Global Marketplace
Museums have moved from a product to a marketing focus within the last ten years. This has entailed a painful reorientation of approaches to understanding visitors as 'customers'; new ways of fundraising and sponsorship as government funding decreases; and grappling with using the internet for marketing. This book brings the latest in marketing and thinking to bear on the museum sector taking into account both commercial issues and social missions it involves. carefully structured to be highly accessible the book offers.Museums have moved from a product to a marketing focus within the last ten years. This has entailed a painful reorientation of approaches to understanding visitors as 'customers'; new ways of fundraising and sponsorship as government funding decreases; and grappling with using the internet for marketing. This book brings the latest in marketing and thinking to bear on the museum sector taking into account both commercial issues and social missions it involves. carefully structured to be highly accessible the book offers.museums -- marketing, global marketplace -
Marysville & District Historical Society
Document (item) - Research Document, Judith Vimpani, Gold Mining at the Cumberland Goldfields, 03-2022
A research document covering gold mining at the Cumberland goldfields in Victoria.A research document covering gold mining at the Cumberland goldfields in Victoria.gold mining, cumberland goldfields, cambarville, donovan's creek, bear's creek, walsh's creek, cumberland creek, golden bower gold-mining company, a1 gold-mining company, yarra track, jw curtis, kohler, william edward chester, golden secret gold vein, golden bower mine, chesterville, andrew kirwan, walker's hotel, george locke, marysville, james fahie, alma kathleen barry, john edward weatherland, william forbes wilson -
Wangaratta RSL Sub Branch
Document - Commemorative Scroll, R.J.C. Moore
Commemorative scroll sent to the next of kin of Private Rupert James Cavanagh MOORE 6852 attached to the 3rd Machine Gun Battalion and who made the ultimate sacrifice.- killed in action on 13/7/1918 in France. MOORE was born in Wangaratta, Victoria and a Printer when enlisted on 6/2/1917.In 1922 a Memorial Scroll was presented to the next of kin of those soldiers, sailors, and nurses who died while serving in the Australian Imperial Force or Royal Australian Navy during the First World War. Later they were presented with a Next of Kin Memorial Plaque. The Memorial Scroll bears the Royal Coat of Arms and a message paying tribute to the soldiers who gave up "their own lives that others might live in freedom". Cream paper scroll with Coat of Arms above ten lines of black writing and two lines in red ink.Pte. Rupert James Cavanagh Moore 3rd M.G.Bn., A.I.F.pte rupert james cavanagh moore, kia, wangaratta, ww1 -
National Vietnam Veterans Museum (NVVM)
Book, Doleman, Edgar C. Jr, The Vietnam Experience: Tools of War (Copy 1)
It is a given in war that opposing forces will bring to bear all the ingenuity and technological know-how at their commandIt is a given in war that opposing forces will bring to bear all the ingenuity and technological know-how at their command vietnam war - 1961-1975, tools of war -
Tarnagulla History Archive
Photograph of Tarnagulla Garage, Frank Bear, proprietor, 1946
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Glen Eira Historical Society
Article - Princes Park
This file contains four items. Princes Park information kit (misspelled princess park) compilation (clipped together) of photocopied material about aspects of the park, beginning with Princes Park North East Ground, official report for Glen Eira Council on condition of the park and recommendations for improvements, with blueprints and maps of proposed development. No date but most recent dated page (two letters from Douglas R Aylen, Chief Executive Officer, City of Caulfield, to residents about Princes Park playground is dated 20/05/1991. Includes photocopies of official materials on the purchase of land for the Park beginning in 1920. About sixty pages in all of which several relate to Caulfield Football Club and its campaign for a new pavilion 1967-70. Community News featuring Caulfields Parks and Gardens cutting from Caulfield Contact, 12/1991, on improvements to the park. Photocopy of letter from Rohan Storey Campaigns Coordinator, National Trust of Australia, Victoria to Manager, Planning Section, Glen Eira Council, dated 13/09/2002, headed National Trust Classification of Tree at Princes Park, South Caulfield Quercus suber (cork oak) at Regional level. Includes attached assessment form. Two black and white photocopies of photographs of Princes Park undated from Glen Eira Library Princes Park file, handwritten verso.princes park, parks and resources, glen eira city council, wilson k.d, harris mr, bricker d.c, caulfield football club, victorian football association, princes park trust, evans tim, ladson w.t, dixon r.c, caulfield church of christ, lewis mrs. i.e, caulfield south bowling club, hawkins a.w, briggs j.a, mcdonald s.l, renouf l.s, patience geoff, little ajax football club, gardenvale football club, south east suburban football club, southern metropolitan police football club, caulfield city soccer club, christian brother old boys, caulfield bears cricket club, national trust of australia (victoria), cork oak, tree, storey rohan -
Port Melbourne Historical & Preservation Society
Book - Memo, MHT re damage to piers by ships, c. 1970
Carbon copy book of memos to Melb Harbor Trust concerning damage to piers by ships."Damages" handwritten in black on front cover. "563572" handwritten sideways in blue on the front cover. "Damages" on top edge of pages.melbourne harbor trust - port of melbourne authority, piers and wharves - station pier, piers and wharves - princes pier, e smallwood, maru suzakasay, v s reed, l c clemence, britanis, ellinis, angelina lauro, achgetis, australis, york syme, ocean monarch, j saunders, patris, lake eyre, startaro, tai fun, orsova, philippine bear, australian endeavour, border chiefain, fairsky, atrea, iron monarch, bass trader, golden bear, jette beu, p curran, cathay, tolga, spica, australian enterprise, marina raskova, vigorous, australian bear, torronga, laurel wood, mobil australis, janova, evimeria, arthur philip, galileo galilei, soyokaze maru, bulk pioneer, toyota maru, hmas vampire, ss himalaya, ss guglielmo marconi -
Trafalgar Holden Museum
Vehicle - Holden ZB Calais
Joint project between Opel (Europe) and Holden Australia. The Australia released car differs from the European released vehicle in both handling dynamics and engines.Last car to bear both the Holden and Commodore logo'sWhite bodied four door sedan, has a factory sunroof, alloy wheels dual exhaust outlets.Holden emblem both grille centre and boot lid, Calais V boot LHS. V6 AWD sign low both driver and passenger doors.vehicle, commodore, sedan -
Monbulk RSL Sub Branch
Book, Penguin Random House Australia, Flagship : the cruiser HMAS Australia II and the Pacific war on Japan, 2016
In 1928 the Royal Australian Navy (RAN) acquired the fast and heavy cruiser HMAS Australia, the second RAN ship to bear this name. After being virtually mothballed in the Depression years she would come in to her own as the flagship of the Australian fleet when the world awoke to the menace of Hitler's Germany.Ill, maps, index, p.642.non-fictionIn 1928 the Royal Australian Navy (RAN) acquired the fast and heavy cruiser HMAS Australia, the second RAN ship to bear this name. After being virtually mothballed in the Depression years she would come in to her own as the flagship of the Australian fleet when the world awoke to the menace of Hitler's Germany.royal australia navy - history, history - military - naval - australia -
Whitehorse Historical Society Inc.
Functional object - Radiator
Early form of home heating and because of the copper dish was considered one of the better models|Manufacturing History Museum Victoria|Commentary: Australian manufacturing history Philip Wollen|Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good.'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good.'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Pedestal radiator. Base is cast iron with three feet with rose design on each. Pedestal supports a copper spherical reflector plate which has an electrical connection box at its base. The connection box is joined to the pedestal by a screw and nut to enable the reflector to be tilted. The element is cone shaped and is in the centre of the plate. The element is protected by a wire guard.Hecla Firedomestic items, heating -
Sunbury Family History and Heritage Society Inc.
Photograph, Rosa McCall, Sunbury Cultural Ring, May 2018
The photograph is of one of the Sunbury Cultural Rings sites. There are three Aboriginal earthen rings. The one in the foreground which is clear of weeds has been formed as a round dip in the earth and it is thought it was used as an Aboriginal gathering place. They are owned and managed by the Wurundjeri Tribe Land Council.The rings bear evidence of Aboriginal settlement and land use in the area. A coloured landscape photograph of open grassland and hills across the valley with a few native trees growing . aboriginal cultural rings, sunbury, jacksons creek, wurundjeri people -
Narre Warren and District Family History Group
Book, Jim Connelly, Growing up in Garfield, 2021
"Some men are born great. Others achieve greatness. The author failed on both counts. Nevertheless, he here sets out the little quirks and foibles of this early life so that those who know him might bear some sympathy towards him, and those who do not know him at least learning something of themselves from the mirror he holds up to their gaze. Failing all that, you'll find here a charming account of growing up in a small country town in a more innocent age ... or was it?!" Backcover.117 p.; 22 cmnon-fiction"Some men are born great. Others achieve greatness. The author failed on both counts. Nevertheless, he here sets out the little quirks and foibles of this early life so that those who know him might bear some sympathy towards him, and those who do not know him at least learning something of themselves from the mirror he holds up to their gaze. Failing all that, you'll find here a charming account of growing up in a small country town in a more innocent age ... or was it?!" Backcover.garfield (vic.), autobiography -
Narre Warren and District Family History Group
Book, Alexandra Hasluck, Portrait in a mirror : an autobiography, 1981
Alexandra Hasluck is well-known as one of a distinguished group of female historians who have done so much, by their perceptive biographies, to enlarge our knowledge of the characters of our history. In her autobiography she brings her discerning eye to bear on her own ancestors, and with vivid sketches of her English, Irish and Scottish forebears portrays what she regards as the typical experiences of British settlers. The same observing eye and mind follow her basically happy childhood and youth in Western Australia to becoming herself a 'Governor's Lady'. She married Paul Hasluck, then sub-editor on the West Australian newspaper. When he entered the diplomatic sphere she moved with him to Canberra and her descriptions of life in war-time Canberra and later in America, are enlivened by humorous sketches of people and events which few people have been fortunate enough to experience. These opportunities increased when, on their return to Australia, her husband became a member of Parliament and a Cabinet Minister in Sir Robert Menzies' Government, first as Minister for Territories and later as Foreign Minister. Both positions provided them with many new experiences: of journeys to the remoter parts of Australia and New Guinea in his responsibility for Territories and, later, as Foreign Minister, of visits to the capitals of the world, meeting most of the great men of our time. Even wider vistas opened when her husband became Governor General of Australia and the observing historian was able to record characteristically life at Government House with its constant stream of visitors colouring its own equally interesting inner life. Portrait in a Mirror is not only a fascinating story but also a remarkable self-portrait, told through letters diaries and speeches as well as her own commentaries ot a watching woman: a dispassionate observer of the famous people and great events of her time, who was unaffected by her varying environments and remained, as she had begun, a typical scion of that early colonial stock - intelligent, literate, strongly-opinioned - and staunchly Australian. (Cover)non-fictionAlexandra Hasluck is well-known as one of a distinguished group of female historians who have done so much, by their perceptive biographies, to enlarge our knowledge of the characters of our history. In her autobiography she brings her discerning eye to bear on her own ancestors, and with vivid sketches of her English, Irish and Scottish forebears portrays what she regards as the typical experiences of British settlers. The same observing eye and mind follow her basically happy childhood and youth in Western Australia to becoming herself a 'Governor's Lady'. She married Paul Hasluck, then sub-editor on the West Australian newspaper. When he entered the diplomatic sphere she moved with him to Canberra and her descriptions of life in war-time Canberra and later in America, are enlivened by humorous sketches of people and events which few people have been fortunate enough to experience. These opportunities increased when, on their return to Australia, her husband became a member of Parliament and a Cabinet Minister in Sir Robert Menzies' Government, first as Minister for Territories and later as Foreign Minister. Both positions provided them with many new experiences: of journeys to the remoter parts of Australia and New Guinea in his responsibility for Territories and, later, as Foreign Minister, of visits to the capitals of the world, meeting most of the great men of our time. Even wider vistas opened when her husband became Governor General of Australia and the observing historian was able to record characteristically life at Government House with its constant stream of visitors colouring its own equally interesting inner life. Portrait in a Mirror is not only a fascinating story but also a remarkable self-portrait, told through letters diaries and speeches as well as her own commentaries ot a watching woman: a dispassionate observer of the famous people and great events of her time, who was unaffected by her varying environments and remained, as she had begun, a typical scion of that early colonial stock - intelligent, literate, strongly-opinioned - and staunchly Australian. (Cover)autobiography, alexandra hasluck, paul hasluck, governor-general -
Whitehorse Historical Society Inc.
Functional object - Heater - Electric, C1940s
Manufacturing History Museum Victoria|Commentary: Australian manufacturing history Philip Wollen|Many years ago, when I was an ambition young man, I took over a company called Hecla. This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good.'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good.'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Large electric heater with two radiator bars and a protective grille at the top and false coals at the bottom.Replacements for this fire - Elements No. F314 - Illuminators No. 3P. Berry's Electric Ltd - Volts 230 - 240 -Watts 2000 V/AD/Cat No. 454 . Made in Australia by Hecla Electrics Pty Ltd Melbournedomestic items, heating -
Whitehorse Historical Society Inc.
Functional object - Electric Foot Warmer
Used by Colin Sach during his employment as Manager of the Chemistry Dept. at the University of Melbourne over a period of forty years.Manufacturing History Museum Victoria Commentary: Australian manufacturing history Philip Wollen Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good1'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good1'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Square metal box with electrical elements inside. Used to stand on or to put feet on when sitting. Elaborate pattern in centre with inscription.Hecla Foot Warmerdomestic items, heating