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Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View of the Township of Fernshawe, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography, National Centre of Biography, Australian National UniversityAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on board. [Note: This is the first of two copies of this photograph in the collection]printed in ink on support l.c.: VIEW OF THE TOWNSHIP OF FERNSHAWE. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 14. / VIEW OF THE TOWNSHIP OF FERNSHAWE. / Fernshawe may be considered the most romantic town in the Colony of Victoria. It is situated at the foot of / the Black Spur, and is surrounded by a great many high hills, such as Mounts Riddell, Juliet, Munday, and others, / which form the crossing range into Gipps Land. It has, no doubt, derived its name from the fact that it is the / greatest Fern-growing district in the Colony. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography, fernshawe -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, Entrance to Fernshawe, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography, National Centre of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardPrinted inscription on reverse: A fifty-mile drive from Melbourne, via Lilydale, will bring the traveller to the township of Fernshawe. On nearing the entrance to the town, the scenery becomes most enchanting. In the distance can be seen the summit of Mount Munday. The ridge of trees in the middleground forms part of the foot of the Black Spur. The building in the foreground is the residence of the only Government Official, who represents the various titles of Post-master, State School Teacher, Registrar, &c.landscape photography - australia - 19th century, nicholas caire -
Orbost & District Historical Society
mangle, Early 20th century
A mangle or wringer is a mechanical laundry aid consisting of two rollers in a sturdy frame, connected by cogs and, in its home version, powered by a hand crank or electrically. A household mangle/wringer could be attached to a bench for easier use. The washing process itself involved lifting the items from the cold soak and wringing or mangling each item before transferring them, with more soap flakes, into the copper for boiling. Items that remained soiled, even after an overnight soak, were rubbed on a scrubbing board before being transferred to the copper. The clothes mangle would be used to squeeze out all the excess water. Clothes would then be hung out to dry on a clothes line, or laid over a clothes-horse next to the kitchen or living room fire. This one was owned by the mother of Bob Clarke, an Orbost resident.This item is an example of the typical laundry equipment used by families in the Orbost district in the early 20th century.Clothes mangle [wringer] which has a wooden and metal turning handle. It has a ratchet and 2 tap screws for pressure. It has of two rollers in a frame, connected by cogs and is powered by a hand crank.On top - "No. Hardwood Rolls 124" Front - "Household Clothes Mangle Steel ball bearings The American Wringer Company New York USA"laundry wringer mangle -
Orbost & District Historical Society
hat stretcher, first half 20th century
Prior to the 1960s, hats were worn by all men. Aluminium hat stretchers were generally in use from the 1920’s. The hat was placed on the aluminium dome shaped piece. When the handle was turned, the dome section split vertically, one section moving away from the fixed half. A graduated scale along the side indicated the size. This item was possibly used in the hat factory in Orbost. Stuart Hats commenced manufacturing hats in about 1948 and closed their factory in Orbost around 1953 probably because of the high transport costs. The company's head factory was in Melbourne. The hats made in Orbost were sold all over Australia as well as in Melbourne at Myers and David Jones. The building became first a Dry Cleaners and then a private home.This item was possibly used by Stuart Hats which was a significant manufacturing business in Orbost in the 1950's employing nearly 20 local people.A hat stretcher consisting of an aluminium dome-shaped piece (on which the hat was placed) and a metal winder. It has been mounted onto a wooden baseOn wooden base : "Restored by John Mundy"millinery hats hat-stretcher -
Mission to Seafarers Victoria
Equipment - Lifebuoy, Marra Melbourne, 1955-1984
Marra was a refrigerated cargo ship built by Ardrossan Dry Dock & Ship Building Co. in 1955. The first owner was the Adelaide Steamship Co. Ltd., Melbourne . 1,396 gross tons. Lbd: 233'2" x 37'8" x 14'9". in May 1965 it was sold to the Australian Army and renamed AS3051 (John Monash) and provided a shuttle service from Australia to Vietnam transporting cargo for the Australian Task Force. In September 1974, it was sold to unknown buyers however prior to that sale, she worked the West Australian coast being used on the Ord River Project under 'Stateships' perhaps under lease. The Clydebuilt shipsite states she was renamed Asian Queen in 1976 , Arabian Victory in 1980 and finally Sea Rose in 1981. The ship was scrapped in May 1984 at Gadani Beach, Pakistan. Lifebuoys are an essential piece of equipment on a ship. Because the name of the ships it belongs to is written on it is often the only memorabilia left from the ship when it is sent to scrapyard.Round buoy decorated in red and yellow sections with the word "Marra Melbourne" painted on the front. There is a rope that is strung through sections of the exterior.In black paint on the front of the buoy: "MARRA MELBOURNE"safety wheel, lifebelt, water wheely, ring buoy, lifering, lifesaver, life donut, life preserver, perry buoy, lifebuoy, lifesaving equipment, rescue, drowning, vietnam war, adelaide steamship, john monash, australian army, life buoy -
National Wool Museum
Machine - Scouring Bowl, J Dyson & Sons Pty Ltd, c.1890
Scouring is the process that removes wool wax and other unwanted products from wool. Wool is washed in a hot detergent solution. It moves through a series of scouring bowls and is then rinsed and dried. Careful handling and washing preserves the strength and softness of wool. If the wool contains lots of seeds and other vegetable matter, it must be cabonized. This means it is treated with a solution of sulpheric acid and then baked at high temperature to remove impurities. The disused scouring water left-over from this process was often let drain into rivers and watercourses causing pollution. Many of Geelong's wool scours along the Barwon River were closed due to environmental damage. The race system on this bowl is not the original it has been modified with a variation of the harrow system. Used at E.P. Robinson South Geelong from c.1890-1970.Scouring bowl.J. Dyson & Sons Pty Ltd, Geelongsouring bowl, j dyson & sons, geelong, wool processing, e. p. robinson, textile industry, factory, mill -
Lara RSL Sub Branch
Army Jacket, E.W. PTY LTD, Australian Army Jacket, 1968
This jacket, along with the rest of the dress uniform, belonged to an individual named H.E Schulze. It is believed to have been dropped off to the RSL, so no additional information is known. This uniform serves as an example of the military dress worn by the Royal Australian Army (Royal Australian Artillery Regiment) during the late sixties.Khaki jacket featuring two buttoned chest pockets and a belt. A rope cord is draped across and under the right shoulder of the jacket (referred to as a lanyard). There is a single patch (of red and blue colouring) that is located at the top of both sleeves, with an additional patch at the bottom of the left sleeve.Both patches read "ROYAL AUSTRALIAN ARTILLERY". Inside jacket tag reads "E.W. PTY/LTD. / SOUTH AUSTRALIA 1968 / CLASS 8405-66-025-6422 / BATCH 8/68 / MILL AV / SIZE OF CHEST 41/42 PR / MATCHING TROUSERS 39 PR / DRY CLEAN ONLY / CREASE UPPER HALF / OF LAPELS ONLY / NAME: SCHULZE HE / ARMY No. 3164207"lara, rsl, royal australian army, royal australian artillery, war -
Orbost & District Historical Society
cardboard containers, second half 20th century
These items were used or were available for sale by chemists in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf.The practices of early pharmacists are revealed through these glass bottles. The items have a clear association with Orbost.Four rectangular cardboard medication boxes. 3210.17 is orange with red print. It has a small white price sticker from "Zimmer Phcy Orbost $1.02". it contains a tube of unused cream with an information sheet. 3210.18 is white with blue and black print. It has a small white price sticker from " Zimmer Phcy Orbost $4.19". It contains a tube and information sheet. 3210.19 is yellow and white with green print. It contains ten yellow tablets in cellophane. 3210,20 is a red cardboard box with black and red print. It contains a glass atomiser and instructions, a box with ASPAXADRENE in a brown glass bottle with a white lid. there is a price sticker " TORLEY'S PHCY Orbost- $6.75"3210.17 - MORRHUOL ACRIDINE CREAM (M.A.C.) HAMILTON LABORATORIES PTY LTD..." 3210.18 - AKILEINE - PROFESSIONAL FOOT CARE SUPERACTIVE CREAM FOR ROUGH DRY FEET.....distributed by George Hagley Pty Ltd.... 3210.19 - 10 Reliable Efficacious Valuren Sedative J McGloin Pty Ltd...... 3210.20 - CAUTION S3 to be used strictly as directed - ASPAX ATOMISER and ASPAXADRENE INHALANT A,H, CRUNDALL PTY LTD......medications orbost-pharmacies zimmer-john containers-medications -
Anglesea and District Historical Society
Tin - Leather Dressing, Charles Markell Company Pty. Ltd, Estimated 1880-1930
Coacholine leather dressing used as softener, preservative, cleaning and preventing rust and waterproofing.Front: Coacholine Leather Dressing (coach - trademark) / Proprietors - Charles Markell Company Pty. Ltd. / Sydney NSW Back: Coacholine - a quality leather dressing / Coacholine softens and preserves / Coacholine will prevent rust. Directions: Wipe surface and apply freely. Rub thoroughly into leather and allow to dry for a few hours / 9-1/2 oz - Net when packed / Norton Can / (trademark removed 1966).leather dressing, coachline, charles markell company pty ltd -
Bendigo Military Museum
Uniform - TROUSERS, ARMY, Australian Defence Industries, 1989
1. & 2. Trousers - khaki polyester fabric, plastic buttons, metal zipper fly. One fob pocket, two side pockets, one back pocket with button down flap. Lining - Khaki polyester fabric. Poly cotton manufacturers label - inside on back pocket lining with black print information.Poly/cotton label information - black ink print. 1. & 2. A.D.I. P/L/ VIC 1989/^ / 8405.66.018.5528/MACQUARIE 89/BATCH C/ SIZE 82. 5RC/W.82.5 1L.75/ ARMY NO. /NAME/ DRY CLEAN ONLY/ REPRESS ON ORIGINAL/ CREASES USE DAMP CLOTH/ OR MEDIUM TO HOT/STEAM IRON". 1. Handwritten black pen "URQUART" on manufacturers label.uniform, army, service dress trousers -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: WOMAN'S CREAM COLOURED PANTIES, 1950's
Clothing. Cream coloured woman's panties with gussett and straight legs trimmed with 4 cm lace. 7cm vents each side seam on lower leg. 4cm lace inserts on side seams. Elastic lace waistband with decorative bow (4cmX1cm) at centre front. Sticker on lower front left leg (green and yellow) ''THE DAISY COLLECTION''and a picture of a white daisy. Swing tag still attached.Tag inside back seam''LITTLE LUXURIES BY GLORIA'' Size 16 to fit bust 95 cm Hip 100cm, Bri Nylon . Made in Australia. Warm hand wash. Do not bleach. Do not hand wring. Drip dry in shade, warm iron. Swing tag Black And Gold, ''Little Luxuries by Gloria''. Reverse style 510931, size 16 Price--- Australian Made Boomerang Symbol.costume, female underwear, woman's cream coloured panties -
Bendigo Military Museum
Uniform - TROUSERS, ARMY, Australian Defence Industries, 1989/90
Trousers - Khaki cotton/polyester fabric, plastic buttons, metal zipper fly. One fob pocket, two side pockets and one back pocket with button closure. Lining - polyester fabric. Polycotton and cotton manufacturers labels - inside on back pocket lining, with black print information.Poly/cotton label information - black ink print which is very faded. "RUSS JOHNSTON/ TAILOR/ VIC ^ 1989/90/ DSN 6405-8405-08-019-8188/ dry clean only/ repress using iron and damp cloth/ or medium to hot steam iron/ repress in original crease line". Cotton label information - black print "ARMY NO./ NAME". Handwritten black ink "WO LOCKYER”.uniform, army, service dress trousers -
Bendigo Military Museum
Uniform - PT SHORTS - ARMY, Australian Defence Industries, 2016
1. & 2. Shorts, black coloured nylon fabric with black colour polyester cotton lining, inside fob pocket, elastic and draw cord waistband. Yellow, red and black embroidered "Rising Sun Badge" with lettering "THE AUSTRALIAN ARMY" on lower left leg. White colour cotton/polyester fabric manufacturers label - inside back waistband.Manufacturers information on label - black ink print. 1. & 2. "afw/afw pty ltd/ Size: XX Large/Nylon outer/ Polyester Cotton Lining/ CC? CVC/ NSN; 8415-66-139-3924/ Apr. 2016/ Made in China/ Care Instructions/ Nylon Outer/Polyester Cotton Lining/ Warm hand wash/ Do Not Bleach/ Warm Rinse/ Drip Dry in Shade/ Warm Iron".uniform, army, physical training shorts -
Bendigo Military Museum
Uniform - POLYESTER UNIFORM, ARMY, Australian Defence Industries
1. Shirt - khaki colour, polyester/cotton fabric, long sleeves with button cuffs, shoulder and epaulettes, two front pockets with button down flap, brown plastic buttons. Manufacturers labels have been removed. 2. Trousers - khaki colour polyester/cotton fabric, fob pocket, two side pockets, one back pocket with button down flap, metal zipper fly, khaki colour plastic buttons. Polyester fabric waistband and pockets. Three cotton fabric manufacturers labels, two back inside waistband, one back pocket lining. Black print information.2. Cotton label information, black ink print. Back right inside waistband "REGIMENTAL NO./ NAME". Back left inside waistband "DRY CLEAN ONLY/PRESS ON ORIGINAL CREASES. USE/ DAMP CLOTH OR MEDIUM TO HOT/ STEAM IRON/ MENDING PATCH ATTACHED". Back pocket lining 'WHITMONT/ N.S.W. ^ 1969/SIZE 33 S/W33 1L 28 1/2/ 8405-66-018-5536.uniform, army, polyesters -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, wash bowl and water jug, 20thC
A washstand was a standard piece of furniture in many Victorian bedrooms. On it stood a jug of cold water, a bowl, and a clean rag. The person washed first thing in the morning, immediately after rising. Most bedrooms were cold, chilly places, especially as the sash windows were kept open at the top and bottom (regardless of weather) to allow good ventilation and reduce the risk of illness. This meant in winter most people kept their nightclothes and worked on one part of their body at a time. The art of a stand-up wash was to pour water into the bowl. The soaked flannel was then rubbed on each part of the body, and rinsed. Once the water became too soiled it was discarded into the slop bucket and more water poured into the bowl. Working methodically, all of the body was cleaned, with each part being scrubbed and dried before moving onto the next bit. This wash bowl and jug are typical of the equipment used for personal bathing 19thC and early 20thCA large bowl and jug used in the bedroom for personal hygiene 19thC personal hygiene, water pitchers, jugs, bowls, porcelain, moorabbin, bentleigh, cheltenham -
Federation University Historical Collection
Booklet, Nelson Stedman, Napier Before and After the Earthquake of February 3rd 1931, c1931
The earthquake at Napier, also known as the Hawke's Bay Earthquake, took place on 03 February 1931 at about 10.45 am. There was no warning before the ground started to heave and roll in waves. It was not possible to stand without support, and the violent motion caused stone and brick buildings to collapse into the streets causing death and injury to hundreds who were going about there daily business. Fires started almost immediately, and with the water mains shattered, the fire fighters were powerless to stop or prevent the spread of the flames. Within twelve hours the greater part of the business area of Napier and its port was totally destroyed. As a result of the pressure which caused the upheaval, the levels of the town and the surrounding district have been altered. The town and the harbour were raised from five to seven feet, and many parts of the inner harbour became dry land. Small booklet of 18 pages with photographic comparisons of New Zealand's Napier region before and after the 1931 earthquake.napier, new zealand, earthquake, lovell-smith, stedman, boston, port ahururu, westshore, clive square, hawke's bay -
The Beechworth Burke Museum
Photograph, circa 1870
Taken circa 1870, depicting twenty-eight staff members divided by gender standing in front of the Beechworth mental asylum. Constructed between 1864 and 1867 to the designs by the Public Works Department (PWD) is the Beechworth Lunatic Asylum that was renamed Mayday Hills. The decommissioned asylum was one of the largest psychiatric hospitals in Victoria and consisted of sixty-seven buildings, one thousand two hundred patients and five hundred staff members. The asylum was predominately inhabited by long-stay patients but there was active out-patients. The asylum was one of the first asylums to focus on treatment and rehabilitation instead of institutional confinement. At the asylum active works was considered imperative and workshops were located near the male accommodations and laundries and drying yards near the female accommodation. The asylum closed in 1995 and was sold to La Trobe University before being closed and sold again in 2011 to a private owner. This photograph is historically significant as it provides insight into the importance of Beechworth mental asylum as the asylum demonstrates the changing approaches to the treatment of mental illness in Victoria from confinement to treatment and rehabilitation. Sepia rectangular photograph printed on matte photographic paper mounted on card Reverse: 1997.2489/ Beechworthbeechworth, mental asylum, beechworth mental asylum, mental asylum administration building, mayday hills, mayday hills mental asylum, beechworth lunatic asylum -
The Beechworth Burke Museum
Photograph, W. D. Gibbon, 1905
Taken 1905 by photograph W.D Gibbons the photograph depicts a pathway leading to the administration building of the Beechworth Mental Asylum. There are three well-dressed young men lounging on the grass as another is jumping behind them. This is significant as it demonstrates that the asylum was not a prison and that the mentally ill patients were allowed their freedom. The Beechworth 'Lunatic' Asylum was constructed between 1864 and 1867 to the designs by the Public Works Department (PWD) and was later renamed the Mayday Hills Mental Asylum. The decommissioned asylum was one of the largest psychiatric hospitals in Victoria and consisted of sixty-seven buildings, one thousand two hundred patients and five hundred staff members. At the asylum, active work was considered imperative and workshops were located near the male accommodations and laundries and drying yards near the female accommodation. The administration building itself highlights the architectural and aesthetic significance of the asylum to the State of Victoria. This photograph is historically significant as it demonstrates the architectural and aesthetic significance of the asylum but also the changing approaches to treating mental health. Black and white rectangular photograph printed on matte photographic paper mounted on grey cork Obverse: W.D Gibbon/ Beechworth Reverse: 79.1701beechworth, beechworth lunatic asylum, beechworth mental hospital, mayday hills, mayday hills mental hospital, asylum, administration building, wd gibbon, photograph -
Forests Commission Retired Personnel Association (FCRPA)
Ventimeter, Wind anemometer in cardboard tube
Bushfire behaviour is influenced by many factors including temperature, relative humidity (RH), forest type, fuel quantity and fuel dryness, topography and even slope. But wind has a dominant effect on the Rate of Spread (ROS), as well as fire size, shape and direction. Wind speed can be measured using a variety of anemometers. This simple hand-held Venitimer was made by Elvometer in Sweeden, probably in the 1960s, and was designed for principally for mariners. Some models have a compass in the handle to measure wind direction. The small inlet hole on the side is faced towards the wind and air pressure lifts small plastic disk inside. The upper tube is tapered so that as wind speed increases more air escapes and stronger winds are needed to raise the disk. Wind speed in MPH is read from the side of the clear plastic tube. The waterproof container has instructions on use and conversion scales. Simple and robust device.Hand- held wind anemometer Instructions on use on containerbushfire -
National Wool Museum
Machine - Teasel Gig, c1890
When the fabric is removed from the loom it is often stiff, rough and uneven. There are a number of finishing processes, both mechanical and chemical that give wool fabrics their special look and feel. The fabric is often scoured again to remove oils and dirt picked up during manufacture. It is then pressed. For a soft and fluffy surface, the fabric is brushed. For a smooth surface, it is shorn. For centuries, machines similar to this teasle gig were used to finish fabrics. It uses the prickly flower head off the teasle plant (Dispsacus Fullonum) to do the delicate work to raise the surface, or nap, the woollen cloth. At least 1,500 teasle heads are needed for one gig. The teasel is a thistle like plant whose dried heads are used on the teasel gig. They are fixed to frames around the drum, or gig. The gig turns in the opposite direction to the flow of the cloth until the nap is raised. Also spelled as Teazel Gig.Large metal machine with wooden rollers and teasel covered drum.textile finishing, raising, raising machinery, teasel gig, fabric, wool processing, plants, thistle, drum -
Bendigo Historical Society Inc.
Functional object - Seal Embossing Press
The Corona Paint Company Pty. Ltd. Bendigo was formed in November 1920 with £10,000 capital, in £1 shares. By July 1921, the Company had completed its factory and plant at Bendigo East, ready to begin the manufacture of paints. The Corona Paint works were opened on Saturday 28 January by the Prime Minister (Mr. Hughes) during a visit to Bendigo. Many new manufacturing industries were opened during this time after calls to address the decline of mining in the region. The factory of the CORONA PAINT COMPANY, BENDIGO, was advertised for sale in The Argus on 5 October 1923. It consisted of a “building on a railway siding, plant and machinery, including dry grinding plant, kalsomine mixer, paint mill, furnace, electric motor, etc., large stores of raw and finished material, kalsomine with range of 21 colours, oil paints, &c.”A cast iron embossing press. It's painted black with gold coulered floral decorations. The base is 18 centimetres long, nine centimetres wide and one and a half centimetres thick. A curved protrusion rises from the base that is eight centimetres by four centimetres which narrows to four centimetres by two and a half centimetres with a three-quarter centimetre wide slot. Inside the slot is a lever action with a ten centimetre by two and a half centimetre wooden handle. There is a removeable die on the end of the lever and an opposite removeable die the base. A small oval metal disc with paten no 3965 on is attached. The seal is The Corona Paint Company proprietary Limited seal embossing press, corona paint company -
Ballarat Tramway Museum
Negative - Set of 5, Campbell Duncan, 2/07/1971 12:00:00 AM
Yields information about tram operations and the street views at Stones Corner.Set of 4 photographs taken on 28/2/1971 by Campbell Duncan of trams at Stones Corner - Bridge St, Victoria St and Main Road. .1 - No. 32 leaving Bridge St, climbing Victoria St, for Victoria St. In the view are Eureka Dry Cleaners, Caltex Service Station, Stones Corner and a busy Bridge St. .2 - No. 27? City bound in Bridge St with Stones Corner buildings, K&O (Digger) Schonell Sports Cycles Electrical store, Kodak, Gear Chemist, State Savings Bank of Victoria. .3 - No. 34 for Mt Pleasant, as above and with H. Whitefield Hair Dresser shop in the view. .4 - ditto with tram at the junction and a passenger alighting. .5 - ditto with tram turning the corner for Mt Pleasant.trams, tramways, bridge st, stones corner, victoria st, tram 32 tram 27? tram 34 -
Flagstaff Hill Maritime Museum and Village
Container - Ink Bottle & Case, 1934 – Mid 1950’s
Pens, nib pens and later fountain pens, with suitable inks, were commonly used for writing communications from the 18th century to the mod 20th century. Fountain pens continue to be used and enjoyed. Dip pens with a wide variety of nibs are used for calligraphy writing, a hobby enjoyed by many people. The quality of the pen handle, the nib and the ink all work together to produce fine handwriting that expresses the character and mood of the writer. This Bakelite ink case has been specifically moulded to snugly contain an ink bottle, with just enough room to wrap the bottle with a padding or card or blotting paper. The screw top lid fits the case well and this container would be a good way to travel with ink because any spillage would be kept within the waterproof case. The Bakelite material is lightweight and strong. Ink bottle cases, or travelling cases, have been made as an accessory for nib pen writers. The first patent for a “pocket-case for bottles”, a wooden case, was applied for in the US in 1891. Other materials such as steel, pewter and aluminum as well as Bakelite have also been used. The British Museum has an elaborately decorated bronze ink pot holder that is inlaid with turquoise. Today ink bottle cases are even available in fabric with loops to attach to a belt. Bakelite, the material used for this ink bottle case, is made from synthetic materials and is an early form of plastic, developed in 1907 and used extensively until the 1940’s. It is still in used today for specific applications but has been largely replaced by more modern forms of plastics. This ink bottle case carries the imprint of Mabie, Todd & Co. (Aust.) Pty. Ltd. This form of company name was used from 1938 to the mid 1950’s. The Swan ink bottle’s information says it was made by Mabie, Todd & Co. Ltd., London and Sydney, so dates the ink bottle from about 1908 until 1934. (Australian newspapers display advertisements dated 1908 until 1934 for Sydney wholesalers and agents for Mabie, Todd & Co. Ltd.) ABOUT PERSONAL FOUNTAIN PENS (FOUNT PENS) A 1917 newspaper advertisement recommends that the owner of a “Swan” doesn’t lend it to anyone else to use due to its qualities of it personalised to the owner. It reads “Don’t lend your “Swan” fountpen, recommend it, but don’t let other people use it. You see, a good pen doesn’t wear, but its “tamper” (or spring) works into the writer’s pressure and manner of holding. Another person with a dashing style of writing may strain it do that it will no longer feel just like your own.” This personalisation of nib pens may be the reason that legal documents in the past being acceptable only if they were signed using a ‘wet ink’ pen. Forgeries of signatures could be easily detected as the nib takes on the character of the pen’s owner. A ballpoint pen was not acceptable. This is a strong contrast to modern times when a digital signature is widely accepted. ABOUT MABIE TODD Pty Ltd. The American company Mabie Todd began by making pencil cases in New York in the 1860’s. The Bard Brothers, makers of Gold nibs, joined Mabie Todd and the company was established in the 1870’s as Mabie Todd and Bard. In 1878 the company filed a patent for the design of a fountain pen and in 1884 the first Swan fountain pen was released. In 1884 a Mabie Todd and Bard office and showroom was established in London. In 1906 the company’s name changed to Mabie Todd & Co, New York. The UK offices also used this new name and in 1907 the UK began producing their own Swan pens. Manufacturing was going so well in England that New York sold their rights to European and Colonial business to the new Mabie Todd & Company Ltd of England. By the end of the 1930’s all components for the pens were being made in the UK; the pens in the London factory, the gold nibs in Birmingham and the ink in Liverpool. Newspaper articles from 1934 stated that Mabie Todd were large buyers of Tasmanian iridium, which had been welded with gold and used since 1834 for the tips of nib and fountain pens. Fountain pen points were the largest market buyers for Tasmanian iridium, which was classed as “the best in the world”. Production growth continued up until WWII times, when the headquarters and main factory were destroyed. Mabie Todd & Company Ltd of England rebuilt out of the inner city and by 1946 pen production began again. The market for nib and fountain pens was diminishing by this time, with people beginning to use the new ballpoint ‘Biro’ pens. The Mabie Todd bought shares in Biro Pens and in 1952 became Biro Swan. They went on to make more ballpoint pens than any other manufacturer in Britain. The ink refills that Biro-Swan produced came in five different viscosity or thickness xhoices, depending on the season and location of where the pen would be used . Along with the ballpoint pens, Biro-Swan also introduced a range of Calligraph pens to attract those following the new trend for italic writing. In 1948 Mr. T. Burke, a director for Mabie Todd & Co. (Aust.) Pty Ltd., announced that there would be a £40,000 factory built in Sydney in 1949 for the manufacture of ink. The plant for the factory would be imported from overseas. Sadly the company struggled against competition and in 1956 Mabie Todd closed business and no more Swan pens were produced. The ink bottle and container was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served with the Australian Department of Defence as a Surgeon Captain during WWII 1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The ink bottle case is significant for its association with writing methods commonly used during the colonisation of Australia until the mid-20th century. The protective Bakelite case demonstrates the value placed on caring for the user’s supply of ink and protecting other belongings of the user, enabling writers to easily carry and safely transport their ink without the concern of spilling it. The case’s design is a good example of the use of new technology. The properties of Bakelite have enabled its moulded design and make it waterproof and lightweight, easily cleaned, closely fitted to the shape of the ink bottle within and lid and base join together using a smooth screwing action. The maker’s marks have also been moulded into the Bakelite, therefore not distracting from the simple but elegant design. This ink bottle case also represents the period of early to mid-20th century when handwriting materials for writers using ink and nib pens were imported into Australia and developed for the Australian market and sold by wholesalers on behalf of overseas companies. Vintage brown Bakelite travelling ink bottle case (or holder, pot, well) containing glass ink bottle and original textured cardboard liner, made by Swan Ink, Mabie, Todd & Co. (Aust) Pty.. Ltd. The Bakelite container is shaped to fit snugly around the ink bottle. It still retains its original shiny finish, the lid screws on and off perfectly. The maker’s name is embossed on lid and base of the Bakelite container. The inkwell contains a glass Ink bottle with a tiny amount of dried up ink Swan triple filtered ink inside. The bottle is cylindrical with curved shoulders tapering to a neck of around 2cm. The white metal screw-on lid and the white and red paper label on the side of the bottle both have a printed description of the ink and maker. Circa 1934-1950’sBAKELITE INK CASE - embossed on either side of the lid “ “SWAN” INK / ”SWAN” INK “ - embossed into base, written in a circle “MABIE TODD & Co (Aust.) PTY. LTD.” GLASS BOTTLE – printed on lid “SWAN”/ [corporate logo combining letters ‘M, T, co’]/TRIPLE FILTERED/ INK.” - printed on label “SWAN” INK /FOR FOUNTAIN & / STEEL PENS / A BLUE BLACK INK OF/ THE FINEST QUALITY/ MADE IN ENGLAND/ MABIE. TODD & CO LTD …….. LONDON. SYDNEY/ Makers of “SWAN” Pens, Gold Pens & Ink“ - moulded into the base of the ink bottle and written around the bottom outside edge of the bottle are the words “THIS BOTTLE ALWAYS REMAINS THE PROPERTY OF/ MABIE TODD/AUST”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ink bottle holder, ink bottle case, ink bottle pot, travelling inkwell, portable inkwell, travelling ink pot, travelling ink bottle case, ink bottle, inkwell, ink well, swan ink, bakelite, dip pen ink, nib pen ink, fountain pen, fontpen, writing methods, stationery, mabie todd & co, swan fountain pens, biro-swan -
Falls Creek Historical Society
Journal - Schuss Vol. 19. No. 3 May 1953
Schuss was advertised as Victoria’s Official Ski Journal It was issued monthly from 1935 to 1961 except during the war when summer issues covered two months. This continued after the war, but it averaged 10 issues annually over its 25 year life. Schuss was published by the Ski Club of Victoria which had a membership of 38 Ski Clubs and demanded to be recognised as the prime authority on skiing in the state. The other 30 ski clubs with 85% of the members disagreed and the politics of skiing became heated. These clubs formed the Federation of Victorian Ski Clubs with their own journal, Ski Horizon. With the establishment of the Victorian Ski Association, Ski-Horizon published its last issue in Nov - Dec. 1955 and the role of the official journal was fully taken over by “Schuss”. This item is significant because it contains stories, images and information documenting the development of the ski industry in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. Items related to the Falls Creek Area in this issue include:- Page 88 - BOOKINGS AVAILABLE AT SKYLINE LODGE July snow conditions are well-known to experienced skiers for their dry powder surfaces, fast running and reasonable weather generally. The lower mid-winter temperatures are mainly responsible for the crisp skiing atmosphere offered us during that month. It is surprising therefore to find that bookings for July this year are unusually light at all Victorian resorts. Skyline Lodge in particular, with its good transport, easy access, and usually abundant snow cover has everything to offer keen skiers: at present there are vacancies in its booking list through the month. Why ret sample is delightful skiing?schuss journal, the ski club of victoria, skyline -
Ballarat Tramway Museum
Photograph - B&W print of donated negative, John Webster, 11/4/1953
Yields information about Ballarat No. 39 and the street scene at the corner of Sturt and Lydiard St in 1953 and Holden Motor carsBlack and white digital print from a scan of a donated negative bogie tram No. 39 in Sturt St with the intersection of Grenville Street behind. In the rear are the buildings on the south west corner of the corner - featuring Mc Nultys Dry cleaning, a milk bar and grill room next door and Paterson's in the background. Note the Holden's (FJ's ?) parked with the rear into the kerbs. Black and White print made from scan of negative. Original Negative stored with Negatives. Image rescanned from copy neg and updated 31/5/2020. See On this basis, the envelope and marking matches that of Reg Item 4158, photo of No. 40, by John Webster and assumed taken on the same day as Item 4157, 4158, 4168, 4178 - 11/4/1953. Contained within Envelope No. 31.On left hand side of the negative in ink is "EI 36".tramways, trams, sturt st, grenville st, tram 39 -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS, 1900
Irregular shaped white, embossed card with floral and geometric design. It has a blue edge. In the centre is a coloured sticker with a lady and a girl outside their door. The lady has a red skirt, white apron, brown blouse & shoes, and a blue scarf on her head. She is holding a blue bottle. The girl has a pink skirt, white blouse & apron and a blue vest. She is holding a basket. There is also a hen and a rooster in the picture. Above the picture is a gold circle with an eight pointed star inside it. Below the picture is a gold and white sticker with 'Dearest I am Truly Thine Own' printed in mauve. Inside the card is some dried fern held in place with a sticker . It has a girl wearing a red dress sitting down and a brown and white dog sitting beside her.person, greeting cards, malone collection, malone collection, greeting cards -
Warrnambool RSL Sub Branch
Dress Trousers Army Reserve, Fletcher Jones & Staff, 1998
This jacket is part of the dress uniform of a Major in the Army Reserve. Major Bernard Farley who owned this jacket wore it to official functions in the Mess dining room. He served in this capacity from 1998-2001. Bernard also served in the RAAF for a number of years.These trousers are part of the dress uniform of a Major in the Army Reserve. Major Bernard Farley, who owned the uniform, wore it to official functions in the Mess dining room. He served in this capacity from 1998-2001. Bernard also served in the RAAF for a number of years.Long black trousers with a single red stripe running down either side from the top of the waistband to the base of the legs. There are two pockets just eunderneath the waistband on either side of the trousers. The fabric frms two stiff peaks at the centre of the back of the waistband. The trousers have a black zip with a metallic clip just above and six black plastic buttons along the interior of the waistband. There is one white square label with inscriptions attached to the back/left of the interior section of the waistband. Directly underneath this is another rectangular white label of the same length however much shorter. This also has inscriptions.Inscriptions on the larger square label: Fletcher Jones / Victoria / 1998 / NSN: 8405-66-095-9737 / NAME........... / SERVICE NO............ / 70% Wool / 30% Polyester / DRY CLEAN ONLY (A) / Press on original creases. Use damp cloth. Medium to hot iron / ZT782 AR0009 Inscriptions on the smaller rectangular label: 425267283.ZT782G / 94-92-76 / 347 044 07063222 / CLOTH / AR0009 / . . 5 . D40. 5 / J10066. . W *army reserve, dress uniform, dress trousers, trousers, army uniform, uniform, bernard farley, farley, warrnambool rsl, warrnambool -
Bendigo Military Museum
Uniform - SHIRT, TROUSERS, WORK DRESS - ARMY, Australian Defence Industries, 2008
DPCU (Disruptive Pattern Camouflage Uniform) work dress. Colours light to dark green through to light to dark brown. Cotton/polyester fabric. Dark green colour plastic buttons. 1. Shirt - new style, collar, one front epaulette, two front pockets with nylon/metal zipper closure, two sleeve pockets with concealed button closure flaps. White polyester fabric. Manufacturers label, back below collar. Print illegible. 2. Trousers - new style. Two side pockets, two large patch side pockets with nylon metal zipper, one back pocket. Belt loops and nylon/metal zipper fly. Khaki colour cotton fabric pocket lining. White polyester fabric manufacturers label on front right pocket lining. Ankle elastic drawstring.Manufacturers information on label - black ink print. 2. "ADA/ VICTORIA 2008/ ^ / SPECIFICATION ARMY (AUST) 6542/ NSN 8415 66 152 1054/ SIZE 85R/ NAME/ SERVICE NO/ 75% COTTON 25% POLYESTER/ WARM MACHINE WASH 40 deg c/ RINSE WELL WARM IRON/ DO NOT IRON OVER HOOK AND PILE/ DO NOT BLEACH/ DO NOT STARCH/ MAY BE TUMBLED DRY 40dc/ MADE IN AUSTRALIA."uniform, army, work dress, dpcu -
Glen Eira City Council History and Heritage Collection
Kuraburn bottle
This Kuraburn Bottle is part of a Sanax First Aid Case which was used at the the former Carnegie Senior Citizens' Centre. The centre was located at 314 Neerim Road, Carnegie. When the Neerim Road facility closed, its activities were moved to the Carnegie Library and Community Centre. For Occupational Health and Safety reasons, Council no longer maintains first aid kits at senior citizens' centres. Clear glass bottle with two paper labels on narrow side. One red, green, white and black label with Sanax branding, one red and white label at base of bottle with address and contact details. Black plastic screw-top lid with a section missing. Bottle has been decanted however some residue remains. Small cork stopper contained within bottle."Sanax" KURABURN / FOR THE TREATMENT / OF BURNS / SCALDS AND / SUNBURN / THE SANAX CO. / 849-51 NEPEAN HIGHWAY / MOORABIN / TEL XU 2651 / Left side of label: Directions: Dab on lightly, and repeat in two hours if necessary. Applied early, it prevents blistering. Right side of label: Allow to dry on the skin before putting on wearing apparel, to avoid staining the clothes. 223-5 BAY ROAD, / SANDRINGHAM, S.8 / VICTORIA / Phone: 98-1604 -
Mont De Lancey
Detonator box
Small, orange and white tin box with hinged lid for one hundred detonators.On lid: "Nobel No. 6. 100 detonators for rich explosives. Alfred Nobel. Thistle Brand. Manufactured in Gt. Britain. Glasgow" "6 6" on front and back panels, "For use wherever safety fuse is allowed" on left side panel and "Must be handled with great care and kept dry. The composition must not be scratched or pricked with a pin, nail, knife blade or other hard substance, as any act of this kind may cause explosion" on the right side panel.explosives equipment