In the early days of flying in France, Armand Deperdussin and his aircraft designer, M. Bechereau, formed the Societe Pour Appareils Deperdussin, and designed and produced Deperdussin monoplanes of advanced design for the period. In 1912, the Australian Government ordered from the British Deperdussin Aeroplane Company, two single-seat trainers, Type A with 35hp Anzani Y-type three cylinder engine. These two aircraft were in the first batch of four aircraft ordered by the Commonwealth Government (the other two aircraft were BE-type biplanes). The recorded cost of the Deperdussin was 480 pounds each. The serial number CFS 5 identifies this aircraft as the 5th Australian Military aircraft. It is the oldest existing Australian aircraft. either military or civilian. Rectangular shaped glass covered picture frame with photo of the plane and pilot.RAAF AIRCRAFT 1921-1981. FIRST FOREBEAR The 1912 Deperdussin was the first military monoplane ordered for the RAAFs ancestor, the Central Flying School, Point cook.This historic aircraft is retained at the Australian War Memorial as a symbol of the nation's airpower genesis.deperdussin monoplane, australian military aircraft, lara r.s.l. australian flying corps, 1912 aircraft.

Colour photograph group of people on foreshore inspecting the plaque, following the unveiling of the World War 1 memorial sculptures plaque. Lakes Entrance Victoriamemorials, world war 1914-1918

Colour photograph of group of people standing around on foreshore following the unveiling of the World War 1 memorial sculpures plaque. Lakes Entrance Victoriamemorials, world war 1914-1918

A photo of 12 Junior Legatees at the Australian War Memorial in Canberra. Each year two junior Legatees from each state are selected to visit Canberra, and the War Memorial, under the auspices of the H.and D. Florance Foundation. Melbourne Legacy arranged many events for Junior Legatees to experience. This trip was held from 21 to 25 April 1997. Legatees in the photos were Legatee Goldsmith, Legatee Wark and Legatee Pickering.A record of the outings provided for Junior Legatees by Melbourne Legacy.Colour photo of a group of Junior Legatees and three Legatees in the AWM in Canberra in 1997. Paper label with names.Paper label has the names of the Junior Legatees and Legatees. Label on the back notes 'Not to be reproduced without prior permission. Photographer Ray McJannett.' then a negative number. 02154.1 AWM negative No. PA97/43/29 02154.2 AWM negative No. PA97/43/33junior legatee outing, australian war memorial

World War 2 Soldiers’ Memorial 1999. "In remembrance WW2 and Korean War, Malaysia, Borneo, Vietnam". The unveiling ceremony of the memorial was held on Sunday Nov 4th, 1956, by Lieutenant Edmond Herring. KCMG. DSO. MC. EO. The ceremony was dedicated "To the men of Stawell and District who paid the supreme sacrifice in World War 2 and Korean War. Two black & white photos taken in 1999 of World War 2 memorial. One photo an enlargement of the other. The memorial includes a list of all these who served in World War 2 and sits in a garden bed. At the top of the list is a world globe showing Australia surrounded by Asia, at the base Remembrance is prominently written around the base. stawell ww2

Photos taken by their father, George Joosten, soon after their arrival in Australia in September 1956. Information as related to Glen Cosham on 31.01.2014Photograph of Ron Joosten and his two sisters, Vera and Yvonne, observing the crosses laid on the grassed area of Sinclair Parade, Port Melbourne, for Anzac Dayfamilies, memorials, war, george joosten, vera joosten, ron joosten, yvonne joosten

Hung in the public bar of the Rose and Crown Hotel in Bay Street soon after the 2nd World War until major renovations were carried out in aprrox 1986/7. It was then returned or donated to the Port Melbourne Sub-Branch of the RSL, but due to diminishing membership they soon donated it to the PMCC for safe keeping or display. It was kept in storage by the Council until 1994, when it was donated to PMH&PS by Council, just prior to its dissolution.Large wooden decorative World War II honour roll (military) from Rose & Crown HotelAustralian Commonwealth Military Forces - Port Melbourne Roll of Honour - Lest we forget - plus list of names, with those killed marked with an asterixsocieties clubs unions and other organisations, memorials, war - world war ii, e russell, t jacobs, f brill, r thompson, d fisher, l thompson, t mckenzie, a smith, c kerr, f gill, a nugent, f hart, l dobson, w davis, o v ward, a levier, w levier, d ferguson, b ferguson, h duggan, w smith, e miller, j hall, f bushell, s payne, g hall, j melia, f f cunningham, a g w beaumont, d mckenzie, b copeland, d j mcauley, j dunn, j j sullivan, r blacker, l r mcleavy, f dowling, business and traders - hotels

Ill, p.103.non-fictionA pictorial history of the USS Arizona memorialworld war 1939-1945 - memorials, uss arizona

Display was constructed by the Rutherglen Historical Society for the 100th anniversary of ANZAC Day. Each poppy represents one soldier. Those who returned and are buried at the local cemetery are shown at the top. The remainder represent those from the district who died overseas during the War.Wire mesh panel with an arrangement of knitted and crocheted poppies, each with a name attached, to commemorate World War 1 soldiers from the Rutherglen district.At top of display: "ANZACs at Rest in Carlyle Cemetery" Below the third row of poppies: "They didn't Come Home"world war !, world war i, anzac, memorials, poppies

Carved by chainsaw artist John Brady August 1998.Colour photograph of the most westerly chain saw carving made from trunk of WW1 Memorial avenue cypresses. On lawn verge, south of Princes Highway, opposite Bellevue, Lakes Entrance Victoriaworld war 1914-1918, memorials

Date made February 1998Simson and his donkey , Situated on southern side of Esplanade opposite Bellevue, Lakes Entrance Victoriaworld war 1914-1918, memorials

Carved by chainsaw artist John Brady, September 1998.Colour photograph of the most eastly of the three sculputres carved from WWI Memorial Avenue adjustant to the western Hharbour Esplande Lakes Entrance Victoriaworld war 1914-1918, memorials

Colour photograph of sculptures carved from WW1 Memorial Avenue cypress trees, Lakes Entrance Victoriaworld war 1914-1918, memorials

Colour photograph of sculptures carved from WW1 Memorial Avenue cypress trees, Lakes Entrance Victoriaworld war 1914-1918, memorials

Carved by John Brady, chainsaw artist.Colour photograph of first sculpture carved from WW1 Memorial Avenue cypress trees of WW! Digger carved by John Brady , Lakes Entrance Victoriaworld war 1914-1918, memorials

Carved by chainsaw artist John Brady.Colour photograph of sculptures carved from WW1 Memorial Avenue cypress trees, Lakes Entrance Victoriaworld war 1914-1918, memorials

Colour photograph of sculptures carved from WW1 Memorial Avenue cypress trees, Lakes Entrance Victoriaworld war 1914-1918, memorials

Colour photograph of sculptures carved from WW1 Memorial Avenue cypress trees, Lakes Entrance Victoriaworld war 1914-1918, memorials

Second copy taken 2008 shows changed colour scheme of exterior, decking with handrail added, shrubs established. Situated at rear of Tourist Information Centre, at no. 1 Esplanade.Colour photograph of the Lakes Entrance Historical Society's History Centre, Marine Parade. Photogrpaph shows building on site, soon after removal from Johnsonville school gound in 1999. Lakes Entrance Victoriaworld war 1914-1918, memorials, room display

Colour photograph brick wall with plaque explaining establishment of forecourt at Lakes Entrance WW1 Memorial on Esplanade. Lakes Entrance Victoriaworld war 1914-1918, memorials

Also second photograph similar viewBlack and white photograph group ladies at wreath laying ceremony at WW1 Memorial at Lakes Entrance, Victoria.world war 1914-1918, memorials

Black and white photograph group ladies at wreath laying ceremony at WW1 Memorial at Lakes Entrance, Victoria.world war 1914-1918, memorials

Black and white photograph group ladies at wreath laying ceremony at WW1 Memorial at Lakes Entrance, Victoria.world war 1914-1918, memorials

Men identified as Ron Wood, and Buzzy Eaton, article appeared in L P Newspaper, page 1, 12 March 1992.Black and white photograph of two men holding contents of time capsule found during removal and relocation of WW1 Memorial, from foreshore on Esplanade, to Marine Parade, Lakes Entrance, Victoria.world war 1914-1918, memorials

Article appeared in Lakes Post Newspaper page 1, 12 March 1992, names of men unknown.Black and white photograph two workmen with rope and slings to move the WW1 Memorial, from foreshore on Esplanade to new site at Marine Parade, Lakes Entrance, Victoria.world war 1914-1918, world war 1939 - 1945, memorials

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A circular pressed tin fundraising badge showing an armed soldier advancing through a rocky landscape. The soldier’s head is bandaged and spots of red indicate that the soldier has sustained wounds to the head and hand. The badge bears the word ‘Copyright’ on the border.Lest We Forgetpatriotic buttons, first world war (1914-18), numismatics, lest we forget, world war one, wwi, memorials