Copy of original black and white sketch by Stan Thomas, Specimen cottage 1856 Hargreaves Street, Bendigo Paper mounted on cardboardStan Thomas artist

Index, bibliography, notes, ill, maps, p.725.non-fictionDrawing on an unprecedented variety of sources, Mark Mazower reveals how the Nazis designed, maintained, and ultimately lost their European empire and offers a chilling vision of the world Hitler would have made had he won the war.germany - history - 1933-1945, national socialism - germany

Index, ill, maps, p.312.non-fictionDrawing on a wealth of material from the Imperial War Museum Sound Archive, this book presents the words of both rescued and rescuers an intimate and dramatic account of what Winston Churchill described as a 'miracle of deliverance'.battle of dunkirk - 1940, world war 1939-1940 - personal narratives - britain

Index, ill, p.486.non-fictionDrawing material from the Imperial War Museum's extensive aural archive, Joshua Levine brings together voices from both sides of the Blitz and the Battle of Britain to give us a unique, complete and compelling picture of this turbulent time. We hear from the soldiers, airmen, fire-fighters, air-raid wardens and civilians, people in the air and on the ground, on both sides of the battle, giving us a thrilling account of Britain under siege. With first-hand testimonies from those involved in Dunkirk and the Battle of Britain, Black Saturday on 7th September 1940 when the Luftwaffe began the Blitz, to its climax on the 10th May 1941, this is the definitive oral history of a period when Britain came closer to being overwhelmed by the enemy than at any other time in modern history.battle of britain 1940 - personal narratives, the blitz

Index, bibliography, notes, ill, maps, p.580.non-fictionPeter FitzSimons, Australia's most beloved popular historian, focuses on one of the seminal moments in Australian history: the Battle of tobruk in 1941, in which more than 15 000 Australian troops - backed by British artillery - fought in excruciating desert heat through eight long months, against Adolf Hitler's formidable Afrika Korps. During the dark heart of World War II, when Hitler turned his attention to conquering North Africa, a distracted and far-fl ung Allied force could not give its all to the defence of Libya. So the job was left to the roughest, toughest bunch that could be mustered: the Australian Imperial Force. the AIF's defence of the harbour city of tobruk against the Afrika Korps' armoured division is not only the stuff of Australian legend, it is one of the great battles of all time, as against the might of General Rommel and his Panzers, the Australians relied on one factor in particular to give them the necessary strength against the enemy: mateship. Drawing on extensive source material - including diaries and letters, many never published before - this extraordinary book, written in Peter FitzSimons' highly readable style, is the definitive account of this remarkable chapter in Australia's historyworld war 1939 – 1945 – campaigns – north africa, siege of tobruk

Bibliography, Index, Chronology, ill (plates, col, b/w) maps. p.452.non-fictionFrom longbow, pike, and musket to Challenger tanks, from the Napoleonic Wars to the Gulf campaign, the Duke of Marlborough to Field Marshal Montgomery, The Oxford Illustrated History of the British Army recounts the history of the British army from its medieval antecedents to the present day. Drawing on the latest scholarship, this survey shows how British fighting forces have evolved over the last five centuries. The continuities revealed are sometimes surprising: narrow recruitment patterns, friction between soldiers and civilians, financial constraints and recurrent political pressure for economies are constant themes. Commanders, campaigns, battles, organization, and weaponry are covered in detail within the wider context of the social, economic, and political environment in which armies exist and fight. The British army has been remarkably successful in fighting terms, losing only one major war (of American Independence 1775-83). As one of the engines of empire it has been active all over the world, as well as shaping the internal destiny of the nation in civil war and revolution. Its history is charted in a sequence of chronological chapters, each containing special feature articles, beginning with the medieval, Elizabethan, and Restoration army and moving on through the eighteenth and nineteenth centuries to the two world wars of the twentieth. The book concludes with accounts of the army of British India, the amateur military tradition, the British way in warfare, and an assessment of what the future may hold in the light of the Options for Change review. Extensively illustrated in black and white and colour, and with a detailed chronology and further reading lists, this is the definitive one-volume history of the British army for specialists and non-specialists alike.great britain - military history, great britain - military tradition

p.426fictionThe year young Australians sailed off to war in high hopes of adventure, only to find themselves faced with disaster. The tragedy and violence of Gallipoli provide the climax to this very personal, moving and surprisingly romantic story. With remarkable skill and in achingly beautiful prose, Roger McDonald takes the reader on an archetypal Australian journey which parallels the nation's progress from its country childhood, through the adolescent exuberance of its young cities, to initiation on one of the world's ancient battlefields. It is a vital journey, haunted by menace and disillusionment, one embedded in our national mythology. This astonishing first novel, published to great critical acclaim in 1979 and since then selling over 100,000 copies, tells the story of two boys from the bush, the thoughtful and awkward Walter and his knowing friend Billy Mackenzie, and their girls Frances and Diana. Together they discover a future which seems full of promise, drawing them into the exciting turmoil of passion and war. But theirs is a fateful alliance, in a world all too quickly passing, with an outcome they never could have foreseen.gallipoli campaign - fiction, world war 1914-1918 - fiction

Index, bibliography, notes, ill, p.349.non-fictionSurprisingly, as we near the 100th anniversary of the legendary Gallipoli campaign, this is the first book solely dedicated to one of its key battles - that at Lone Pine, where Australian and Turkish soldiers fought an ultimately futile battle that claimed thousands of lives in incredibly close quarters. Seven Victoria Crosses were earned by Australia's Anzacs in the intense four days of fighting, in pursuit of a flawed strategy to distract Turkish forces from larger incursions, which themselves failed. David W. Cameron has pulled together first-hand accounts from the men and women involved (including from the Turkish army) to detail what transpired and to follow some of their personal stories throughout the ordeal. By including the stories of non-combatants, such as engineers, nurses, sappers, commanders and more, he not only gives due credit to those who labored in support of the troops, but provides a wider understanding of the mammoth undertaking of such warfare. Many Australians travel to the Lone Pine Memorial and Cemetery each year to commemorate Anzac Day and remember the fallen - this work of popular history highlights the fate of those who fought on the very ground where they gather. Most Australian have heard of Lone Pine. Too few know why. Over four days in August 1915, Australians and Turks were thrown into some of the fiercest fighting of the war, on a small plateau in Gallipoli known as Lone Pine. Thousands of lives were lost. Seven of Australia's nine Gallipoli VCs were earned during brutal hand-to-hand combat in dark tunnels and in trenches just metres apart, bombarded by terrifying volleys of grenades. The Battle for Lone Pine is the first book devoted to this cornerstone of the Anzac legend, drawing on unforgettable first-hand accounts scratched into diaries and letters home. The stories of the diggers, as well as the engineers, nurses, sappers, commanders and more, provide an invaluable record of the battle and serve as moving testimony to their courage in appalling conditions. Today, pine trees are planted in remembrance around Australia. In Gallipoli, the Lone Pine Cemetery and Memorial attracts large crowds to commemorate Anzac Day. David W. Cameron's absorbing history reveals the fate of those who fought on the ground where they gather. 'David Cameron not only leads the way for the battalions of books on Australia in World War I to come in the next six years, he sets a standard for authors to emulate'world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - battles - lone pine

Index, bibliography, notes, ill, maps, p.497.non-fictionOn a wet afternoon in September 1938, Neville Chamberlain stepped off an aeroplane and announced that his visit to Hitler had averted the greatest crisis in recent memory. It was, he later assured the crowd in Downing Street, 'peace for our time'. Less than a year later, Germany invaded Poland and the Second World War began. This is a vital new history of the disastrous years of indecision, failed diplomacy and parliamentary infighting that enabled Nazi domination of Europe. Drawing on previously unseen sources, it sweeps from the advent of Hitler in 1933 to the beaches of Dunkirk, and presents an unforgettable portrait of the ministers, aristocrats and amateur diplomats whose actions and inaction had devastating consequences.great britain - politics and government - 1936-1945, great britain - diplomatic history

Index, bibliography, notes, p.329.non-fictionPost-traumatic stress disorder increasingly afflicts veterans of modern warfare. To begin healing, says Edward Tick, we must see PTSD as a disorder of identity itself. War's violence can cause the very soul to flee and be lost for life. Drawing on history, mythology, and thirty years of experience, Dr. Tick reveals the universal dimensions of veterans' soul wounding. He uses methods from ancient Greek, Native America, Vietnamese, and other traditions to restore the soul so that the veteran can, at last, truly return home. His work is invaluable for veterans of any war as well as for their families and all who would help thempost traumatic stress disorder - treatment, veterans - mental health - united states

Ill, p,253.non-fiction'Packed with fascinating facts, this volume contains incredibly detailed cutaway drawings of arguably the greatest fighter aircraft ever flown. Each drawing examines what's 'under the skin', clearly showing 'the inside story' - airframe structure, cockpit components, engines, fuel tanks, avionics, machine guns and cannon, missiles and bombs - revealing how the fighters were built, and the weapons they have carried into combat. Each significant component is given a number and is identified in an accompanying key. Moreover, together with stunning photographs, as well as detailed specifications, the absorbing in-depth development histories provide avid aviation enthusiasts all the information they could wish for about the most exciting warplanes spanning almost a hundred years. The aircraft themselves vary tremendously, from simple, wooden-framed, fabric-covered machines with open cockpits, often firing machine guns through whirring, propellers, to super-fast, highly maneuverable, sophisticated and stealthy fighters armed to the teeth with multi-barrel cannons and missiles that can destroy enemy aircraft from beyond visual range. In between are featured a host of combat-proven fighters, many of which have recorded a plethora of 'firsts' - first jet warplane, first supersonic fighter to enter service, first Mach 2 and even Mach 3 interceptors, first tail-less delta machine, first sweeping-wing machine, first missile-armed fighter, and many more. It is certainly an extraordinarily wide-ranging subject presented in such a fantastically individual manner that it is difficult to imagine a more striking volume in aviation publishing.fighter planes - history, fighter planes

Ill, p.176.non-fictionFlying allied carrier aircraft of World War Two illustrated with cutaway and cockpit interior drawingsworld war 1939-1945 - aerial operations, carrier based aircraft

A grey soft covered book titled 'Seven Painters. An Introduction to Pictures by A. C. Ward.' On front cover book titled 'Seven Painters.' The seven painters are - Jan Van Eyck, Leonardo Da Vinci, El Greco, Vermeer, Constable, Whistler and Cezanne. Oxford University Press. Series titled 'Living Names.' 82pgs., photos, ill.artwork, lydia chancellor collection, collection, art, artwork, history, painters, education, drawing, male, individiual, painting

Program of an exhibition by Abram Louis Buvelot at the Bendigo Art Gallerylllpainting, oil, abram louis buvelot, oil paintings, water colours, pencil drawings.

Group of 5 fountain pens of various makes sizes & colours.drawing, ink, pens

Five chromed cylindrical containers with leads for propelling pencils enclosed.E.Faber.USA.drawing, pencil, faber

Black and White Print of Masonic Hall, Sandhurst on glossy Kodak paperdrawing, ink, building

Two sketches back to back one sheet in a cardboard frame a. Eaglehawk Town Hall, an Indian ink sketch. b, Stone Cottage, James St, Harvey Town. Indian ink sketch of a cottage with a stone fence in front and steps leading up to the front door.drawing, ink, building, eaglehawk town hall, stone cottage, james street, harvey town

Artwork. Norman Penrose collection: 3 signs. (1) Exhibition of water colours. Red lettering, outlined in black on a white background. (2) Exhibition of Pictures by Norman W. Penrose. Red letters, outlined in black on a white background. BY - red and black mixed. Norman W. Penrose in smaller black letters. (3) By Norman W. Penrose. Black letters on a white background.artwork, print, norman penrose collection, artwork, signs

Artwork. Norman Penrose collection: 2 border paintings. One has black, red and yellow stripes at the top. A spear shaped design with a red spot in the centre. Yellow, green, red and blue squares separated by two black and a white strip and black and yellow stripes at the bottom. The second one has red, white and black stripes at the top. A black, red and green geometric design in the centre and a black stripe at the bottom. The background is unpainted.drawing, print, norman penrose collection, artwork, border paintings

Artwork. Norman Penrose collection: various styles of lettering. Some on cardboard and some pasted onto cardboard.drawing, print, norman penrose collection, styles of lettering.

Artwork. Norman Penrose collection: paper with hand drawn capital letters and Freely written slanted pen capitals.drawing, print, norman penrose collection, artwork, slanted pen capitals

Artwork. Norman Penrose collection: (1) Monogram. Circular design with a yellow P in the centre, an N (?) behind and outlined in red. Background is dark blue. Red border around the edge of the page and monogram printed at the top. (2) Yellow ocean liner with red and blue funnels. Red and black borders. Black pencil border around the edge of the page. (3) Christmas Card Design showing a man standing near the door of a house and a dog sitting in front of him.print, buildings, norman penrose collection, drawings

The school magazines present a record of each year's school events such as staffing, programs, outings and includie student writings and drawings, reports and photos of events and teams. The cover of the monthly is a coloured lithograph of a bird. Copies held include May, June, July, August and September 1960. The cover of the annual edition consists of a simple black and white cover with title, the year and the school logo. Annual editions held include 1960, 1962, 1963, 1969. The school changed its name to Collingwood Technical College and the cover of these magazines feature a black and white Magpie. Magazines held for this entity range from 1970-1975.collingwood technical school, school magazines, collingwood technical college, nmit.

Plan of house (Forest St, Bendigo written in pencil on plan) showing what may be extension to original house (in colour and with dimensions). Possibly house of Merle Bush??. Stamp on front: E.?.V. Phone 942.person, individual, bush collection - personal, bendigo, bush collection, collection, house plan, drafting, drawing, plan, house, home

Index, bib, ill, map, p.230.non-fictionThis is a study of Sir Ian Hamilton VCs command of the Gallipoli campaign. Appointed by Kitchener after the failure of the initial Allied naval offensive in the Dardanelles, Hamilton was to lead the ambitious amphibious landings that were intended to open the way to Constantinople. In the event, however, opportunities immediately after the landings were squandered and, in the face of unexpectedly effective Turkish resistance, soon stalled in attritional trench warfare like that on the Western Front. Hamilton has often been criticized for this failure and in many ways seen to typify the stereotype of a British general clinging to outdated Victorian thinking. Yet this fresh reappraisal, drawing on original archival research, shows that Hamilton did display some progressive ideas and a realization that warfare was rapidly changing. Like all generals of this period he faced the challenge of unprecedented technological and tactical revolution as well as the political and media battle.world war 1914-1918 - campaigns - gallipoli, generals - great britain - biography

Index, bib, ill, p.348.non-fictionWill Dyson (1880-1938) was a brilliant and versatile artist, and much more besides. His prodigious talents struggled to find a niche in Australia, but he burst into prominence with cartoons of extraordinary vigour and resource on the London Daily Herald. These whole-page cartoons with wordy, witty captions were revered by workers and intellectuals alike. Dyson was also a talented writer, a scintillating humourist and an arresting speaker. A stunning overnight success, he was described as the most famous Australian in the world. In 1916 Dyson became Australia's first official war artist. His drawings of profound empathy and sympathy remain a unique record of the Western Front experience. Once again he complemented his art with exquisite writing. Returning to Australia in 1925, he took up etching to international acclaim, confirming that whatever he did he did well. Absorbing, illuminating, and lavishly illustrated, this is a fascinating story of the life and times of a remarkable and under-recognised Australian.will dyson 1880-1938, cartoonists - australia

Original postcard featuring black and white pen and ink sketch of a platypus. Landscape in background; water in foreground. Name of artist in right hand lower corner of card. Also Sanctuary identification printed on front and reverse of card.THE SIR COLIN MACKENZIE SANCTUARY, HEALESVILLE A. JORDAN/FROM A PHOTOGRAPHplatypus, sir-colin-mackenzie, healesville-sanctuary