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The Beechworth Burke Museum
Animal specimen - Merlin
This Merlin specimen is large for the falco columbarius species. It is brown and white in colouring which suggests that this particular specimen is female. This is because male Merlin's are usually blue, black, silver or grey. This species is predominantly found in the Northern Hemisphere. They are small, fast and highly skilled in hunting. The Merlin is generally a solitary bird outside of the mating season when it will socialise with other Merlins. The Merlin will consume smaller birds, mammals and bugs. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Merlin has a medium brown back with light brown and white speckled chest. The edges of her wings are dark brown and underneath her tail is white but also patterned in spots of light brown. It's bright yellow eyes are framed by tan coloured feathers and elaborate spotted patterns throughout it's body. Her small hooked beck ranges from orange to dark brown and feet are a faded yellow.Swing tag: 28 / Merlin / Catalogue, page 6 / Other swing tag: 56 / Falco / Cesalon Metal tag: 4033 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, northern hemisphere, falcon, falco columberius, merlin, pigeon hawk -
Melbourne Legacy
Newspaper - Article, Boats tops with kids, 1977
An article from an album of press clippings the relate to Melbourne Legacy in 1977. The photos and text show junior legatees were treated to a day on the water from the yachtsmen of Westernport, Somers and Merricks Yacht clubs. They queued for rides in Mirrors and Flying Dutchmen. One photo shows Junior Legatee Wayne Cowards on the trapeze of a Flying Dutchman. The boys were attending a legacy camp at Somers and the girls were at the Legacy Camp at Kew. The items were cut from the newspaper and pasted into a scrapbook with brown pages. For many years Legacy kept scrapbooks of press clippings that related to their work and publicity. Not all pages have been scanned but some are listed from 02164 to 02176.A record of outings and experiences that were provided for junior legatees and were published in the press in 1977.Newspaper article of Operation Float in 1977 pasted to brown page of a scrapbook.operation float, junior legatee outings, camp -
National Wool Museum
Textile - Quilt, 1940-1959
This small woollen suiting wagga was machine stitched, backed with orange cotton and edged with brown navy and white striped braid. It shows how important old and disused suiting fabric was for quilt making during World War Two. Part of the Running Stitch collection.Small woollen suitings wagga. It is machine stitched, backed with orange cotton and edged with brown navy and white striped braid. Two rows of orange braid and purple ric rac are stitched across the wagga.handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history, world war two, wwii -
The Beechworth Burke Museum
Geological specimen - Brown coal
This particular specimen was recovered from the Lal Lal Coal and Iron Mine in Victoria, 19km from Ballarat. Brown Coal was discovered here in 1857, just alongside the Geelong to Ballarat Railway line. This discovery of lignite (brown coal) was the first in Victoria, which would bring important benefits to the region and state, both of which had previously been reliant on coal imports. In the 1860s, iron ore was found just 5km from Lal Lal, and the area was converted into an Iron Ore Mine. The Lal Lal Iron Mining Company took over operations in 1874, who then peaked iron production in 1884. This mine continued operations until June 1884, when the blast furnace was extinguished and never recommenced. The blast furnace at Lal Lal is considered one of the most important and highly significant sites ion early industrial history in Australia, as it is the only remaining best furnace from the nineteenth century in the Southern Hemisphere. The furnace ruins are 17 metres high, and are clearly visible today on Iron Mine Road, Lal Lal, near the Bungal Dam. This specimen of Lignite (brown coal) is significant, as it was mined from the area where brown coal was first discovered in Victoria, leading to an important and controversial future of the mining and use of brown coal in this State. The Victorian Heritage Database has listed the Lal Lal Coal Mine with local significance, with their Statement of Significance stating: "The Lal Lal coal mine is historically significant as the site of the first discovery of lignite (brown coal) in Victoria, and one that promised important benefits to regional and state industries that were reliant on coal imports at the time. The significance of the stie is reduced by the poor state of preservation of the coal mining and processing fabric". This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A hand-sized light-weight, soft and combustable sedimentary rock specimen, that is dark brown in colour. The specimen has jagged edges, as though parts of the rock have crumbled away. Brown coal, or Lignite, is formed naturally from compressed peat, and is typically found in natural basins. The stages to the formation of coal ('coalification') begin with plant material and wood, which will decay if it is not subjected to deep burial or heating, and turn into Peat. Peat, when sufficiently compressed naturally, will turn into Brown Coal (Lignite), and finally into Black Coal (sub-bituminous, bituminous and anthracite). Each successive stage has a higher energy content and lower water content. It is brownish-black in colour. Brown Coal has a high moisture content, between 50 and 75 percent, and a low carbon content. Some Brown Coals may be stratified, with layers of plant matter, which means little coalification has occurred beyond the peat natural processing stage. When Brown Coal is submerged in dilute nitric acid or boiling potassium hydroxide solution, it reacts to produce a reddish solution, of which higher-ranked coals do not. When brown coal is pulverised and burned in boilers, the steam is used to drive turbines, which generates electricity. It is the lowest rank of coal, as when burned, it creates a relatively low heat content, which in turn does not create a great output of steam. burke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, mineralogy, brown coal, brown coal specimen, lignite, lal lal, lal lal coal mine, lal lal iron mine, ballarat, blast furnace -
Bendigo Military Museum
Photograph - PHOTOGRAPHS FRAMED, THE KOKODA TRAIL, Unknown
The description outlines the the Kokoda Campaign from July 1942 to November 1942. The track is 96 K’s or then it was 60 miles over the Owen Stanley Ranges in New Guinea. Australian casualties were 625 KIA, 1600 WIA and a huge 4,000 casualties due to illness. Over the years there has been many discussions as to whether it is a “trail” or a”track”. This item is on display in the Bendigo District RSL Havilah Road.Framed series of photos 13 in all re the Kokoda Track Campaign in New Guinea in 1942. Photos are set in a green background with each photo having a yellowish border. A rising Sun Badge is center near the bottom. At the bottom is a text description of the campaign.brsl, smirsl, bdrslinc, kokoda -
Kilmore Historical Society
Book, WHITCOMBE'S FEDERAL GEOGRAPHY, c1920
School text, Grade 8 geographyGrey cover, stained & torn, brown paper cover, pages torn & ink-marked. 160pp. Fair conditionnon-fictionSchool text, Grade 8 geographychildren, textbook, glanville, geography -
The Beechworth Burke Museum
Animal specimen - Long-Eared Owl, Trustees of the Australian Museum, 1860- 1880
The Long-eared owl is one of the most widely distributed and most numerous owl species in the world. It is a rather slim and long-winged bird with usually prominent erectile ear tufts, which are positioned closer to the center of the head than in many other types of owl. Long-eared owls prefer open landscapes with groups of trees, hedges or small woods, as well as pastureland with rows of trees and bushes, any type of forest with clearings, forest edges, semi-open taiga forest, swampy areas and bogs, orchards with old fruit trees, parks, even gardens and timbered areas in villages, towns or cities. In many parts of the world, Long-eared owls have even adapted to deserts, though more commonly semi-desert, and may nest and roost in available oases and hunt prey over the open desert ground. This particular specimen has been mounted in a correctly stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Long-Eared Owl is a rather slim, long-winged bird with prominent erectile ear tufts. The coloration of this Long-eared Owl is a hue of ochraceous-tawny with a brownish wash. The wings, back and chest are patterned and the facial disc is visibly well developed and light brown in colour. The ear tufts are dusky in front and darter tawny on the back. This Long-eared owl possesses a light-coloured bill and its eyes are yellowish-orange. The specimen stands upon a wooden platform. Swing tag: 33 / Virginian / Bee-boo Owl / Catalogue, page 52 / Other tag: No 19 / STRIX Virginian / N. America / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, long-eared owl -
Tatura Irrigation & Wartime Camps Museum
Metal Can, 1940's
Made and used by internees at Camp 3.Round galvanised iron can with 2 handles?? hen 29 on brown tape on the lidcamp 3 metal work -
Bright & District Historical Society operating the Bright Museum
Book, MacGregor Polson and Co, The Holy Bible
Self interpreting bible. Cover embossed and gilded. An illustrated editionOn spine, Brown's bible, Cooke's notesbible, book, religion, christianity -
Clunes Museum
Domestic object - BREAD AND BUTTER PLATE
A WHITE CHINA BREAD AND BUTTER PLATE WITH BLUE FLORAL TRANSFER PATTERN ON THE BOTTOM WRITTEN IN BROWN INK: 2951bread and butter plate, plate -
Rutherglen Historical Society
Microfiche, Births Register Index
small sheet of film 1894 AUSTIN J TO 1894 BROWN Abirth, family, register -
Rutherglen Historical Society
Microfiche, Births Register Index
small sheet of film 1894 BROWN A TO 1894 CONGDON Ebirth, family, register -
Bendigo Military Museum
Memorabilia - MEMORIAL SCROLL, FRAMED, Post WWI
The scroll is part of 3 items sent to widows/families etc of those who never came home. Refer 399.2, 419, 655.3, 398P, 875. Memorial scroll rectangular, yellowish background. At top is a 'Coat of Arms' crown, lions, unicorn. Letters 'GV' 'RI' at top. The scroll commemorates those who made the supreme sacrifice. Individual space at bottom for name written in red. The frame is black with gold edging."2/Lieut William Edwin Cook Yorkshire Regt"documents-memorials, frames, military history - army -
Coal Creek Community Park & Museum
Honour Roll, Korumburra South and District Honour Roll
List of WWI volunteers from Korumburra South and districtOne of the few remaining historic items from Korumburra South.Honour roll of cardboard mounted photographs with painted text, glazed and in a brown wooden frame. 1914 1918. Honour Roll. In Honour of the Volunteers of Korumburra South and District. A. Brown, C. Dawes, E. Jones, S. Whitworth, F. Hastings, G. Dawes, C. Dawes, L. Dobson, T. Morgan, A. Hastings, H. Wentworth, A. Le Maitre, J. Garrett, G. Dawes, D. Friday, A. Garrett, G. Ramage.korumburra south, wwi, honour roll -
Flagstaff Hill Maritime Museum and Village
Painting - Maritime painting, The La Bella, 1980s
This painting of the “La Bella” is associated with Flagstaff Hill’s collection of artefacts from the wreck of the “La Bella”. It was painted around the 1980s by maritime artist Philip J. Gray. Some 15 – 17 ships are believed to have sunk in Lady Bay, but only two have been discovered on the seafloor; the “La Bella” and the “Edinburgh Castle”. Both wrecks are popular diving sites and are preserved as significant historical marine and marine archaeological sites. The Kosnar Picture Framing and Mirrors Shop identified the "GRAY 3135, Y04/111" as their job number for the framing and said that the label "ANOTHER KOSNAR FEATURE" was last used before about 1990. About artist Philip J. Gray “Philip is one of Australia’s leading maritime artists and his meticulous research and social commentary paintings of ships, such as, the Loch Ard and Schomberg form an important part of Warrnambool’s Flagstaff Hill Maritime Museum.” [Dr Marion Manifold, Artist and Art Historian, 2014] Philip James Gray was born in London but has lived most of his life in Australia. He graduated from a London school of art as an illustrator, specialising in technical and scientific illustration as well as other commercial and applied art. He was also a student for a time of Fyffe Christie - British figurative artist, mural painter and humanitarian – who had a great influence on his career. Philip has always worked as a professional artist and illustrator. Many publications on maritime history have featured his work. His paintings have been released and sold all over the world as limited edition prints. The State Library of Victoria’s ‘Latrobe Collection’ holds two of his paintings. His street painting of ‘The Ashes Contest’ decorates the brick wall of Old Bakery Laneway in Sunbury and a Sunbury café owner commissioned him to paint the ‘Sunbury Pop Festival’ as a remembrance of local history. Philip has been an active member of the Sunbury Art Society in Victoria for several years, serving on the committee for some of that time and being involved in exhibitions. He enjoys helping new artists and sharing his skills and experience. About the “La Bella” The wreck of the La Bella lies at the bottom of the Warrnambool Harbour in Lady Bay. Some 15 ships are believed to have been wrecked there but only two have been discovered on the sea floor; the La Bella and the Edinburgh Castle. Both wrecks are popular diving sites and are preserved as significant historical marine and marine archaeological sites. The story of the final voyage of the La Bella is summarised as follows … The ship from which the sailors were rescued was the three-masted, iron and steel barquentine the La Bella, built in Norway in 1893. She was one of two iron and steel ships by Johan Smith, the company being one of the leading shipping families in Tvedestrand, Norway. She was significant to Norwegian shipping, being one of only 27 iron and steel ships ever built in Norway. La Bella was registered in New Zealand and engaged from 1902 in inter-colonial trading of timber in the pacific, between New Zealand and Australia and was often in Port Phillip Bay, Victoria. On 5th October 1905 the twelve year old La Bella left Lyttleton, New Zealand carrying a cargo of timber bound for Warrnambool, Australia . She was manned by a crew of twelve: the Master, (Captain Mylius, previously 1st Mate of La Bella, appointed Captain to La Bella on 6th February 1903) 2 Mates, Cook, six able seamen, one ordinary seaman and a boy. Bad weather en-route caused her to shelter at Burnie on Tasmania's North West coast. On November 10th, the 37th day of her journey, La Bella approached Warrnambool. Captain Mylius steered her towards Lady Bay Channel in heavy south-west seas and evening mist. He ordered the helmsman to steer for the light. As the ship came round, a tremendous sea struck her on the port quarter, causing her to breach broadside in a north-westerly direction into breakers. The helm was brought round twice more, but each time heavy seas broke over her, the third time throwing the La Bella on to a submerged reef in Lady Bay now known as La Bella Reef (about 100 yards from the Warrnambool breakwater). The sea was so rough that it even wrenched a one-and-a-half ton anchor from its fastenings and into the sea. As Captain Mylius headed to the steel wheelhouse, intending to send up a rocket flare, a huge sea slammed the steel door into him (resulting in massive bruising front and back) Despite his injuries he still managed to set off a blue light, which he held up in his hands. La Bella’s lifeboats were filled with sea water and broke up on their chocks. The blue light was the first indication to people on shore that there was a ship in distress. The Harbour Master, Captain Roe (who lived in the Harbour Master’s House opposite Flagstaff Hill), organised a group of volunteers to crew the lifeboat because the trained crew was unavailable; the crewmen were working on a steamer in Port Fairy at the time. He then poured oil onto the water to try and smooth the sea. At around 11pm three of the crew took shelter in the steel forecastle but the sea crashed into it and broke it up. While the rest of the crew and onlookers watched helplessly in the moonlight the bodies were washed away into the sea, never to be seen again. Some of the crew lashed themselves to the weather rail to keep from being washed away. Watson, the ordinary seaman, became tangled in the rigging lines and was too weak to move, so the 2nd Mate, Robertson, put a line onto him so that he wouldn’t wash off. Around 11pm three of the crew were unconscious from exhaustion. The situation on La Bella was becoming dangerous. The 2nd Mate moved to the ‘house’ and soon afterwards the ship slipped in the heavy sea. The lashings of the 1st Mate and the ‘boy’ Denham had kept them safe until about 2am when they were washed overboard; no one was able to help. One by one, the exhausted crew were being washed overboard, too weak to hold on any longer. During the night the La Bella had broken into two and the deckhouse ran out towards the sea. Two more men drowned when trying to reach the lifeboat. By sunrise the only survivors of the twelve were the Master, 2nd Mate and three seamen. Early in the morning Captain Roe used the rocket apparatus on shore to try and shoot a line to the ship for a safer rescue but each attempt fell short of the target. Several attempts were made by the lifeboat to rescue the stricken sailors, but the rough conditions made this difficult for the boat to get close enough to the ship and the lifeboat had to return to shore. During a final attempt to reach the ship Captain Mylius ordered his men to jump into the sea. Leonard Robertson, 2nd mate, jumped and swam towards the lifeboat, taking hold of the boat hook offered to him. Oscar Rosenholme managed to reach the boat floating on a piece of timber from the ship’s load and a third survivor, Noake, also made the boat. Along with the lifeboat rescue crew, 25 year old William Ferrier rowed his small dingy through the heavy seas and managed to rescue the Captain, whom he landed on the breakwater. Ferrier then returned to the ship to attempt a final rescue, losing his oars and rowlocks into the high sea. Using just a spare paddle he skulled towards the La Bella, reaching her stern in time to cut loose the lone surviving sailor, Payne, from the lashing that held him to the ship; the terrified sailor dropped from the ship and into the dingy. Shortly after the last man was rescued, the La Bella was lifted by a huge wave and crashed back down on the reef; she broke up and sank. The ordeal had lasted ten hours. The survivors were taken to the nearby Bay View Hotel and gratefully received warm food and clothing, medical attention and a place to sleep. In the following days an unidentified body of a young person was washed ashore; it was either Watson or Denham. The body was buried in the Warrnambool cemetery with an appropriate gravestone and inscription. William Ferrier became a national hero as news of the daring rescue spread. In recognition of his bravery in the two daring rescues he was awarded the Silver Medal for Bravery by the Royal Humane Society and was honoured in the letter from the Prime Minister and the Parliament of the Commonwealth, telegrams and a cheque for £20 from the Governor General, over £150 subscribed by the public, including Warrnambool and district and readers of The Argus, and a gold medal from the Glenelg Dinghy Club of South Australia. Ferrier’s rescue efforts are one of the most heroic in Victoria’s shipwreck history. (William Ferrier’s son, Frank, received a similar award almost fifty years later, when he helped rescue four members of the crew on the yacht Merlan, after it ran on to a reef near the Point Lonsdale Lighthouse. ) The wreck of La Bella now lies on her port side in 13 metres of sheltered water inside the reef she struck. The bow section is relatively intact and part of the stern has drifted north-easterly towards the mouth of the Hopkins River. The reef the La Bella struck now bears its name. Those five rescued from the La Bella were Captain George Mylius, Leonard Robertson (2nd Mate, 21 years old), R. Payne, Oscar Rosenholme and Jack Noake. Those seven who lost their lives were Mr Coulson (1st mate), Charles Jackman (cook) Gustave Johnson, Pierre Johann and Robert Gent (all able seamen), Harry Watson (ordinary seaman) and Jack Denham (ship’s boy). Captain Mylius was found guilty of careless navigation; he had sailed into the bay without the services of a pilot. His Master Certificate was suspended for twelve months. Later he was also charged with manslaughter of one of the crew who had died when the La Bella was wrecked, but found not guilty. The event’s adverse publicity and damage to his career took a toll on his health and he died of a heart attack six months after the wreck; he was only thirty-seven. His body was buried in the Melbourne General Cemetery. The La Bella was “the best documented of all sailing ships owned in New Zealand”. Her record books, ship logs, correspondence and supporting papers are still available. At the time of the tragedy she was owned by Messers David C.Turnbull and Co. of Timaru, New Zealand timber merchants and shipping agents, who had purchased her on 13th December 1901. A detailed account of the last journey of La Bella can be read in “Leonard Robertson, the Whangaroa & La Bella” written by Jack Churchouse, published in 1982 by Millwood Press Ltd, Wellington, NZ.This painting of the La Bella by Philip J. Gray is part of the La Bella Collection and is significant at both a local and state level. Its connection to the La Bella shipwreck and the rescue of five survivors highlights the dangers of Victoria’s Shipwreck Coast. The painting connects with other objects and artefacts associated with the wreck of the La Bella. This painting is significant because of its association with the sailing ship “La Bella” . the “La Bella” is of local and state and national significance. It is one of the only two shipwrecks discovered in Lady Bay, Warrnambool, out of the 15-17 shipwrecks in the bay. Large framed painting of the three masted barquentine "La Bella" fully rigged. Painted by Phillip J Gray. A fine printed line squares off the painting. Beneath painting and line is a gold plate with black copper plate designating "La Bella" is encased in glass, surrounded by a silver-metal frame. Yellow and brown paper label is adhered to back of painting. Picture framed by Kosnar in Melbourne."The La Bella" on gold plaque Logo of "K" inside a brown square. "GRAY 3135, Y04/111", "ANOTHER KOSNAR FEATURE" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, painting, la bella, artist phillip j gray, maritime painting, lady bay warrnambool -
Port Fairy Historical Society Museum and Archives
Newspaper - Newspaper article
This photo was taken in Penshurst in 1903 which shows the late David Brown, late of Colerain Balmoral and his son, Albert, now residing at Gritjurk, transporting a load of sixty bales of wool from “Yat Nat Estate” near Balmoral to Port Fairy —a distance of 108 miles.Black and white photograph from a newspaper article with a large wool laden wagon with 14 bullocks yoked up The above photo was taken in Penshurst in 1903 which shows the late David Brown, late of Colerain Balmoral and his son, Albert, now residing at Gritjurk, transporting a load of sixty bales of wool from “Yat Nat Estate” near Balmoral to Port Fairy —a distance of 108 miles.transport, rail, road, bullocks, wagon, carrier, penshurst, balmoral, albert brown, david brown, wool bales, yat nat estate, gritjurk -
Bendigo Military Museum
Memorabilia - CERTIFICATE OF BURIAL, Post WW1
William Edwin Cook, KIA. Refer 401, 419, 655.3, 398P, 875..1) Photo, sepia color, Grave of 2nd Lieut W. E Cook, white lettering on corner "BFQ 20" .2) Folder yellowish in color with space for a photo, inside details of W. E Cook, Regt and place of Burial by Imperial War Graves Commission.Cook 2nd Lieut W.E Yorkshire Regt Buried Valenciennes Mil Cemetery E.tnphotograpy - photographs, memorial, documents - certificate -
Trafalgar Holden Museum
Container - S & H Harris's Saddle paste, Circa 1900
This item was used in the care and maintenance of leather harness and saddlesImported and retailed by Holden and frost Ca 1900Circular yellow tin with inscribed lidS & H Harris's saddle paste for Saddles Brown harness and ll kinds of Brown leather followed by instructions for useleather, paste, cleaner -
Whitehorse Historical Society Inc.
Document, Notice Paper, 1972
Notice paper, invitations and entree cards for the joint special meeting of the Box Hill City Council and the Nunawading City CouncilNotice paper, invitations and entree cards for the joint special meeting of the Box Hill City Council and the Nunawading City Council to commemorate the 100th anniversary of the proclamation of the Shire of Nunawading on 5th May 1972, also list of names attending. Invitations issued to Councillor N. H. Webster and to Mr & Mrs J. H. Brown.Notice paper, invitations and entree cards for the joint special meeting of the Box Hill City Council and the Nunawading City Councillocal government, city of box hill, city of nunawading, shire of nunawading -
Bendigo Military Museum
Document - TRAINING NOTES, Brief for 3 Div Staff Officers Course, 3 Mar 73
The topic of the notes is 'Dumping'. Dumping is the placing on the ground of stocks over and above those normally held. The term 'dumping' usually applies to combat zones. Part of the Kevin John Herdman, No. 397661, Collection. See Catalogue No. 5942P for details of his service record.Cream coloured foolscap sized manila folder containing pages of notes in black type. Title and name of author on front cover. Each is printed on brown dymo tape. Pages secured to folder with an adjustable metal fastener.On front cover in brown dymo tape: “BRIEF FOR 3 DIV STAFF OFFICERS COURSE, 3 MAR 73” On bottom RH corner of cover in dymo tape: “CAPT. K. J. HERDMAN”.dumping, training notes, kevin john herdman -
Falls Creek Historical Society
Map - Falls Creek Alpine Resort Map
Julian Newton-Brown arrived at Falls Creek in 1957. He had studied Pharmacy at Melbourne University. After developing a love for the mountains, Julian moved to Mt. Beauty and then Falls Creek. He worked for the SEC in the test laboratory at Rocky Valley reading weather instruments. By working several jobs, Julian was able to build a small lodge of 10 beds named “Arundel”, located at 18 Slalom Street, Falls Creek. The lodge is now the “Elk at Falls”. Arundel prospered and Julian extended it to include 32 beds and changed its name to "Julian’s” in 1961. When alcohol restrictions were eased in Falls Creek, Julian built a night club which he called “Big Julian’s” and later “THE MAN”. When Julian and his wife Beth retired and left Falls Creek, their son took over running the lodge. An active community man, Julian was a member of the Falls Creek Chamber of Commerce, a member of the SES, a stakeholder in Falls Creek, an author and a documentary maker. Julian Newton-Brown died in May 2020.This map is significant because it contains an image of Falls Creek Alpine Resort.A black and white map of Falls Creek Alpine Resort Map featuring a photo taken by Julian Newton Brown. A numbered legend is included at the bottom right corner.dawn ski club, accommodation falls creek, lodges falls creek, tom mitchell -
St Kilda Historical Society
Ephemera - Invitation, Private Opening, 1923
Invitation card for the private opening of the Wattle Path Palais & Cafe, on the Esplanade, St Kilda, on 30 October 1923. The event was written up in The Argus newspaper the next day as follows: WATTLE PATH PALAIS OPENED. Five thousand persons were present at the "private opening" last night of the Wattle Path Palais and Cafe, St Kilda esplanade. The mayor of St Kilda (Councillor Allan) welcomed the guests on behalf of the management. The floor, 190ft. x 90ft, is claimed to be the largest specially constructed for dancing in Australia. There was much to admire in the colour tones, which blended brown, blue, and gold harmoniously, while soft lighting effects came from old gold georgette and crepe-de-chene lamp shades. A good band was provided. Sixty-five loges are available for parties of dancers. A feature of the building is the open-air pagoda, in which free band concerts are to be given on Sundays.White card, discoloured with age, printed in brown with teal profile in background.wattle path palais & cafe, palais de danse -
Melbourne Tram Museum
Photograph - Football team, Brighton - Glen Huntly V Clifton Hill, 17/5/1933
Photograph of the Victorian Football Tramway Association, Brighton - Glen Huntly team at its match against Clifton Hill on 17/5/1933. Includes 18 players with other men in the background. The team members are named: Back row, left to right – R? Haughton, ? Carter, J Swallwell, L Mitchell, J Cosson, N Capp, T Barber, W Eccles Centre row, left to right – J Brown, Huston, Chandler, J Loftus, J Lawley (vice captain), N Boucher Front row, left to right – G Slade, J Richards (captain), W J Sheldon, H Bird Clifton Hill won the match, 14.18.102 to 2.5.17 – Brighton’s goal kickers were Slade and Chandler. Best players on the Brighton side were Haughton, Slade, Loftus, Richards, Barber and Bird. See item 7056 for a Life Membership Certificate presented to Mr Boucher in 1947.Demonstrates a photograph of a VFTA football team.Black and White photograph mounted onto a sheet of embossed brown cardboard.Handwritten details on rear in ink.sports, vfta, football, n c boucher -
The Beechworth Burke Museum
Animal specimen - Pacific Black Duck, Trustees of the Australian Museum, 1860-1880
The Pacific Black Duck is also known as the Grey Duck in New Zealand. Despite these names, the plumage of the bird is brown in colour with the occasional cream and small amount of black. This species of Duck is located in all of Australia with the exception of the most arid zones. They can also be found throughout the Pacific region. The Pacific Black Duck resides in a range of different habitats that have some sort of water. These birds feed on aquatic plants, crustaceans, molluscs and aquatic insects. To catch their food, these birds plunge their heads and necks under the water with their rear raising above the top of the water. This technique is termed "dabbing". This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Despite its name, the Black Duck is largely brown in colouring. It has a mixture of light brown and cream plumage on the neck, face and stomach. The wings and rear of the duck are a darker brown. Each brown feather is bordered with a cream colour which separates the feathers from each other. The top of the head is also dark brown and there is a darker stripe of black colour horizontally on either side of the eye. The specimen has two brown and black glass eyes and a black bill. The legs and webbed feet are a dark brown and black colour. Tied around the left leg is a paper identification tag. The number 134 is inscribed on the left side of the wooden platform on which the bird is standing. This specimen is stocky.3a. / Australian Wild Duck / See Catalogue, Page 38. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, duck, pacific black duck, grey duck, australian duck -
Bendigo Military Museum
Currency - CURRENCY, ASSORTED, estimated date 1939 to 1945
In the collection belonging to H.J.B.Burrell BEM MM VX 59659. Refer 290, 296.2P, 297.2P, 298.4.Bank notes from Asian Countries .1) 10 Yen, blue/green colour. .2) One Yen, yellowish, red. .3) One Yuan China, reddish colour. .4) One pound, Japanese Govt., bluish colour. .5) Ten dollars Blueish colour. currency, notes, japanese, chinese -
Bendigo Military Museum
Certificate - CERTIFICATE, LIFE MEMBERSHIP 1947, FRAMED, 8/5/47
Doctor HAROLD ROBERT CATFORD was the first to be made a Life Member of the Bendigo RSL Sub Branch. The certificate was signed on the 8th Day of May 1947. He was first elected to Committee of the Bendigo Branch in 1918 and retired after 29 years at the AGM 1947 serving the whole time as Vice President. Doctor Harold Robert Catford enlisted as a Captain on 23.6.15 age 41 years and attached to HQ 29th Batt AIF. Embarked for overseas 10.11.15, transfer to 8th Field Ambulance 6.10.16. At various times he was attached to 5th Div Ammunition Column and 2nd A.C.C. Station, promoted to Major 24.8.17. He returned to Australia on 26.9.17 for personal reasons and his appointment in the AIF was terminated on 11.12.17. from 1.1.18 he was RMO to several military units including the 38th Batt in Peace time. Promoted to Lt Col on 19.4.23, placed on the AAMC reserve list 30.1.30 and then the retired list 30.1.1934. Life membership certificate of the Bendigo RSL awarded to Dr HR Catford. Certificate is set in a yellowish cardboard frame inside a silver wooden frame. The certificate is in colour with a red seal and signatures of Federal President and Secretary of the RSSILA. A set of WWI ribbons has been placed in the frame.brsl, smirsl, life membership -
Melbourne Tram Museum
Document - PTC Road Motor Fleet Vehicle Usage Record, Public Transport Corporation (PTC), c.1990s
Used to log vehicle mileage, condition, fuel use and driver hours of road motor vehicles by the PTC.Logging documentation belonging to a now-superceded transit agency (since the 1990s).A set (3 pages in total) of yellowish sheets of printed paper. A serial number (2440/89) is printed on the bottom right corner. The forms are printed like spreadsheets with boxes dedicated to different categories of information. They have an exposed adhesive spine desiged to tear pages off easily.public transport, ptc, public transport corporation, buses -
Churchill Island Heritage Farm
Clothing - Seal Fur Stole, c. late 1800s
Lined with brown silk 189.5 x 13.3cm After European settlement in 1788 Australian Fur Seals were hunted intensively from 1798 until 1825 for meat, oil and their skins. The growing Industrial Revolution called out for oil which was readily sourced from seals along with their valuable fur. Indigenous people had been sustainably harvesting seals for their meat and their skins .and the European sealers often coerced or kidnapped Aboriginal women for their knowledge of hunting seals. After 1825 the seal population had been decimated and therefore the hunt was no longer economically viable, but it wasn’t until 1923 that the Australian Government legislated to stop the hunting of seals altogether. In the time of the Amess family residence on Churchill Island it was perfectly legitimate to shoot any seal that interfered with fishing and furs were tanned and lined with fine fabrics to create items of apparel. Seal fur has a soft velvety feel when stroked in the direction of growth. This stole being quite narrow compared with the length would have been wrapped a few times around the shoulders and being lined with silk would have felt quite luxurious. This seal fur stole was owned by Janet Amess (nee Straughan), wife to Samuel Amess and owner of the Churchill Island Farm from 1872 - 1929. She passed this item through the generations until it reached the donor, Unity.Band of seal fur backed and trimmed with brown silk.seal, fur, janet, frances, jane, amess, churchill island, clothing, 19th century, stole, fashion -
Yendon History Group
Tennis Pennant
Triangular pennant, laminated. Red felt with yellow printing. Inscription in black.B3 GRADE / 1987 - 88 / YENDON BROWNbuninyong tennis association, yendon tennis club, premiers -
Bendigo Art Gallery
Painting, Paul Borgmann, The Bawler, circa 1888
Signed, l.l., brown oil "P. Borgmann"