Newspaper Clipping from "The Mail", 12-12-95. P 4 "Maroondah players"'. George ArundelBagpipe player George Arundel thinks there is something special about a man with a beard dressing up in a skirt and playing the pipes. "It's the theatrics of it all that I love", Mr Arundel, a member of the Ringwood Highland Pip[e Band, said. Mr Arundel began playing the bagpipesas a boy growing up in Glasgow in 1966, and has been playing them ever since.

Donated by Helen Dudley.Black and white photographs. (1) 2 copies. 5 girls and a boy posing by the Potting Shed wearing ballet clothes. (2) 2 girls and a boy posing by the ponds. (3) 2 copies. Several girls dancing by the ponds. (4) "1945 Break up Ballet in progress with final act of Les Woolcock being thrown in the pond by the girls of the ballet."(1) On reverse, "1945 Break up 2nd Year students Ballet Group. L to R Rhonda Shaw, Helen Dudley (at rear), Jane Collingwood, Les Woolcock, Pauline Macaboy at rear, Mary Hume, Helen Hanna outside Potting Shed used for dressing room." Alma Rigg may be in it too. (2a,b) "1945 Break up Ballet in progress."helen dudley, female students, ballet group, rhonda shaw, jane collingwood, les woolcock, pauline macaboy, mary hume, helen hanna, potting shed, dressing room, alma rigg, ponds, ballet, students, break up, final assembly 1945, luffmann ponds, lily ponds

Photograph. 12.5 cms x 17.5 cms, in a plain silver frame. In black and white, this photograph shows bride Aileen Beryl Ervin of McKenzie Creek, via Horsham, in her wedding attire, for her marriage to Leslie John Ellison, of McKenzie Creek via Horsham. This ceremony was officiated by Rev. Francis Fielding, on September 24th 1949, in the Horsham Methodist Church. The bride wore a beautiful gown, with a short and a long veil. Her flowers trail beautifully and she appears to be holding some horseshoes over her left arm.photograph, person, photograph of bride.

The writing is unclear, but the name of the artist for this piece may be Bessi.Colourful porcelain figurine of a doctor holding a monkey. The doctorhas yellow hair and is wearing a white coat, with a white substance on their hands resembling gloves. They are wearing bright green and orange striped pants below the gown, and green high heeled shoes. The doctor is holding a monkey by its ankles in their left hand, and is holding the palm of his right hand on the monkey's bottom. The doctor is standing behind a small white crib, which is covered with a blue and white patterned blanket. The maker's name 'BESSI'(?) and the word 'ITALY' are hand painted on the underside of the crib.obstetrics

The Rev. Dr D'Arcy Wood, now retired and living in Riddells Creek, Victoria, has been President of the UCA, lecturer at Parkin-Wesley College in Adelaide, and parish minister. For full details, see Proceedings of the UC Historical Society Synod of Victoria & Tasmania, Vol. 22, No. 2, December 2015. For the story of the interview with Hugh Morgan, see C&N 25/7/1984.(1) Clipping from "The Star" showing Wood with 5 recipients of the Dr Wood Scholarship. (2) Head & shoulders Wood in alb and scar. (3) Wood with Rev. Dr Gregor Henderson as President and General Secretary of the UCA Assembly. (4) Wood preaching, wearing an academic gown. (5) Wood reclining in a chair. (6) Wood sitting at a table interviewing Hugh Morgan (see C&N 25/7/84). (7) Wood facing Hugh Morgan during the interview. (8) Wood leaning on the table during the interview with Hugh Morgan.Identification of Wood.wood, d'arcy

Digital image of three Bendigo trams at Charing Cross. Trams 7 (North Bendigo), 21 (Golden Square) and 2 (Quarry Hill). Has the Beehive building in the background, along with sings for 3BO, Myer, Amor gowns and Wm I Jones Chemist. The trams have some SEC Roof adverts. Photo by John Ward 22 March 1970. Slide title "00757 220370 SEC single truck trams 7 & 21 Pall Mall bogie tram 2 Mitchell St Charing Cross Bendigo Vic"trams, tramways, bendigo, charing cross, pall mall, mitchell st, tram 7, tram 21, tram 2

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family. Long floral green crepe georgette dress.women's clothing, dresses, australian fashion - 1930s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family.Long cream and orange floral crepe georgette evening dresswomen's clothing, australian fashion - 1930s, fashion and textiles collection, rosemary smart

Dorethy Rabinov’s Melbourne-based brand Ricki Reed "became an international success story. Her brand catered to “the petite and young, people who like smart simple dress” and popular with the women lib groups due to her comfortable smart pantsuits. The Ricki Reed’s brand often favored synthetic fabrics designed to keep up with the life of an active, busy woman. Through out the decades, Miss Rabinov dabbled in prairie gowns, tailored pant suits, bold colours and floral prints. Spanning over three decades Miss Rabinov kept Ricki Reed at the front of fashion, keeping ahead of trends and on the bodies of fashionistas." (Source: 'House of Darlington' website). This dress was owned, worn and donated by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Sleeveless embossed white cotton high waisted cocktail dress designed by Ricki Reed of Melbourne.Nilricki reed, women's clothing, evening wear, australian fashion - 1960s, mcintyre collection

The donor was given this doll about 50 years ago by her grandfather (in the late 1960s). He used to be a handyman at a high rise building in St Kilda, Melbourne. He had been doing some work for one of the old ladies and she gave him the doll to give to his granddaughter, who collected dolls. The doll has spent a few years at the Nagambie museum until it closed down and returned to the donor The origins or age of the doll are unknown. Originally it was thought to be a Fashion Doll dating from around the 1880s but the painted face together with the bisque legs and gold painted shoes are similar to those found on Boudoir Dolls (also known as Bed Dolls, Sofa Dolls, Flapper Dolls and French Dolls) of the early 20th century. Fashion dolls were sent from fashion houses to advertise the latest styles, fabrics, trims, hairstyles and accessories. Dressmakers would show these dolls to their customers. Ladies would then place their order and the dressmakers would make the dress to their size. The dressmakers would learn the construction techniques from examining the dolls. Boudoir Dolls dolls usually had no maker's marks and were primarily used as bedroom decorations for ladies rather than as children's toys. This doll appears to date at about the early part of the 20th century, but the petticoats are much older - possibly from a child's christening gown. At the time that the donor received the doll, it had a coloured lace over-gown that was badly torn so her mother removed it to replace with more lace but this never eventuated. The pink silk dress also appears to have been remodelled into a 19th century style with gathered sleeves and a gathered skirt. This fashion or boudoir doll is significant for being a rare example of a doll made in the late 19th or early 20th centuries. The doll is wearing clothing representing the fashion for young girls in that era. The doll is also significant as an item possibly used by fashion houses and dressmakers to advertise the latest fashions in clothing, trims, accessories and hairstyles. A doll such as this may have been found in a Victorian dressmaker's premises for use as a pattern and technique template and for a display to customers. It may also have been used as a decorative item in a lady's bedroom.Female boudoir doll with silk face and body, and porcelain lower arms and legs. She has plaited blonde silk hair. Her painted face has brown eyes and her shoes are painted gold. The doll is dressed in a long pink puffed-sleeve dress with a gathered waist and a ruffle at the hem. A pink ribbon around her waist is tied at the back. There are small silver balls hand-stitched around the neckline. She has a white, hand-embroidered lace petticoat and bloomers.warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, doll, boudoir doll, female doll, dressmaker's doll, display doll, late 1800s doll, fashion doll, antique doll, 19th century doll, children's fashion, girl's fashion, late 1800s children's fashion, early 20th century doll, composite doll, french doll

Ernest Lance Young was born 24 March 1915 in Surrey Hills, the son of Ernest Augustus Young and Ruby Nichell Whitty. He married Beryl Mair in 1939 and died on 5 October 1999 at Mont Albert. Electoral rolls list him as a manufacturer. His address after marriage was 11 York Street, Mont Albert. He is buried in Box Hill Cemetery (M-*-0867) along with his father. He served in WW2 (Service Number - VX104733 enlisting at St Kilda) and after returning took over his father's business. Young's Motor Products have manufactured products for the automotive and other related industries, including chemical trades, since 1920. Business history: Young's commenced trading in 1917 when Mr Ernest Augustus Young started selling paint brushes. At this time the company was known as E.A.Young & Co. with business premises in Queen Street Melbourne. Ernest soon expanded into paints and other products for the rapidly growing automotive trade and by 1920 was well recognised as a leading supplier. At this time canvas hoods were the norm and Ernest produced a "Canvas Hood Dressing" which gained acceptance as 'the one to buy'. This product was exported throughout the world. By 1930 Young's range had expanded and the product range included items like distilled water, gasket cement, vulcanising heat patches, rust prevention and many more diverse products. Young's name then, was so well known in Australia and the world, that a letter could be addressed just "Young's Melbourne" and it would reach the company. Young's survived the great depression, but in 1939 the Australian government commandeered the factory with all plant and equipment, thus closing Young's for the duration of the WW2. Ernest continued to make products at home for the war effort. When his son, Lance, returned home from overseas war service in Singapore, the Young's factory was re-established at 405 Canterbury Road, Canterbury near Chatham Station and worked to regain markets lost in the 1940s. By 1980 Lance Young wished to retire, his immediate family didn't want to continue the business and Lance believed Australia would lose a great asset if he just closed the company. He sought to find someone within the motor trade who would uphold the Young's principles of product and service and in 1981 Allan Kennedy & Sons bought the business.Lance Young was retained as an active consultant until his death in October 1999, aged 84. Products: Superseal for radiators, tyre dressing (tyre black), car shampoo, hood dressing, leather and vinyl cleaner. The factory was later elased to B&D Rollerdoors. REF: Personal communication (Laurie Newton, nee Young) and http://youngsmp.com.au/comprof.htm Part of a large collection of material related to the Young, Mair and Deakin families.A sepia studio photo of a young man in a suit and tie.On rear: "Lance Young"; photographer's stamp: "THE GLEN STUDIO / 133 GLENFERRIE RD / GLENFERRIE VIC"ernest lance young, lance young, ernest augustus young, young's motor products, 405 canterbury road, ww2

Slide photographs of two Stanhope residents prepared to go to the ball held in honour of Princess Alexandra's visit to Melbourne in 1959. The ball was held at the Melbourne Town Hall. Elizabeth Brown (on the right) was a resident at Stanhope after her father died in 1953 and she came to Melbourne from Seymour to compete further studies at Toorak Teachers College. She was chosen to present a bouquet to Princess Alexandra at the Royal Ball. Elizabeth wore a pink taffeta gown and was accompanied by a Legacy boy, Julian Hyde. The handwritten note implies it is the visit of the Queen Mother, but it was a ball held to welcome Princess Alexandra in September 1959. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of of a Legacy girl being chosen to participate at an important event.Colour slide x 4 of two Stanhope ladies in ballgowns, in a beige Anscochrome mount.Handwritten on reverse 'Stanhope girls. Visit of Queen Mother' in blue pen.junior legatee, royal visit, ballgown, stanhope

Khaki Canvas Bag designed for First Aid Kit. Contains 25 items including 2 x tweezers, 1 x eye bath, 1 x metal syringe, 1 x bottle gauze strip, 1 x snaake bite kit, 1 x pocahontas inhaler, 1 x water sterilizing kit, 1 x cat gut in glass tube, 1 x blade in container, 1 x splint set, 1 x first field dressing 1939 Smith and Nephew, 4 x large field dressingss, 2 x splint holders ?, 1 x First Aid book, 1 x Sanax First Aid card.Receipt from Red Cross Victorian Division South Melbourne Branch dated 14th April 1942.

Holmes Family WW1 memorabilia Kemmel village is around six miles south-west of Ypres. Located just to the north of the village centre is Kemmel Chateau Military Cemetery. The cemetery was established early in the war, in December 1914, taking its name from Kemmel Chateau which stood to the rear of the cemetery location. The chateau at certain stages in the war housed an Advanced Dressing Station (ADS), and the cemetery continued to be used until March 1918, when Kemmel was taken by the Germans. Although it was retaken later on that year, both the cemetery and the chateau suffered from shelling with the chateau being destroyed. In total there are 1,135 First World War soldiers buried here, all but three being identified. In addition, located in a row on the left by the entrance are 21 Second World War burials. http://www.ww1battlefields.co.uk/flanders/kemmel.html, accessed 11/07/2014)Two black and white postcards showing Kemmel, France. .1) Grand'Place avec Kiosque permanent .2) Le Belvedere et le Moulinchatham-holmes family collection, kemmel, france, world war one, postcard

This is believed to be a figurine of Queen Victoria. Staffordshire pottery began to be produced in the 1840s, at the beginning of the reign of Queen Victoria, and the Queen and her family were popular subjects for depiction in pottery.Painted ceramic figurine of a woman holding a baby. The woman is wearing a dark blue dress with gold lapels and a white frilled collar, and a decorative gold pattern at the hem. The woman is also wearing a white bonnet with gold bow at the top and a red flower at the front, white gloves, and yellow slippers. The woman has short, dark coloured hair visible beneath the bonnet, and rosy cheeks. She is seated on a stool and cushion, and is holding a baby on her knee. The baby is dressed in a long white gown, with a hood. Sticker beneath the base of the statue carries the handwritten number '44'.

This set of 22 photographs was taken inside Army Survey Regiment’s Fortuna Villa circa 1985. The photos feature some of Fortuna Villa’s interior. Unfortunately, the magnificent array of colours and hand-painted features of Fortuna’s leadlight windows are not highlighted with light transmission, as the photographer did not take the photos in the daytime. See item 6456.30P, for photos of Fortuna Villa’s exterior and The Army Survey Regiment’s out-buildings that were taken at the same time.This set of 22 photographs was taken inside Army Survey Regiment’s Fortuna Villa circa 1985. The colour photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) & .2) - Photo, colour, c1985. Fortuna Villa – Reception/Music Room leadlight windows. .3) - Photo, colour, c1985. Fortuna Villa – Entrance foyer door and leadlight windows. .4) - Photo, colour, c1985. Fortuna Villa – Entrance foyer vaulted ceiling. .5) - Photo, colour, c1985. Fortuna Villa – Dressing Room bay leadlight windows. .6) - Photo, colour, c1985. Fortuna Villa – Dressing Room wood panel wardrobe (concealed marble bath inside). .7) - Photo, colour, c1985. Fortuna Villa – Main bathroom’s solid cedar toilet chest and water pitcher set. .8) to .14) - Photo, colour, c1985. Fortuna Villa – Drawing Room bay leadlight windows. .15) to .16) - Photo, colour, c1985. Fortuna Villa – Cupola stairway leadlight windows. .17) - Photo, colour, c1985. Fortuna Villa – Dining/ballroom doorway with velvet wallpaper. .18) - Photo, colour, c1985. Fortuna Villa – Dining/ballroom. .19) - Photo, colour, c1985. Fortuna Villa – Billiard room’s timber vaulted ceiling. .20) & .21) - Photo, colour, c1985. Fortuna Villa – Top floor nursery samples of original wallpaper. .22) - Photo, colour, c1985. Fortuna Villa – Top floor ballroom/gymnasium’s elaborate vaulted ceiling.There are brief descriptions on a note behind each photograph.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

The dolls house and furniture was made by Heinrich August Ernst KOCH, who was interned at Orange NSW on the 6 June 1940. In 1941 was taken to Tatura VIC for an appeals tribunal hearing. He was released in 1943 to the Civil Alien Corp. The donor of the dolls house, John Smiles, is the grandson of Heinrich. Heinrich made the dolls house and furniture which he made for his daughters in Sydney NSW. It was sent to them whilst interned. The furniture is copies of real life size items and the house has features common with the family home in Sydney.Wooden, painted dolls house, made from packing crates. 5 main pieces with additional pieces (roof, chimney, stairs, outside roof area, furniture) which go together to form this long single story dolls house. Painted in cream with green features and red roof. Windows and doors open. Several windows have glass in them. Original piece of Lino in kitchen area. 2 rooms are wallpapered. Original pieces of furniture are included (see list attached to worksheet). These include dining table and four chairs, side board, dressing table, bed, tall boy, low boy, entrance table, entrance bench, entrance hall stand, kitchen table, 4 chairs and 2 benches.heinrich august ernst koch, john smiles, orange internment camp, tatura internment camp, civil alien corp

This cookbook was compiled by the Neale Street North Pre School Mothers' Club Committee with the forward written by Anne Galvin O.B.E, President of the Bendigo & District Pre-school Association. Anne Galvin was one of Bendigo's best known charity workers and she used her first speech as Mayoress (1944) to indicate her intentions to assist mothers and children. This recipe book includes contributions by the Mayoress of the day (Mayoress Rae), Television Hostesses Corinne Kirby and Ruth Nye and Mrs Bolte and Lady Brooks. Illustrator of front cover unknown.Bound and printed cookbook containing one hundred and eight pages of recipes and advertisements including forward written by Anne E. Galvin. Colour cover, stapled on left hand side. Advertisements for local businesses include Gordon H. Hall Beauty Salon, Gas and Fuel Corporation, Hesse Bros. Electrical and Sandhurst Milk & Cream, Recipe categories include: By Special Request; Soups; Sea Foods; Meat and Poulty (sic) Dishes; Hot Sweets and Puddings; Cold Sweets; Meals in a Hurry; Salads and Dressings; Savouries and Fillings, Icings, etc; Cakes Large and Small, Biscuits; Scones, Buns and Loaves; Jams, Pickles and Preserves; Gravies and Sauces; Confectionery; Weights and Measures; Index to Advertisers; Beauty Hints. city of greater bendigo education, city of bendigo mayoress, mayoress galvin, mayoress rae, cambridge press, mayor w cambridge, anne galven

Coloured picture of a bride and groom in a garden house. The bride is wearing a long sleeve, long gown and veil and carrying a bouquet of white flowers with green leaves. The groom is wearing a long black coat, grey trousers with white shirt & waistcoat with gold chain. He is carrying a top hat. A girl, dressed in a blue dress is throwing pink petals before the couple. There are people following the bride & groom. In the background is a lake with a sailing boat on it. At the top is printed 'Horner's Penny Stories 'River of Life' Series No 3. 29. 1. 1910. On the back is written in ink - MP 276. The picture is titled 'The Wedding Morn'.MP276personal effects, greeting cards, malone collection, malone collection, greeting cards, horner's penny stories 'river of life' series no 4

Clothing. Infant's cream silk christening gown. High round neckline edged with gathered .7 cm lace. Yoke front (7cm) and back (8cm) of lace pieces and pin tucks. Skirt has 37 cm border of horizontal pin tucks, embroidered sections, piping and hemmed with scalloped embroidered lace.Centre back opening (21 cm) fastened at neck and lower edge of yoke with one cm pearl look buttons. No button holes. Long sleeves gathered at shoulders and gathered into 3 cm band of lace at wrist with gathered lace frill at hem. Three pin tucks around sleeves at elbow.costume, children's, infant's cream silk christening gown

Clothing. Infant's white cotton gown with long sleeves. Round neck with casing for cotton tape ties. 2cm lace trim around neck. Back opening (18cm). Gathered at back from neckline. Front has pintucks from neckline to broiderie lace band at waist (15cm X 2.8cm). Gathered below band. Cotton fabric ties (66cm) attached to either side of waist band.Centre front of bodice has vertical lace insert (10cm X 2.8cm) from neck to waist. Ties and sleeves trimmed with 1cm lace. French seams. Machine stitched. Old box 230.costume, children's, infant's gown

This wedding dress was made & worn by Marjorie Gertrude Schneider, elder daughter of Mr & Mrs A. A. Schneider, of Lorquon, married Harold Francis Rohde, youngest son of Mr & Mrs J. B. Rohde, of Gerang, at St. Paul's Lutheran Church, Woorak, March 2nd, 1949.The dress was handmade by the bride, Marjorie Schneider.A charming frock of ivory cloque, inset with a yoke of beige lace with scalloped edges, cut on very flattering lines. The bodice, fitting perfectly to the waist and the back having a row of buttons, was ornamented as the shoulder with a diamante clip which had adorned her mother's wedding gown. The full skirt was draped softly from the waist, & extended into a long train at the back. The halo of orange blossom, which held the veil in place, set off to perfection the exquisite bride. She carried a shower bouquet of creamy white tiger lilies, gardenias, dahlias, gladioli and rose buds, & added to this was several horseshoes given by friends.schneider, rohde, woorak, st paul's lutheran church, gerang, lorquon, wedding

Geoffrey Blainey was the inaugural Chancellor of the University of Ballarat. It is assumed this is the first graduation in 1995 at the Chancellor does not wear the University of Ballarat Chancellor's Academic regalia. Another possibility is when Geoffrey Blainey was awarded an honorary doctorate. Academic gowns distinguish between the University's senior office holders and our graduates. Federation University's Chancellor wears a blue robe that is trimmed with gold and features a gold embroidered frog at the shoulder and gold oak-leaf braid below the arm hole. The Deputy Chancellor and the Vice-Chancellor also wear blue robes, with gold trims and different designs inclorporating the gold oak-leaf braid, ord or tassels. The members of the university Council wear black robes with a sole of gold. Our graduates wear black robes, with either a black trancher cap or bonnet (for professional octorate) with stoles, linings or trims in the colour of their discipline. Two images of University of Ballarat Chancelor Geoffrey Blainey in academic regalia. .1) Coloured photograph of Geoffrey Blainey addressing the audience at a University of Ballarat Graduation Ceremony .2) Black and white image of of Geoffrey Blainey doffing his cap at a University of Ballarat Graduation Ceremonyuniversity of ballarat, geofrey blainey, blainey, chancellor, graduation

The donor's aunt, Margaret E. Hollis nee Piesse (18/2/1919-2008) wore this gown to the Coronation of Queen Elizabeth II in 1953. She was one of a total of 8,251 guests who attended the ceremony at Westminster Abbey, London. Margaret Piesse was born in Hobart and grew up in the Piesse family home, 'Merridale', Sackville Street, Kew. She was residing at 4a Little Cloister, Westminster Abbey at the time of the Coronation and was married (on 14/2/1942) to Rev Howard Hollis, a minor Canon at the Abbey and a deputy Priest in – Ordinary to the Queen (1954-1959). Howard chanted the litany and carried the sceptre. Margaret’s daughter-in-law, Sue Hollis, Margaret’s sons, Julian who attended the Coronation with his mother, and Richard, gave the photograph to Felicity Renowden, the donor. Margaret Hollis died in Kew on 16/4/2008. Print copy of an original photograph of Margaret Ellen Hollis (nee Piesse) before she attended the Coronation of Elizabeth II in 1953. She is posed in the photograph, seated wearing her dress, tiara and long elbow length gloves.coronation of elizabeth ii, westminster abbey, piesse family, merridale -- sackville street kew (vic.), margaret e hollis

In 1930 the Society were pioneers in opening an Ante-Natal Clinic at the Melbourne District Nursing Society (MDNS) After-Care Home, setting a high standard with equipment, keeping records and providing leaflets with instructions in how to keep healthy during pregnancy, what complications to look for, and what to do when labour commenced. This image was taken in the Ante-Natal Clinic and shows some of the equipment used at that time and the uniforms worn by Trained nurses (Sisters) in the 1930s. Melbourne District Nursing Society (MDNS) was founded in 1885 and only nurses who had trained in a Hospital Training School and were fully qualified were employed by the Society. It commenced with one Trained nurse (Nurse), and another employed six months later; both walking amid the slums of inner Melbourne administering nursing care to the sick poor. The Society decided to commence a Midwifery Service and Nurse Fowler, who had previously worked for the Society, was re-employed as their first Trained Midwife. She began home births in August 1893 giving some Ante Natal care, taking midwifery bundles and providing clothes for the babe and mother as needed. Following birth, she gave Post-natal care to the mother and babe twice a day for three days and then daily for a week, and longer if required. She resigned after twelve months and Nurse Wilkie was appointed to the position. As well as walking, the Nurses used Public transport in the limited areas it ran, though a taxi was used by the Nurses and Midwife in emergencies and at night. As the Society expanded it rented premises until it was able to purchase it's own Nurses Home at 39 Victoria Parade, Collingwood in 1914. The Society were pioneers in recognizing the need for premises where patients too ill to be in their own home, but not ill enough to go to hospital, was needed. Land was procured next to No. 39, and the Society built the After-Care Home at 45 Victoria Parade, for these patients, and for patients from Hospitals. It was opened in July 1926 and the name of the Society then became ‘Melbourne District Nursing Society and After-Care Home’ (‘Hospital’ from 1934) The Ante-Natal Clinic at the Melbourne District Nursing Society After-Care Home was opened on the 23rd of September 1930 and MDNS Midwifery patients were encouraged to attend. Prior to the opening of the clinic Ante-natal care was not considered important, but within a short time 100 percent of MDNS Midwifery patients were attending. During 1934 the Women’s Welfare Clinic, including at the time a very controversial Family Planning Clinic, the first of its kind in Australia, was opened to support women at risk following multiple and difficult pregnancies. The Clinic gave advice on birth-control and was attended by their own patients at first, but then accepted patients from Melbourne public hospitals until their own clinics were opened.Digital image showing a Doctor and three Melbourne District Nursing Society (MDNS) Sisters attending a patient in the Ante-Natal Clinic at the After Care Hospital. In the forefront is a set of scales standing on the floor, behind which is the lady lying on a wooden framed bed with the base slightly raised at the top end supporting a white pillow and the lady's head. The lady has short dark hair and her frock can be seen to her waist; the rest of her body is covered by a white sheet and dark coloured blanket. Behind her and to the right of the image, are two Sisters wearing dark coloured long sleeved uniforms which have a belt and white collar; they are both wearing white veils over their short dart hair. To their left is a Doctor who has short dart wavy hair and is looking down at the lady. He is wearing a long white gown and has a stethoscope in his ears with the other end held in his right hand. To his left is another Sister who is wearing a white veil over her dark curled hair, and is wearing a long white gown. In the rear between the Doctor and Sister a hand basin can be seen. On the far left of the picture a trolley with two cloth covered shelves can be seen; a basin and squat bottle sits on the top shelf and kidney dish on the lower one. Behind this, part of a window can be seen.after- care hospital, 45 victoria parade collingwood, melbourne district nursing society (1885-1957), ante-natal clinic, after-care home, mdns midwifery, rdns, royal district nursing service

This overcoat was designed and tailored by Dominex, a company that sold clothing in high end department stores such as Myer and David Jones in the 1940s through to the 2000s. As pictured in the accompanying advertising, Dominex looked to produce clothes for women to “casually, confidently wear … the exquisite styling and superb tailoring of… Dominex Coats”. This sentiment was carried by the company for more than 60 years. Amanda Morgan, a director of the Dominex fashion label in an interview from 2003 said “Not everybody wants sass, or sex, or high fashion for that matter. Au contraire. Our customers will be stylish, sophisticated and womanly, but we don’t do shoestring straps or asymmetrical lines." Dominex was a label specialising in exceptional quality "traditional" dressing for corporate wear. Their clothes looked to provide women with a return to the tried and true values of elegant, unpretentious, classic dressing. "Our look is European-influenced," Morgan explained further. "Inspired by Armani, Valentino, Chanel and Escada. Suits have been specially dyed in France to ensure the perfect shade of ice blue, lemon, grey, or slate. Fabrics are natural, silk and linen. Shapes are stylish, with an almost 1930s feel; classic pants, silk shirts, structured overcoats with elegant-length” Returning to this overcoat, it has a label on the inside which reads “Pure Wool Material by Godfrey Hirst of Geelong”. Nowadays Godfrey Hirst produce flooring products and are the largest manufacturer and exporter of residential and commercial carpets in Australasia. They have expanded into hard flooring and left their fashion days behind. This overcoat serves as a useful example of a different time for the company; before they made the change to concentrating exclusively on flooring, when they produced fabrics to be tailored for the height of Australian fashion. This overcoat was purchased and worn by Joan Waller, aunty of the donor, Kim Rosenow. Kim said her aunty was from Ballarat but frequently shopped in Melbourne to keep up with the latest trends. Her aunty Joan fitted the target demographic of Dominex well, as she needed to look sophisticated and elegant at social events and work. Kim donated the overcoat to the National Wool Museum in 2021. Green singled breasted overcoat with a narrow overlap and one column of buttons for fastening. The overcoat features notched lapels of a medium width and two large buttons of a green & dark green marble. The overcoat has two semi-visible jetted pockets at the hips. Internally, the overcoat features a black silk lining for comfort. It also features a stitched patch on the left side of the opening which reads “Pure Wool Material by Godfrey Hirst of Geelong”. At the collar, another patch reads “Dominex REGD”. At the cuffs, the overcoat finishes in a type of gauntlet cuff which stretches back over 200mm. The decorative finish utilises no buttons and has thick piping to accentuate this design feature. The overcoat finishes with a simple invisible hem at the bottom.Wording, gold. Patch stitched at collar: “DomineX / REGD.” Wording, black. Patch stitched at left off opening: “PURE WOOL MATERIAL BY / Godfrey Hirst / OF GEELONG”dominex, fashion, women's corporate wear, godfrey hirst, overcoat, wool clothing

Graham Masters is a potter based at Sweenies Creek, just outside Bendigo, Victoria who specialises in a patented technique of low relief stoneware depicting Australian animals and landscapes. He obtained a Diploma of Art and Design in Ceramics from the Bendigo Institute of Technology in 1973, then operated a pottery for a year in Bendigo, before becoming an employee, then a partner at Maldon Pottery, Victoria with Neville Wilson and Thomas Metcalf. He left Maldon to set up his own pottery at Sweenies Creek in 1984. (1.) (Judith Pearce). Built in 1869, the (former) Strathfieldsaye Shire Hall is one of The City of Bendigo's earliest surviving public buildings. Designed by George Steane and built by George Pallett in 1869 the Strathfieldsaye Shire Hall has aesthetic significance as a purpose built Shire Hall designed in the Free Classical manner. It is also of importance as an early example of the novel system of cavity wall construction. The building is largely intact and unaltered. Other important elements include the arched portico of the main entrance with brick arched features on either side; the brick quoining and dressings to the round arch windows; the three gabled roof; and the matching chimneys that reinforce the symmetrical design. The Hall has social significance as a temporary schooling facility in the 1870s and as a flood refuge in 1889. The Strathfieldsaye Shire Hall is a brick building designed in the Free Classical manner. This style was favoured by the Public Works Department for a number of public buildings including Shire Halls and courthouses. The form includes a central taller volume flanked by matching smaller gables. In the case of the Shire Hall these would be occupied by the Shire Secretary and Shire Engineer whilst the larger volume was the council chamber. The portico at the front is designed with a flat arch in the centre and matching smaller arches each side. The face red brick is unadorned apart from a plain string course at the roof springing point, brick quoining and dressings to the round arch windows. There are matching chimneys that are located to reinforce the symmetrical design and the original roof is believed to have been slate but is now corrugated iron. Large wheel thrown ceramic platter with a shallow well, broad flaring ledge and raised on a high foot rim. Rim decorated with slab rolled gum trees protruding on centre left and right sides of plater. which reflect the low relief image of trees and the Strathfieldsaye Shire Hall on the surface of the plate. Glazed with golden brown and cream. Front centre top; 'Shire of Strathfieldsaye'. Front lower centre '1866 - 1991 - 125 Years'. Signed 'G Master / 1991' on rim centre right. Reverse; signed 'G Master' / 1991. Bendigo Pottery stamp.shire of strathfieldsaye, bendigo pottery