Two coloured Photograph in a black frame with titles: "About to land' & "Our passengers".helicopters, photograph

A framed coloured photograph of two soldiers with hand held spotlights in a jungle settingjungle patrol, soldiers

Framed coloured photograph of South Vietnamese troops uploading a 35 SQN CaribouRAAF Rondell, A4-21035 squadron, caribou, photograph

A coloured photograph in a black frame with white matting.of an APC with a soldier manning it at Coralphotograph, armoured personnel carrier, coral, battle of coral-balmoral

Coloured Photograph in a black frame of SIOUX G3R1 Helicopter parked at an unknown Airstrip.Armyphotograph, sioux helicpoter

Framed colour Photograph of Vietnamese children riding in a Landrover driven by an Australian Soldier.L/R Rego 113042photograph, landrover, vietnamese children

Framed Colour Photograph of Vietnamese children posing for a Photograph. Some of them are smokingphotograph, vietnamese children

Timber Framed Colour Photograph of a soldier in uniform with an SLR standing in front of a Helicpoterphotograph, john alexander

A coloured photograph in a black frame of HMAS Sydney and VLSV Assoc veterans marchingphotograph, hmas sydney, cerberus collection

A black and white photograph in a wooden frame of HMAS Yarra in port with ships CompanyH.M.A.S.YARRA. 1-3-67photograph, hmas cerberus, cerberus collection

Photograph of 3rd Platoon at Wangaratta Training Centre March 1916Carved timber frame containing photograph of a platoon of standing and seated WW1 soldiers.Top - "3rd Platoon" Bottom - "Wangaratta Training Centre March 1916"wangaratta, 3rd platoon, ww1

Framed Colour Photograph - View of the city and highway from western suburbs 1985

Lieutenant Colonel Leslie Cecil Maygar, VC, DSO, VD (27 May 1868 – 1 November 1917) was an Australian recipient of the Victoria Cross, the highest award for gallantry in the face of the enemy that can be awarded to British and Commonwealth forces. He was awarded the VC for facilitating the rescue of a dismounted man while under severe rifle fire in 1902 during the Second Boer War. He later served with the 4th Australian Light Horse at Gallipoli during the First World War, and died of wounds after being strafed during the Battle of Beersheba as part of the Sinai and Palestine campaign while commanding the 8th Australian Light Horse..Framed colour photograph of headstone at the grave of Lieutenant Colonel Leslie Maygar VC.maygar, grave, world war, wwi

The Lifeboat Queenscliffe was built in Adelaide and commenced service at Queenscliff in 1926. She was taken out of service in 1976 by the Marine Board of Victoria and subsequently offered to the Borough of Queenscliffe for care and display.A framed monochrome photograph of the lifeboat 'Queenscliffe' underway at sea with crew members on board.lifeboat, 'queenscliffe'

The people were attending a memorial service which took place on the local Sunbury sports ground during World War 1. The local sportsmen's band entertained the crowd at the event, which commemorated the servicemen who had lost their lives during World War 1. Many young men from Sunbury enlisted and fought on battlefields during World War 1.A sepia photograph with a cream frame of a crowd of people standing in the centre of a sports ground.sportsmen's band, memorial services

PHOTOGRAPH OF DR. A.H. GORDON HEALTH OFFICER, BOROUGH OF CLUNES 1896, PHOTOGRAPH TAKEN FROM A FRAMED COLLAGE OF COUNCILLORS AND OFFICERS. LOCATION OF COLLAGE O6.03SEPIA AND BLACK AND WHITE COPIES OF PHOTOGRAPH OF DR. A.H. GORDON.DR. A.H. GORDON - HEALTH OFFICERlocal history, photography, photographs, councillors & officers

black and white photograph: timber frame, brown mat, man and wife, three children. Man dressed in suit, woman in round neck dress. Girl has light coloured dress, boys in shirts, one with tie.Bartlett Bros. Bendigoperson, family, portrait, bartlett bros., bendigo. family portrait

This mounted and framed photograph of a group of friends punting on the River Yarra has a number of historic and artistic associations. The photograph is primarily important as an informal photograph of the Australian baritone John Donald Mackenzie Brownlee (1900-1969), whose international career at the world's major opera houses from 1927 until his retirement in 1958 included singing at Melba's Covent Garden farewell in 1926, to recordings in the 1930s of a major series of Mozart operas in Glyndebourne Festival productions, conducted by Fritz Busch. Brownlee, born in Geelong, won the gold medal as champion vocalist at the South Street competitions in Ballarat in 1921. Moving to Paris in 1923 he began study with the French baritone, Dinh Gilly, making his operatic debut at the Trianon Lyrique in Montmartre in 1926. The most significant periods of his operatic career were with the Paris Opera from 1927 to 1936, and at the Metropolitan Opera from 1937 to 1957. After his move to Paris in 1923, he is recorded as revisiting Australia in 1928 as a member of the Melba-Williamson Company, and 24 years later in 1952. The photograph of Brownlee and the Gardners in a punt on the Yarra, while putatively dated to 1925, must be from earlier in the 1920s before his move to Paris, or later during the Melba-Williamson Company season. Before his move to Paris in 1923, Brownlee had lived in Belmont Avenue, Kew, where he must have developed a friendship with the Gardners. The photograph has additional artistic significance as it was produced at 'The Artorium', James Beament's design studio next to the Hawthorn Town Hall at 362 Burwood Road. With a home at 33 Uvadale Road (designed by Eric Nicholls, who managed the architectural practice of Walter Burley and Marion Mahony Grifffin from 1924 to 1932), Beament painted a number of significant murals for the Griffin practice, including those at the Capitol Theatre in Melbourne.A photograph of recreational activities on the River Yarra. The photograph is historically significant as a professionally produced photograph of the Australian operatic baritone John Brownlee, either before his move to Paris in 1923, or in 1928 during the Melba-Williamson Company operatic tour of Australia. The photograph has additional aesthetic significance as it was produced in James Beament's Hawthorn Studio - The Artorium - at 362 Burwood Road, next to the Hawthorn Town Hall.Framed photograph of John Duncan Brownlee, the Australian tenor, with Enid Gardner and friend in a punt on the Yarra River. Brownlee was born in Geelong but before his move to Paris in 1923, he lived for a period in Belmont Avenue, Kew. Three labels on reverse. 1. "John Duncan Brownlee, Operatic Star, originally of Geelong later resident of Kew at Belmont Av, on the pole. Also in the punt - Edith Gardner a friend. The Gardners lived on the east corner of Edgevale Rd. & Cotham. Approx. 1925." 2. "This picture is the property of Kew Historical Society 1/4/79". 3. Tel. Hawthorn 842 THE ARTORIUM ...."john brownlee (tenor), punting, recreation - yarra river (kew), james beament, the artorium -- 362 burwood road -- hawthorn (vic.)

Photocopy of framed photograph of Williamson St looking towards Post Office and Rosalind Park, Shamrock Hotel on right hand side.person, individual, basil miller

Framed photograph of Richard William Larritt, Bendigo/Sandhurst first surveyor. Under glass in brown wooden frame with gold trim.photograph, portrait, richard william larritt

One sepia photograph in black frame with white matting of convoy moves out of Nui Dat for FSB Coral 12th of Mayphotograph, convoy moves out, fsb coral, battle of coral-balmoral

Plastic framed photograph of " Exercising with the United States Navy the Australian frigate HMAS DARWIN and the battleship USS MISSOURI" - Photo- RAN(refer under Physical Description)

Two identical framed photographs of the Wangaratta Agricultural School Football Club, in one small and one large brown and gold frame.

Shows trams 6, 19, 1, 25 and 18 at the front of the Geelong tram depot - late 1920's. Each tram has the MESCo destination lights on the roof. Printed by the donor from a negative from Lindsay Crow.Shows Geelong tram depot and some of the trams operated by the Melbourne Electric Supply Co. Metal framed photograph with card backing, glazed and hanging cord. See image i4 for a large size file provided by the donor.geelong, trams, tramways, tramcars, tram 6, tram 19, tram 1, tram 25, tram 18, mesco

Heading stock over Blue stone bridge looking up Main Street Greensborough. In this photograph, Greensborough was a country town. Note the unmade road leading up to the bridge.From the John Mackey collection. This item was displayed at the offices of Ryan, Mackey and Kelly, solicitors, Main Street Greensborough.Timber-framed photograph of herding stock over blue stone bridge looking up Main Street Greensborough, black and white.greensborough, john mackey, blue stone bridge, marble hall

Framed photograph of a man looking at the camera. He has a salt and pepper mustache and wears a dark suit with white shirt and a dark thin tie. At present it is unknown which organisation he was involved with. The only clue are the words 'Robert Bruce' on the reverse of the frame.Digital image of man in suit and tierobert bruce

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates In 1905, the land was vacant in Balaclava Road, north side, from Kooyong Road east to the right of way, except for one house. A block of this land was acquired by the Presbyterian community and a timber church erected there in 1910. In time, a larger church was required. After several years of fund raising led by George Kinross, a new red brick St Stephen's church was built in 1926 to the design of architects Haddon and Henderson. George Currie was the builder and the cost of construction was £5,100.From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates: St Stephens has architectural importance as a noteworthy example of a Gothic Transitional design in the Arts and Crafts eclectic manner (see Stylistic Typology in National Trust's Historic Church's Study}. The facade treatment successfully combines Christian symbols with Gothic forms in the Arts and Crafts mode (comparable with Haddon's Presbyterian Church, Malvern (1906) and Haddon and Henderson's Oakleigh Church (1928). It is locally important as an example of Robert Haddon's work in Caulfield, where he also lived (4 Glenferrie St q.v.).Page 26 of Photograph Album including three black and white photographs of St Stephen's Presbyterian Church, with two photographs in portrait mode across the top showing 2 different stained glass windows from the inside; and one in landscape mode in the bottom section which appears to be a photograph of a framed photograph or drawing of the church.Hand written: St Stephen's Presbyterian Church Balaclava Road [top right] / 26 [bottom right]trevor hart, caulfield north, balaclava road, george kinross, haddon and henderson, george currie, st stephen's, 1900's, 1920's, gothic transitional, christian symbols, arts and crafts, robert haddon, stylistic typology, gothic, drawings, presbyterian church, architects, lead lights, stained glass windows

Portland City CouncilRetouched black and white portrait of a bearded man in three-quarter view. He is wearing a suit and bow tie, and his hair has a central part. Photograph is framed in an oval burgundy mount with a wooden gold gilt frameFront: F. Schofield Esq., 1881 (engraved on brass panel, lower centre) Back: (no inscriptions)civic photography, civic, councillor