"Centenary of Fnrst Mass at Ballarat Friday last marked the centenary of the arrival of the first priest and the celebration of the first Mass in Ballarat. The Rev. Patrick Dunne reached the diggings on October 17, and on Sunday, October 19, 1851, in a bark hut near Brown Hill, he celebrated Mass. Worshippers had to kneel on quartz gravel. The weather had been the worst experienced in Victoria for a number of years, and most of the creeks between Melbourne and Ballarat were flowing torrents, but Father Dunne (who came from the Coburg mission), carrying the barest necessities and the sacred vestments, set out for Ballarat on horseback. He had to ford and swim his horse across the creeks. When most of his congregation left for the Castlemaine diggings Father Dunne returned to Melbourne. In August, 1852, Rev. Matthew Downing became Ballarat's first resident priest. He built a large wooden structure with a canvas roof which served as a church, but later erected at the Gravel Pits the first permanent church. This church was the largest of any house of worship on any goldfield in the colony. It cost £ 100, contributed solely by Father Downing and his flock. Soon after he got the authorities to survey a large piece of land at the back of the township as a burial ground and procured a grant of £500 for fencing it. A grant of £250 was also obtained for the improvement of the chapel and fittings of a school, where Michael Campion Carey opened the first school. Rev. Patrick Smyth succeeded Father Downing, who was followed by Rev. P. Madden, who in 1857 began to plan the erection of St. Patrick's Church. The foundation stone of this was laid by Bishop Goold on February 12, 1858, and the church was opened for the first time on November 8, 1863." (Melbourne Advocate 25 October 1951)Two colour photographs showing the St Alipius' Catholic Church flag - a blue cross and border on white. st alipius, church, ballarat east, flag

Key ring with medal attached on ring. Key ring made of heavy silver coloured metal, with 'Bendigo Victoria' written around outside, poppet head in centre. Attached to silver ring, gold coloured metal medal. Written on medal face '1851 - 1951, City of Bendigo Centenary' On back: coat of arms of Bendigo City Council, and Progress written around bottom.bendigo, history, centenary

Two Compact Discs produced by 88.6 Plenty Valley FM Disc 1 Tracks 01 Introduction; MP3 file, 01.02MB; 0.44 02 Epping District (written and spoken by Felicity Williams, Head of English, Mill Park Secondary College); MP3 file, 9.94MB; 07:14 03 P. E. Cook (wriiten and spoken by Liz Pidgeon, Local and Family History Librarian, Yarra Plenty Regional Library); MP3 file, 10.5MB; 07:38 04 Research Honour Board (wriiten by Jim Allen of Eltham District Historical Society and spoken by Daniel Polombi of Plenty Valley FM; MP3 file, 7.52MB; 05:28 05 Will Longstaff (wriiten by Bill McGililvray, Plenty Valley FM and spoken by Daniel Polombi of Plenty Valley FM; MP3 file, 9.01MB; 06:33 06 Robert Smith (wriiten and edited by Bill McGillivray, Plenty Valley FM and spoken by Shelley Carpatharcus and Daniel Polombi of Plenty Valley FM; MP3 file, 9.55MB; 06:57 07 Stanley Addison (wriiten and spoken by Jim Connor of Eltham District Historical Society; MP3 file, 9.25B; 06:43 08 Bessie Gallagher (wriiten by Maureen Jones and and spoken by Geraldine Ishken of Plenty Valley FM; MP3 file, 12.3MB; 08:58 Disc 2 Tracks 09 George Muir Letter 1 (wriiten by Maureen Jones and and spoken by Geraldine Ishken of Plenty Valley FM; MP3 file, 9.32MB; 06:47 10 George Muir Letter 1 Part 2; MP3 file, 9.17MB; 06:40 11 George Muir Letter 1 Part 3; MP3 file, 8.50MB; 06:11 12 George Muir Letter 2; MP3 file, 4.91MB; 03:34 13 George Muir Letter 3; MP3 file, 7.25MB; 05:17 14 George Muir Letter 4; MP3 file, 5.59MB; 04:04 15 George Muir Letter 5; MP3 file, 4.63MB; 03:22 16 George Muir Letter 6; MP3 file, 3.38MB; 02:27 17 George Muir Letter 7 (introduction by Jim Connor of Eltham District Historical Society, original letters by George Muir, commentary written by Helen Mann and Bill McGillivray of Plenty Valley FM, spoken by Romero Callaghan and Stephen Pidgeon); MP3 file, 4.36MB; 03:10 18 George Muir Letter (introduction by Jim Connor of Eltham District Historical Society, original letters by George Muir, commentary written by Helen Mann and Bill McGillivray of Plenty Valley FM, spoken by Craig Wright of Planty Valley FM); MP3 file, 12.4MB; 09:02alan marshall, anzac stories, audio cassette, audio recording, bessie gallagher, bill mcgillivray, community radio, craig wright, daniel polombi, eltham district historical society, epping district, felicity williams, george muir, geraldine ishken, helen mann, jim allen, jim connor, liz pidgeon, maureen jones, mill park secondary college, p.e. cook, plenty valley 88.6 fm, research honour board, robert smith, romero callaghan, shelley carpatharcus, stanley simpson addison, stephen pidgeon, victoria's anzac centenary, will longstaff, yarra plenty regional library

This majestic peacock embodies the technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897) and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians loved majolica, and the large peacock would have been the ultimate home accessory as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became a famous pottery and porcelain manufacturer. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best-known work. Comolera kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today, some historians now believe that twelve were fired at the Minton factory; research is ongoing. These peacocks were so admired that Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, ensuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics and tiles, and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares, including the peacock, at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria, in calm foggy weather in June 1878 on the final leg of the ship's journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case, onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with a Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods, including this peacoc,k back into the sea. The two men found the peacock in its case ‘bobbing along in the water’ and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue, the head had broken from the body. This account was proven to be true in 1988, following the birds' display in Brisbane. This peacock began its life in Australia, not in the grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton & Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home at Malvern for many years and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Miss Florence Miller tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell her Loch Ard relic, it was displayed in the window of the old Argus newspaper office, which was at 76 Collins Street, Melbourne; the Argus had relocated to the corner of Elizabeth and La Trobe Streets in 1926. Between 1935 and 1939, the old Argus building was occupied by the Joshua N. McClelland Print Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing overseas to Captain Blain on November 30th, 1938, about the possibility of a sale, but this became no longer possible due to the outbreak of war. Recent information points to the Loch Ard peacock being owned by John S R Heath before its sale to Frank Ridley-Lee in May 1941. Research is ongoing, but it seems likely that John Samuel Robert Heath, a leading Melbourne dentist with a practice in Collins Street, and his wife, a dental mechanic, had purchased Miss Miller’s Loch Ard peacock before its sale in 1941. They were lovers of fine arts, music, wine and food. The peacock in the window of the old Argus building could have attracted their attention as they had already purchased the old stone Presbyterian Church on Warrigal Road, Oakleigh, in 1933 and had converted its interior. The home, renamed The Studio, even included Melbourne’s first all-electric kitchen. The peacock was perfect for display in the Studio’s entrance. A magazine article published after the conversion was completed included photographs of the interior. The picture of the ‘portico’ had a caption below that stated, “Some of her [Mrs Heath’s] finest pottery was salvaged from the Loch Ard Wreck”. In 2025, Heath’s two remaining sons remember running around in the entrance with the peacock standing there, oblivious to its value. Heath was an accomplished artist, studying under Max Meldrum. He painted and exhibited his works at The Studio and in a public exhibition, and he was a finalist eight times in the coveted Archibald Prize portrait competition, including the submission of his self-portrait that is now part of his grandson’s collection. The next owner of the Loch Ard Peacock was Frank Ridley-Lee. He displayed it at his home in Ivanhoe after buying it at an auction in May 1941. The peacock remained in the hands of the Ridley-Lee family until it was offered for sale by auction in 1975 as part of an art collection belonging to Mrs Ridley-Lee's estate. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to collect the necessary money through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half the cost. On 9 September 1975, the Loch Ard peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since then, it has only left Warrnambool twice. Firstly, in 1980, at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton Majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire, john samuel robert heath

The Yarram Golf Club is situated in Yarram, in south east Gippsland, Victoria. It was first established in 1909 and this book marks the Club's centenary. The Club is located in Golf Links Road Yarram. 48p., illus. (some col.). Paperback.golf clubs- victoria, golf clubs - history, golf clubs - yarram, yarram golf club

Glossy black and white booklet of 24 pages, with black and white and orange coloured front coverFeaturing: LIVE STEAM AT ARHS MUSEUM, POST-CENTENARY PORTLAND, TRANSPORT MINISTER SPEAKS, BY RAIL TO LILLYDALE, TRAFFIC, WORKS, ITEMS OF INTEREST, LETTERS TO THE EDITOR, CHANGING TIMES AT ARMADALE

.1 2 X BADGES SHAPE OF AUSTRALIA WHITE WITH BLACK ANA .2 2 X BRASS BUTTONS COUNTRY FIRE BRIGADE VICTORIA .3 ROUND BADGE. AUSTRALIAN FLAG IN MIDDLE, WRITTEN ON OUTSIDE ON BLUE BACKGROUND: R.S.S.A.I.L.A. WOMENS AUXILIARY .4 ROUND BADGE LIGHT BLUE ON TOP 1839 - 1939. ON BOTTOM ON DARK BLUE: CENTENARY OF CLUNES, MIDDLE OF BADGE IN GOLD COLOUR A SWAGMANcountry fire brigade, ana, centenary

BALL HELD FOR GOLD CENTENARY IN CLUNES ATTENDET BY JOAN EASEY, MISS VICTORIA WHO STAYED WITH COUNCILLOR A. C. McLENNAN AND FAMILY.ORIGINAL PHOTOGRAPH OF GOLD CENTENARY BALL AT THE CLUNES TOWN HALL.FRONT ROW L. TO R. MRS. C. HUNT, MRS. KELLER, MRS A. McLENNAN, MISS VICTORIA & PARTNER, MR. PEAKE, MRS. RUSS WHITE, M.L.A. MRS. C.FENTON, MRS.DOWNES, MR. DOWNES, [STATE BANK] MRS. EBERHARD, MR. EBERHARD.local history, photography, photographs, events and celebrations, gold centenary ball 1950

Illustrated book with white cover and brown print. Title and authors name are printed on the front cover along with a brown and white photograph of a white-haired man in uniform (Sir William Drogo Montagu, 7th Duke of Manchester, founder of St John Ambulance Association). Title and author's name are also printed on spine. A coloured photo of a man wearing glasses and the uniform of St John Ambulance (the author Allan Mawdsley) and information about the authornon-fictionA history of St John volunteer first aid service in Victoria. Includes information about the Knights Hospitaller of the Order of St John, and the founding of the St john Ambulance Association in England in 1877st john ambulance australia (victoria)-history, knights of malta, first aid, volunteer workers in ambulance service

Photograph taken after barge was purchased from Elliott family before being towed to Lakes Entrance for Entrance Centenary celebrations. , small jetty bottom left hand corner, Silt jetties with Jones Bay in distance limb of gum tree could be on the Mitchell River near Bairnsdale Gippsland Lakes VictoriaBlack and white photograph of Lady Harriets barge moored with mast removed and lying on deck, small jetty bottom left hand corner, Silt jetties with Jones Bay in distance limb of gum tree overhanging top left corner could be on the Mitchell River near Bairnsdale Gippsland Lakes Victoriabusinesses, barges, boats and boating

32 p. : ill., ports. ; 24 cm.non-fictionThis is a 32-page book featuring illustrations and photographs that celebrate the centenary of this family-owned business in Dandenong, Victoria. The foreword was written by Greg Dickson, and the book highlights the company's history and achievements. (AI generated)alex scott & co, dandenong (vic.)

In celebration of Clunes, Victoria, Australia 100 years settlementLapel Badge with blue banner at top and royal blue boomerang at bottomBlue banner "1839-1939" "Centenary of Clunes" Picture on centre of man with swag and countryside sceneryclunes centenary 1939, lapel badge

The Loch Ard was an iron hulled clipper, built in Scotland in 1873 and wrecked on the southwest coast of Victoria in 1878 at what is now known as Loch Ard Gorge, near Port Campbell. Fifty two crew and passengers died and only Tom Pierce and Eva Carmichael survived. The Loch Ard was the last sailing ship to lose emigrants' lives when negotiating the entrance to Bass Strait. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The Victorian History Advisory Council decided 1978 was an appropriate year to mark, not only the centenary of the sinking of the Loch Ard in 1878, but also commemorate the large part played by sailing ships in immigration, and through this, the development of Australia. The Victorian Government authorised the commemoration and a "Loch Ard Centenary Committee" was formed. It was established to create public interest and awareness for the 100th anniversary of the tragic Loch Ard shipwreck. Activities and events included student essays, exhibitions, videos, publications, competitions and historical information. A booklet called "Settlers Under Sail" by Don Charlwood was commissioned to be made available to all school children. The anchor of the Loch Ard was raised from the wreck and displayed at Port Campbell, a memorial plaque (erected by The National Park) was unveiled at Loch Ard Gorge, a special "Loch Ard Shipwreck Centennial Port Campbell" postmark was issued by the Post Office and a model ship competition was held. Flagstaff Hill Maritime Museum and Village, together with other local towns and shires along the south-west coast participated in many of these commemorative activities. This letter is a significant reminder (and recognition) of the importance the Loch Ard (and other immigrant ships) played in the settling of Victoria and the dangers faced by the settlers who came to Australia in these ships. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history.Single page letter typed in blue ink, on behalf of Koroit Council, written on 14th March 1978 and addressed to the Chairman, Flagstaff Hill Maritime Village Advisory Board, in recognition of the "Loch Ard Centenary Commemoration 1878 - 1978". It has the "Borough of Koroit" stamp at the top of the page and a red "Borough of Koroit" seal on the bottom right-hand corner of the page. It is signed by the Mayor (Allan R. Waterson), a councillor (J. W. Smith) and the Town Clerk (Jim Macdonald). The letter is in a plain buff manilla folder labelled in blue type.Top left corner - "Address correspondence to:/TOWN CLERK / P.O. BOX 5/KOROIT, 3282" Top Centre - blue circular ink stamp of "BOROUGH OF KOROIT 1870" with coat of arms in the center Top right - "TOWN HALL,KOROIT/ PHONE KOROIT (055) 658230/After Hours (055) 658490" The letter is addressed to - "CR. J. S. Lindsay, /Chairman,/ Flagstaff Hill Maritime Village Advisory Board,/ WARRNAMBOOL. 3280" "LOCH ARD CENTENARY COMMEMORATION 1878 - 1978" (underlined) The letter begins - "It is with much pleasure that the Council of the Borough of Koroit, join with neighbouring municipalities, civic leaders and other organisations on this day, in commemorating the "Loch Ard" Shipwreck centenary. The "Loch Ard" operated as a cargo and passenger vessel for immigrants, for a period of five years, from 1873 to 1878. Its last voyage was from England to Melbourne, and the ship was sunk on the 1st June 1878, with only two survivors from passengers and crew of fifty-four. The celebrations being conducted throughout our district this day will help us all to remember and appreciate the determination and spirit shown by these people, for they had the faith to realise that their endeavours would be successful, even against great odds in comparison to present day standards and techniques, and their imprint on our history is record of this fact. This commemoration acknowledges the important role undertaken by sailing ships such as the "Loch Ard" and the vital role this ship played in the early settlement of the State of Victoria." The letter ends with -" the Common Seal of the Mayor, Councillors and Burgesses of the Borough of Koroit was hereunto affixed this 18th day of March, 1978." The letter is signed "Allan J. Waterson Mayor/J. W. Smith Councillor/ Jim Macdonald Town Clerk and a large red seal of the Borough of Koroit (with their coat of arms) is in the bottom right-hand corner. Front of manilla folder - "BOROUGH OF KOROIT / LOCH ARD CENTENARY COMMEMORATION/ 1878 - 1978" "4050" written in black ink top right-hand corner next to a scribbled out numberflagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, loch ard, port cambell, shipwreck, commemorative committee, loch ard centenary, koroit council, commemorative letter, loch ard commemorative committee

Michael Looker of the Royal Botanical Gardens Melbourne drew up the planting plans for restoring Ballarat's historic gardens at Hymettus in 1985 for Heritage Victoria. This was done as it was the only known intact Victorian era working-mans exhibition garden in Australia with surviving layout and original documentation and photographs. Restoration of the garden was aided by an Australian Bicentenary grant.Plans for the restoration of Hymettus' front flower garden using old photographs of its exhibition gardens first opened to the public in 1917 and drawn up by the Melbourne Royal Botanic Gardens for Australia's Bi-centenary 1988.historic gardens, ballarat, hymettus, royal botanical gardens, melbourne, lumley, looker, heritage victoria, exhibition garden.

Fanny Isabella Nicol. Refer 1795P for Service history, 1797.5, 1796.9. also 2591Six items relating to Fanny Isabella Nicol. .1) Badge, metal, round,"Australian Red Cross Society Vic Division" .2) Badge, round, metal, "Returned from Active Service" Crown at top, centre Rising Sun depiction with AIF under. .3) Identity Disc, personalised, round, metal with ring at top. Possibly made from an Eygptian coin with one side polished bare. .4) Badge, metal, "RSL Membership" Crown at top with membership clip with "55" denoting financial member 1955. Centre has two figures. .5) Badge, metal, oval shape "Presbyterian Church of Victoria" .6) Badge, metal, round, "Red Cross Society Vic Division" .2) Issued by Dept of Defence. On rear "211483" .3 "F.I.NICOL PRES A.A.N.S" .4) On rear "V33761" .5) "Centenary 1937"badges, membership, service

Plaque unveiled on William Roadnights grave at the Lakes Entrance by Cr. Barry Secombe and Bill Dexter. Other photo of 8 Roadnight decendents.Small yellow album of photos taken at a Roadnight Re-union 19.11.1994 in Lakes Entrance Victoria. Please visit History Centre to view full album. families, lakes entrance centenary, social history

Hardcover illustrated book pale blue binding, title and authors name in gold on spine. Cream dustjacket title and authors name on front cover and spine. Historical illustrations of the Eye and Ear Hospiital on front and back covernon-fictionHistory of the Royal Victorian Eye and Ear Hospital. In 1863 Dr Andrew Sexton Gray, started an institution for those suffering diseases of the eye and ear. Increased demand led to the formation of a charitable committee in 1866, and the establishment of Victoria's third public hospital. Several changes of location until the opening of the first building on the current site in 1871. royal victorian eye and ear hospital, ophthalmology-history, otolaryngology-history, hospitals-special history

Illustrated book with dustjacket, book is bound in dark blue, with title and authors name printed in silver on spine. Dust jacket has a dark blue background with the title and author printed in white on the front. Also on the front is the RCH coat of arms printed in white.non-fictionHistory of the Royal Children's Hospital, Melbourne, from its foundation in 1870 until 1970.royal children's hospital (melbourne), hospitals-victoria-history

Illustrated book. Cover has green and white photograph "A Nurse at Work: the Journey" by Stacey Neaves, reprinted from the ANF(VB) publication 'CATCH THE MOMENT A Photographic Celebration of Nursing Yesterday and Today'. Title and authors name are superimposed in red print on front cover. On back cover is a quote by Dot Angell, summary of book and printers mark superimposed on photo in red print.non-fictionA social history of the Australian Nursing Federation, Victorian Branch. To work out the future direction of nursing it is essential that we understand its past, and documented in these pages are the struggles and victories told in the words of its members, both past and present.australian nursing federation. victorian branch-history, nurse-labor unions-victoria

Illustrated book with light green cover, title embossed in gold colour on frontnon-fictionA history of nursing in South Australia from 1837-1937.nursing-south australia-history, nurses-south australi-history, hospitals-south australia-history