Refer to Cat 4967.2These badges are shaped like an old fashioned round bomb with a burning fuse on top. Two badges have been darkened for wartime use, One badge is brass coloured with a banner underneath with the latin word "Ubique". ww2, artillery, uniform

Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Small gas mask with black circular canister attached to rubber face covering. Single oval eye piece made from clear plastic like material. A rubber band secures the face covering to the canister.Printed on rubber face covering: L&B.R.Co (G) Oct 1937 Printed on band securing face covering to canister: POPPE LOT 3.11.39 7231gas, masks, military

Black and white postcard of Barkly Street, Ararat. The photo is taken from the Town Hall. The Commercial Hotel and its balcony are pictured on the right while the zig zag of the main street looks like a dirt road.Addressed to Mr G. Mitchell, Collins St, Melbourne also a letter written on the back of the postcard

Drilling tests.mining, gold, gold mining, tin, tin mining, churn drill, drilling, machinery, el dorado, eldorado

Book brought from Jaffa, Palestine in 1941 by the Drescher family, internees at Camp 3, Tatura.Soft red coloured card covered book with black and white comic like illustrations. Cover shows man sitting on a swing with a young boy holding a Winnie the pooh toy. Title in German Gothic script.Peter Dreschercamp 3, children's books, peter drescher, german internees in camp 3

With an interest in 'Collective Unconscious' Nagel aims to explore the human condition, and our impact on the natural world / This figure embodies human and animal traits with semi-autobiographical references to investigate concepts relating to identity and home / Nagel focuses on the extinct, the pest, the endangered and the introduced as a way to reveal her concerns of humanity as creator and destroyer / In this sculpture a koala headed figure is in the pose of the martyr St. Sebastion / With no arms, there is an inability to protest or fight. This work is by a local contemporary artist and encompasses contemporary themes / This work was a finalist in the Nillumbik Prize 2012.Ceramic - sculpture human and animal like (koala) armless figure depicted standing in a similiar stance to that of a classical sculpture / Blue and white body with a yellow face / Made from porcelain with oxide, clear glaze and undergaze.nagel, sculpture, porcelain, animal, ceramic, classical

Curved Sword Japanese Katana WWII blade Wooden handle, leather covered. Brass cap on top of handle with 'Wire" like clip. Circular metal hilt. Pattern on hilt. Refer also 0101 Scabbard.Pattern on hilt.

The photograph shows Ivy May Child standing with her father Ted Child at the Silvan Dam worksite. The construction of Silvan Dam took place between 1926 and the 1932 opening. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a man and woman standing in a cutting. The woman is in a dress and wearing a shady hat. The man is wearing a jacket and jodhpur like trousers with leather gaiters. He is holding a wide brimmed hat.Written below photo in album: IN THE CUT SILVAN DAMivy child, ted child, silvan dam

Colour photograph of various vehicles in corrugated iron shedding at Narre Warren orchard. A barrel drum can be seen in the extreme left side of frame. The driveway heading to the sheds has a plough-like device resting.

Black yearbook with a full page image of 2002 VCE students standing in a crowd shaped like Australia, with a orange sunset background and a WHS logo in the bottom right corner. 2002 is in the left corner in yellow and orange.Wangaratta High School 2002

Golden Square High School in the city of Bendigo, was established in temporary accommodation at Camp Hill Primary School in central Bendigo in 1960. With the completion of the new school's buildings, it moved to Golden Square in 1962, providing for Forms 1 to 6, now known as years 7 to 12. In 1978 it became a 7–10 school and was one of the original feeder schools to Bendigo Senior High School. In 1986, a Hearing Impaired Unit was established and in 1990 it underwent a name change to become Golden Square Secondary College. The Golden Square Secondary College campus closed on 28 November 2008. It merged with Kangaroo Flat and Flora Hill secondary colleges as part of the implementation of the Bendigo Education Plan. Its buildings were demolished. (Wikipedia https://en.wikipedia.org/wiki/Golden_Square_Secondary_College)Golden Square High School banner. A large green banner made of silk like material. The lower edge of the banner is fringed with gold coloured cord. A thick gold coloured hanging cord is attached to the top.gssc, sports top

Thought to be taken at "Terreglea" in Warrigal Road circa 1900. Maybe related to the Dodgshun family.A black and white photograph of a man standing in bushland. He is wearing a coat that has toggle-like closures down the front (instead of buttons). He is also wearing a cap and has his hands in his pockets.clothing and dress, warrigal road, surrey hills, terreglea, house names

Fun trophy beginning 2011 until 2016 and awarded with dubious fluctuating criterea to a participant at the annual Nashos vs Regs Bowls day.A standing memory of a period in time in which Diamond Valley members and partners enjoyed a very social day at the annual Nashos v Regs Bowls DayWooden trophy which includes a wooden stirrers spoon on top, for fun presentation at Diamond Valley Vietnam Veterans annual Nashos vs Regs Lawn Bowls Day. Rectangular in shape with gold-like inscriptions.Inscriptions: On top: N.A.B B. (Not A Bowlers Backside) Award; on Front: Vietnam Veterans Bowls Day; on sides Winners 2011 to 2016.diamond valley vietnam veterans sub branch, bowls day

Bendigo Repertory Society - 'Roar like a Dove'. A comedy by Lesley Storm. Commencing 8 pm 26, 27, 28, 29, August. Produced by Mrs. Graham Hall. C 1950's - 60's?event, entertainment, theatre, roar like a dove, bendigo repertory society, lesley storm, mrs graham hall

This spoon, made by William Page & Co., is electroplated nickel-silver and was recovered during the late 1960s to early 1970s from an unnamed shipwreck along the coast of Victoria. The shipwrecks in the area range from around the 1840s to the early 1930s. The spoon is part of the John Chance Collection. This spoon is likely to have been recovered be from the wreck of the Loch Ard (1873-1878) as other cutlery in the Flagstaff Hill’s Shipwreck Collection made by William Page was also recovered from the Loch Ard. The ship’s Manifest included a large quantity of cutlery. Also, other objects in the John Chance Collection were also recovered from wreck of the Loch Ard. In the mid-1800s electroplated cutlery became a popular substitute for the traditional but more costly sterling silver pieces. The ‘new’ cutlery was made from a more common base metal, such as nickel or a nickel alloy, then electroplated (coated) with a very thin layer of silver. The eating utensils looked like the expensive, pure silver version but eventually, through use and wear, the base metal would show. Some producers warranted their electroplated silver to be ‘white throughout’. WILLIAM PAGE & CO., BIRMINGHAM, ENGLAND - Although the electroplated cutlery of William Page & Co. was made in Birmingham, it does not include the embossed Birmingham Assay’s mark of an ‘anchor’ because the metal used for the spoons is not silver. William Page used various Maker’s Marks on his cutlery. The pattern of five embossed marks on this spoon is a typical example, with the embossed sunken crown containing ‘W P’ being the first in the column of symbols. - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamond William Page established his business in 1834, according to the text around a printed Trademark. The firm William Page & Co. began electroplating in 1855, and from 1880 it operated from Cranemore Street, Cattle’s Grove and also at 55 Albion St, Birmingham. The firm registered a new Trademark [‘W P’ within a diamond boarder within a sunken diamond] in 1897; previously the Mark were the initials WP within a crown, but the British legislation prohibited the use of a ‘crown’ mark on electroplated ware in 1895. In 1936 the firm became William Page & Co. Ltd and became a supplier of spoons to the British Government in 1938, marking its products with the ‘broad arrow’ symbol. The firm also traded with the brand names Armour, Asrista, Bolivian Silver, Roman Silver, Roumanian Silver, Silverite and Trevor Plate. Although this spoon is not linked to a particular shipwreck, it is very likely to have come from the wreck of the Loch Ard; the ship’s Manifest includes a large quantity of cutlery. Regardless, it is recognised as being historically significant as an example of cutlery carried onboard a ship as either personal belongings or cargo and brought into Colonial Victoria in the 19th to early 20th century; through this we have added opportunity to interpret Victoria’s social and historical themes of those times. The spoon also has significance for its connection with many similar William Page pieces of cutlery in our collection that were recovered from the wreck of the sailing ship Loch Ard (1873-1878). William Page & Co. of Birmingham is one of the renowned 19th century manufacturers and electroplaters and was supplier of spoons to the British Government in 1938. The spoon has added significance, as it was recovered by John Chance, a diver of wrecks, including the Loch Ard, in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Spoon; teaspoon, electroplate nickel-silver, discoloured to green and red-brown in places. Fiddle design. Bowl has indents and holes. Five embossed Maker’s Marks on back of handle, arranged in a column from tip towards bowl. Made by William Page and Co., Birmingham. The spoon no longer has its silver plating. The surface has encrustations. Bowl has nicks, indents and holes. Stem is very bent at the shoulder. Discoloured to green and red-brown in places. Embossed Maker Marks - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamondflagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, loch ard, cutlery, flatware, silverware, tableware, eating utensils, dining, spoon, electroplated cutlery, william page & co, william page & co. ltd., birmingham plate, silversmith, antique, vintage, fiddle design, fiddle pattern, teaspoon

This spoon, made by William Page & Co., is electroplated nickel-silver and was recovered during the late 1960s to early 1970s from an unnamed shipwreck along the coast of Victoria. The shipwrecks in the area range from around the 1840s to the early 1930s. The spoon is part of the John Chance Collection. This spoon is likely to have been recovered be from the wreck of the Loch Ard (1873-1878) as other cutlery in the Flagstaff Hill’s Shipwreck Collection made by William Page was also recovered from the Loch Ard. The ship’s Manifest included a large quantity of cutlery. Also, other objects in the John Chance Collection were also recovered from wreck of the Loch Ard. In the mid-1800s electroplated cutlery became a popular substitute for the traditional but more costly sterling silver pieces. The ‘new’ cutlery was made from a more common base metal, such as nickel or a nickel alloy, then electroplated (coated) with a very thin layer of silver. The eating utensils looked like the expensive, pure silver version but eventually, through use and wear, the base metal would show. Some producers warranted their electroplated silver to be ‘white throughout’. WILLIAM PAGE & CO., BIRMINGHAM, ENGLAND - Although the electroplated cutlery of William Page & Co. was made in Birmingham, it does not include the embossed Birmingham Assay’s mark of an ‘anchor’ because the metal used for the spoons is not silver. William Page used various Maker’s Marks on his cutlery. The pattern of five embossed marks on this spoon is a typical example, with the embossed sunken crown containing ‘W P’ being the first in the column of symbols. - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamond William Page established his business in 1834, according to the text around a printed Trademark. The firm William Page & Co. began electroplating in 1855, and from 1880 it operated from Cranemore Street, Cattle’s Grove and also at 55 Albion St, Birmingham. The firm registered a new Trademark [‘W P’ within a diamond boarder within a sunken diamond] in 1897; previously the Mark were the initials WP within a crown, but the British legislation prohibited the use of a ‘crown’ mark on electroplated ware in 1895. In 1936 the firm became William Page & Co. Ltd and became a supplier of spoons to the British Government in 1938, marking its products with the ‘broad arrow’ symbol. The firm also traded with the brand names Armour, Asrista, Bolivian Silver, Roman Silver, Roumanian Silver, Silverite and Trevor Plate. Although this spoon is not linked to a particular shipwreck, it is very likely to have come from the wreck of the Loch Ard; the ship’s Manifest includes a large quantity of cutlery. Regardless, it is recognised as being historically significant as an example of cutlery carried onboard a ship as either personal belongings or cargo and brought into Colonial Victoria in the 19th to early 20th century; through this we have added opportunity to interpret Victoria’s social and historical themes of those times. The spoon also has significance for its connection with many similar William Page pieces of cutlery in our collection that were recovered from the wreck of the sailing ship Loch Ard (1873-1878). William Page & Co. of Birmingham is one of the renowned 19th century manufacturers and electroplaters and was supplier of spoons to the British Government in 1938. The spoon has added significance, as it was recovered by John Chance, a diver of wrecks, including the Loch Ard, in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Spoon; teaspoon, electroplate nickel-silver, silver discoloured to brown. Fiddle design. Five embossed Hallmarks. Five embossed Maker’s Marks on back of handle, arranged in a column from tip towards bowl. Made by William Page and Co., Birmingham. The spoon no longer has its silver plating. Bowl has a cut in the side, and is nicked and dented. Embossed Maker Marks - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamondflagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, loch ard, cutlery, flatware, silverware, tableware, eating utensils, dining, spoon, electroplated cutlery, william page & co, william page & co. ltd., birmingham plate, silversmith, antique, vintage, fiddle design, fiddle pattern, teaspoon

Hobbies are mainland birds that prefer to spend their time in forests and woodlands. They are widespread in Australia's colder eastern states, particularly Adelaide, Victoria, and Southern NSW. With a diet of bats, insects, and small birds, they use their refined wing structure, which is long and narrow in shape, more suited to speed than precision, and sharp reflexes to catch prey in mid-flight. Because they are members of the Falconidae and Falconiformes raptor families and have similar characteristics, they are frequently confused with their relative, the Peregrine Falcon. Close inspection reveals that they are half the size and have a more pronounced dark masking around the eyes. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Australian Hobby is a medium-sized bird with a falcon-like appearance, long wings, and a commanding posture and presence. This bird has a distinctive brown/black helmet on its head, as well as a mask-like face that is highlighted by the prominent white half collar. Over the top of reddish brown underpart feathers, streaks of black lined patterns decorate the protruding chest. With its squared off tail feathers, the bird's back is dark brown and appears elongated and domineering. It is perched on a wooden stand and is secured with wire that does not obscure the talons.No swing tagtaxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, falcon, falconidae, falconiformes, peregrine falcon

Black and white photograph of Ballarat trams 21 and 38 in City Loop on 20/8/1955. Wet rainy day. Australian Electric Traction Association tour. In background on south side of Sturt St. outside Patersons store is a small building like a newspaper kiosk. Photographer assumed to be G.Eardley, same handwriting as for 677. Photograph is on Ilford paper., Australian Electric Traction Association tour. In background on south side of Sturt St. outside Patersons store is a small building like a newspaper kiosk.On rear in ink is "Trams 21 & 28 / A.E.T.A. Special / Ballarat / 20th August 1955"trams, tramways, ballarat, city loop, tram 21, 38

Jack Colston was a great worker and supporter of the Bendigo & District Servicemen's Club. This certificate was given to Jack in 1996. He was made a Life Member of the Club previously in 1987. With the Bendigo RSL Sub Branch he served on the Committee from1979 - 2000, 20 years, He was involved in Appeals for many years. He served in the RAAF in WW2.Certificate framed, timber black & gold. Certificate is blue background with all text in yellow, at the bottom a depiction of two hands shaking."In Appreciation - Bendigo & District Servicemen's Club and Committee - would like to show their Appreciation to - Mr Jack Colston - For his dedication to the Servicemen's Club over a number of years"brsl, smirsl, bdsc, appreciation

Hand drawn card with purple fleur-de-lis (symbol of Scouts Australia) and handwritten "Thank You Andrea Fleming Mission to Seafarers" from 1st Glen Iris 'A' Pack Cubs, including a colour photograph of the scouts and their leaders.Typed message on the photograph says "1st Glen Iris "A" Pack Cubs and Leaders would like to say "Thank You" for your contribution to our program 2017.andrea fleming, mission to seafarers, flinders street, melbourne, fleur de lys, scouting, glen iris, pack cubs

The construction and development of the Kiewa Hydro scheme showing its construction and the people in work and play during its duration. It also shows the development of Mt Beauty and Bogong townships. The films were used as News Reels, Tourist Information and Entertainment.This item provids a snap shot in time (1990) when the Kiewa Valley was still relatively under populated and holiday houses owned by city bound workers was still relatively insignificant. As more and more holiday makers retire to a small but friendly region(Kiewa Valley and Mount Beauty) the increase in visitor numbers will affect the local rural bush scene more and more. The changes that will occur (in time) can be measured against the scenes presented in this video. The additional resources provided by the State Electricity Commission of Victoria of "alpine bush" fire control and management, together with an ongoing educational scheme for school children in learning about what constitutes the Alpine country's unique environment, are a very important offshoot, benefitting to both the communities within the Kiewa Valley and regional Victoria.This VHS tape is stored within its own plastic cover which has a front side Titled "KIEWA in the MAKING". The VHS tape is nestled within a formed inner structure which not only prevents the tape from moving to and fro but also unnecessary intrusion of foreign particles. Titled "Kiewa Compile" with 4 short films titled 1. Kiewa in the Making 2. Kiewa Capers 3. It only seems like yesterday 4. Kiewa.kiewa, hydro electricity, state electricity commission of victoria, construction towns, 1940s 1960s, mt beauty, bogong, falls creek, clover power station, mckay power station, bill sutton, news film, construction workers, early machinery

Letters written to Hazel during WWII, including one about having a B-24 Liberator named after her.Wedding photograph of Capt. Frank Seales, USAF 380th Bomb Group and wife Hazel.Letters written to Hazel by her husband during WWII. In one Frank asks Hazel if she would like him to name his aircraft after her.a1

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Photocopy of a black and white photograph of eleven first year nurses on the steps of Lister House. Accompanying letter from Eileen Litherland (nee Periera) providing information about her time at the NDSN - PTS 13 beginning in 1952. "I am the seventh from the left - holding my book like a prayer book. This is the day of our first year exam (School 13). Eileen Litherland."ndsn, lister house, pts13

A wooden tennis racquet press with separaters. It has a brass handle and three brass wing nuts on tightening screws. It is heavy and solid and could hold 4 racquets. It is shaped like a tennis racquet frame. Could be mahogany.tennis racquet-press sport recreation

Item in the collection re Vivian D BULLEN, refer Cat No 7386 for his AIF & RAAF service details.Photograph - photocopy - enlarged of an original black and white photograph on photographic paper which has been laminated. Depicts a RAAF serviceman standing in front of a church like building on a street, near a tree with bare branches in the UK.photographs, ww2, raaf, uk

At Sunday school sacred songs were taught to/ sung by students. Students attended Sunday School classes at the Kergunyah Presbyterian Church. Sunday school was held in a little 16 foot square wooden building which came from Rocky Valley after it was no longer needed there. Ewen Wallace's father initiated and organised the move. C2011 the building was knocked down because of white ants. The Presbyterian Church will be 125 years old in 2015Historical: Religious Education: This book was used by students who attended the Sunday School classes at the Kergunyah Presbyterian Church. Religion: Presbyterian Church at Kergunyah, in the Kiewa Valley, celebrates its 125th anniversary in 2015 after being handed over to the Uniting Church in the 1970s.Small faded bluish book with linen cover. Print has black background within a decorative ribbon like shape. Border outside a black line within which is a thinner black line with a swirl at each corner.On the first page in pencil 'King"religion, hymns, songs, christian, kergunyah, ewen wallace, sunday school

Exhibition in the Arts Company in 1999?Painting of a fanciful show with chunky high heel, resting on a rocky sea bed, Shoe is fitted with portholes, and periscope like a submarine. The sea is full of stylised red fish, and more fish can be seen in the show itself.Front: (no inscriptions) Back: (no inscriptions)