Rural City of Wangaratta CollectionA still life painting of a band uniform alongside a trumpet and music stand, painted using red, blue, silver, gold, yellow, black, and white.Obverse: R SPINNER/ (bottom right corner)wangaratta art gallery, r spinner, band, still life, painting

Painting on paper background.Copy of Original painting of Australian advancing from Villers-Bretonneux August 18th 1918. Specially painted for the Australian Comforts Fund by Captain Will Longstaff. A.I.F War Artist. Captured Train Gun, Start of The Great attack,8/8/18 and The Capture of Hamel Village July 4th 1918 by A Pearse, War Artist.

Awarded at Spring Show, held December 2nd & 3rd 1915.White and blue Linton Horticultural Society First Prize certificate awarded to Miss K. O'Beirne for Oil Painting.Text: " LINTON HORTICULTURAL SOCIETY. / SPRINIG SHOW, DEC. 2nd & 3rd, 1915. / First Prize. / For Oil Painting / Awarded to Miss K O'Beirne.linton horticultural society, k. o'beirne, w. todd

This painting was sparked by a US studio residency at Yellowstone National Park, shortly after Trump’s election. In America, Chin witnessed conservative nationalism and divisiveness, but also an equal reaction promoting diversity and challenging structural inequality. Developing this work in Australia, Chin examined how a sense of place forms fluidly in the consciousness, to surpass geographic borderlines.Kevin Chin is a local artist. He has been a finalist in the Nillumbik Prize for Contemporary Art (2015, 2019). In this painting Chin explores economic, cultural and social structures that shape the world in which we live, questioning who has built what, who takes ownership, and who has the right to the land. Landscape painting depicting a house (upside down) and a half finished urban structure sitting amongst mountain peaks and land that has been cleared and immersed in fog/smoke.N/Alandscape, kevin, chin, structural, inequality, castle, trump, painting, nillumbik, residency, yellowstone, realism, oils

.1 PAINTING OF ORIGINAL CRESWICK HOSPITAL ON CERAMIC PLATE, THEN GLAZED. .2 PAINTING OF MOUNTAINS, RIVER AND COTTAGE.1 CREAM COLOURED CERAMIC CIRCULAR PLATE, PAINTING OF ORIGINAL CRESWICK HOSPITAL. .2 CREAM COLOURED CIRCULAR PLATE OF MOUNTAIN AND RIVER SCENE.local history, ornament, ceramic

This painting of Lake Wendouree gives an accurate idea of activities at the Lake in 1873.This newspaper print of the painting is historically important in giving a clear idea of the environs, recreational activities and the people visiting Lake Wendouree in1873.1 large sheet in colour of a painting, oil on canvas entitled Lake Wendouree, by Thomas Thompson.Lefthand corner, to celebrate the Ballarat Courier's 140 years. Righthand corner, restored for the Ballarat Fine Art Gallery.john garner, doctor john garner, ballarat botanical gardens, friends of ballarat botanical gardens, lake wendouree, thomas thompson, ballarat fine art gallery, ballarat courier, john garner collection, gardens, ballarat

Painting depicting an abstract composition with wombat and lizard. Signed and dated lower right 'Clifton 72/89'. Inscribed on reverse in pink chalk '57' and on frame 'No.2'. clifton pugh, painting, abstract, wombat, lizard, landscape

Painting by Franz Korbler. Architect/artist, born Vienna Austria, arrested Teheran Persia September 12941. Interned Loveday Camp SA and Tatura Camp Victoria 1945-1947.Water colour of lane way with brick wall on right, trees and wall on left. Painting has a silver border and a cream mat. In a gold frame with glass.Kuhbanan SAS Cobinan Marko Polos Tran in gold underneath picture.franz korbler

Guy STUART (1942 - 06 June 2024 ) Born Canberra, Australia Guy Stuart was a student of John Brack at Melbourne Grammar School (1955-60), and attended RMIT where he studied Painting from 1961-1962. Stuart held his debut exhibition in 1968, at the height of new abstraction, and sold out the entire show of figurative works. 'November Apple' was part of a travelling exhibition called 'Imaging the Apple' which travelled from 2004 to 2005. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of an apple exhibited in the travelling exhibition 'Imaging the Apple.art, artwork, guy stuart, stuart, apple, fruit, imaging the apple

Rural City of Wangaratta Collection, Wangaratta Art Show Grand Winner 2007.A pastoral landscape of cows grazing beside a river, painting with oils in shades of brown, green, yellow, red, and blue.Obverse: Ross Paterson/ (bottom right corner)wangaratta art gallery, ross paterson, landscape, painting, pastoral, riverbank, cows

Rodney FORBES (1951- ) Born Melbourne Rodney Forbes' work is figurative narrative painting and uses autobiographical and incident-as-metaphor methods to explore wider issues of knowing and belonging in oral traditions such as working class, children’s and artisan subcultures. His practice draws on pop, cartooning and joke narrative structures within contemporary culture. (http://www.australiangalleries.com.au/artists/rodney-forbes/, accessed 07 April 2017)A large painting showing aspects of a printery. Rodney Forbes and fellow student Linda Karklins worked on this painting as an undergraduate student at the Gippsland School of Art (Gippsland Institute of Advanced Education, now the Gippsland Centre for Art and Design, Federation University Gippsland Campus). The painting hung for many years in the campus printery. The Gippsland Gippsland Centre for Art and Design is now part of Federation University Gippsland Campus.rodney forbes, printery, gippsland campus, churchill, linda karklins, gippsland school of art, gippsland institute of advanced education, printing

Painting depicting a landscape with windmill and water tank on particle board. Signed (L.r) 'William Frater' and on reverse in pencil (U.c) '1477 Frater'. william frater, painting, landscape, windmill, water tank

Painting depicting a landscape at night with quarter moon and bird in flight. Signed (L.r) 'Molvig 57'. On reverse in chalk (U.r.) 'Nocturne of a Lunatic No. 1' and on auxiliary support 'John Molvig 1957, Nocturne of a Lunatic No. 1'.john molvig, landscape, moon, bird, painting

The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Left to right: (Neil's comments) Tetratheca ciliata - Black-eyed Susan. Common and widespread. Marianthus bignoniaceus –Orange Bell-Climber. Confined to drainage lines and winter-wet areas, generally well shaded. A most beautiful light climber with the Grampians being its only location in Victoria, but amazingly, it is also found in small numbers in the wetter parts of the Mt Lofty Ranges and on Kangaroo Island in South Australia. Although not strictly endemic, it has been propagated for planting in our endemic garden due to its rarity in Victoria. Leptospermum myrsinoides - Heath Tea-tree. Common and widespread. Spider Orchid Caladenia species- need my orchid books for accurate identification! Thryptomene calycina - Grampians Thryptomene. Grampians endemic but common. Epacris impressa - Common Heath - white flower form. Common and widespread NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife artGift of Barbara Crick in memory of Marjorie and Lachlan McLennanSix individual, small paintings of Grampians wildflowers, matted together and framed in a smooth gloss olive green simulating wood or bamboo.All are signed with the initials “M.W.” underlined, to the left or right of the stem of the plant. On the reverse side - Shield-shape stamp centre top: “J.A. Reynolds. Decorator & Picture Framer, 28 Sturt St., Ballarat”. Hand-written right of that in black felt pen at an angle, “McLennan, 106 Bennett Rd. (2)”.wildflowers, flowers, marianne wehl, marianna wehl, wama, painting, gouache, wildlife art museum australia, wild art museum australia, flower painter, works on paper, halls gap, botany, baron von mueller, ferdinand von mueller, carl wehl

1970 National Bank watercolour painting reproduction Penguin Silver Mines , Tasmania signed Á.G'1871 Below the picture title the words - Reproduced by the National Bank in 1970 from the engraving in the national library of Australia by permission of the Trustees A sail / steamship is seen off the coast .The centre of the painting shows a mine shaft , frame and wheels connected to a horse-powered mechanism .There are various other buildings , horses and carts and people .The mine was only to last a year.painting, watercolour, 'penguin silver mines , tasmania / national bank reproductions /

The two girls in the painting are Hedwig Vollmer and Aline Zollinger of Camp 3. The painting is believed to be by J Wolfgarten a German Wooolbuyer. Colour photograph of this painting is filed in the V internee file.Water colour painting of camp huts. Hut painted blue surrounded by gardens. The garden are outlined with bricks. The two window are open. One window has white curtains. Two girls are standing at the door. Both in pale dresses. One girl with blond hair standing on the threshold facing the other girl with dark hair girl who is standing just outside the doorway. 1942 Tatura (a mark before the date perhaps a stylised R)camp 3, german internees, german woolbuyer, camp huts, internment camp gardens, camp water colours

John B. ROBINSON (c1877 -25 May1935) Born Ballarat, Victoria A latecomer to painting, John Robinson was known to periodically attend the Max Meldrum School. He joined the administrative staff of the Ballarat School of Mines somewhere around 1902, obtaining the position of Registrar. He stayed in the Schools employment for 35 years. His chief recreations were gardening and the study of art. "His many canvases reveal the sincerity of his work and represent a notable achievement from one who adopted art somewhat late in life. (Obituary, Ballarat School of Mines Students' Magazine, 1935) Robinson studied with Max Meldrum in Melbourne. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting showing the coast and three boathouses.Verso underneath brown paper No 11 Beaumaris Artists Signation J.B. Robinsonart, artwork, john braisted robinson, beaumaris, seascape, max meldrum school, available

Original Painting in Bendigo Art Gallery PAINTING WON'T HANG IN MESS BENDIGO intends to keep its big oil painting, "Gentlemen - the Queen," hanging in the Shamrock Hotel in Pall Mall. i The painting is on loan to the hotel from the Bendigo Art Gallery. And It's badly wanted at the officers' mess of the Royal Australian Artillery, 3rd Div., in Batman av., Melbourne. A formal application for It was made, In writing, to the Art Gallery by Brigadier W. Hall, commanding offlfncer. But Art Gallery members at their meeting yesterday said "No." Lending it or giving it away would "create a dan- gerous precedent for the Gallery," they decided. . "Any anyway," said Mr. W. Little, the Gallery's curator, "Brig. Hall has erred in thinking the men depicted in the painting are artillerymen. "They're offlfflcers In the Duke of Connaught's Light Infantry." But in Melbourne last night Brigadier Hall, keenly disappointed, said: VI have been told the picture was painted in the Royal Artil- lery mess at Woolwich, In England. "I have never dauhted the men are artillerymen, be- cause they wear the gun- ners' blue mess Jacket, scar- let cuffs and scarlet waist- coat." The Argus Tuesday 8 September 1953 Digitalised http://trove.nla.gov.au/ndp/del/article/23307813/1762840?zoomLevel=3Colour print of a painting by Albert Chevallier Taylor in wooden frame Glass frontedCopy by Survey Regiment 1986gentlemen the queen, argus newspaper, bendigo art gallery.

This was the first work de Clario painted during his Australia Council residency in Paretaio, Arthur Boyd's studio in Tuscany. It was painted in an old stable with a vaulted ceiling that reminded de Clario of a cenacolo or supper room. Domenico de Clario has an international reputation, gained particularly through his installation work and collaboration with composers and musicians. De Clario made many irregular shaped, un-stretched paintings during this period. He was involved with Arte Povera, a socialist based art movement where the 'poverty' was reflected in the choice and use of materials. This work was entered into the 1986 Shire of Eltham Art Awards. Painting: oil on canvas mounted on stretched canvas. Semi abstract painting containing out of focus objects within a room.de clario, painting, semi abstract, expressive, painterly, personal, arte povera, paretaio