Sir Reginald Alexander Dallas Brooks (1896–1966), State Governor of Victoria 1949 - 1963 was the Patron of the Mission and guest speaker at a special fundraising dinner held to commemorate the centenary of a mission to seamen in Victoria. The image depicts the State Governor flanked by Archbishop of Melbourne and E.B.Coles, Chairman of the Mission, presenting a cheque as donation, at the centenary dinner. The photograph was published in the 1956 Annual Report (page 5).The Centenary dinner held in 1956 marked a key milestone in the maintenance of services to seafarers in Victoria. The State Governor presence as special guest and speaker helped to launch a key fundraising drive that was much needed.large rectangular b/w photograph in landscape format depicting three men on the left a clergyman, centre a man with a moustache in a dark suit and on right man in a light suit and wearing spectacles seems to be presenting a cheque.mission to seafarers, donors, state governors, sir reginald alexander dallas brooks, centenary, 1956, e.b. coles, centanery appeal, g.j. coles, the hotel australia, microphone, radio 3xy

Sir Reginald Alexander Dallas Brooks (1896–1966), State Governor of Victoria 1949 - 1963 was the Patron of the Mission and guest speaker at a special fundraising dinner held to commemorate the centenary of a mission to seamen in Victoria. The image depicts the State Governor flanked by Archbishop of Melbourne and E.B.Coles, Chairman of the Mission, presenting a cheque as donation, at the centenary dinner. The photograph was published in the 1956 Annual Report (page 5).The Centenary dinner held in 1956 marked a key milestone in the maintenance of services to seafarers in Victoria. The State Governor presence as special guest and speaker helped to launch a key fundraising drive that was much needed.large rectangular b/w photograph in landscape format depicting three men on the left a clergyman, centre a man with a moustache in a dark suit and on right man in a light suit and wearing spectacles seems to be presenting a cheque.mission to seafarers, donors, state governors, sir reginald alexander dallas brooks, centenary, 1956, e.b. coles, centanery appeal, g.j. coles, microphone, radio 3xy

Sir Reginald Alexander Dallas Brooks (1896–1966), State Governor of Victoria 1949 - 1963 was the Patron of the Mission and guest speaker at a special fundraising dinner held to commemorate the centenary of a mission to seamen in Victoria. The image depicts the State Governor flanked by Archbishop of Melbourne and E.B.Coles, Chairman of the Mission, presenting a cheque as donation, at the centenary dinner. The photograph was published in the 1956 Annual Report (page 5).The Centenary dinner held in 1956 marked a key milestone in the maintenance of services to seafarers in Victoria. The State Governor presence as special guest and speaker helped to launch a key fundraising drive that was much needed.large rectangular b/w photograph in landscape format depicting three men on the left a clergyman, centre a man with a moustache in a dark suit and on right man in a light suit and wearing spectacles seems to be presenting a cheque.mission to seafarers, donors, state governors, sir reginald alexander dallas brooks, centenary, 1956, e.b. coles, centanery appeal, g.j. coles

Mission to Seafarers regularly held social events as both a means of fundraising for the continuation of the organisation's work and providing social activities for visiting seafarers. On many Saturday nights there would be dances, concerts or other social events. This photograph depicts one such event.The Mission to Seafarers as an organisation is dedicated to not only providing spiritual and practical support to seafarers, but has long found it important to provide social opportunities as well. In the past there have been many dances, concerts and other social events that have been designed to cater for visiting seafarersSmall black and white photograph of a group of people in the main hall (Flying Angel Club) of the Mission to Seafarers Melbourne. Some are dancing and some are standing together. The photograph is taken from an angle that has the bar (canteen) in the background.Pen on reverse of photograph: "5" enclosed in a circle.canteen, clock, ladies, floorboards, women, dance, couples, seafarers, suits, bar, flying-angel-club, mission-to-seafarers-melbourne, arched-doorways, lhlg, flying angel club, central club, plaque, jukebox, mission to seafarers, seamen's mission, seamen, sailors, dancing, events, social, asian, flinders street, melbourne

View towards city showing protest "Not For Sale" on roof. House belonged to Senator Olive Zakharov who won the battle against compulsory acquisition. Photo is taken from the roof of the Mission to Seamen. City is in background James Lauritz print of Port Melbourne, laminated (one of 18). Copies of slides produced for Port Melbourne Councillocal government - city of port melbourne, built environment, james lauritz, olive zakharov

Brian Cleveland taught art to Swinburne students from the 1970s to 1990s and sketched and recorded iconic areas of the city that were scheduled to vanish or be seriously altered. The Port Melbourne drawings were predominantly done in the 1990sSeventy-two (72)) pencil drawings (some with watercolour washes) by Brian Cleveland. Sites include: Centenary Bridge (including demolition) ; ships ; Princes Pier ; Station Pier ; structures and cranes on piers ; cable tram sheds ; London Hotel ; foreshore views ; Beacons (leading lights) ; kiosks ; Missions to Seamen building: railway stations.built environment, built environment - civic, piers and wharves - princes pier, piers and wharves - station pier, engineering - bridges, brian cleveland, centenary bridge, missions to seamen

This photograph was published in the Port of Melbourne Quarterly (July-September 1959) held in the Mission's archives.Small black and white photograph depicting a band playing on stage in the Mission's hall: from left to right three male musicians sitting down: a drummer, a saxophonist and the pianist, behind the saxophonist is standing a female singer singing with a microphone on a stand. Behind the band the curtains are drawn, in front of them the stage is decorated with 3 vases of large flowers.orchestra, music, band, dance, drums, saxophone, microphone, flowers, female singer, singer, concert, entertainment, events, stage, curtains

Small monochrome photograph (faded) of seamen aloft a sailing shipaloft, reverend alfred gurney goldsmith, ship visit, life on board, seamen, rigging, sails, mast, windjammers

Same location as item 1843 and 1845 Small monochrome photograph (faded) depicting outdoor gathering of seamen.picnic, lhlg

JAPANESE VICE-ADMIRAL MITCHISHI KAMADA ABOARD USN PTB377 COMING ALONGSIDE FRIGATE HMAS BURDEKIN ON 8 SEPTEMBER 1945 TO SURRENDER THE JAPANESE FORCES IN DUTCH BORNEO. THE SURRENDER WAS ACCEPTED BY MAJOR-GENERAL E.J. MILFORD, GOC 7TH DIVISION, AIF AT A POSITION SOME 50 MILES NORTH EAST OF BALIKPAPAN.Black and white photograph of officers and seamen on deck of ship at seaww2, japanese surrender, borneo, hmas burdekin

This image appears to have been taken from the second storey of the Mission to Seamen, on Beach Rd Esplanade, Port Melbourne circa 1912 - 1920. One of several images on loose album pages.An early image taken from the building established in Port Melbourne initially in the mid 19th C and operating up to the 1930s until replaced by a modern deco building in 1936. Shows examples of vintage cars.Small Landscape B and W image of ships moored alongside a pier in distance and small early car in foreground on unsealed road travelling left to right. Handwritten descriptive inscription is written underneath on an album page.port melbourne, mission to seamen building, port melbourne pier, fan album

A soft cover book of 352 pages; supp. pages xviii. Author: Bill Coffey. The title is printed in black on a yellowish cream cover with an illustration of a hand holding a cross.non-fictionAutobiography bill coffey, chaplain, freemantle mission to seamen, port melbourne mission to seamen, missions in mid 20thc, reverend hubert william coffey (1915-2002), ww2, world war 2, 1939-1945, pmhps, pat grainger

group of people, children and adults, at fund raising stall in grounds of St Nicholas Church. Members of Heralds of the King, a children's mission of the Church of England, Lakes Entrance VictoriaBlack and white photograph of group of people, children and adults, at fund raising stall in grounds of St Nicholas Church. Members of Heralds of the King, a children's mission of the Church of England, Lakes Entrance Victoria. Photograph mounted on red card with inscription 'With the Rev F Miller in 1937'.'With the Rev F Miller in 1937'.religion, churches

Book. The Federated Seamens Union of Australasia Contributions & Levies Book belonged to Herbert Perry. Black faux leather cover. Cover embossed Federated Seamens Union New South Wales.organisation, union, gertrude perry collection, perry herbert, the federated seamens union of australasia contributions & levies book, federated seamens union new south wales

This photograph is representative of the relationship between the Mission to Seafarers Victoria and the Anglican Church. The image also historically depicts the courtyard at the Mission to Seafarers Victoria from approximately the early 1950s.Reverend Frank Oliver served as Chaplain at the Mission to Seafarers Victoria for almost thirty years. The photograph shows the historical ties between the Mission and the Anglican Church towards the end of Oliver's chaplaincy in the 1950s. Standing in back row on the left is Rev Alex Crigan, Assistant Chaplain. Black and white photograph with a white border. Pictured are 18 men, 15 of which are wearing white collars of the church. They are positioned in two rows; the back row consists of ten men, the front row has eight men. All the men in the front row have their arms crossed, and many in the back row appear to have their arms behind their backs. The men are situated in the courtyard of the Mission to Seafarers Victoria, in front of the pillars with hanging vine leaves.In blue ink (written by Padre Oliver): On the top section of the white border in blue pen reads: "5", "3", "4". "6":, "7", "8", "9", "2". Whilst the lower line of the white border reads; "11", "12", "!", "!0". These number correspond to the names and numbers on the reverse side of the photograph. This reads: "1.Cyril Brown (Gen. / 2. Peter Smith (L/R - Melb.) / 3. Roberts (T.ville) / 4. Palmer (? Hobart) / 5. Alex Crigan (Melb) / 6. Bob Clarke (L/R . W'town) / 7. John Beaverstock (L/R Melb) / 8. Joe Forstes (Melb) / 9. Nichols, Vicar. H Trinity, Port Melb. (Late Chap, T'ville) / 10. Williams (Wellington) / 11. Max (Cowle), (Port Melbourne) / 12. F.L. Oliver (Melb.). Below this is a hand-drawn line that leads to the name "COWLE" melbourne, ties, men, williams, nichols, reverend, hobart, pillars, suits, courtyard, brickwork, chair, creeper, cyril-brown, peter-smith, roberts, palmer, townsville, williamson, vicar, h-trinity, port-melbourne, wellington, alex crigan, missio to seafarers, seamen's mission, mission to seamen, conference, flinders street, padre oliver, frank leslie oliver, anglican church, alec crigan, bob clarke, reverend c.j. brown, cyril j. brown, max cowle, john beaverstock, joe forster, chaplain conferences, chaplains group

The Mission to Seafarers hosted an art auction on July 12 2018, with works by well-known artists such as R_O_N_E, photographer John Gollings, illustrative artist Jeremy Kyle and Catherine de Boer who brought together their work, as well as her own, into the same room. During an attempt to climb Mt Kilimanjaro in Tanzania Catherine de Boer, promised the guide who helped her, Emmanueli to finance his studies and get his diploma in safari guiding and wildlife management. On the Go Fund Me page Catherine explains: By running this type of event, the Mission to Seafarers demonstrates its support to the Community,emmanueli collection, auction, catherine de boer, tanzania, mount kilimanjaro, community

Small grey booklet including the report from the Executive Committee, the Chaplain's report, Treasurer's report and a list of subscriptions for 1882. The report encompasses both the Victorian Seamen's Mission and Sandridge (No. 1) Sailors' Rest.The 1882 annual report outlines all the major activities involving the Mission over the course of the year as well as included names of those involved, participating, making decisions or donating time or money. The Danne family had a long standing involvement in the Mission from the latter decades of the 19th Century onwards. Handwritten in pen on top left hand corner: "Rev N.J. Danne"sandridge, sailors' rest, 1882, annual report, victorian seamen's mission, port melbourne, reverend n.j danne, mission to seafarers, seamen's mission, administrative document-annual report

There was usually a Women's Auxiliary of Overseas Missions group in every church which would support a particular missionary, as well as raising general funds [UCA Glossary of Methodist Terms]. The W.A.O.M. celebrated its 70th anniversary in 1962. The periodical contains articles from Matavelo, Fiji; New Guinea Highlands; Nausori, Fiji; East Cape, Papua; Elcho Island, North Australia.Eight page paper periodical with black print of the Victorian Methodist Women's Auxiliary of Overseas Missions for December 9161. Vol. XXXII, No.8. The periodical is held together with two staples at the centre fold.methodist women's auxiliary of overseas missions

"When Miss Karen Brady, typist of Westgarth St, Northcote, was knocked down by a motor-car at the corner of Heidelberg Road and Fenwick St, Clifton Hill, about midnight on Saturday (3 January 1942), her skull was fractured, and she died in St Vincent's Hospital 4 hours later. She was aged between 45 and 50. Miss Brady was for many years an enthusiastic worker for the Harbour Lights Guild for the Missions to Seamen. She worked there at the canteen many nights during the week, and assisted in many other ways at the mission. Mission officials said yesterday that Miss Brady had been a "splendid worker for the mission". (The Argus, Monday 5 January 1942, page 3) Karen Brady (1886-1942) daughter of Martin John Brady and Evelyn Whitmarsh This window in her memory, "a gift of friends among the seamen and workers of the Mission" was unveiled on the 14 December 1947 by Mrs Oliver, wife of Padre Oliver. Arched windows st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, ww2, karen brady, jesus, hlg, typist

This window, in memory of the crew of the ship Jervis Bay, was unveiled on the 14 December 1947 by Mrs Johnson, wife of the Bishop of Ballarat. As mentioned on the plaque below the window, it was a gift of the Ballarat branch of the HLG and the Lucas Girls from Ballarat. E Lucas & Co was a textile company in Ballarat. The "Lucas girls" are known Ballarat-wide for their commitment to philanthropic work during the period of the Great War. From Bronwyn Hughes report: The window was designed and made by Brooks, Robinson & Co. Melbourne, from an old cartoon that was ‘touched up’. The size (24 1⁄2 x 17 1⁄4 inches) precluded the inclusion of any ornamental borders or other decorative features. The order was not received until 1947. Below this window is the plaque from the donors: the Ballarat Branch of the Harbour Lights Guild and Lucas Girls. On the same occasion the mallet, used to launch the ship Manunda was donated to the Mission. (AR1947) Unfortunately it is lost. Arched stained glass windows depicting Jesus floating on the surface of the sea holding out his right hand to seamen who on a raft, their ship sinking in the background.To the Glory of God and in loving memory of the heroism of the Captain and Ship’s Company, of the Armed Merchant Cruiser ‘Jervis Bay’ and the Men of the Merchant Navy November 5th 1940.altar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, hope, jervis bay, crew, lucas girls, ballarat branch, hlg, jesus

2 postcards advertising for the exhibition of photographs curated by Uma Kothari. One displays the Mission around 1925 and the second the Mission in 2018.pr uma kothari, now and then, exhibitions, 2019, university of melbourne, university of manchester, nicholas walton-healey

a: Household subscription card for the 'Home Mission Fund', Bendigo Diocese; b: Envelope for Annual Church Collection, Home Mission Fund.person, individual, bush collection - personal

White china crockery with gold rim and grey/black transfer print of headquarters. 4 plates, registration numbers 12.3, 12.4, 12.5 & 12.6; cup, registration number 12.1 and saucer, registration number 12.2.'The Carlton Methodist Mission Headquarters'carlton methodist mission headquarters, wesleyan methodist

The photograph was published in the Herald with caption: "A snapshot at the breakfast given to Archbishop Head by the Harbor Light Guild at the Seamen's Mission today. From right, Archbishop Head, the Chaplain Superintendent of the Mission (Rev. F. L. Oliver), the assistant chaplnin (Rev. R. L. Kerdel), Misses L. Rae, A. Phillips, and J. Johnson. (Story in page 8).Photograph depicting a group of one man sitting next to 3 women at a table dressed with cups, teapot. Behind him are two men standing and smilingWritten on verso with blue ink by Beverley Kent nee Oliver: 1935/36 / Abp Head, Dad, Padre Kernel, Miss Norman, Alma Philips, Jean Johnsonpadre oliver, reverend frank leslie oliver, archbishop head, harbour lights guild, hlg, r.l. kerdel, l. rae, a. phillips, j. johnson, breakfast, table, meal, alma phillips, jean johnson

Open House 2022: "Like many Melburnians, Ying-Lan Dann has long been fascinated by the Mission to Seafarers, in Docklands. When she was invited to create a work in response to a building as part of this year’s Open House Melbourne, she knew immediately which it would be. Taking a peek behind the closed doors of some of Melbourne’s finest and most interesting buildings is a core premise of the weekend event, now in its 15th year. During that time, the program has grown from half a dozen buildings to a 200-plus strong list that extends to Ballarat and Bendigo. “[It’s] much more expansive and citizen-led,” says Fleur Watson, Open House Melbourne’s executive director. “As a public festival, it has always had a spirit of generosity, this gesture of opening up and allowing visitors to come and look and experience things.” Swinging open their doors at the end of the month will be some of the city’s finest mansions, including Villa Alba in Kew and Brighton’s Billilla, the Cairo flats in Fitzroy, the newly renovated Jewish Museum designed by Kerstin Thompson, the Melbourne Quakers Centre, the Albanian Mosque in Carlton North and many more. Considering how to approach the event this year, held remotely for the past two, Watson decided to explore beyond the traditional, with associate professor and director of curatorial practice at Monash University Tara McDowell. The two have co-curated an exhibition of works to run concurrently with the Open House program, called Take Hold of the Clouds. That’s where Dann’s work, Circular Temporalities, comes in, one of seven commissions around town in which local and international artists respond to chosen buildings or sites. A lecturer in interior design at RMIT as well as an artist, she is interested in time and finding different mediums to show things in flux and, having grown up on Phillip Island, she often uses water as a theme. When she started spending time at the Mission, Dann found there was an oculus at the top of the dome, known as the Norla Dome. She thought about how that small but significant opening related to where sailors spent so many months of the year, the sky being the only thing they would see much of the time, stars guiding the way in times gone by, and of the recent stories she’d heard about sailors being trapped at sea during COVID. Built in the Arts and Craft style between 1916 and 1919 and designed by architect Walter Butler, the Mission includes a chapel, clubroom, Chaplain’s house, a small cottage and the Norla Dome, which was apparently inspired by the Pantheon. The Mission was funded by the government and the Ladies Harbour Lights Guild, who Dann was also intrigued by. “One of the things those women identified is that life at sea is very dangerous [and they] wanted to give them a space of sanctuary and support,” she says, adding that for many years, the dome was used as a gymnasium. Her work inside the dome includes a 35-minute loop film, recorded from the ferry during the crossing from Queenscliff to Sorrento. The horizon takes up about a third of the shot and moves as the waves rise and fall, mirroring the journeys made by the sailors who found refuge at the mission over the years; it will be projected onto a gauze-like fabric, allowing glimpses of the building behind. Dann also plans to activate the site over the course of the weekend and will read a poem by Justin Clemens.The articles gives an insight of the création of the artwork by Ying-Lan Dann. digital copy of an article with photographs published in the Ageopen house melbourne, 2022, ying-lan dann, take hold of the clouds, norla dome, exhibition, the age, cultural events

A selection of images of Ebenezer Aboriginal Mission.

An example of a Spanish Mission house in Ballarat.dana street ballarat, ballarat, architecture, spanish mission