Report or discussion paper, 76 pages printed on off white paper, with card cover, centre stapled, titled "MetPlan discussion Paper - Metropolitan Public Transport Industry Plan - October 1987". Prepared by Metropolitan Transit authority and Ministry of Transport, signed by the Kevin Shea as Managing Director the MTA. Has a summary of contents, table of contents, many figures and tables (see images 2 and 3). Looks at the current policies and objectives, Melbourne's urban development and public transport system, financial and staff picture, future public transport needs and planning the development of a future service. Gives details of book designers and printers on the last page. Second copy from donation of John Prideaux added 24-6-2016trams, tramways, metplan, minister for transport, public transport, the met, mta, melbourne

Report - blue Rexene cloth heavy card covers, dark blue glued end sheets, fully sewn bound, with some 9 sections, with many sheets folded and appropriate paper spacing allowed for in the binding. Report titled "MMTB The ALL-ELECTRIC TRAMCAR" with MMTB logo in gold block on front cover and on the side of the report. About 150 pages. Report prepared by Frank R. Kirby Chief Engineer, December 1961. Has a table of Contents, Appendices, figures, tables and photographs. Report looks at the development of All Electric Tramcars in Europe and North America, the cost of maintenance of Melbourne's trams, operating costs, conductors, seated conductors, passenger handling, reliability, speeds, maintenance and capital costs.Has a lable on the first page, "Plan & EPA Library M0036918", Front cover stamped in red "Secretary's Files"trams, tramways, mmtb, pcc, germany, europe, all electric trams, prototype tramcar

Book - 92 pages, centre stapled, printed on gloss paper titled "Transporting Melbourne - a Strategic framework for an integrated transport system in Melbourne", issued September 1996. Has a message from Minister Alan Brown - Minister for Transport and Geoff Craige Minister for Roads and Ports. Looks at the strategic context, the system, integration and land use, public transport needs and reforms, road networks, industry, management, environmental sustainability and structural reform. Includes chapters on trams and buses. Has many figures and maps. 613.1 - Book - 28 pages centre stapled, printed on gloss paper titled "Transporting Melbourne - A summary for public consolation" issued Sept. 1996, summary of above document. Full pdf image of the book added.trams, tramways, melbourne, public transport, transport

This extract from an advertisement in the Sydney Morning Herald newspaper of 1/12/1959 places the era in which this water bag was prolific throughout rural Australia. " ABERDEEN CANVAS GOODS for the man on the land here is Australia's most useful, convenient and hygienic water bag. Its special unbreakable plastic nozzle is fitted with a perforated filter strainer. Made from long flax canvas, its universal handle enables it to be hung on bumper bar, wire fence or on hook or nail" The availability of clean cool drinking water in remote rural locations was essential for survival under the blistering Australian summer sun. This was in a pioneer era when transport, roads and convenience stores were ,in a lot of "outback" Australia, in short supply and survival was dependent upon what could be carried by vehicle or pack horse.When the Kiewa Hydro Electricity Scheme became a reality, the use of the water bag was one of the essential personal items of survival given to each person working in the forests and on and in the high plains environment. Even in an outside stationary work place the availability of cool clean water was a prerequisite. The canvas water bag allowed any wind or airflow to cool down the water, even on very hot days, to provide a refreshing and throat quenching supply of water. These bags could be fastened onto the front of vehicles or hanging from shady tree branches thereby permitting air flow around the bag. During the "wearing in" period the residual taste from the canvas was fairly strong, this became considerably less as time and a half moved on. This "Aberdeen" long flax canvas water bag is held together on two sides and the top by strong heavy cotton stitching. The iron fashioned carrying handle has, protruding from its top elevation ,a very strong hook (well in excess of the bags' weight requirement). At the top, of the bag, and on one side only, is a brown coloured bakelite spout (with an inbuilt filter) protruding upwards. This spout has its matching , screw on, lid complete with attachment chain (not fixed at the handle end)On the front of the bad and stenciled in bold lettering, "ABERDEEN" and directly below "Travellers" and below this "FILTER BAG". Below this are two parallel black lines enclosing an ochre coloured band(12mm wide) running around the bottom section of the bag. Below this band is stenciled the number 14 in black (25mm high) figures. The spout lid has stamped on the top surface and within the outline of Australia, "ABERDEEN FILTER WATER BAG". Above this and close to the edge of the lid is pressed "PAT. No 9149/32 and down at the bottom rim is stamped "RD. No. 9870". canvas, water bag, water container, camping equipment, survival pack

Minutes of the meeting held on 3rd February 1975. Having ascertained that there was no State Government subsidy available for children's homes they reported that the proposed development of Blamey House was not viable and suggested two alternatives: moving children over 16 years of age into auxiliary accommodation, and selling Harelands and Blamey House whilst using Stanhope for co-ed accommodation. Further investigations were to be made into modifying Stanhope and to obtain occupancy figures for children under 16 years. (See Cat. No. 01692). In a file with documents pertaining to the residences. Gives an insight into Legacy thinking about the way in which the residences should be used.Fading photocopy, originally black on white, now brown on cream. Two holes punched for filing. residences, blamey house, harelands, stanhope, review

Possibly predates Chalet. ".There is also a wooden plaque displaying the names of notable guests who stayed at the Buffalo Falls Hotel that once stood at the foot of the mountain. the pioneering Manfield family opened this early hotel in the late 1880's and soon began taking visitors on walking treks up onto the plateau." (Pg 84 Historica, 2011). The Buffalo Falls Hotel was originally known as The Buffalo Falls Temperance Hotel and was built in 1888 by James Manfield. His daughter Alice became well known as a Mt Buffalo guide and was renowned for her mountain knowledge as well as for her distinctive alpine pant suit. The Hotel was constructed opposite the newly opened 'Staker's Track', a walking track , now known as the "Big Walk" was, a steep 6 hour walk, which nevertheless opened the mountain up to early tourism, attracting leading figures from Melbourne Society as well as significant artists, Naturalists and Scientists eager to explore and experience the unique scenery and geological features of the Mountain. Baron Von Mueller as Government botanist was one of the first white men to ascend to the plateau in 1853, collecting alpine specimens . Each of the names on this honor roll were significant cultural and society figures of Victorian/Edwardian Melbourne .Listed in Draft Inventory of Significant Items. Appendix A3. Framed Photographs, Pictures, etc. (Pg 165, Historica, 2011)Wooden plaque with black painted inscription, framed in black painted wood. Plaque is peaked at the top."BUFFALO FALLS HOTEL.... Historic list of prominent guests 1888-1919. Proprietor Jane R. Manfield. Lord Hopetoun. Lord & Lady Brassey. Lord Lamington. Baron Sir F. Von Mueller. Sir William Zeal. Judge Sir H. William & Lady William. David Syme & Mrs Syme. Percy Grainger. Sir John & Lady Monash. George Farlow A.D.C. Prepared by Geo. W. Sykes "Buffalo House'."

Established by George Guthrie in 1857 (about 5km north of its current site) and then again seven years later in 1864 after it initially closed, Bendigo Pottery remains one of the most influential and longest running Pottery’s in Australia. Over the years the Pottery has contributed to the growth and development of the district through both its products including building products, table ware and decorative and commemorative war as well as artistically, being responsible for training and supporting many potters locally. The City of Greater Bendigo has had a long history of partnering with Bendigo Pottery and the Civic Collection holds a number of important items within its collection. This Alfred Deakin 'reform' flask was one of a limited edition character bottles produced by the Pottery to commemorate important figures in Australian politics. The original reform flasks were English salt-glazed stoneware flasks produced in the early 19th century shaped into the form of figures connected with the Reform Bill of 1832. Much was made of puns like ‘the spirit of reform’ at the time. Artist John Frith has taken the reform flask form as inspiration for a series of political ceramics of some Australian Prime Ministers. The series includes Edmund Barton, Alfred Deakin and Chris Watson.Glazed ceramic flask in the shape Alfred Deakin. Square shaped with most of the detail on the front facing side other than head which is more detailed. Cork still in place in top of head.On reverse of flask; Alfred Deakin / Prime Minister / of Australia / 1903 - 1904 / 1905 - 1908 / 1909 - 1910 Bendigo Pottery / LMTED / Edition Series / 101/200 /Australia Signed lower left; 'Frith'australian politics, bendigo pottery

Hardcover book with a green cloth cover and a red leather? Spine. It has a blue and cream spider web pattern inside the front and back covers. The edges of the pages is patterned in red, blue and cream. Book is dated from 18/10/1966 to 5/2/68. Book is only partly used. Agents names are:- Dalgety NZL, Dennys Lascelles, Elders G M, Gippsland Northern, Hill & Co, McGregor, McKean, Nevins, Nuttall, Vains and V.P.C. Listed are the Totals of cattle and sheep. At the back of the book is the names of some carriers, they are Plants Transports, Lwellwyn, S Bennett, J Truscott, K Wignall, J Kerr, J McKenna, W Haye, Oconell. There are five pieces of paper in the back of the book with some figures on them.bendigo, council, cattle markets, bendigo saleyards collection - city of bendigo - register of sheep and cattle sales, dalgety nzl, dennys, elders g/m, gippsland & northern, hill, mcgregor, mckean, nevins, nuttall, vains, v.p.c., plants transports, lwellwyn, s bennett, j truscott, k wignall, j kerr, j mckenna, w haye, oconell

Sepia photograph on fawn board. Photograph of pageant at Easter Fair Procession. Cohn Bros Lt float representing the 'Klondike'. Float representing iceberg? With Polar Bears, Eskimos or Indians to right of photo wagon with arch, horses draped with blankets? Male figures in suits and hats. White dog centre front. Inscriptions: Printed in margins of mount board at front 'Cohn Bros Ltd', 'Klondike' pageant at Easter Fair. Procession 1898. WH Robinson Photo, Bendigo. On back - in ball point pen 'Presented by Mr Marc Cohn to the Bendigo Historical Society', 'Royal Historical society of Victoria, Bendigo Branch' circular stamp. '1960' on reverse. 'Bendigo Historical Society, Inc' typewritten. Label bottom left corner. History: Previous Acc. No. GP29WH Robinson Photo, Bendigoperson, group, easter procession

Booklet produced in 1940 for members of the 2nd AIF by the Australian Comforts Fund Victorian Division. The 128-page pocket-sized book could be carried everywhere and provided Australian soldiers with a wide range of useful information about the requirements of war service and many other important details such as: The Laws and Customs of War - including Geneva Convention guidelines, notes on spies and insignia of rank; Things a Soldier should Know - including over 60 points; Signaling - including flags, morse code, shipboard bell times and time zone; Decorations Awarded to Australians in the Great War; Arabic and Japanese words; First Aid for gas injuries etc.; Australian Historical Events, facts and figures etc.; and Conduct Overseas - including expectations of behaviour when representing Australia. non-fictionaustralian comforts fund (victoria), second world war 1939-1945, hugh george ferguson

The RDNS Sisters are both holding the 1st day Cover Envelope issued by the Australian Postal Department in 1985 to commemorate the founding of the Melbourne District Nursing Society on the 17th of February 1885. A stamp is in the right hand top corner of the envelope. The main body of the stamp is pale blue. On the top of the stamp, written in deeper blue/grey, are the words "Centenary of District Nursing Services 1985" Below this, and to the right, is a pale bone colour original sign on a metal fence which reads, in white capital letters, "Melbourne District Nursing Society" Standing on the left in the foreground is a MDNS Trained nurse (Nurse) in her long grey uniform frock with white collar, cuffs and belt. She is wearing a grey helmet style hat which has a white hat band with a red Maltese cross in the centre. Her black shoes can also be seen. She is holding a bicycle; only the front wheel and part of the frame and the handlebars, which have a brown nursing bag strapped to them, can be seen, The nursing bag and handlebars cover part of the MDNS sign. At the bottom of the stamp, on a strip of white background, are the words in capital letters "Australia 33c". Below the stamp is a rectangular1st mark. On the left half of the envelope are some sketches of several two storey buildings either side of a set of steps. Some adults and children are standing on the steps as well as in the foreground; some are sketched and others dressed in various coloured clothing. In the foreground right in front of steps, stands a lady with her hair drawn up and wearing along grey frock and white apron; partly seen against her right side is a small child dressed in brown. Sister Willie Fleming is the Supervisor of the RDNS Sunshine Centre and Sister Phillipa Kariko is Supervisor of Essendon Centre. They are wearing their RDNS uniforms of white short sleeve blouses under royal blue V neck tunic style frocks. The RDNS insignia is round and has royal blue writing on a white background. In Melbourne in 1885 it was recognized that skilled nursing was needed to care for the sick poor in their own homes. On the 17th of February a meeting was held with prominent Melbourne citizens, five gentlemen and fourteen ladies. ‘Dr. Caffyn and Rev. Charles Strong explained the objects and scope of District Nursing Societies that had been formed in towns in UK’. On that day the Melbourne District Nursing Society (MDNS) was founded, the first District Nursing Service in Australia. Subsequent meetings were held to form a Committee and to draw up a Code of Rules of the Society. It was decided only nurses who had attended a Nurses Training School at a Hospital and were fully qualified would be employed by the Society, and that the Nurses would keep a daily journal of their work. After interviewing several candidates, the first Nurse, Mrs. Ferguson, was employed with a salary of £100 per annum and commenced work on the 1st of May 1885. She was employed for three months initially, but this was soon extended, “on the understanding she will make arrangements to live in the more immediate vicinity of her district”. A Doctor was consulted before any person was seen. In rotation, a member of the Superintendence Sub-Committee supervised the Nurse’s visits and could assist to alleviate some of the poor social conditions they found. Though only Trained nurses were employed, the term ’Nurse’ was used in those days, not the term ‘Sister’ that is used these days. A second Trained nurse, Mrs. Joanna Cannon, was employed in late 1885, with a trial period of six months which was extended. The two Nurses worked in the now CBD, ie from Spencer Street to Spring Street and from Victoria Parade to Flinders Street. At that time they walked the streets and lane ways amid the slums of inner Melbourne carrying their nursing bags containing lotion, ointments, powders, liniment, bandages, dressings, a case of spirits, and the Nurse's own clean apron, soap and small towel. They supplied equipment on loan, such as earthenware hot water bottles, splints, urinals, bed pans, bed cradles, feeding mugs, and air-cushions as well as providing blankets and clean bed linen, and nightdresses as necessary. From its inception the Society was at the forefront of health care and liaised with Doctors. They provided high quality nursing care to a range of people, often in destitute situations, some lying on rags on the floor as they had no bed, others with just a bed and maybe a thin blanket, a chair and nothing else. Their ages ranged from babes, children, adults to the elderly. The Nurses gave medications as ordered, dressed wounds e.g. to the injured, and surgical cases, and to those with leg ulcers; attended to patients with ‘surgical ailments’ such as ‘hip disease’; gave care to those with acute illnesses such as bronchitis, pleurisy, pneumonia, measles, and scarlet fever, as well as those with chronic illnesses such as consumption (tuberculosis), heart disease, arthritis, cancer, debility, neuritis and paralysis. They educated their patients, and their carers, in the curing and prevention of disease; teaching the importance of hygiene, cleanliness, ventilation and good nutrition. They taught them, by verbal instruction and demonstration, how to make poultices, to make and apply bandages, apply medical appliances such as splints; and the Nurses supplied milk, beef tea and they cooked soup when needed. As the work increased a third Nurse was employed but this was arduous work, particularly in the heat of summer and many Nurses only remained with the Society for several months. A Midwifery Service commenced in August 1893 with Nurse Fowler the first trained Midwife. She had previously worked with the Society carrying out General nursing. The Society expanded its areas using public transport and with the Society purchasing bicycles in 1903, before procuring its first cars to cope with the influx of patients during the Spanish influenza epidemic in 1919, though these were sold in 1927 due to their poor condition..A Motor Auxiliary was formed in 1929 to take Sisters to patients, and some Sisters used their own cars; even a motorcycle was used by one Sister in 1933. All these forms of transport were intermingled and in the early 1950s, and now as Melbourne District Nursing Service, seven Ford Prefect cars were bought followed by twelve Ford Anglia vehicles in 1955. Having received Royal patronage; the now Royal District Nursing Service (RDNS) had its own fleet of Holden vehicles by the mid 1960s and the Motor Auxiliary ceased operating in 1971 as by then all staff employed were required to have a driving licence. Seat-belts had been introduced to Victoria in 1959 and District fitted them to their cars from 1962, even though they did not become compulsory until 1970. The Holden vehicles were replaced with grey Holden Torana vehicles. After several years the fleet was changed to white Toyota Corolla vehicles. The Melways Directory of maps was introduced in 1966, which was a boon to the Sisters, though it was a few years before it went beyond Seville, so a large paper map was used by the Sisters visiting patients in the areas passed Seville. By 2009 there were 598 cars in the fleet and the Sisters travelled 9 million 200,000 kilometres – this is equivalent to 12 trips to the moon and back. Over its years of expansion the RDNS Trained nurses (Sisters), continued to visit patients in their homes and gave best practice care in many fields of nursing, and to people of many cultures. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care the Sisters provided is as follows: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. The Sisters provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as Amputees, those with MS, MND, Guillan-Barre Syndrome, Poliomyelitis, Quadriplegia, Paraplegia, Acquired Brain Injury, to those following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary. On the left of the black and white photograph is Royal District Nursing Service (RDNS), Sister Willie Fleming, who has curly blonde hair, and on the right, Sister Phillipa Kariko, who has short dark hair. They are standing outside Essendon RDNS Centre.. They are both wearing their RDNS summer uniform of dark V neck tunic style frocks, with emblazoned RDNS insignia on its upper left, over short sleeve white blouses, Each are holding an envelope with writing, sketched buildings and figures on the envelopes left side, and a stamp is on the upper right corner. Below the stamp is writing in a rectangle. Behind the Sisters is a brick wall with them hiding some of the white capital letters of the words 'District Nursing Service' and 'Essendon Centre'. Windows and part of the fascia of the building is seen behind this.Handwritten informationmelbourne district nursing society, melbourne district nursing service, mdns, royal district nursing service, rdns, rdns centre, sister willie fleming, sister phillipa kariko, rdns 1st day cover centenary envelope

A dark green hardcover book with a self embossed pattern and lines around the edges of the covers. The title Weeds, Poison Plants and Naturalised Aliens of Victoria is printed on the spine at the top in gold lettering with double gold lines above and below. The author Ewart. is printed in the middle with the date of publication 1909 at the bottom. Alfred J.Ewart, D.Sc., Ph.D., F.L.S. was the Government Botanist and Professor of Botany in the Melbourne University and was assisted by J.R.Tovey, Herbarium Assistant. Detailed coloured plates are throughout the book. It has two parts. P.110 Inside is a tan coloured piece of paper printed with the Department of Agriculture, Victoria. The title: Fungus Diseases or Citrus Trees in Australia, and Their Treatment: with Twelve Coloured Plate and 186 Figures. Presumably this is from another book which was donated by the same people. The book has not been located as yet.non-fictionAlfred J.Ewart, D.Sc., Ph.D., F.L.S. was the Government Botanist and Professor of Botany in the Melbourne University and was assisted by J.R.Tovey, Herbarium Assistant. Detailed coloured plates are throughout the book. It has two parts: Part 1 - Poisonous, Injurious, and Proclaimed Weeds (Native and Introduced), With The Coloured Plates. Part 11 - Census of The Naturalised Aliens And Introduced Exotics. P.110australian plants, plants, botany, australian flora, weeds

Reports - "Transport Plan 1978 for Victoria" Draft for Community Discussion - Released December 1978. .1 - Vol 1 - "The Strategy" - 48 pages, comb bound with green card coves. Looks at issues and policies in general, metro and non metro, transport policies and basic strategy. .2 - Vol 2 - "The five year plan" - 52 pages, comb bound with manila card covers with two fold out plans, looking at funding, a work program, projects and a bibliography for the three volumes. .3 - Vol 3 - "Basic Transport Data" - 108 pages, comb bound with blue card covers, with many tables and figures, looking at various demographics, metrics, including historical background, transport administration, existing transport system, travel characteristics and forecasts.trams, tramways, public transport, road transport, melbourne

Wire bound report, clear plastic covers, approx. 200 pages with many folded A3 sheets, titled "Hawthorn and Malvern Tram Depots - Conservation Report", providing details of the history, physical condition, comparative analysis and assessment of significance of Malvern and Hawthorn Tram Depots. Prepared by Allom Lovell &Associates in December 1990 for the Public Transport Corporation. Has a Table of Contents, with appendices including The Burra Charter, List of works to the depots, list of tram depots in Melbourne, submission to Historic Buildings Council, , includes some 114 drawings, figures and photographs - black and white, Bibliography. See Reg Item 2729 for "Comment on the Proposed Redevelopment and Heritage Strategy" for the depot redeveloper, Nov. 1999 and Reg Items 5318 and 5937 for other relevant documents.trams, tramways, malvern depot, hawthorn depot, conservation planning, public transport corporation, ptc

Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt

Majolica - English Popular colourful relief-moulded ware, often in naturalistic shapes covered in various types of opaque white ground to secure glowing effects with brush-painted colour glazes, clear or opaque. Products ranged from umbrella stands to dishes of fruit or nuts. Evolved at the Minton factory in 1851 under Art Director Leon Arnoux, who might use parian ware for majolica figures etc. Widely produced, with little similarity to the Italian Renaissance ornament although some designed for Mintons by the artist Alfred Stevens was inspired by such motifs.Unusual multi-coloured patterned tea pot and lid. Basic colours - green, pink and blue'Estrucan/Majolic/E24domestic items, crockery

This book was used in Forms 1.2 and 3 by Ian Smith. It is an example of the type of English book used in the 1960s.Historical: Education in the 1960s, compared with other eras. Provenance: Ian Smith attended school in the Kiewa Valley.Red book covered with clear plastic with white writing (printed) on cover. Across top of book in faded red: ON . SPELLING . WORD STUDY . MISTAKES TO AVOID . IDIOMS . A / GRAMMAR . PUNCTUATION . SPELLING . WORD STUDY . MIST / VICES . CORRESPONDENCE . GRAMMAR . PUNCTUATION . SPEL Centre middle in white large letters: A BASIC COURSE IN / ENGLISH Across bottom quarter of book in faded red: NDENCE . GRAMMAR . PUNCTUATION . SPELLING . WORD STUDY / IDIOMS AND COMMON SAYINGS . FIGURES OF SPEECH . POETIC D / . MISTAKES TO AVOID . IDIOMS AND COMMON SAYINGS . FIGU The faded red writing continues on the back cover where the word NISBET is written originally in white but coloured with blue ink.education. english. school.

Establishment and Functions Prior to 1860, the Chief Secretary's Department had been responsible for the administration of the gold fields and associated mining activities. In November 1860 a Commissioner of Mines was appointed and a Department was established under his administration. For the period November 1861 to June 1863, the Postmaster General was responsible for the Mining Department. A Minister of Mines was again appointed in 1863. Responsibilities of the Department of Mines were: 1. Regulation of mining and related public works activities through the issue of miners rights, business and residence licences, mining leases, mineral and other prospecting licences 2. Superintendence of the activities of mining surveyors, registrars, wardens and Mining Boards. 3. Investigation of the state's geological structure, mineral wealth and underground water resources 4. Development of the mining industry 5. Supervision of the safe working of mines, machinery and quarries including checking the credential of mine managers, inspectors and operators 6. Regulation of the disposal of sludge and other waste products 7. Administration of the Victorian Mining Accident Relief Fund. Arising from its initial responsibility for the supply of water on the gold fields, the Department became responsible for rural water supply from the mid 1860s. Statutory responsibility for rural water works during this period rested with the Board of Land and Works. In 1865 the Waterworks Act gave the Board power to construct waterworks, purchase land, levy charges and lease or sell works, while the Public Loans Act 1865 empowered it to provide loans to local water trusts for waterworks. The actual administration of these statutory provisions was undertaken by the Victorian Water Supply Department which operated from 1865 to 1889 as a sub-department of the Department of Mines, from 1889 as a department in its own right, and from 1895 to 1909 as a sub-department of the Department of Mines and Water Supply. For a brief period from 1891 to 1893 the Department of Mines was also responsible for forests and, until 1880, for the Schools of Mines subsequently transferred to the Education Department. In 1895 the Department of Mines and the Victorian Water Supply Department were amalgamated to form the Department of Mines and Water Supply. A snapshot into social history around the 1930s when the Department of works and the Mines Departments were still linkedReceipt Book for the Department of Works; Mines. Receipt No 2801 - 3000. 1st receipt Number 2801, "18th July 1936, for Rent of Cottage: 14 days for 2 pounds, 2 shillings. The inscription on the back is signed by J F Condau in 13-3-33Printed on spine "GENERAL RECEIPTS / 15 / 2801 / TO 3000" Printed on each receipt 'DEPARTMENT OF / PUBLIC WORKS. / MINES." Fill in using ink pen "(DATE) 18th July 1936 / (TO) - - - shields' / BEING) Rent of / Cottage: 14 days / (TO) 17th July / @ (symbol for pound) 1-1. p. week / . (symbol for pound) 2:2:-"Inside cover there is some red pencil writing, words and figures unreadable. Handwritten on back cover "Numbers checked / and found corredt / J S Coudou (?) / 13-3-33" One some receipts "Wharfage / S.S. Koonara"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, department of works: mines, receipt book, rent 1936, imperial currency, living costs 1936, department of works, department of mines, j f condou, 1933, 13-3-33

To be fashionable, and possibly improve vision at the same time, the pince nez style of glasses became popular. The 'Fits-u' design has a mounting that allowed the bridge to stay solid, whilst the springs in the nose pads allowed for removal (unlike pince nez which had a springs in the bridge). Although complete, this box includes models with different distance dimensions and the height of the bridge, with these figures are etched onto the lenses. An order table is included in the box with the pupillary distance and height so the catalogue number and quality and quantity of each size can be ordered by the dispenser. The pupillary distance is used to design spectacle frames.Canvas box which includes display models of different dimensions of pince nez Handwritten on the back: James Korp Backhouse (?) 1904 Ophthalmic Optician & Optometristassistive devices, american optical company

Hand written notes on the fire at the Garden Gully United Mine 29/3/1911. Two reports from the Bendigo Advertiser 29 and 30 March 1911. First report battery watchman John Davey saw nothing unusual, then later saw the reflection of fire in the engine house. Second report mentions hose stretched over Mt Korong Rd being run over by Chinese market gardeners and others making the leaky hose leak all the more. Cages only travelled a short distance after the ropes broke. Unemployment after air compressors ruined by the fire. Written on the back: Some Facts and Figures - The Bendigo Goldfield has had its good and bad years. Yields ranged from 475, 857 ozs in 1852 and 451,588 ozs in 1856 to 168,990 ozs in 1878 and 148,700 -mine, gold, garden gully united mine, garden gully united mine, garden gully united fire, bendigo advertiser 29-30/3/1911, john davey

15 x receipts dated between 6 May 1889 and 11 Dec 1889 with green 1 penny duty stamp attached. Names on receipts: Messrs Le--can and Davies, Messrs Connelly & Tatchell, Mrs Hocking, J W Rymer, Duncan, McPherson, James Armstrong, Delbridge Osborne &Co, McCullock, Welbridge,Grylls, Luxton, Crawford, Jas McCarthy,H Veill, Burton, Samuel Lazarus, D B Lazarus, Delaney, P E Arnfield, J Clark, Holliday, Merron, Weller, Wise, Neill, John Tamlyn, McIvor, Wm Moylan, W H Curnow,Molloy, Stephenson, Richardson, V Hogan, Brown, Building Society, Eadie, Crabbe, Cohen, Kirby. Receipts have decorative edge along the left side, shading where the amount is written in figures and decoration around Received.business, legal, connelly & tatchell, connelly & tatchell collection: returned letters

The Correspondent for The Argus on 10 May 1901 described the opening on 9 May as: "The Parliament of the Commonwealth was opened yesterday by the Duke, of Cornwall and York, under a Commission signed by Queen Victoria and subsequently endorsed by King Edward VII. The ceremony was marked by the splendour and solemn impressiveness which befitted its historic importance. An immense assemblage of spectators, drawn mainly, of course, from this state, but in part also from each of the other federated states, and including representatives of other portions of the British Empire and of foreign powers, thronged the spacious, stately, and joyously decorated edifice. The picture was magnificent. It must have printed itself indelibly on the sensitive minds of the thousands of Australians who were privileged to behold it. We may assume that artists will reproduce it in worthy and imperishable forms, and that from generation to generation it will be familiar in the households of the Commonwealth. Our children's children, we may gladly say to-day, will not be ashamed of the function which inaugurated the self-governing rights of the southern British Nation. Nothing was omitted which could add to the grandeur and significance of the occasion. In a broad sense the proceedings were perfectly intelligible to the vast and sympathetic gathering, though the natural limits of a single human voice had to be accepted. The King's son, with his consort and the Governor-General and Lady Hopetoun by his side, and supported by the Governors of the states and other eminent personages, fulfilled his doubly-attested Commission with a simple dignity and a modest manliness altogether admirable. The ceremony was a brilliant spectacle, and, in its sentiment and suggestiveness, an inspiration to a loyal and patriotic people."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items issued to James Maitland Campbell (and his wife). Campbell was three times mayor of Kew in the second half of the 19th Century and the owner of Ramornie in Pakington Street, one of the significant extant mansions in Kew.A colour lithograph mounted on card which is an invitation to the Opening of the First Commonwealth Parliament of Australia, 9 May 1901. The invitation was sent to Mr J.M. & Mrs Campbell. John Longstaff and Norman Lindsay’s design for the invitation includes symbolic female figures and coats of arms of the British and Australian Commonwealth. The central figure represents Justice. At her feet a crown and sceptre are laid, ‘to denote that the monarch will always acquiesce in laws passed by Parliament, provided they are just.’ On the left appears a figure of Britannia, above the royal coat of arms and in front of the white cliffs of England; on the right is a female figure representing Australia, with one hand out-stretched and above the Australian Coat of Arms. Behind her is a pastoral scene; she stands beneath a gum tree. At the top is a border of waratahs; on the left is a border of oak. The six states are represented in shields at the bottom of the card.Front, printed. gold ink: "Opening of the Parliament of the Commonwealth By his Royal Highness The Duke of Cornwall and York / The Government of Victoria requests the honour of the presence of / Mr. J . M. and Mrs. Campbell (handwritten / At the Celebrations in Melbourne in connection with the Opening of the Parliament of the Commonwealth of Australia."parliament of australia -- 1901, royal exhibition building -- melbourne (vic), james maitland campbell

Taken in 1920, depicted are four people in a rowing boat on Lake Sambell, Beechworth. From left to right, it is believed that the names of the people are Eric Beard, Mrs Doris Beard, and S/L to Bert Beard. The last two figures are unknown. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents the community's social use of the lake in 1920.Black and white rectangular photograph print on paper.Reverse: LAKE SAMBELL/ c 1920/ from LTOR/ 1 ERIC? - BERT'S SON/ 2 MRS DORIS BEARD/ 3 S/L TO BERT BEARD/ 4 #beechworth, lake sambell, lake sambell boating, beechworth lake, social, 1920, victoria

Flyer includes extract from "The Sun" 30/10/1924. "Ringwood has been created a Borough with capital value of £680,000. In 1908 there were 173 houses, 8 shops and 720 people. In 1918 the respective figures were 520, 45 and 2,080. For twelve months ended June, 1924, £51,000 worth of Home Sites were sold and £26,000 worth of new buildings were erected. Outward (train) passenger journeys have increased from 94,000 in 1919 to 182,000 in 1923. Train services have been almost doubled and time to Melbourne reduced from 60 to 37 minutes."Bi-fold double-sided land sale advertisement for Loma Loma Estate, Ringwood East, including area map, layout of the estate, and summary of local facilities and services.Subdivision includes Loma Street, Highton Street, Morinda Street, and Station Street (later Railway Avenue) Ringwood East. Agent: T.W. Burkitt, Ringwood, Phone Ringwood 157.

This booklet, written by member Rita Williams, gives information on the history of the first decade of the South Western Embroiderers Guild, Warrnambool. The guild was formed in 1974 with an initial membership of 36. In the first ten years the guild members were active, making contact with other embroiderers, holding exhibitions, making a patchwork quilt for the bed at the Lighthouse Keepers’ Cottage at Flagstaff Hill Maritime Museum and making an embroidered mural of Warrnambool presented to the Warrnambool Regional Performing Arts Centre in 1983. This mural features over 80 local buildings, Norfolk Island pines and small figures and other objects. The Embroiderers Guild continues to prosper today. This booklet is of interest as it contains the early history of the South Western Embroiderers Guild, a significant organization in Warrnambool. This is a booklet of 24 pages with a cover in brown and cream tonings featuring an image of the Warrnambool Coat of Arms and a tapestry. The pages contain a sketch and printed material. The booklet was stapled but the staples have been removed.R.Isaacsouth western embroiderers guild, warrnambool, history of warrnambool

The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces, with TAFE students reportedly drawing from it into the twenty-first century. It was removed to the University's Historical Collection in 2012.White plaster cast of a woman with closed eyes. The cast is hollow, with an opening at the back. There is a metal wire at the back so it can hang on the wall.ballarat technical art school, ballarat school of mines, art, drawing, plaster, drawing the human figure from cast, drawing from the antique

The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces, with TAFE students reportedly drawing from it into the twenty-first century. It was removed to the University's Historical Collection in 2012.White plaster cast showing the side profile of a child's face.ballarat technical art school, ballarat school of mines, art, drawing, plaster, drawing from the antique, drawing the human figure from cast, copy, replica