Base ball style cap with H.M.A.S. Warramunga and F F H 152 embroidered on front with an image of the shipF F H Warramungah.m.a.s. warramunga, f f h 152

Base ball style cap with H.M.A.S. Aruntaand F F H 161 embroidered on front with an image of the shiph.m.a.s.arunta, f f h 161

E. FORREST, Able Seaman1. Shirt - white polyester, short sleeved, embroidered insignia shoulder flashes. 2. Shorts - white polyester.Upper shoulder flash "Australia". Lower sleeve - Insignia, Able Seaman. Both in blue embroidery.uniform, navy, summer dress

Part of the Reverend Chaplain Major thomas Bruce Williams, No 556101, Collection.Two jungle green coloured slide shoulder boards with captain's pips embroidered in light green and brown thread.army chaplain, rank insignia, uniform, major thomas b. williams

Smoking Caps are caps worn by men while smoking to stop the hair from smelling of smoke. They also kept the head warm. They were popular in the period 1840-1880, usually worn by gentlemen in the privacy of their home. This beautiful velvet smoking cap was worn by James Stirling who was the first settler to occupy land in the Marlo township. James stirling arrived in Victoria from Scotland in 1842.He took over Corringle Station (Ewing's Marsh). His son James stirling later established theMarlo Hotel. (Read more in Mary Gilbert’s book)Smoking accessories like this cap were popular through the mid-to-late nineteenth century to prevent the smoker's hair from absorbing the smell of tobacco smoke and were often worn with smoking jackets. The design, with its elaborate embroidery shows an aspect of Victorian material culture and reflects the nineteenth-century love of 'Oriental' style. . A domed shaped smoking cap of blue velvet .It is lined with silk. The tops and sides are embroidered with tan coloured leaves. head-coverings stirling-james smoking-cap

Small blue crochet cotton purse with pink silk lining , press stud & embroidered with flowers of metalic thread.costume accessories, female

Red and blue cloth banner National Liberation Front Victory. Features man and woman soldiers. Machine embroideredVietnamese script and 1970vc, banner

Textile. Cream coloured linen doyley with embroidered scalloped flowers around outer edge. Old box 573.textiles, domestic, cream coloured linen doyley

One pair of ladies wrist length beige coloured gloves. Three pairs of embroidered leaves on the back of the gloves.Label in left hand glove; ''7 1/2 KAYSER> Nylon. Made in Western Germany''costume accessories, female, ladies short wrist length gloves

Clothing. Women's cream coloured wrist length nylon gloves. Three embroidered floral patterns on the back of the glove.Tag in left glove. ''NYLON SIMPLEX SIZE 7'', Made in Hong Kong.costume accessories, female, women's cream coloured nylon gloves

2 circular embroidered badges each depicting a male and female member of the Dutch folk dancing group The Tukkers.

When in the desert it is frightening to see a distant fire, even though you may not see the actual flames. As evening approaches the sky reflects anger and colour. The mesa is also reflecting some of the glow . I imagined it had been burnt already and some embers are still aglow in the evening light All fabrics used in this work are cotton commercial fabrics. My stitching has been done to accentuate the red reflection in the sky. Black rayon thread gives a certain sheen to the mesa with a dried grassy foreground. ‘Sky Series’ Changes are constantly taking place in the sky . I love the variety, colour and movement of the sky which are all a direct result of the clouds, sun and time of day. I certainly think about the sky much more when we are on Safari. The sky is a great indicator of the ever changing time of day and weather conditions …... fine and clear, cloudy, sunset, sunrise and storms. The artwork features a simple ‘mesa’ shape against the sky. A mesa is a flat topped hill. Which are part of the Australian Inland. The mesa I have featured is in recognition of Mt Connor in the Northern Territory.Wangaratta Art Gallery CollectionA embroidered textile depiction of an outback landscape scene during a fire featuring a colour palette of pinks, purples, and browns.june brown, textile, landscape

Embroidered emblem of the HUnters and Anglers section of the Slovenian Association Melbourne, worn on their dark green uniform for competitions and paradesSDM - Slovenian Association Melbourne LRD - Hunters and Anglers Groupemblem, slovenian association melbourne, hunters and anglers

Embroidered pieces donated by Adele Grey from the collection of Jenny Lang who was a member of the Embroiderers Guild of Victoria and held exhibitions of her work at the Arts & Crafts SocietyCream linen edged in orange silk buttonhole stitch centre embroidered with yellow and orange daisies and green leavesmanchester, table linen

Cream calico apron embroidered with a lady in pink gown with a palm tree and flowers on fence. Apron is not finished or bound.domestic items, sewing, costume, female working

Cream silk camisole. Cream embroidered flower. Cream crochet on neck and sleeveless edge. Lace edging at waistcostume, female underwear

White cotton tray cloth with scalloped edges. Centre embroidered pattern of butterfly with two circles on either side.manchester, table linen, handcrafts, needlework

Black silk shawl. Green leaves. Hand embroidered yellow and pink roses and crocheted black silk fringe.costume, female

Cloth Badge - embroidered Australian Military Forces for Australia; Metal clasp at top & metal bar with star at bottompersonal items, ballarat rsl, ballarat

"The banner has been with the Club since it was created in 1957. Recent research has confirmed that it was made by Joan Eddy, the wife of club member Kevin Eddy and a professional seamstress. Grace Blake’s interview notes record her conversation with Mr Eddy on 24 October 2014: Kevin confirmed that the banner was made by his wife, Joan Eddy, in time for the opening of the new shed after the Olympics (1957). Kevin was the Social Secretary at the time, and co-opted his wife, who had worked as a machinist for Harford Clothing in Carlton before they married. Her mother had also worked there as a sewing hand (hand sewing the linings for jackets). The company was later taken over by Sires. ... It was made at home (Joan had ‘retired’ from work by then)." Excerpt from the 2014 Significance Assessment, p32.Banner Celebrating Albert Park Rowing Club Olympic Representatives, 1956 Statement of significance by Margaret Birtley, October 2014 Harry Gordon, the distinguished Australian sports historian, wrote of the 1956 Melbourne Olympic Games: "When the Olympic Games moved into Melbourne ... it was as if the city had been brushed by a certain magic. Nothing before or since ... has ever evoked such sheer emotional involvement from the whole community." Gordon refers to the large crowds that massed in Melbourne with anticipation and exhilaration on the day before the official opening, ‘with little apparent motive other than just to be there, and be happy’. The hand-crafted banner celebrating Albert Park Rowing Club’s representatives at those Olympic Games seems to exude that same sense of joy and exhilaration. Made by the wife of the club’s social secretary, it testifies to the admiration felt by individuals and organisations for the success of their own on a world stage. The banner has historic significance for its accurate documentation of the great achievement of a single rowing club in contributing six outstanding athletes to the relatively small Australian rowing team. Additional historic significance derives from the fact that this is an unofficial expression of tribute and pride. The banner’s incorporation of the Olympic rings would now be likely to require licensing by the Australian Olympic Committee, a process that can dampen social engagement. While definitely a hand-made item, there is some aesthetic significance in the design and execution of the banner. Good judgement has been demonstrated in the selection of fabrics and the choice of colours. The workmanship is quite skilful. The vertical symmetry and the horizontal balance of the design are pleasing to the eye. The use of red for the heading lines and black for the Olympians names is well-chosen and aesthetically pleasing. The collection holds black and white photographs of the same oarsmen at the Olympic regatta. This banner complements their role in the collection by providing colour and a sense of connection with an affectionate and supportive community. Its social significance transcends the local context for which it was created and used, to become part of the large body of art, craft and memorabilia that are associated with the Olympic movement worldwide. A handmade embroidered banner to commemorate the Albert Park members who were part of the 1956 Olympic Rowing team.A.P.R.C. / REPRESENTATIVES OLYMPIC GAMES MELBOURNE 1956 / R. DUNCAN / R. DICKSON / K. McMAHON / R. LIBBIS / I. ALLEN / J COCKBILL coxrowing, apsm rowing club, olympic games, albert park rowing club, albert park lake, duncan, robert, dickson, bruce, allen, ian, libbis, reg, mcmahon, kevin, cockbill, john

This dress was worn by Brighton model Coral Triplett when she married John Knowles at St John's Church, Toorak, on 18 June 1966. Made from beaded wool lace, it was commissioned by the Australian Wool Board for the Gown of the Year competition and made by Jinoel, a high-end Melbourne fashion house run by husband and wife team Jill and Noel Kemmelfield.White French wool lace wedding gown with low neckline and high empire waist. Bodice embroidered with beads.wedding dress, 1960s, coral triplett, coral knowles, john knowles, jinoel, australian wool board, gown of the year, wool lace

This beret was worn by Marlene Austin, nee Trenberth in 1956 as part of the uniform of an official driver for the Melbourne Olympic Games. Marlene, who was living with her parents in Brighton at the time, took leave from her job as a stenographer to work as a driver at the Olympics. She drove officials and dignitaries from a variety of nations (including Thailand, Italy, Cuba and Sweden) to and from events, collecting a number of souvenirs, including a Venezuelan pennant and a pair of earrings gifted by the Thai delegation. Marlene's family have lived in Brighton since 1941, when her parents moved into a house at 15 Moffat Street. The house remained in the family for more than 75 years, before it was sold in 2018.Green wool beret featuring an oval-shaped white patch embroidered with the five Olympic rings. Grey lining.Label in lining, cream with yellow text: "COMMONWEALTH GOVERNMENT CLOTHING FACTORY / MELBOURNE" Stamped on top of this text in black: "7⅛"marlene pearl austin, marlene pearl trenberth, 1950s, 1956 olympic games, olympic games, beret

Cloth badge embroidered white parachute with wings on blue background. Insignia of Special Air Service Regiment (SASR)

Cream, linen sandwich tray doily, embroidered with royal and pale blue and yellow flowers with tatting around the edges.table linen., household textiles

A long white lace embroidered patterned cotton table runner for use on a table or sideboard. It has scalloped edging.table runners, table linen, table accessories, tableware, household textiles