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Orbost & District Historical Society
black and white photograph
This is a photograph of Councillor George Nixon who represented South Riding on the Orbost Shire Council from 1902 - 1916. He was president 1914-1915. George Nixon (1862-1941) selected land in Bete Bolong in the 1890's. He married Emily Warren in 1889 in Orbost. He was a shire councillor. He was a prominent breeder of Clydesdales and after a serious fall off a horse walked with a walking stick and special boot for the rest of his life. He was well-known for his interest in cars, horse-racing and politics.He was married to Emily Warren in 1889 in Orbost. Mrs Nixon (Emily)was the first Red Cross president during WW1. They had ten children.both George and Emily are buried in the Orbost Cemetery. (ref:From White Knowle to Pumpkin Point by Hon Peter Nixon A.O.)This item is associated with the Orbost Shire Council. The shire covered an area of 9,347 square kilometres and existed from 1892 until 1994 when it became part of the East Gippsland Shire Council. This item is associated with a prominent Orbost family. George Nixon was the son of James and Alice Nixon. The Nixon families were among the earliest settlers on the Snowy River.A black / white head and shoulders portrait photograph of man wearing a suit.There is also a framed copy.nixon-george orbost-shire-council -
Orbost & District Historical Society
blak and white photograph, late 19th - early 20th century
This is a photograph of Mr John Scouller (born 1861 , died 1935) who was the first manager of the Orbost Butter Factory which opened in 1892. He filled the position for thirty years.John Scouller was a prominent Orbost citizen in the late 19th and earyl 20th centuries.A black / white head and shoulders portrait of a balding man with a moustache. He is wearing a suit and tie.scouller-john orbost-butter-factory -
Bendigo Military Museum
Uniform - SLIDE SHOULDER BOARDS
Part of the Kevin John Herdman No.397661 Collection. See Catalogue No. 5942P for details of his service record.Two pairs of jungle green coloured slide shoulder boards. Each is embroidered with Lieutenant's pips.uniform, shoulder board, lietenant, kevin john herdman -
Bendigo Military Museum
Uniform - JUMPER, Bruce Pie Industries Ltd, 1962
"Items in collection of K.W. Peatling" refer cat no 5140.2 Box 173 for his service detailsknitted wool jumper, v neck with long sleeves, cotton bound slits in shoulders for epauletteslabel on back neck edge, burgundy coloured writing "BRUCE PIE INDUSTRIES LTD. QUEENSLAND 1962 SIZE 42"wool uniform. military issue, wool jumper -
Bendigo Military Museum
Accessory - PHOTOGRAPHS, 1942
Passport photos of Frederick Gardner DAVEY to be used in a passport in case of escape from POW camp. Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.1) & .2) Black / white passport sized head & shoulders photos of a man in civilian clothes..1) Handwritten on back in black ink: 1942 Escape photo for passportphotography, identification raaf -
Bendigo Military Museum
Uniform - SHOULDER PATCHES, Post 1939
Items issued to Reginald Charles Allardice No 418557 RAAF. Refer Cat No 3627.5 for his service details.Dark blue shoulder patches curved with “AUSTRALIA” in light blue sewn on. The felt on one is bigger.uniforms, insignia, military -
Bendigo Military Museum
Instrument - BUGLE, Unknown
Bugle, copper with brass trimming, chrome mouth piece, brass eyelets for cord shoulder strap.musical instruments - brass section, metalcraft - copperware, military history, bugle -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Framed Photograph, Major G J Rankin DSO & Bar, c 1917
Framed b&w head and shoulders photo of Major G J Rankin DSO & BarCaption: 4th Australian Light Horse 1914-1918 Major G J Rankin DSO & Bar 2nd in Command of the Regiment at the charge at Beersheba 31st October 1917 -
Glenelg Shire Council Cultural Collection
Clothing - Dress, n.d
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham of 4 Blair Street, Portland.Cream muslin dress. Drop-waisted with side gathers. Lace edging at neck and shoulders. Sleeveless. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph of painting - Photocopy - Joshua Black, n.d
Coloured photo of painting. Joshua Black - Head and shoulders. Black Jacket and tie. White shirt.Back: Holland's Picture Framing and Art Supplies. Hilary. 16 Henty St, Portland. Phone 03 55233582 -
Glenelg Shire Council Cultural Collection
Equipment - Shot Carrier, n.d
Leather shot carrier, with metal dispenser for pellets. Leather strap, possibly for carrying over the shoulder -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Mr J. B. Hansen, c. 1963
Sourced from Casterton Town Hall (Former Shire of Glenelg)Black and white photo. Head and shoulders shot of Shire Secretary, Mr. J. B. HansenBack: 'Same size as Dart Shire Secretary Mr. J.B. Hansen' handwritten, blue biro Blue biro line arrowed each end drawn across photo. '3" ' above line 'H' pencilj b hansen -
Victoria Police Museum
Patch, Police Nurse
Shoulder patch used on registered nurse uniform. Police insignia with 'sister' above police logo.'SISTER'police hospital, nursing, women -
Merbein RSL Sub Branch
Photograph, Thompson,William
WW1Photo,black and white-head and shoulders-WW1,uniform,-slouch,hat-rising,suns,on,collarsno, william, thompson, reg, 1136 -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a Hat
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical Collection
Photograph - Photograph - Black and White, William H. Wooster at the Ballarat Observatory, Mount Pleasant
W.H. Wooster was associated with the Ballarat Observatory. .1) Photograph of W.H. Wooster with the telescope at the Ballarat Observatory. .2) Head and shoulders of W.H. Woosterballarat observatory, observatory, wooster, w.h. wooster, portrait, mount pleasant -
Federation University Historical Collection
Photograph - Black and White, Portrait of Arthur Nicholson, c1950s or 1960s
Arthur Nicholson former member of the Ballarat School of Mines Council for many years, Councillor of the City of Ballarat (mayor several time), Master Builder, Chairman of the Ballarat Water Commission, and much else.Head and shoulders of a balding man with grey hair wearing a suit and tie. He is Arthur Nicholson. portrait, ballarat school of mines, arthur nicholson, city of ballarat, ballarat water commission -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland, n.d
Port of Portland Authority Archivesport of portland archives, seafront, malcolm mcfachern -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's white lacework camisole , ribbon, c1900
This lady’s white, cotton camisole is an example of the dressmaking and craftwork skills of the women of the early settlers families in Moorabbin Shire in the early 20th Century. The garment is hand sewn.and ribbons were inserted at yoke and waist Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families Lady's hand sewn white lacework camisole with shoulder straps and ribbon inserts at yoke and waist clothing, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, hunt ailsa, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Lady's nightdress crepe de chine, floral c1950, c1950
Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals in the City of Moorabbin and she made this nightdress c1950 Crepe de Chine, also spelled Crêpe De Chine, (French: “crepe of China”), light and fine plain woven dress fabric in silk, wool, or synthetic fibre fabric with a distinctively crisp, crimped appearance produced either with all-silk warp and weft or else with a silk warp and hard-spun worsted weft. This material was easy to sew, wash and dry and required no ironing . . This crepe de chine nightdress is an example of the popular style worn by women in the post World War 11 Estates in the City of Moorabbin c1950 A lady's floral crepe de chine, full length, nightdress with shoulder straps and waist ties clothing, nightdress, crepe de chine, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Badge
Cloth Sierra S472 patrol, worn on right shoulder. ATF1, 7th RAR(Part UC015)badge/buttons, afghanistan, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Greatcoat
Army greatcoat Lieutenant Badges & Colour Patches E.H.C.Russell Dull pips & Australia shoulder titlesuniform, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Jacket
Uniform Dress Jacket with Rank of Captain and Badges for Melbourne Rifles and spare shoulder boards in pocketuniform, post ww2, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Tunic
Reproduction Tunic Army Khaki in colour.with "Australia" shoulder titles and Rising sun lapel badges.uniform, ww!, army -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: FEMALE HEAD AND SHOULDER PHOTO, Nineteenth Century
Sepia Studio portrait woman head & Shoulders. Growelle 69& 71 Swanston Street Melbourne.Growelle 69 & 71 Swanston St Melbourne.photograph, person, female -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A MAN
Head and shoulder portrait of a man wearing a jacket and bow tie. He also has a beard.photograph, portrait, male, portrait of a man -
Bendigo Historical Society Inc.
Photograph - SMALL PORTRAIT PHOTOGRAPH MALE
Small head and shoulders portrait photograph of a male, photographer Wood 314 George Street Sydney.Woodphotograph, portrait, male -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: FEMALE HEAD AND SHOULDER PHOTO
Sepia tones head and shoulders portrait of a female with short hair and a garland of flowers around neckline.Vandyck Studiosphotograph, person, female -
Yarra Ranges Regional Museum
Brassiere
This Brassiere belong to Mrs Zilpah Winifred Carroll (nee Parker) (1914 - 2001) and formed part of her trousseau. Zilpah, known as Win, married Harold Stewart (Bill) Carroll on Dec 21, 1938 at St MAry's Anglican Church on Glen Eira Rd, Caulfield. The Carrolls moved to Belgrave with their children in 1954 and lived there for over 40 years. Zilpah was supposed to be names "Zilpha" after a fictional heroine, however her father misspelled the name on her birth certificate. Cream lace bra with elastic and ribbon shoulder straps, two buttons to stretch and fasten at front. -
National Vietnam Veterans Museum (NVVM)
Photograph, P.O. Carver (MIA)
Framed black and white head and shoulders photo of P.O. Carver (Missing In Action) in dress shirtphotograph, missing in action, p.o. robert carver