The correspondent of the Argus on 10 May 1901 wrote: "The Parliament of the Commonwealth was opened yesterday by the Duke, of Cornwall and York, under a Commission signed by Queen Victoria and subsequently endorsed by King Edward VII. The ceremony was marked by the splendour and solemn impressiveness which befitted its historic importance. An immense assemblage of spectators, drawn mainly, of course, from this state, but in part also from each of the other federated states, and including representatives of other portions of the British Empire and of foreign powers, thronged the spacious, stately, and joyously decorated edifice. The picture was magnificent. It must have printed itself indelibly on the sensitive minds of the thousands of Australians who were privileged to behold it. We may assume that artists will reproduce it in worthy and imperishable forms, and that from generation to generation it will be familiar in the households of the Commonwealth. Our children's children, we may gladly say to-day, will not be ashamed of the function which inaugurated the self-governing rights of the southern British Nation. Nothing was omitted which could add to the grandeur and significance of the occasion. In a broad sense the proceedings were perfectly intelligible to the vast and sympathetic gathering, though the natural limits of a single human voice had to be accepted. The King's son, with his consort and the Governor-General and Lady Hopetoun by his side, and supported by the Governors of the states and other eminent personages, fulfilled his doubly-attested Commission with a simple dignity and a modest manliness altogether admirable. The ceremony was a brilliant spectacle, and, in its sentiment and suggestiveness, an inspiration to a loyal and patriotic people."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items issued to James Maitland Campbell (and his wife). Campbell was three times mayor of Kew in the second half of the 19th Century and the owner of Ramornie in Pakington Street, one of the significant extant mansions in Kew.An invitation, mounted on card for Mr & Mrs James Maitland Campbell to an evening reception at the Exhibition Building, Melbourne, on 9 May 1901, to meet the Duke and Duchess of Cornwall as part of the celebrations of the opening of the first Federal Parliament. A figure of Britannia, in red dress and mailed vest holding a shield like the Union Jack, is on the left of the invitation; she reaches out her hand towards a younger female figure, representing Australia, who is dressed in blue and holds a shield which is white with a blue cross decorated with stars. The writing is on a scroll in the centre of the certificate, and there is a border of vines and vine leaves. The royal crest is at the base of the certificate. James Maitland Campbell of ‘Ramornie’ in Pakington Street was mayor of Kew on three occasionsFront, printed. gold ink: "His Majesty's Ministers of State for the Commonwealth of Australia request the honour of the presence of / Mr & Mrs J. M. Campbell (handwritten) / In the Exhibition Building, Melbourne, on Thursday, 9th May, 1901, to witness / the Opening of the Parliament of the Commonwealth. / Edmund Barton / Prime Minister." Front, bottom left, printed: "The Young Queen / Her hand was still on her sword hilt - the spur was still on her heel ... (and further text) KIPLING'S COMMONWEALTH ODE."australia -- federation -- 1901, invitations, parliament -- opening -- 1901, james maitland campbell

Framed sign relating to a 40 head crushing battery and winding plate of the model of the Band and Albion Consuls Gold Mining Company Ballarat, which was originally loaned by the Exhibition Commissioners to the Ballarat School of Mines Museum. band and albion consuls gold mining company, ballarat exhibition, ballarat school of mines museum

The Melbourne Historical Bottle Society - Annual display 1974 - non competitive exhibition 23rd/24th February 1974. Proceeds to aid Association of the Blind. Certificate presented to James Lerk (17th and 18th Century Stoneware).event, exhibition, bottle collectors exhibition

25.3.1980 Newspaper article 'Yesterday is today ' by Dorothy Dempsey 'Yesterday is today ' - the title of an exhibition of her pen and wash drawings. Shown are pictures of 'Harvesting the Crop at Myers Creek ' and The Remains of a garden at Flagstaff Hill in the Whipstick 'newspaper, bendigo advertiser

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series shows more contemporary photographs taken from around the Phillip Island area.Photograph of an exhibition display inside a corrugated steel shed showing four large black and white photographs of working horses and farm machinery. The corkboard has been mounted on wooden beams in front of farm machinery.catalogue number written on reverse in pencilphotograph, exhibition display

Posters on hard paper of individual student designs for the NMIT Centenary Celebrations competition and exhibition by students in the Visual Arts department. A total of 60 entries were received. 57 posters held including a few duplicates.nmit, visual arts department, posters

The Golden Fleece Petroleum Company was established by H.C. Sleigh in 1913 importing petroleum from California, and was acquired by Caltex in 1981. The Golden Fleece ram trademark was created in 1951 when Golden Fleece petroleum became a single-brand service. The Golden Fleece ram was based on an actual prize winning merino ram named 'David of Dalkeith' from Boonoke Stud, run by the Falkiner family. Single brand service stations did not appear until the 1950s, and distinctive trademarks and logos were used to differentiate and promote the brands. This bowser is a fully restored example of a 'Wayne' model (a typical bowser from the 1950s).Image of Golden Fleece bowser installed in Logo Merino exhibition at the National Wool Museum. Information and pictures from various websites re: Golden Fleece. Golden Fleece and Caltex information from the Caltex website.SUPER / Wayne / GOLDEN FLEECE / ACTIV-8 / Contains / LEAD / TETRA-ETHYL / To be used as motor / fuel only and not for / other purposes. Avoid spilling. Wayne / DOLLARS CENTS / GALLONS / AT / CENTS PER GALLON THIS GLASS / MUST BE FULL / BEFORE AND AFTER / DELIVERY Wayne / GOLDEN FLEECE / ACTIV-8 / Contains / Lead / TETRA-ETHYL / To be used as motor / fuel only and not for / other purposes. Avoid spilling.h.c. sleigh pty ltd golden fleece petroleum company, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001)

Invitation to V.W.Bro. R.W.V. McCall G.Treasurer and Miss McCall to meet His Royal Highnesses the Duke and Duchess of Cornwall and York at an evening reception at the Exhibition Building on 9th May 1901 in celebration of the opening of the Parliament of the Commonwealth.Invitation to V.W.Bro. R.W.V. McCall G.Treasurer and Miss McCall to meet His Royal Highnesses the Duke and Duchess of Cornwall and York at an evening reception at the Exhibition Building on 9th May 1901 in celebration of the opening of the Parliament of the Commonwealth.federation, mccall, r.w.v.

Colour photographs of the opening of the new permanant exhibition in the museum of the Castlemaine Art Gallery and Historical Museum. Left to right: Peter Perry (Gallery Director), Clare Gervasoni (curator) and Sir James Gobbo (Governor of Victoria).clare gervasoni, peter perry, james gobbo, castlemaine art gallery and historical museum, governor of victoria

An illustrated book of christening, bridal and mourning fashions from the sixteenth to twentieth century shown at the National Gallery of Victoria's exhibition of the same name as the book, ie, "Hatches Matches and Dispatches: Christening, Bridal & Mourning Fashions."non-fictionAn illustrated book of christening, bridal and mourning fashions from the sixteenth to twentieth century shown at the National Gallery of Victoria's exhibition of the same name as the book, ie, "Hatches Matches and Dispatches: Christening, Bridal & Mourning Fashions."clark rowena, fashion, ngv collection, bridal, christening

Newspaper photo of Nell Turner, widow of Dick Turner and students Matthew Williams and Joseph Singe wirh a canvas of Dick Turner by students of the Golden square Primary School in an exhibition involving communities across Australia.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, nell turner, dick turner, matthew williams, joseph singe, andrew perryman, julie gibbs, golden square fire brigade, bianca connor

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A catalogue for an exhibition of Australian Art (1818-1968) at Studley House (Xavier Preparatory School) in 1968. The catalogue includes artist biographies and lists works exhibited. The foreword on the history of Studley House is written by Dorothy Rogersxavier college, australian art, dorothy rogers, art catalogues

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A catalogue for an exhibition of Australian Art (1818-1968) at Studley House (Xavier Preparatory School) in 1968. The catalogue includes artist biographies and lists works exhibited. The foreword on the history of Studley House is written by Dorothy Rogersaustralian art, xavier college

51 Digital photographs taken at the opening of the Inverloch Historical Society Exhibition in June 2017. The opening was at 2pm on Saturday 2nd of June 2017. Location: Inverloch Community Hub. Speakers: Introduction & conclusion: Graham Paterson (Secretary) Master of Ceremonies: Pamela Rothfield (Bass Coast Shire Council Mayor) Speaker: Eulalie Brewster (Patron) Speaker: John Hutchinson (President) Exhibition launch by: Brian Paynter (Member of Victorian Parliament - Member for Bass) Also in attendance Jullian Brown (Bass Coast Shire Councillor for Bunurong Ward)

Colour print made from slide (Reg. Item 1205.7) of Bendigo No. 7 leaving Myrtle St. loop with the mine poppet head in the background. Photo taken after tram has passed photographer. Print made for use in the 'Gold Gold Gold ' Exhibition 10/2001. On Kodak paper. Copy made Oct. 2001 for the "gold, Gold GOLD" temporary exhibition - colour laser print onto card, with Velcro dots on rear. Stored in box D1 (Display Box) 02/2003.bendigo, myrtle st., golden square, tram 7

Light cream card with round corners from The Empire Fair & Art Exhibition inviting Mr. J. H. & Mrs Curnow to a Progressive Euchre Party held in the Mechanics Institute Library, on Monday, June 18, 1900.document, invitations, social evening, document, invitation to a progressive euchre party, the empire fair & art exhibition, mr j h & mrs curnow, mechanics institute bendigo

Certificate of Merit - to James Leslie for special excellence in Plough Shares manufacture, 1979 Sandhurst Industrial Exhibition. article by Ian Feneslau (Bendigo Advertiser/Miner - no date). Mention of engraving on Certificate of original Corn Exchange building.Ian Fenselau, Published by Bendigo Advertiser.person, individual, james leslie, corn exchange building, sandhurst industrial exhibition. plough shares manufacture.

Printed invitation inviting Mr John Robshaw, Returning Officer Legislative Council & Lady to witness the Opening of the Parliament of the Commonwealth at the Exhibition Building, Melbourne on Thursday the 9th of May, 1901 from Edmond Barton, Prime Minister.government, opening of the parliament of the commonwealth, edmond barton, mr john robshaw, george h jenkins

TWELVE COLOUR PHOTOGRAPHS OF TRAVELLING TOBY JUG EXHIBITION FROM SHEPPARTON ART GALLERY. SOME WITH NAMES OF MUSEUM VOLUNTEERS ON BACK. PHOTOGRAPHS CATALOGUED 1845 1 - 12, PHOTOS ON VICTORIAN COLLECTION MARKED 1845 A TO K. local history, photography, photographs, exhibition, toby jug