Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

Vera Johnson, the wife of James Eccles Johnson, lived in Linton from about 1935 until the 1950s. The Johnsons lived in the house in Sussex Street formerly owned by the Donaldson family. Vera Johnson was an active member of the Linton community - her name is mentioned in records of the Presbyterian Church, and also in records of the CWA Linton Branch. She was an enthusiastic gardener and regularly supplied flowers for the church. She had two children of her own (Eric and Betty), and often provided care for her nieces, Shirley and Elizabeth (Beth) Lock, who lived with her for extended periods when their mother was ill. Vera and James Johnson were connected through marriage to the Rankin family.Black and white copy of original photograph of Vera Johnson. The photograph is a head and shoulders portrait of a woman with wavy hair worn mid-length. She is wearing a knitted cardigan over a dark dress which has floral decorations/trim near the neckline.On reverse: "Vera Johnson / lived in / Dr. Donaldson Jnr's / house in Sussex St, / early 1930s."vera johnson

Eleanor Hinde (1842-1902) was born in Lancashire England. In 1858, Eleanor married Richard Reynold in the Forest Street Wesleyan Methodist Church in Sandhurst. They both gave their address as Sailors Gully Goldfields. They had seven children together. Richard was a skilled tradesman and after he died in 1872 from lung disease, Eleanor married Arculus Opie. Eleanor owned a property on the corner of Gladstone and Stanley Streets which later became an electrical substation. She sold poultry and eggs and preserves. The four folders contain family history documents and photos of the descendants of Eleanor Hinde. Iris Ellen Greenaway (1922-2009) is the Great Granddaughter of Richard Reynolds and Eleanor Hinde. Iris married William Male Documents included here for this item are: 10891.5a Family history sheet of William Donald Male and Iris Ellen Greenaway 10891.5b, 5c Front and Rear of Marriage Photo of Iris Greenaway and William (Don) Male 10891.5d, 5e On rear of photo, Ron Charles Reynold, Iris Ellen Greenaway, Ruth Honorah Greenaway, taken at Auburn c.1943 10891.5f Iris (nee Greenaway) and Thomas Neal Male 10891.5g Iris Greenaway age about 2 years 10891.5h to 5v Photos and information on Iris's childrenbendigo, sandhurst, peter jorgensen, eleanor hinde, eleanor reynolds, eleanor opie, reynolds collection, amelia honorah reynolds, charles frank greenaway, charles albion reynolds, iris ellen greenaway, william donald male

BHS CollectionPhotograph of a group of ladies: The black and white photo is of a group of ladies in fancy wedding dress for her kitchen tea. Dressed up as a wedding party with the bride groom, marriage celebrant, flower girl, brides maids and groomsman. Nine people in the photo. The wedding party are carrying flowers, the bride has a vale with flowers and the men are in suits. * On the back the names hand written in black ink are: *Joyce Martin, Elsie Boyd, Isobel Thompson, Margaret Shepheard, Elaine Horne, Vi Morgan, Joyce Davidson, Phyliss Brerton. Little Nellie flower girl. The date 16/09/39. Hand written in blue ink *At Alma Pemb's Kitchen Tea. Estelle Dole, 1 Farrell St., Bendigo* Box 116Aphotograph, person, female, bendigo. estelle dole

Photocopy of part of an unknown newspaper printed by Wm. Hy. Cook and Wm. Sherbon at their premises, Bendigo Flat, Bendigo Gold Field; and published by R. R. Haverfield, at his premises, View Point, Sandhurst on Friday, Dec. 9. 1853. Items mentioned include: the Blythe Waterland's Serenaders performing at Burton's Royal Circus, Bendigo; The Bendigo Cricket Club; The Criterion, Three-Horse Coach which left for Melbourne from Gravnor & Kewley's; Advertisement from the Adelaide Observer Office; Advertisement from The Sailors' Home, Commissioners' Flat, Bendigo. Marriage notice 6th Dec. of William Jackson, timber merchant, and Jemima Markwell; New Gold Licences, Prices of groceries; the price of draught horses and hacks, and the Price of Gold.newspaper, bendigo, newspaper 9/12/1853, wm hy cook, wm sherbon, r r haverfield, the sailors' home, william jackson, jemima markwell, w h wright, l macpherson & co, blythe waterland's serenaders, burton's royal circus, bendigo cricket club, h p stark, the criterion three-horse coach, gravnor & kewley's, adelaide observer office

Document. Greeting Cards. Single, light beige card with a picture of an older woman. She is wearing a peaked type of hat and has her finger up to her mouth. A printed border surrounds the picture. At the top is written in ink: 'This is how I spent my money at Luna Park'. Beneath the picture is printed in black with some words in bold type: Your Second Wife should conform to the general lines of this picture. I advise you to drop another coin in the same slot and secure a photo of your First Wife. There is some important personal advice on love and marriage for you in another section and do not fail to secure a photo of your first baby. Underneath is printed 7-G-5person, greeting cards, malone collection, malone collection, greetomg cards.

Black and white photocopy of photograph of a woman in long gown wearing hat, standing outside house fence in front of a chimney."Ellen McInneny nee McNally name spelt McNerny on marriage certificate born Co. Down Ireland married Thomas McInneny or McNerny in 1864 at Lucky Womans (or Happy Valley) He came to Australia from Co. Tyrone on board the ship "Tasmania" in 1858 They had 8 children, she died in ? buried Linton He died 1903 buried Linton Children: Catherine died; James drowned Happy Valley; Daniel 36; Michael dead; Thomas 31 my grandfather; Michael dead; Bernard 28; Catherine dead Childrens ages at time of Thomas' death in 1903. Photo taken at home in Happy Valley".ellen mcinneny, mcnally, mcnerny, happy valley

Joan Jessup was born on the 17th November, 1926 at at Nurse Longmore's in High Street, Beechworth. In this recording, Joan recounts her childhood in Beechworth, her personal and working life as a young unmarried woman, and then later her marriage to Albert Jessup and her family life at Murmungee and Beechworth. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the BurkeThis recording of Joan Jessup's life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural, historical, social, and religious heritage of the region. She details important historical events, local life, religious matters, and schooling in the region's history that had a lasting local, regional and national impact, including Australia during war time, economic struggles, and women's societal and working roles in a rural area. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preservedThis is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Joan Jessuplisten to what they say, joan jessup, beechworth, burke museum, jessup

"Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting in glass-fronted frame.

"Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting with cardboard border in glass-fronted frame.Inscription along lower edge of painting - "Margaret Robbie, copied from a postcard", and sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

Wedding of Mary Sweeney and Michael Carrucan at St John's, Heidelberg, 1909 Celebrant: Fr. Parker. L to R: Catherine Sweeney, Michael O'Heare, Michael Carrucan, Mary Carrucan (nee Sweeney), Thomas Sweeney, Ellen Sweeney. Image was also published on p126 of the book, St. John's on the hill: the history of the Heidelberg Parish/ by Eileen Vaughan. A photstat copy of the page was sent to Harry Gilham by Mary Nelson of North Caulfield (14 Oct 2004) along with an accompanying note which indicated the original photo would have been supplied for use in the book by the late Betty Erickson (nee Carrucan), Jack Carrucan's sister. Thomas Sweeney in the wedding party was Mary Nelson's uncle by marriage. He married Eveleen Nelson.Photo mounted on embossed cardThe Allan Studio, 318 Smith St., Collingwood. Inscribed in pencil on reverse by Harry Gilham the names of the people and publication detailscatherine sweeney, ellen sweeney, mary carrucan (nee sweeney), michael carrucan, michael o'heare, thomas sweeney

This image shows the undertaker's premises/general store run by R. S. Nelson (Snr.) from the early 1860s and is thought to have been taken in the 1880s. This building was modified considerably by successive generations of the Nelson family over the years (see Registration nos. 338, 2019-314, 2019-320, 2019-325, and photos on p.33 & p.34 of the 'Photographic History''). It is currently used as the LDHS Resource Centre. The people standing at the front of the shop are unidentified. This image was copied in 2020 from a facebook post by Marcia Penny, a descendant of Linton's Craine family. Information with the image on facebook said the original photograph had been in a McIntyre family album (the McIntyre family was connected to the Craine family by marriage).Digital copy of an original photograph and its mounting card. The photograph shows a group of eight men and three children standing beneath the verandah of a shop. A sign above the verandah reads "R.S. Nelson & Son / China and Paint / Glass, Oils", and lettering across the verandah reads "Grocers Ironmongers &c". The shop front has a central doorway, and two large windows, each with twelve wood-framed, square panes of glass. Three posts support the verandah. Above the doorway of the shop, lettering reads "Furnishing Undertakers".r. s. nelson (1833-1893), buildings, shops, undertakers

This scrapbook serves as a record to Eugene and Mollie Sander's time as Mayor and Mayoress of Bendigo. Collected by the Sandners it chronicles twelve months of activities and politics through selected Bendigo Advertiser articles and cartoons and event memorabilia from August 1978 to August 1979. Eugene and Annie Mary (Mollie) Sibson married in 1933 and both were associated with the Bendigo Hospital. Eugene held a the position of Medical Officer for 48 years and Mollie as a paid nursing sister until her marriage in 1933, although Mollie did continue to hold an unpaid position on the Board of Management of the Hospital for many years afterwards. Eugene was first elected to council in August 1976 and elected Mayor of Bendigo for the 1978 – 79 term at which time Mollie served as Mayoress. 28 page foolscap size scrapbook used by Eugene and Mollie Sandner to save articles and memorabilia commemorating Eugene's and Mollie's time as Mayor and Mayoress of Bendigo. sandner collection, eugene sandner, mayor eugene sandner, mayoress mollie sandner, city of greater bendigo administration item, eugene and mollie sandner collection, bendigo base hospital

The wedding gown was worn by Lucy Kneeshaw Prout for her marriage to John Sommers on 29th November, 1871 at Trinity Church of England and Ireland, Williamstown, Victoria. Lucy was born in Woolwich, Kent, England in August 1850 and immigrated to Australia with her family in 1852 on the 'SS Coromandel'. She was the youngest of five children. Their parents were Edward and Elizabeth Prout (nee Hall). Lucy died in 1940 - 90 years of age. John E. Sommers was born in Glasgow, Scotland in 1846 and emigrated to Australia with his family in June 1853 on the 'Tongataboo'. His marriage certificate shows that he was an engineer. He studied at the National Gallery's School of Design under both Clark and Campbell from 1872 to 1879. He drew a compressed charcoal and pencil portrait of Fred McCubbin in 1876. The portrait was displayed in the Golden Summers exhibition at the National Gallery of Victoria in 1985 and is shown on page 40 of the Golden Summers catalogue. Their grand-daughter, Mrs Marjorie Gibson (born 1910) said he was associated with the Heidelberg School and the Box Hill Artists Camp. He is also noted in the 'Book of Australian Artists'. He exhibited prolifically with the Victorian Artists Society until his resignation in 1898. In 1881 John Sommers took employment with the Education Department at Castlemaine (Ref. Golden Summer catalogue - pages 26 and 40). John died in 1930 aged 84 years. John and Lucy Sommers children John and Dora both studied at the National Gallery of Victoria, so senior was added to John E. Sommers Senior's works. There is a short biography on page 26 of Golden Summers. Researched by Valda and Ted Arrowsmith May 2006.One piece old gold Paper Taffeta wedding gown, stand up collar, piped in green taffeta. Forty covered buttons from neck to hemline. Shaped sleeve with 15cm cuff and three buttons. Two rows of seven cm appliqued green and gold shaped fans along hemline. Two rows of green and gold piping and 8cm deep gold fringe. Back of dress has central panel of pleats and six covered buttons and a square cut hem line for the train at back. Dress bodice is lined and has two 7cm bones in side seam.costume, female ceremonial

Printed page from family history (page 47) ''Burrow Burra and Borough'' (??) by Pauline E Powell, 1996. Page has reference to ''Old Lady Smith'' from Aspendale; Roy Powell; George Powell; Edna Foo; Iris Powell; William Foo; Perce Powell; Joyce Irene Fopoco; James Leonard Fopoco; Janice Yvonne Fopoco; Mrs. Wilshire; Fopoco dances (Foo Powell Company) ; Elmore Post Office; ANA Hall. This page has obviously some continuation onto P. 48 - but not in collection. Page is a family history from marriage of George Powell and Rene in 1925 through to George's move to Maryborough Post Office (early WW2). Additional sheet re donation from Pauline Powell (BHS letterheaded paper) with supportive family history information.powell collection, fopoco

Clothing. Wedding Dress - Bodice.Cream coloured bodice of wedding dress. ''Japanese silk with transparent yolk of chiffon tucked Russian Body'' ( Quote from newspaper of the day).Long pintucked sleeves. Fine ribbon trim and bows at wrists. Two flounces of silk, trimmed with ribbon at elbows. Front panel fastened at side with metal hooks and hand made loops, to show a centre panel trimmed with chiffon frills. Pearl beaded motifs at front. Sash at waistline ties at the side - finished with pearl beading, and and a stand up chiffon collar. Worn by Mary Smith who was the daughter of Felix Smith. He built the Wycheproof Court House, Post Office and Royal Mail Hotel. Mary and John Keane lived in a mud brick house after they their marriage. See also 11400.75, & 11400.77.costume, female, wedding dress bodice

108 page soft cover booklet of the family history of 'The Conquering Collards 1066-2020' by John Collard . Part of some of the family lived in Bendigo. Published by Ozmart, ACT Signed by the author inside cover July 2021 Illustrated wth many B&W and colour photos. page 19 JF Collard to Vic goldfields page 20 Cobb and Co Bendigo 1850s page 23 JF Collard married in Bendigo at St Killians Page24 8 children born in Bendigo, where they lived and died page 26 Bendigo graves page 35-37 Births, deaths marriages etc in Bendigo page 39-47 Bendigo lived, worked, death, sport page 57- 59 Bendigo school, births, deathsJohn Collardcollard family, family history

Various documents located within the 'J Evans Collection' (Original Box 6). . A. Shire of Marong - Valuation Notice to Mr John Evans, Sydney Flat August 1913; b Examination questions for Subject X - Inorganic Chemistry May 1888 (Examiners names and Professor's names given - where??; c. Letter from Office and Lands and Survey to Mr John Dolman Junior, Kamarooka re failure of application for a lease in the area; d. Letter to Mr Evans from Annie Murray, Chum Street re request for meeting re house and meeting with bank manager (on bereavement card?!!); e. part of page (handwritten) re Crown Grant in the name of Isabel Evans (title details).; f. Certificate of Marriage between William Johns and Charlotte Stewart , 6th March 1893, Eaglehawk.ephemera, mementoes, general interest

First published in December 1853 as the Bendigo Advertiser & Sandhurst Commercial Circular, its founding propriertors Arthur Moore Lloyd and Robert Ross Haverfield printed it as a single sheet on Tuesdays and Fridays for sixpence a copyNewspaper. Bendigo Advertiser. No. 1, Vol. 1, Friday Dec 9, 1853. First edition. Double sided A3 size newspaper. First edition of Bendigo Advertiser. First inland journal published in Victoria. Contains varying advertisements and one marriage of William Jackson and Jemima Markwell. (William Jackson should read William Nelson). See attached file for further information on Nelson/Markwell wedding. Printed by R R Haverfield, Friday Dec 9, 1853. G Lea written in pen on back page of newspaper. Also an envelope written on in blue pen - 1st edition, Mrs Lea, Bendigo Advertiser.' Marie Meurer, Garsed Street' written on top LH corner of paper, in ink. On display at library 21.2.2019, returned.newspaper, bendigo, the bendigo advertiser

Heather Durant (nee Walton) began as an Assistant Librarian at the SMB Campus in 1951. In December 1961 she resigned from the position due to her approaching marriage. No replacement was found so she returned in a "part-time position". She progressed to head librarian. Heather resigned again in 1962 and took a break for eight years. She then returned to the school. Combining the two periods of work she was employed for almost 50 years. During her time with the University of Ballarat she made an important contribution to the operation of the SMB Library. At times she was put in charge and worked to maintain library standards and collections through her work in library acquisitions and cataloguing. Over the years she witnessed the changes that occurred when technology was introduced and the growth of the University and TAFE divisions.women of note, teacher, ballarat school of mines, heather walton, heather durant, smb campus, librarian, resigned to marry, part-time work, library standards, and collections, acquisitions and cataloging, technology, 50 years service, 1951-2005

This is an illustrated history of New Zealand. Since the foundation of Warrnambool in 1847 up to the present day there has been regular and important contact between the people of Warrnambool and New Zealand. In the 19th and early 20th centuries many people in Warrnambool moved either temporarily or permanently to New Zealand for marriage or economic reasons. Some residents of Warrnambool and district were involved in the Maori Wars and there was regular shipping between the two places with much timber imported from New Zealand, especially for the McGennan butter box factory and for building purposes (e.g. St. Joseph’s Church). The builder of theWarrnambool Breakwater, Arthur Dudley Dobson, came to Warrnambool after having practised his surveying and engineering skills in New Zealand (South Island – Trans Alpine Railway etc). This book is very useful for research into the Warrnambool/New Zealand connection, especially in the 19th century. There is information in this book on Arthur Dudley Dobson who was important in the history of both Warrnambool and New Zealand. This is a hard cover book of 488 pages. The cover is green with gold lettering on the front and spine. There is also a dust cover with a brown and green background with gold and green lettering and sepia-coloured photographs on the front and back covers. The book has illustrations from the Alexander Turnbull Library, an introduction, ten chapters of text, notes, glossary, bibliography and index. new zealand, arthur dudley dobson, history of warrnambool