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Chiltern Athenaeum Trust
Painting - Oil painting, Alfred Eustace
This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern -
Chiltern Athenaeum Trust
Painting - Oil Painting, Alfred Eustace
This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape with creek and surrounding trees by A.W. Eustace, under glass, in original dark brown timber frame with beige matte and a twist wire stand. One of 3 miniatures. Sticker on back: 188 (original Registration number)alfred eustace, chiltern, oil, landscape -
Chiltern Athenaeum Trust
Photograph - Gum Leaf, Alfred Eustace
This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold -
Chiltern Athenaeum Trust
Photograph - Gum Leaf, Alfred Eustace
This colour photograph of a gum leaf painting shows one of the many landscapes done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by Alfred Eustace. Landscape featuring a deep creek surrounded by thick bushland displayed against dark brown backing paper which has a gilt oval surround to highlight the painting. Under glass, in a gold and dark brown metal frame.Sticker on back: 189. (the original registration number)alfred eustace, gum leaf painting, landscape -
Chiltern Athenaeum Trust
Photograph
This black and white photograph of the grave of A.W. Eustace is believed to have been taken in September 1987 at the Chiltern New Cemetery. Alfred William Eustace, an Australian artist, was born in the small village of Ashbury, Berkshire, England, the son of John Eustace, Head Game-keeper to the Earl of Craven at the beautiful Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped next to the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was owned by the Withers family and was in excess of 55,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that are in the Beechworth Museum collection are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by his relatives from the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.A. W. Eustace, as well as being a well-known Australian artist, was a significant member of the Chiltern community.Black and white photograph of the grave of A.W. Eustace, under glass, in a metal frame.Sticker on back: 184 (original Registration number)a. w. eustace, grave, chiltern new cemetery -
Chiltern Athenaeum Trust
Photograph
Alfred William Eustace (1820-1907), an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped beside the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. A.W. Eustace was a significant member of the Chiltern community during the 19th century and his artwork was displayed widely, even in European royal homes.Copy of sepia photograph of A.W. Eustace in a brown wooden oval frame with a copy of A.W. Eustace's signature across the bottom of the photograph.Sticker on back: 194 Sticker on back: MADE IN/ CHINA/ FABRIQUE 'AU/CHINEa.w.eustace, photograph, chiltern -
Chiltern Athenaeum Trust
Photograph - Reproduction
These copies of five oil on gum leaf paintings by Alfred William Eustace (1820-1907) display the subjects and detail of his small gum leaf paintings. A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Alfred William Eustace was a well-known self-taught Australian artist who was known worldwide for her unique oil on gum leaf paintings. He was also a prominent Chiltern citizen.Copies of five A.W.Eustace oil paintings on gum leaf, under glass, displayed on blue paper in a black metal frame.alfred eustace, gum leaf painting, chiltern -
Whitehorse Historical Society Inc.
Document, A Welsh librarian, c2004
An item in a series: 'Our octogenarians' published in the Mountview Uniting Church magazine.An item in a series: 'Our octogenarians' published in the Mountview Uniting Church magazine. Joyce Suto was born in Wales as one of a large family. After training as a Librarian she migrated to Australia in 1955 where she married a Hungarian migrant. She has worked in various libraries ending at Donvale High School. She now lives in Pinetrees Retirement Village, Donvale.An item in a series: 'Our octogenarians' published in the Mountview Uniting Church magazine. baker, joyce, suto, joyce, suto, louis, mountview uniting church, mitcham, jones, julie, bird, julie, libraries -
Whitehorse Historical Society Inc.
Accessory - Claw Brooch
From Till CollectionTHE TILL COLLECTION SIGNIFICANCE STATEMENT|The significance of the Alwyn Till Collection is that Alwyn was born in Mitcham in 1921. He attended Mitcham Primary School and Box Hill Boys High School. He served his Community mainly through his activities within the Christ Church Anglican Church Mitcham. He joined the Royal Australian Airforce in World War II in September 1939. He trained as a Pilot in Australia and Canada, was posted to England and saw action in Europe. He was shot down over France and rescued by and then joined the French Resistance and while fighting with them was fatally shot. A Baron fighting with him wrote to his mother to inform her of his death.|Alwyn's parents were Evaleen Victoria Till (nee Maggs) and Sydney Norman Till who first lived in Creek Road Mitcham, before moving to 573 Whitehorse Road Mitcham. His father served in World War I where his eyesight was damaged and he was taught by the then Blind Institute in suitcase making of which we have two examples in this collection. He died in 1931. Alwyn took over responsibility for his mother and sister Alison. We can understand how devastated his mother and sister would have been at the news of Alwyn's feeling that he must serve his country in World War 11.|His letters home were so precious to them that they carefully kept all his correspondence, notices of death and condolences from friends. After Alison's death in 2007 her relation Joan Walker transcribed each of Alwyn's letters home into two bound volumes. The executors, Joan Walker and Anne Drew deposited the original letters with the Whitehorse Historical Society. Due to their significance as historical documents of one serviceman's complete correspondence with his family the Whitehorse Historical Society Committee after consultation with the donors deposited the original letters with the State Library of Victoria. The Whitehorse Historical Society retains the copies.|Alison and her mother kept many family memorabilia and personal items which make up this significant collection as they show how people lived, worked and served in the local community and municipality.|This collection represents the love and devotion of the women to their families during the course of two world wars. The father was disabled as a result of World War 1 and died an early death and a son who thereafter took on the responsibility as head of the family at an early age. This young handsome charismatic son served his community in peace time and gave his life in World War 11. This mother and sister were devoted to his memory.Bird claw with safety chain & clasp attached. Claw is set in stirling silver band with yellow stone. Tartan ribbon with pin also worn with brooch.Brooch and ribbon presented in small box.costume accessories, jewellery -
Whitehorse Historical Society Inc.
Functional object - Key - 21st, Approx August, 1935
This is the twenty-first key presented to Ronald Arthur Edwards in August 1935. The celebration, held at his parents home in Husband Road, Forest Hill, was attended by many well known local people who signed his birthday key. Ronald Edwards was the youngest child of Arthur and Martha Edwards. In 1929 aged 15 he contracted poliomyelitis and became an invalid. He died in 1955 at Forest Hill.This item is significant in the history of Forest Hill as all the attendees and Ronald Arthur Edwards are from the pioneering families of the area of the Shire of Nunawading.Large wooden plywood key made to celebrate the 21st birthday of Ronald Arthur Edwards in August 1935. Written on handle end in pen Ron Edwards 21st - 19.Key end signed Anna Course, Herbert Course, R.J. Bird, D.J. Bogle.Reverse side R. Course, A.H. Course, Aunt Corrie, F. Bogle, Aunt Harriet, Marjory Course, S. Edwards, Edwards, H. Edwards, E. Edwards, Doug Edwards, Charlie Course, Jean Course, Tom Bailey, H.S. Tainton, N. Tainton, ?Luen Edwards, C.W. Bird, ?S.U. Course, J. Porter, Bob Course, J.E. Bird, M.P.? Course, ?Edwards, L. Tainton, J. Bird, Shirley Edwards, H. Edwards, Ed, A.E. Edwards, Albert H..., V. Edwards, F. Smith, W. Smith, L.James, E. Galley ?, A.E. Edwards, Mother and Father. Gold traces on one side; 21 carved out in key end.See Descriptionhandcrafts, woodwork -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Oil, Australian Birds
The painting belonged to the Wied family who were in Camp 3 Tatura. Artist unknownThree budgerigars, one blue, one yellow, one green sit on a thin branch of a tree with a Major Mitchell Cockatoo to the right of the picture. Another bird is in the air attempting to land on the branch. The sky is blue and the landscape is yellow with a tinge of green. A blue mountain range is on the horizon. Painted on board with a brown wooden frame.major mitchell cockatoo, australian birds, budgerigars, australian landscape -
Mt Dandenong & District Historical Society Inc.
Photograph
Lyre Bird Gully and Lyre Bird Gully Track run alongside the Olinda Falls. The area has been a popular walking track in the from the 1920s onwards. The photograph is from the album of Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a row of tree ferns in the foreground with bush behind.Written below photograph in album: OLINDA FALLS AND LYRE BIRD GULLYolinda falls, falls, lyrebird, lyrebird gully, lyrebird track -
Southern Sherbrooke Historical Society Inc.
File, "Carlotta Tye Ladies Guild Correspondence"
A folder of correspondence of the Carlotta Tye Memorial's Ladies Guild. Includes: -Letter from A.F Brockoff and Co Pty Ltd Biscuits, 10/10/1939, willing to donate biscuits and face masks. --Order form from A.F Brockoff./-Letter from the Rosella Preserving and Manufacturing Co. Ltd, 10/10/1939, willing to give product samples to the church./-Letter from Nicholas Limited, 11/10/1939, offering samples of Aspro./-Letter from Robur Tea Company Limited, 12/10/1939, giving advice on who can provide samples to the church./-Letter from The Kiwi Polish Co, 16/10/1939, regretably informing Gwen that they cannot provide any samples./-Letter from Nugget Polish Pty.Ltd, 16/10/1939, informing Gwen they cannot provide samples for the church./-Receipt from AF Brockoff and Co. Pty. Ltd, dated 31/10/1939./-Letter from Bushells to Gwen Thomas, 16/11/1939, willing to donate tea to the guild./-Form from Entertainments Tax Assessment Act 1942, dated 17/9/1946, registering entertainment for the Parish Hall, Selby. Comes with attached envelope./-Invitation to Annual Anglican Ball, 11/10/1946./-Letter from Bushells, 26/3/1947, refusing a request to provide samples. Attached is a small letter from the Secretary, dated 23/5/1947./-Letter from Ferntree Gully Shire Council to Gwen Thomas, 24/8/1947. Says that the Shire president Violet B.Lambert is willing to come to "Australian Tea" at Parish Hall, Selby./-Handwritten letter from Mr and Mrs H.W Shepherd, 9/9/1947./-Handwritten letter to Gwen, from "A.Grace(?)", dated 14/9/1947./-Handwritten shopping list, undated./-Handwritten letter to Gwen, from Mrs Langford, 14/9/1947, with attached envelope./-Handwritten letter to Gwen, from G.Coling, 19/9/1947, with attached envelope./-Handwritten letter (2 pages) to Gwen, from M.Allchurch(?), 1/11/1947./-Handwritten letter from W.Tompkins, 8/11/1947./-Handwritten letter to Gwen, from Emily Noble, 10/7/1948, with attached envelope./-Handwritten letter to Gwen, from Hadwen and Houghton (specialists in church furniture), 2/11/1949./-Handwritten letter to Mrs Pearce from Majorie Tye, 7/3/1951./-Handwritten letter to Gwen, from G.Waring Lee(?), 18/6/1951./-Handwritten letter to Gwen, from Iris Wood, with attached shopping list, 2/12/1952./-Handwritten letter to Gwen from N.R Geffery, 23/7/1954./-Letter of appreciation from the family of the 'late Mrs Ruby Clinton Cartledge'. Attached envelope says the date 6/4/1955./-Typed letter to Gwen, from R.K Sutherland, 14/1/1957./-Handwritten letter to Gwen, from R.K Sutherland, 9/2/1959./-Handwritten letter (on card) to Gwen, from Violet Lambal 16/6/1959./-Handwritten letter (2 pages on folded piece of paper) to Gwen from Mary H Chessell, 4/7/1959./-Handwritten letter from St Pauls Vicarage, 6/7/1959./-Handwritten letter to Gwen, from Faye Gronlund, 8/7/1960, with attched envelope./-Handwritten letter to Gwen, from Majorie Cromie, with attached envelope with the date 1/8/1960./-Handwritten letter to Gwen from the Church Missionary Society, 18/4/1962./-Letter of sympathy for the death of Percival William Stephenson on 29/5/1962./-Handwritten letter from Miss Thomas to Edna Lindsay, 29/8/1962./-Letter to Gwen from Moran and Cato Pty. Ltd., 19/6/1963./-Handwritten letter to Selby Church of England Guild from a "Martin", 25/6/1963./-Handwritten letter to Gwen from Doris Pearce, 25/6/1963, with attached envelope./-Handwritten letter to Gwen from Dorothy M Donnelly, 1/7/1963, with attached envelope./-Handwritten letter to Gwen from Violet Lambal, 6/7/1963, with attached envelope./-Undated small card to Gwen, from Marjorie Cromie (circa 1963 as it mentions the guild's 25th anniversary)./-Letter to Gwen from Textile Promotions Pty. Ltd., 29/11/1965, promoting Fashion Fabrics Demonstration for 15/6/1966./-Handwritten letter to Gwen, 14/2/1966./-Letter to Gwen from R.K Sutherland, 12/4/1966./-Handwritten letter to Gwen from Kathleen Sutherland, 13/4/1966./-Letter to Gwen from Holdenson and Nielson Marketing Pty. Ltd., 29/4/1966. Written on date says 'April 10th 1967'./-Handwritten letter from Sean Buckley to Gwen Thomas thanking her for an invitation to her guild, with envelope attached, 14/6/1966./ -2 Handwritten letters from Beatrice Thomson to Gwen Thomas, 22/6/1966 and 23/6/1966. Has an attached envelope./-Handwritten letter from L.E.Heard(?) to Gwen Thomas, 4/7/1966. Has an attached envelope./-Handwritten letter from Eva Blyth(?) to Gwen Thomas, 13/7/1966. Has attached envelope./-Handwritten card to Gwen Thomas from Violet Allen and Mr R.Allen. Attached envelope dates the message as 18/7/1966./-2 page handwritten letter to Ladies Guild from H.R and J.E Herod, 24/7/1966./-Handwritten letter to Gwen Thomas from D.Dickinson (Mrs D.Dickinson), 10/8/1966./-Invitation from the St Cuthbert's Church of England Ladies Guild, Menzies Creek to celebrate their birthday on 20/9/1966. Handwritten financial calculations on the back./-3 page handwritten letter (photocopied) from 'The Most Reverend D.J Penman' to the Ladies Guild. Attached is a note saying "Gwen, Please read this and get back to me if you need to. I will get it typed on Thursday, 24/11/1987'./-Handwritten letter from Majorie Cromie to 'Friends of All Saints Tye Memorial Church', 20/4/1996. With envelope attached./-Letter from The Mission of St.James and St.John, promoting donations for homeless children and families, 28/5/1996. Comes with envelope and donation card./-Undated handwritten note on the back of a Cadbury's advertisement./-Card of acceptance of an invitation signed by Emily Buckley, undated. (?)/-Handwritten note, dated 'March 26th', from Majorie Cromie to Mrs Pearce./-Card of two birds on branches, written to Gwen Thomas hoping to see Gwen at a special occasion on October 11th (year unknown)./-Card with purple flowers on the front cover, written to Gwen from Winnie Dea(?)./-Card of roses on the cover, written by Mrs Cromie as she accepts an invitation to the Selby Ladies Guild's 21st birthday./-Handwritten note, consisting of the address of Gwen Simpson./-Letter (typed and handwritten), to Gwen Thomas from Eva Blyth, inviting the president and members of the ladies guild to a group meeting with the Women's Fellowship of the Union Church, Belgrave./-Invitation card from Violet Allen to the Ladies Guild, for a party on 26th July (year unknown)./-Card with roses on it from Gwen Thomas to Majorie Cromie, July 20th (year unknown), thanking Gwen for a recent visit./-Handwritten note to Gwen (authors name hard to read), on Parish of Belgrave paper./-Handwritten letter to Gwen from L.E Herod, date unknown./-2 envelopes to Gwen Thomas. Both are empty but years unknown./-Card with illustration of Carlotta Tye Memorial Church to Susan, Marian and Peter, from 'Julie', November 4th 2009. -
Southern Sherbrooke Historical Society Inc.
Photograph - Spykers family at Avonsleigh c.1960
Black and white photo showing a large family group in a flower field. In the background there are low hills with cleared paddocks and forested areas. According to the National Archives of Australia: 'Land was life for nurseryman Theo Spykers and his ancestors who had tilled the soil for generations; good land to own and to pass on to sons and their sons. At 42 Theo had one and a half acres near Rotterdam for a prosperous nursery, but he could only rent it and his family was growing. So, in 1948, Theo left his wife and six children at their home and set off by himself for Australia. Within a year he had paid a deposit on a broken-down property of 35 acres in the Dandenong ranges. His family joined him and they started to rehabilitate their new property. Mr and Mrs Spykers and twelve of their thirteen children pick chrysanthemums for sale in Melbourne, a city of 1,750,000. The children are; Theo, 20; Gerald, 15; Niko, 8; Frank, 5; Adolf, 22; Corrie, 11; Ria, 18; Terisa, 4; Anthony, 7; Tommy, 2; Elly, 10; Bill, 16.' Mr & Mrs Spykers are each holding one of the smaller children. This farm was on the corner of Birds Rd and Avon Rd, Avonsleigh. On the NAA records, Theodorus Gerardus Spykers arrived in Melbourne on the Muiderkerk on 27th February 1948. Black and white photo showing 15 year old Gerald Spykers carrying bundles of chrysanthemums tied ready for market. He is at the family farm on the corner of Birds Rd and Avon Rd, Avonsleigh. -
Ballarat Tramway Museum
Book, H.P. James, "Out of the Past", 1940
ESCo Employee Hours Work Record book that has been used by an ESCo/SEC inspector, H. P. James as a record / note book for his personal collection or papers or journal titled "Out of the Past". Book sewn with string in 36 page sections, blank end papers, board covers with stipple paper out sides and Rexene cloth binding. Comprising plain paper end papers and 104 printed pages (52 leaves), with each sheet printed in black on feint ruled paper for recording the hours worked and other details of drivers and conductors employed by ESCo. Printed for daily use, with Day and date page headings - made out for the 1930's. Images: Book - i1 Inside front cover - i2 Members Certificate - i3 Has been used to gather mementos such as photos, articles, newspaper clippings, letters and other miscellaneous documents on Ballarat local history. Newspaper cuttings etc often have side notes written by Mr. James. Inside front cover has certificate recording Mr. James membership to the Ballarat Historical Society for 1940. Receipt signed by Edward Crimmins. Also a newspaper cutting on the cost of pensions to Lord Nelson's family. On facing page a photo of Queen Elizabeth, a printer colour cover or sheet about Walt Disney's "Pinocchio", a newspaper cutting regarding Father's Day and a black and white photograph of a young girl in a hospital carriage being pushed by a man. Pages numbered odd numbers only in the top right hand corner in pencil. Primary items are: 1 - Coloured cover to a writing tablet, titled "Australian Birds". Underlying this on the back of the writing tablet is two newspaper cuttings: the Ballarat Historical Society - reports on the 6th Annual meeting of the Society. 3 - Photo of the pattern Ballaarat Horse Tram company tram outside the Duncan and Fraser's Carriage Works in Adelaide with hand written notes underneath, including a sketch of a horse tram drivers seat - see Reg. Item 2527. 4, 6 - Group of nine black and white printed cards (15 illustrations) of early Ballarat pasted onto the sheet - see Reg. Item 2528. 5, 7 & 9 - Printed notes titled "Valedictory to Bob Haines" - see Reg. Item 2529. On page 9 in the left hand margin, a printed list of Church Officers; Church of England. 8 - Newspaper cuttings titled "The Heralds Man's Quiz" and the answers adjacent. City of Ballaarat - Public Inoculation Depot - Influenza form for HP James of ESCo - See Reg. Item 2530. Page Numbering from this point changes - even numbers in top right hand corner of folios instead of odd numbers. 9A - Newspaper cuttings about a Theatre Show, 54 years service of Mr. E. R. Bodycomb (Ballarat Gas) and planting of trees in the Avenue of Honour - with a red line around H. P. James names and a reproduction of the opening photograph of ESCo Electric Trams - noting 30 years ago - See Reg. Item 310.2. ESCo 4d Ticket - Purple - Grenville St to Sebastopol Terminus - See Reg Item 2531. ESCo 3d Adult Transfer Ticket - See Reg. Item 2532. Illustration - cartoon - H.P. James - See Reg. Item 2533. 10 - Newspaper cutting "From Horse Tram to Trolley Bus" - See Reg Item 2534. Newspaper cutting "Melbourne's First Tramcars" - See Reg Item 2535. An inscription or written note from T. Thomas etc. on lower edge of the sheet. 11,12 - Newspaper cuttings about the Passing of Melbourne's Cable Trams, including a photo of cable trailer No. 1 - See Reg. Item 2536. Other cuttings about early residents of the Ballarat district. 13 - Newspaper cutting dated 2/5/1936 about the donation from the CTA to the Ballarat Hospital. 14 - Newspaper cuttings - Photo of Ballarat Bicycle and Tricycle Club in the Gardens, the issue of a stamp to commemorate the Centenary of Ballarat, radio stations in Sydney, Ballarat Choirs and fire brigade demonstrations trophies. 16 - Copy of the "City of Ballaarat Regulation No. 13" concerning Hackney and Stage coaches working within the City - See Reg. item 2537. 18, 20 - Newspaper cutting - "The Working Classes in Early Ballarat" - Nathan Spielvogel 21 - handwritten note on "Doctor" Thomas Blackett who died during 1940. 22 - Miscellaneous cuttings from the Melbourne Sun. 23 - Newspaper cuttings "Story of South Street", Show Grounds, and "The Alfred" Hall and a photograph of the 1938 Floral Carpet at Alfred Hall. 24 - Newspaper cutting - obituary and hand written note on Ballarat identity Mr. J. P. Bourke. 25 - Newspaper cutting - cartoon "Tiddley" Winks and Wally - Stan Cross (later "Wally and the Major" 26 - Newspaper cutting - "Ballarat in the sixties" - General R.E. Williams and "Early Recollections" - Arthur Reid. 27 - Handwritten note re Mrs. Bill Danks, dated Jan. 1941 - Tobacconist in Bridge St. 28 - Newspaper cutting - "First Town Hall" and note on "City Hall". 30 - Newspaper cuttings - "Good Friday, Now and Then - T.P. Long, Mont Albert and "On Fashions" James R. Pound. 32 - Newspaper cutting "School and School life in old Ballarat" - Nathan F. Spielvogel. 34 - Newspaper cutting continued from page 32 and Obituary - Mr. Archie Dawson and Tom Blackett. 35 - Newspaper cutting of Ballarat - 4 photos - include Bridge St. with a tram. 36 - Newspaper cutting - "Ballarat - Pastoral and Industrial Resources" from a Melbourne paper, 17/2/1940. 38 - Newspaper cuttings - obituaries - Mr. R. E. Tunbridge, Graeme Dowling and Thomas Crosthwaite. 39 - Illustration - black and white - Late Mr. P. J. Pringle - See Reg. Item 2538. 40 - Handwritten notes on Ballarat Trams and the power station staff - See Reg. Item 2539. 41 - Handwritten notes on Ballarat Pie Stalls 42 - Newspaper cuttings - cartoon "Professor Nimbus", photo of the Norwegian town of Hell (Railway station); bicycles on a Copenhagen bridge following German occupation and dragon flies in Melbourne. 43 - Newspaper cutting on the official opening of the Ballarat Historical Society's Museum. 44 - Newspaper cuttings and associated handwritten notes on a fire in Ballarat, poultry fanciers, historical dates for August. 46 - Newspaper cuttings - "Victoria's first profitable goldfield" - Ballarat and the unveiling of the Sovereign Hill direction pillar. 48 - Newspaper cutting - "Worked 27 years without holiday" - See Reg. Item. 2540. - Other newspaper cuttings - thoughts of a visitor to Ballarat from Sydney and H.P. James - Liquor control in Ballarat and "This Week at the Zoo". 50 - Handwritten notes on clothing. 51 - Handwritten note on a visit to W. H. Middleton 52 - Newspaper cuttings "The Kings Empire", "Ballarat Birthdays" for Sept and Oct and an obituary on Mr. W. H. Middleton. 54 - Newspaper cuttings "Richmond has Links With Early Goldfields" - Malcolm McCullum and "England's Greatest Battle" 55, 56 - Newspaper cuttings - "Ballarat Birthdays" for November and December, a photograph of Nick Oliver - former Ballarat fireman and "Railway Birthday" - birth of the VR. 57, 58 - Handwritten notes on Ballarat tram timetables, weekly tickets, motorman's record cards, tourist tickets and sample tickets or cards, See Reg. Item 2541. Lunch Hour Weekly Ticket - Reg. Item 2542 Morning and Evening Weekly Ticket - Reg. Item 2543 Motorman's Record - Reg. Item 2544 Tourist Ticket - 1/- - Reg. Item 2545. 60 - Newspaper cuttings - parts 1 and 2 - "The Two Ballarat" by Nathan Spielvogel. 62 - Newspaper cuttings - continued from page 60, the death of comedians Sam Mayo and Gus Bluett and some handwritten notes on comedians. 64 - Newspaper cuttings on cricket, choir rules, a Methodist ladies function at the home of H.P. James, Footballer Percy Beames and entertaining air force recruits at the showgrounds. 66 - Newspaper cuttings - "The Anvil Chorus" - Hitler and Mussolini and "Strength against Nazi Threat". 68 - Newspaper cuttings - 50 years ago in Ballarat, Social function at H.P. James house, coldest morning in Ballarat and the death of Col. A. W. Bennett. 70 - Newspaper cuttings - about the sale of spirits in early Ballarat, the first motorcars in Ballarat and handwritten note about Mr. Jago. 72 - Newspaper cuttings - misc. about horse racing, trainers and racing. 73 - Newspaper cuttings and handwritten notes about Ballarat Schools. 74 - Newspaper cuttings - Bruno Hauptmann (Charles Lindbergh) and the death of actor Darcy Kelway. 75, 76 - Newspaper cuttings - Rail services to and from Ballarat, effects of the war and Ballarat 70 years ago, the invasions of Britain and "A stroll down Memory Lane" - T.P. Long of Mont Albert. 77,78 - Newspaper cuttings - Lake Wendouree - Nathan Spielvogel, the opening of the new Ballarat Historical Society's Museum and farewell function of Mr. James Shannon. 79 - Newspaper cuttings - about boats on lake Wendouree. 99 - Obituary and hand written note re Mr. Arthur M. David. 100 - Newspaper cuttings - cartoon "Wally and the Major", Dr William Maloney, Gus Bluett and "Old Rowley" - in connection with the Melbourne Cup of 1940. 101 - Cartoon advertisement for Kolynos Dental Cream Inside rear cover - Programme for the Centenary of Thanksgiving Service - Back to Ballarat 1934, dated 4/11/1934 (has been affected by other sheets of paper due to their acidic nature), printed notes titled "A ramble on stilts with Freddie" written by Baker James. Many in pencil and inktrams, tramways, h.p. james, esco, horse trams, ballarat, civic history -
Bendigo Historical Society Inc.
Book - Wells Family scrapbook
George Edwin Wells was born in Oxford in 1826. He served an apprenticeship as a coachbuilder and in 1841 he went to New Zealand. He was returning to England in 1848 when he changed his mind in Singapore and turned around and came to Melbourne. He operated a store with Mr W Gibbs and when gold as discovered they left their wives in Melbourne and went to the gold fields of Ballarat in 1851. At this time George was newly married to Catherine Kiely. In 1852 the two men were at the Golden Gully area of the Fryers Creek gold fields, they then move to Bendigo, initially to White Hills before settling in Long Gully. They then brought their patient wives, who had only had visits from their husbands, to Bendigo. George had several successful mining ventures in Bendigo. He died in 1898. One of his sons, Alfred, married Margaret Rotherham in NSW where he was living. Alfred died in 1911 leaving Margaret with a young family. She moved to Bendigo to be nearer to family support. Alfred and Margaret's daughter, Elma Winslade Wells 91904 - 19/1/1988) became a teacher and was posted to Camp Hill Primary School. She was also heavily involved in the Scout movement in the Bendigo area.Blue hardcover scrapbook belonging to the Wells family. (Elma Wells). The cover has gold, black and blue flowers and birds on it. The word "scraps" in red within a gold rectangular box completes the cover. Inside all the pages are filled with drawing and pictures of people, animals, flowers and landscapes. Also, various poems are transcribed on the pages. Newspaper cuttings are also glued to pages and in two yellow envelopes.Inside cover in pencil: The Wells Family scrap book donated to the Royal Historical Society Bendigo Branch by Miss Elma W. Wellsfamily history, wells family -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Boroondara General (Kew) Cemetery - File 2, 1958
Various partiesReference, Research, InformationKHS OrderSubject file containing published and unpublished secondary sources / research about individuals and families buried in the Boroondara General Cemetery. Conglomerate files include: William Walton & family, Memories of the Linton Family (Lyne, J.A., 1997), and Sir Robert Wilson Knox (1934, 1969, 1973). There are notes and or photocopied information on Joseph Bosesto (1824-89), David Beath (1835-1922), Sir Robert Molesworth (1806-189?), Samuel Dougan Bird (1832-1904), Alexander Morrison, William Henry Archer ((1825-1909), Sir William Murray McPherson (1865-1932) and Sir Leo Cussen (1859-1933). The file also includes a single newspaper article/clipping on the burial of Sir Robert Knox (The Age, 1973). Held separately to this file is the Dorothy Rogers manuscript listing information inscribed on headstones of prominent citizens of Kew, with her annotations on these inscriptions.boroondara general (kew) cemetery - burialsboroondara general (kew) cemetery - burials -
Kew Historical Society Inc
Book, T M Donaldson & Co, Pluckings from medical and other works and handy book of reference for the preservation of health and management of children, 1890-99
A booklet produced for families advising about simple remedies and useful hints referring to the Sick Room, also Horses, Dogs, Birds etc. Included in the book is the Melbourne Economic Cookery Book. Amongst cures is advice on the treatment of Diphtheria which is to drink olive oil freely.non-fictionpluckings, cookery book -
Sunbury Family History and Heritage Society Inc.
Photograph, Garden improvements - Birdbath, 1994
A bird bath was another item added to the garden during the improvements. The children were encouraged to identify the birds which came into the grounds and drank from the bird bath.A coloured photograph of a bird bath set in a garden bed.bulla primary school, garden improvements, school garden, bird baths -
Sunbury Family History and Heritage Society Inc.
Photograph, School Camp, 1988
Children from Bulla and MIckleham Primary schools attend a camp at Beechworth in 1988. While there they experienced a number of varied activities as part of their outdoor education course. In this and the following set of photos the students went on a hike and cooked their lunch on a camp fire as well as identifying the local bird life .This activity gave the children an understanding of correct camp-fire procedures as well as observing the native wildlife.A non-digital coloured photograph of three boys in bushland watching over a small campfire.school camps, beechworth, camp fires, picnics, native birds -
Sunbury Family History and Heritage Society Inc.
Photograph, School Camp, 1988
The photograph was taken when the students from Bulla and Mickleham Primary Schools combined to attend a camp at Beechworth in 1988. During that time the children were engaged in a number of different outdoor activities as a component of their outdoor education. Recognising some of the native birds of the area was one of their activities where the children experiences the birds actually landing on them.The varied activities that the children engaged in at the school camp helped to give them a better appreciation and understanding of the natural environment. A non-digital coloured photograph of a group of children with some adults in a bushland area, trying to encourage a flock of crimson rosellas to come closer by feeding them.school camps, beechworth, native birds, crimson rosellas -
Sunbury Family History and Heritage Society Inc.
Photograph, School Camp, 1988
The ranger was helping the students from Bulla and MIckleham Primary Schools how to encourage the birds, that they were studying, how to perch on their arms.The children were attending a school camp at Beechworth and one of their activities was to become acquainted with the native birds in the area.A non-digital coloured photograph of a park ranger with a crimson rosella perched on her arm.school camps, beechworth, crimson rosellas, bulla primary school, mickleham primary school -
Stawell Historical Society Inc
Memorabilia - Realia, John Langton Sargent, Display case of taxidermy birds, 1890-1920
Birds prepared some time before 1920 John Langton Sargent was a blacksmith and Taxidermist. Birds collected over a number of years.Taxidermy Bird Display Case. Collection in Case created by John Langton Sargent collected between 1890-1920 This Display Donated by The Sargent Family December 4th 2018Index to birds on B4 Sheetstawell -
Williamstown Botanic Gardens- Hobsons Bay City Council
Oral History_Williamstown Botanic Gardens_Ken Speakman, 02/06/2014
The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic Gardens, surrounding areas and Fearon ReserveA primary source of information on memories of the Gardens and witness to changes in the Gardens over those years. CD and transcript of interview with Ken Speakman. Also present was his daughter, Nola Wilson. His son visited part of the way through the interview. Ken’s family moved to Williamstown in 1918 when he was a baby and he has lived in Williamstown, close to the Gardens since that time. He was a keen lacrosse player, playing on Fearon Reserve. Ken was interviewed for his memories of the Gardens and its relationship to Fearon Reserve. ken speakman, nola wilson, fearon reserve, lacrosse, 1918, bill crowe, william crowe, bird cage, bandstand, ramsay’s café, horses, harry stitt, cannons, aci glassworks, woollen mills, oil refinery, sims cooper, abattoir, mobil, palms, williamstown botanic gardens, hobsons bay city council -
Surrey Hills Historical Society Collection
Photograph, Mary Sneddon with daughter Jean
The photo was taken in the garden of of 'Cliburn', 14 Suffolk Avenue, Surrey Hills, the home of William and Mary (nee Bird) Sneddon. It was named after Cliburn, Westmorland (later Cumbria) where Mary's mother was born and the name was given to all their homes. Mary Bird, daughter of John Bird and Mary Coulston, b 1878 Bethanga, Victoria; died 1948, Surrey Hills. They were married on 12/11/1903 in Surrey Hills at the home of James Sneddon. William Sneddon was a postman in Surrey Hills for many years. His father James had an estate agency in Surrey Hills from the 1880s. Born in1875, Sandhurst (Bendigo); died in 1957, Deepdene. Buried Box Hill Cemetery: P-061-0033. They had the following children: Jim (James 3rd) b 1905, Balwyn Jack (John William) b. 1908, Camberwell Norman Alexander b 1910, Camberwell Alan Coulson b 1914 Surrey Hills Jean Isabel b 1916, Surrey Hills Douglas Haig b 1918, Surrey Hills. Additional information from Robin da Costa-Adams, who is related to the Sneddon family through her first marriage. Sepia photo of Mary Sneddon with daughter Jean wearing hats and taken in a garden. Mary is seated and Jean stands beside her. Part of the house next door can be seen in the background. It is an Edwardian timber home"Jean Sneddon / Mary Sneddon/ (in grey lead pencil by Robin da Costa-Adams. 1050 in blue biro crossed out in top RH corner. KODAK PRINT - black stamp in centre. "Jean dau of Mary - / Will. Sneddon" in black ink in Jocelyn Hall's hand. cliburn, suffolk road, (miss) jean sneddon, william sneddon, (mrs) mary sneddon, (miss) mary bird -
Surrey Hills Historical Society Collection
Photograph, Mary Sneddon
Mary was married to William Sneddon who was a postman in Surrey Hills for many years. His father James ran an estate agency in Surrey Hills which had been established by his father, also James, in the 1880s. William married Mary nee Bird in 1903 at his father's home. They lived at 'Cliburn' 14 Suffolk Road, named after Cliburn, Westmorland (later Cumbria) where Mary's mother, Mary Coulston came from. According to the donor, all their homes were given this name. WIlliam and Mary had the following children: Jim (James 3rd) b 1905, Balwyn Jack (John William) b. 1908, Camberwell Norman Alexander b 1910, Camberwell Alan Coulson b 1914, Surrey Hills Jean Isabel b 1916, Surrey Hills Douglas Haig b 1918, Surrey Hills. William and Mary are buried in Box Hill Cemetery: P-061-0033. The donor Robin da Costa-Adams is related to the Sneddon family through her first marriage. Formal sepia photo of Mary Sneddon seated in a studio or against a backdrop provided by a travelling photographer. "Mary Sneddon" - Robin da Costa-Adams' hand in grey lead pencil. "nee Bird) / (wife of Wm Sneddon" in black ink in Jocelyn Hall's hand.(miss) mary bird, (mrs) mary sneddon, william sneddon -
Surrey Hills Historical Society Collection
Photograph, Jack Sneddon
John William (Jack) was the son of William and Mary Sneddon and brother of Alan. William Sneddon was a postman in Surrey Hills for many years. His father James ran an estate agency in Surrey Hills established by his father in the 1880s. William's wife was Mary Sneddon (nee Bird). Jack was born in 1908 in Camberwell. In 1937 his address was 19 Albert Street, Surrey Hills. The donor Robin da Costa-Adams is related to the Sneddon family through her first marriage.Formal sepia head and shoulders photo of Jack Sneddon dressed in a suit and tie. 'Crown/ Studios/ Melbourne' impressed on original in lower RH corner.jack sneddon, john william sneddon, (miss) mary bird, (mrs) mary sneddon, james sneddon, crown studios -
Surrey Hills Historical Society Collection
Book, Katie's Dream, 2000
In this novel, Katie begins having a dream soon after her fathers death. The dream is always the same yet when she awakes up she can never remember what it is about. During the next few months fragments of it start coming back to her. At Medlow, a dilapidated Victorian Villa she encounters a ghostly figure of ten year old Rachel. So begins a strange adventure which takes her back to 1898.In this novel, Katie begins having a dream soon after her father's death. The dream is always the same yet when she awakes up she can never remember what it is about. During the next few months fragments of it start coming back to her. At Medlow, a dilapidated Victorian Villa she encounters a ghostly figure of ten year old Rachel. So begins a strange adventure which takes her back to 1898.On Title Page: With my best wishes /Adrian Peniston-Birdmedlow, house names, warrigal road, (miss) norma bull, surrey hills, (mr) rob adams, (dr) (mr) richard bull, 1889, cairncross family, 1898, willcyrus -
Surrey Hills Historical Society Collection
Photograph - Digital photograph, George L Coop, 688 Whitehorse Road, Mont Albert 1958, 1958
The donor George Lister Coop was about 21 years of age when he took this photo in 1958 of his family home. His parents were George Burton Coop (b c1906 Williamstown; died aged 54 years at Mont Albert) and Winsome Alice (MS: Trewartha) who married in 1936. They are first listed at this address in the electoral roll in 1937. They had 2 children: George Lister Coop - born St Georges Hospital, 8/10/1937 and Alison - born c1945. However the donor informed that he initially attended Chatham State School because his first home was the Spanish Mission style flats at 346 Whitehorse Road, opposite Brenbeal Street, Balwyn. When his grandparents died, the family moved to 688 Whitehorse Road and he then attended Mont Albert Central School. Alison being younger did not go to Chatham Primary. A digital copy of a colour photo showing detail of the front veranda of 688 Whitehorse Road. The house is white weatherboard in a modified Californian bungalow style with a tiled roof and the carport built within the roofline. The balustrades and finials of the veranda are simple with occasional feature planks with a tulip detail. A bird cage hangs from the veranda. The veranda is supported by rough-cast sturdy pillars.george l coop, whitehorse road, mont albert, uniting church, californian bungalow -
Surrey Hills Historical Society Collection
Photograph - Digital photograph, George L Coop, 688 Whitehorse Road, Mont Albert 1958, 1958
The gentleman in the photo is George Burton Coop, an architect / draughtsman. The donor, his son George Lister Coop was about 21 years of age when he took this photo in 1958 of his family home. His parents were: George Burton Coop (b c1906 Williamstown; died aged 54 years at Mont Albert) and Winsome Alice (MS: Trewartha) who married in 1936. They are first listed at this address in the electoral roll in 1937. They had 2 children: George Lister Coop - born St Georges Hospital, 8/10/1937 and Alison - born c1945. However the donor informed that he initially attended Chatham State School because his first home was the Spanish Mission style flats at 346 Whitehorse Road, opposite Brenbeal Street, Balwyn. When his grandparents died, the family moved to 688 Whitehorse Road and he then attended Mont Albert Central School. Alison being younger did not go to Chatham Primary. A digital copy of a colour photo showing detail of the front view of 688 Whitehorse Road. The house is white weatherboard in a Californian bungalow style with a tiled roof and shingles detail in a dark brown stain. The balustrades and finials of the veranda are simple with occasional feature planks with a tulip detail. A bird cage hangs from the veranda. The veranda is supported by rough-cast sturdy pillars. The house sits behind a cypress hedge. The photo was taken in winter as deciduous shrubs are bare. A gentleman astride a ladder is pruning the hedge. george l coop, whitehorse road, mont albert, californian bungalow, cypress hedge, gardening, george burton coop