Harry Biggs Collection. Black & white photo of High St. Bendigo. Shop signs visible - T. Baldwin Hair Cutting, shaving shampooing; Burston's Colonial Boot Store, Royal Hotel, Britannia House. A sign post: 'Eadie & McIntyre Gold Office'. In foreground Bendigo Creek with a footbridge to the left. Two gnarled trees in centre of photo. Photo taken near View Point. Image taken in 1850's.place, building, commercial, harry biggs collection, high st. bendigo

The death of Mitcham identity Katherine Fielding Barnsley who died on 9th July at the age of 92. Many people in Mitcham will remember her as the lady who succeeded in a lone fight against the Council over the footpath in Lucknow Street, also as a breeder of champion whippets, one of Britains leading authorities of the breed. Outside her home still stands the gum tree for which she fought and around which the footpath loops..barnsley, katherine fielding, memorial gum tree, lucknow street mitcham

Tin belonged to Martha Edwards (nee Course) who died in 1957. She was married in 1897. Martha was the donor's grandmother.William Course was an original settler in 6the area arriving in the area in1859. Martha was the 11th of 12 children. the boys of the family all worked at Geal Bros. potteries.A tin containing hand written recipes and two phials of junket tablets and Boracic acid label. Tin has a yellow background with flowers in purple and green leaves around all four sides.The top has a frame of flowers with a scene in the middle of a large building with trees around it. Many handwritten recipes inside with two junket tablet phials and a boracic acid label. A total of 33 items including the tin.Martha Edwards Recipe box 1950s. notice spicy smelldomestic items, cooking

B&W photo of Belgrave Reservoir, taken Easter 1922, presumably by Miss Field and passed on to Gwen Thomas then to Helen Gibson. Photo shows Belgrave Reservoir (now Belgrave Lake), possibly taken from near the weir and looking towards the heavily treed far shore. On back of photo, written in pen, is "Belgrave Res/Easter 1922'. 'Res' is slightly smudged and may have been 'Resv' or 'Resi'.

Yields information about tram operations and the street views on the Sebastopol line.Set of 4 photographs taken on 28/2/1971 by Campbell Duncan of trams on the Sebastopol line in Albert St. .1 - No. 35 outbound to Sebastopol, in Albert St passing Eclipse motors. .2 - No. 35 inbound near Ophir St about to cross Albert St with a grader alongside. .3 - ditto with the church in the background - Holy Trinity .4 - view looking along Skipton St with a large tree in the foreground.trams, tramways, sebastopol, albert st, ophir st, anglican church, skipton st, tram 35

Black & White photo of M&MTB trams 988 and 1003 in Nicholson St, south of Albert St. intersection, testing overhead prior to opening of Bourke St. on 19/6/1955. Were the first and second trams on the line. Bus on right side of photo. Trees and park in background. Parliament Gardens out of view on right side. Negative scanned hi res and imaged updated 22/5/2020.On rear of photo in typed paper "988 stands while 1003 passes it on the Bourke St. route before any cars had started operating on this newly completed line. These cars were first and second cars to run over the line. 19 June 1955 Geoff Grant Photo." and "Geoff Grant" stamp in btm rh corner.trams, tramways, melbourne, bourke st, commissioning , tram 988, tram 1003

Yields information about Bendigo Trust's trams in the late 1970's and the depot.Black and white print of Ballarat 39 at the Gardens Loop terminus. Two copies. Photo by Doug Colquhoun, 24/3/1959. In the background are the Trees of the Gardens, and the tram stop. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection.On rear of copy 1 "SEC Ballarat / 39/ Lake Wendouree / 24/3/59 5536 / D.A. Colquhoun" . Copy 2 "DAC" in ink, bottom right hand corner.trams, tramways, wendouree parade, gardens loop, tram 39

Photocopy - No Number, no date, other than BTM Number 228, No title – plan showing roads and trees in the Gardens area, early drawings, many roads on the east side of Lake Wendouree not built . Photocopy onto heat sensitive paper – 9 separate sheets joined with tape. An additional sheet added at the St. Aidans end showing roads – in pencil. Probably compiled for the BTPS by Bill Kingsley for planning purposes.Has “228” in biro on rear of sheet, and “Scale 100 foot to 1 inch” on front of sheet.trams, tramways, signals, forest city signals, equipment, electrical engineering

The design of this crest was used by the City of Brighton until 1970, when an official Coat of Arms was issued by the British College of Heraldry. Brighton was first incorporated as a borough on 18 January 1859. It became a town on 18 March 1887 and was proclaimed a city on 12 March 1919. Four circular cast bronze plaques with City of Brighton crest. The outer border surrounding the central crest includes CITY OF BRIGHTON lettering around the top half, two diamonds on the bottom left and right sides with the British Coat of arms at the bottom centre. The central crest depicts the Brighton coastline in relief, with a pier extending to the water, sail boats and a ship in the distance, a train on the right of the pier, a bathing box and trees on the left.plaque, city of brighton, brighton, crest, coat of arms, municipality, bayside

On 2nd February 1918, Brighton experienced the most extreme cyclone to hit a major Australian city, as recorded by the Commonwealth Bureau of Meteorology. With wind speeds estimated at 320 km/h and resulting in the deaths of two people, the event caused tremendous destruction in Brighton.cyclone, brighton, methodist church, hawthorn road, grant's hay & corn store, wells street, wellington street, billilla, weatherly, halifax street, tornado, colonel kendall

Yields information and history of the Western Hotel through photographs, in the form of a laminated table mat.Plastic placement with a reproduction of a Post War II(?1946 colour scheme),of tram No.13 turning into Ripon Street North travelling to View Point. Street scene highlights Western Hotel on a wet afternoon, by clothing on street walkers & bare branched trees, late Autumn to early spring. Reverse of side of plastic placemat portrays Western Hotel in Victorian Centenary year of 1938. Images rescanned 29/10/2013.trams, tramways, ballarat trams, secv, sturt st

Colour-tinted postcard, titled in red upper left: “RIVER YARRA AT STUDLEY PARK, KEW”. On the divided reverse, the card is addressed to “MISS JOLLEY / MELB. TRAM & O[MNIBUS]. CO / BOURKE STREET, MELB”. The sender has dated the card 21.12.08. In the upper right corner, there is a pink Victorian one penny postage stamp; sent from Melbourne on 22DE 08. (The division of the reverse of the postcard, allowing a message to be written on one half and the address on the other, was not permitted in Australia until 1905.) The manufacturer of the postcard is indicated by the initials “W.T.P”, printed in a green floral diamond, printed centre top. This was the trademark of WT Pater, printers & stationers. William Thompson Pater was born in Melbourne in 1861. His business at 271 Little Collins Street offered Christmas cards, booklets, calendars, and leather goods as well as postcards and albums.Hand-tinted postcard of the River Yarra in Studley Park, Kew. The birds-eye view is of a bridge on the Yarra (Johnston Street?) linking Kew and Abbotsford as it appeared in c.1908. On the Abbotsford side of the river, fields lead down to the river, with some remnant trees. The Kew side of the river, in contrast, due to its steep banks, retains its original vegetation. In the distance is industrial development, in what might be Fairfield and Alphington.“RIVER YARRA AT STUDLEY PARK, KEW”river yarra -- kew (vic.), william thompson pater, w.t.p., postcards -- kew, postcards -- studley park, bridges - yarra river -- kew (vic.)

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 3 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The photograph is of a stretch of the Yarra River at Kew near Macauley's Boat Sheds. Of interest is the debris in the river which reminds us that the river periodically flooded, washing down trees and branches from further upriver. "Yarra Rvr / Kew / 1925"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums

Tom Bentley (1912-1993) was born in Lancashire (UK). From circa 1951, he was the Overseer/Superintendent of Outdoor Works for Kew City Council. Until his retirement in the 1970s, he was based at the Kew Council Depot, located in the former MTB Horse Tram Depot on the corner of Disraeli and High Streets, Kew. Accompanying the set of twelve photographs is a 12-page illustrated biography of the Bentley and Plumridge families, separately kept in the 'Bentley' subject file.Duplicate black and white positive print photograph of public works in Studley Park Road, Kew, carried out under the supervision of Tom Bentley, Overseer/Superintendent of Outdoor Works for the City of Kew. The location at which the photograph was taken is believed, by the donor, to be in the vicinity of Tara Hall (dem. 1960). The palm tree on the back of the Council vehicle was believed to have been taken by Council from Tara Hall and relocated to the Alexandra Gardens.city of kew, public works, studley park road, tom bentley, tara hall

Tom Bentley (1912-1993) was born in Lancashire (UK). From circa 1951, he was the Overseer/Superintendent of Outdoor Works for Kew City Council. Until his retirement in the 1970s, he was based at the Kew Council Depot, located in the former MTB Horse Tram Depot on the corner of Disraeli and High Streets, Kew. Accompanying the set of twelve photographs is a 12-page illustrated biography of the Bentley and Plumridge families, separately kept in the 'Bentley' subject file.Duplicate black and white positive print photograph of public works in Studley Park Road, Kew, carried out under the supervision of Tom Bentley, Overseer/Superintendent of Outdoor Works for the City of Kew. The location at which the photograph was taken is believed, by the donor, to be in the vicinity of Tara Hall (dem. 1960). The palm tree on the back of the Council vehicle was believed to have been taken by Council from Tara Hall and relocated to the Alexandra Gardens.city of kew, public works, studley park road, tom bentley, tara hall

Colour photograph. Shilling fund Christmas function. Ground floor northern foyer. Five women stadning in front of Christmas tree adorned wit various dollar amount notes. Vi Tennahill, second from left. Marion Lau, Trust member is second from right. Wife of Benjamin Liang, head of the Tiwanese Business Economic and Cultural Centre on Collins Street Shiri Liang. Lucille Chin in the middle of the group.fundraising events, official events, historic buildings, christmas

A collection of birds and beasts at home fiction stories for young children. Clem Thiele presumably owned the book indicated by the stamps inside with his name.Children's hardcover collection of Birds and Beasts at Home stories by W. Gilhespy. The cover has a coloured picture of a squirrel sitting on a branch of a tree and a mother bird feeding her babies in a nest. The title is printed in blue. The spine has the title and an illustration of a dovecote, along with the publisher Nelson written below. A coloured plate is at the front and throughout there are black and white illustrations. A child has stamped birds and other pictures here and there.Clem Thiele Doncaster is stamped four times on the endpaper at the front with stamps of a gentleman and his dog too.children's fiction, animal stories, bird stories

Sergeant Keith McDowell gave a cone he collected from Gallipoli to his aunt to try and grow. One seed was planted in the Warrnambool Botanic Gardens and another at the Shrine of Remembrance in Melbourne. These pine trees have symbolic importance as a representation of Australian soldiers' "tenacity and fortitude". They are an important link to the remembrance of those men and women from Ballarat who saw action in World War 1.3 pages (pp.44-46). p.44 in black print on white paper, a photograph of the planting of one of the pines in 1934 at the Australian War Memorial, Canberra. p.45 is a coloured picture of the pine in Canberra. p46 has a history of the seeds brought from Gallipoli by Smith and Mcdowell on the right-hand side of the page and a photograph of the Pines being labelled. There is a column about these trees down the left-hand side of the page.None john garner, doctor, john garner collection, ballarat botanical gardens, friends of the ballarat botanical gardens, the lone pine, gallipoli, anzacs, sergeant keith mcdowell, lance corporal benjamin smith, aleppo pine, turkish pine, pinus halepensis, pinus brutia, gardens, ballarat

Original from wallet of miniature postcards produced by Bulmer, two copies. 01419.1 and .2 Also two enlargements 17 x 25 cmBlack and white small format postcard of Esplanade, taken from the WW2 Air Observers Spotting Tower. In the foreground is the Cenotaph erected 1922 on the grass verge between road and lake. Trimmed WW1 Cypress trees also on verge. Cars and truck on highway all travelling in easterly direction. Houses and businesses on north side of road, Princes Highway, which follows the margin of the lake shore. Lakes Entrance VictoriaThe Esplanade Lakes Entrancetownship, waterfront, transport, world war 1939 - 1945, world war 1914-1918

Bendigo Bank built on land formerly occupied by Clark's Butcher Shop. Branch opened in 2003.Colour photograph of Bendigo Bank building. Single storey brick building. Signage is partially obscured by tree and reads 2003 Charlton & District Community Bank Branch Bendigo Bank. Blue timber covered entrance to the Traveller's Rest complex on the RH side. Person going past on mobility scooter. Green signage for Traveller's Rest reads CAFES BAKERY PUBLIC TOILET CHEMIST HOTELS MOTELS SUPERMARKETS NEWSAGENCY.charlton, bendigo bank, business, industry, clark's butcher

Bendigo Advertiser ''The way we were'' from 2003. Hard yakka: long before the days of trucks, this worker rides atop a cart of eucalyptus trees. Bendigo Advertiser from 2003. The man on the cart identified: the man is John Notley and was working for his father Lou Notley. Lou and son lived on Neilborough Road, Whipstick. The photo was taken some time in the early 1950s. Letter written by Ernie Hartland, Bendigo.newspaper, bendigo advertiser, the way we were

Photographs from newspapers. (1) "How to prune fruit trees was demonstrated by Mr. J. Farrell, orchard superintendent of the Agricultural Department, to students from the Teachers' Training College, who visited the the Horticultural College at Burnley yesterday." (2) "The Harvester Girl cutting the oats at Burnley Horticultural School today." (3) "7 foot delphinium." (4) "Bringing in the Sheaves." (5) "Twin Cucumbers," from the "Herald" 16/2/32.pruning, j. farrell, students, teachers, burnley horticultural college, teacher's training college, harvesting oats, students working outside, cucumbers, delphiniums, fruit trees

Original O'Beirne family home on Skipton Road, Linton, adjacent to office of their wool and skin business.Black and white copy of original photograph showing a weatherboard house with verandah and lattice work, next to a smaller building (office) which has two windows, a door and no verandah. One pine tree behind the buildings and one to the right of photograph. A light coloured picket fence in front of the buildings with a gate half way along. Six men, two children, a dog and two horses (one with cart) in front of the buildings.o'beirne residence, house, home, building, office, shed, business, children, horse cart, dog (buller), francis o'beirne, francis john (frank), harry o'beirne, rod o'connor (bookkeeper), charlie todd, jack cox, roger o'beirne, frank hall butcher from piggoreet, wool and skin business

A photographic history of Belgrave, Upwey, Tecoma and Upper Ferntree Gully. The front cover is of a painting 'Wintry Sunset Belgrave 1913' from a series of 36 paintings by Charlie Hammond between 1910 and 1953. It is of the country town, Belgrave, showing a dirt road with a bullock team, with trees surrounding the road. Inside, are black and white and coloured photographs of paintings, people in general life and historical information about the areas noted. Pp.104.non-fictionFollowing the success of Volume 1, this follow-up edition is slightly different to the first one by gathering photos together under some new headings More attention is given to some aspects of local history, the pioneer families and community organisations than previously. The historical society's main interest is the history of the Dandenong Ranges and the communities of Belgrave, Tecoma, Upper Ferntree Gully, Upwey and surrounds. australian history, history of the dandenong ranges victoria, history victoria

‘Adeney Avenue’ was the title given to this painting following its donation to the Kew Historical Society, yet the work’s origins predate the naming of Adeney Avenue in 1907 [originally gazetted as ‘Park Street’ (1865) and ‘Park Street South’ (1875).] Park Street ran between High Street and Parkhill Road beside what was later to become ‘Victoria Park’. This area was described in 1851 as “…a dense forest of gums and wattles which were to be largely cleared by 1888 after the naming of a recreation reserve”. The Reserve was still bisected by an unnamed creek in 1896, when the area was surveyed by the MMBW. The panoramic vista selected by the artist would appear to include ‘Eborensis’ (c.1895) on the corner of Parkhill Road and what was then Park Street, with views across cleared land towards the distant ranges. In the 19th century, north Kew was largely undeveloped farms stretching down to the Yarra. Oil on canvas by an unidentified artist of a panoramic view depicting what is now known as East Kew with mountains on the horizon. In the foreground is a two storey brick residence - Eborensis - located on the northeast corner of Parkhill Road and what is now Adeney Avenue. The view of the landscape and its rolling hills resulted from farming practices adopted following colonisation and settlement. Trees in the foreground and in the distance include remnant Eucalypts and introduced exotics.Label on rear of frame states "House on corner of Adeney Ave & Parkhill. [Regd. 254"]. Otherwise unsigned and undatedadeney avenue (kew), eborensis, park street (kew)

This is a framed photograph of the men's pool at the Warrnambool Salt Water Baths. These Baths were originally built at the end of Gilles Street on the line of the present railway line in 1876 but were rebuilt in 1889 further north in Gilles Street when the railway line was opened. The water was pumped from the sea, initially by a windmill and later by a gas pump. The men's pool was 100 feet by 50 feet and the women's pool was 60 feet by 30 feet with bathing strictly segregated in the 19th century. A building nearby housed marble cubicles with hot spa baths with the water heated on the site and a caretaker's cottage completed the complex. Men's nude bathing was a feature of the early 20th century. Originally built by a local public company the Baths were taken over by the Warrnambool Council. These baths were superseded by the opening in 1961 of an Olympic Pool In Warrnambool. The site and the remaining buildings of the old sea water baths are now heritage-listed and today form part of the headquarters of the Warrnambool and District Historical Society.This photograph is of historical significance as a depiction of the Warrnambool Salt water Baths in the early 20th century. These Baths were the basis for promoting Warrnambool as a health and spa resort town in the late 19th and early 20th centuries.This is a framed black and white photograph of the men's pool at the Warrnambool Salt Water Baths. It depicts men and boys swimming in the circular pool and one male on the diving board. All these men are naked. There are other clothed males and clothed attendants wearing hats and waistcoats. The change rooms are on the right side of the photograph and there is a fence with trees behind. The photograph is mounted on cardboard with a gilt edge and is held in a wooden ridged frame behind glass. warrnambool sea water baths, sea baths, warrnambool pool, gilles street

Part of the Bennetts Collection. See Catalogue No. 9726P for details of service for "Alva Marie Bennetts". Buildings in 1. & 2. relate to BCOF.1. faded black and white photograph of a three storey building a fence. Jeep is visible passing through a gate in fence. Photo has a white border. 2. Black and white photograph of a three storey building. trees and open parkland in foreground. Photo has a white border. 3. Black and white photograph of a single storey weatherboard bungalow, Portico with three posts in front of the bungalow. White border on photo.3. Green stamp of photograph's printer on back.bennetts collection, alva bennetts, photographs, bcof

2x Identical copies 10x14Sepia toned photograph of Broomes Federal guest house, showing a large two storied fibro cement clad building, two tourist launches and rowing boat on lake moored to a timber jetty. Two motor cars of early vintage in front of guest house. Venga guest house visible to right of Broomes Federal. In the background amongst the trees, Holiday Inn guest house on Kalimna Heights. Lakes Entrance Victoriaguesthouses, architecture, transport

Recreation area east of the footbridge. The artificially constructed knoll beside lake in the distance one person flying a kite from lawn Lakes Entrance Victoria. Also three colour photographs showing progress of recreation area east of the footbridge and instillation of rotunda. Small boy in foreground is Jarrod Elstob of Paynsville 04270.1, 04270.2, 04270.3 size 10 x 15 cmColour photograph taken of the newly planted trees on the recreation area east of the footbridge. The artificially constructed knoll beside lake in the distance one person flying a kite from lawn Lakes Entrance Victoria. Also three colour photographs showing progress of recreation area east of the footbridge and instillation of rotunda. Small boy in foreground is Jarrod Elstob of Paynsville 04270.1, 04270.2, 04270.3 size 10 x 15 cmtownship, waterfront