Ground floor corridor duing restoration works. Three women stand under the arch in white hard hats during a tour of the building. Left to right: Architect Yvonne von Hartel, Minister for Women's Affairs Jan Wade, and Minister for the Arts Lorraine Elliot.historic buildings, official events, parliamentary representatives, architects

Colour photograph. Reception area on ground floor southern entrance. Desk has an assortment of flyers and brochures. Behind reception area is a building guide. Unidentified woman appears to the right o frame in front of the reception desk. Taken from the entrance facing northentrances, historic buildings, cultural structures and establishments

One of 5 B/W photographs showing areas within Caulfield Town Hall. Production date unknown sometime after 1931 and before 1976. Original source unknown. Copyright for this image is unknown, although likely commissioned by Council. It has been digitised and published here for educational and research purposes. If you believe that you have copyright to this image and would like it removed from the site please contact us through the 'Leave a Comment' tab below.B/W photograph showing central octagonal booth, parquetry floors and Honour Boards in the original entrance foyer of the Caulfield Town Hall. The image shows the Caulfield Town Hall entrance foyer prior to 1987 when it was reconstructed to accommodate The Caulfield Arts Complex.Small Sticker, gold and orange, adhered to r.h.s.verso corner 'The Speciality Press'.

Mr Joseph Sutton Crow and his wife Jessie (nee Temby) at their marriage in 1910. Sutton became Director of the University Conservatorium, was deeply involved in the musical life of Melbourne and managed concert parties travelling to country towns. Jessie was a soloist, singing, in the early days, at the concerts with visiting and local artists, such as flautist John Amadio. They made their home at ‘Strathmore’, 75 Victoria Crescent, Mont Albert. The donor was their daughter, Winifred Jean Crow.A black and white photograph of a couple dressed in their wedding attire. The bride (standing) is wearing a floor length dress and veil. She has flowers in her hair and is carrying a large bouquet of flowers. The groom (seated) is wearing a coat, with a waistcoat and tie and is carrying a top hat.(mr) joseph sutton crow, (mrs) jessie crow, (miss) jessie temby, conservatorium of music, house names, victoria crescent, mont albert, (mr) john amadio, 'strathmore', opera singer, (miss) winifred jessie temby, (mrs) winifred jessie crow

Snap taken at Mrs Allens Sea View Tea-Rooms Lakes EntranceBlack and white enlarged copy print showing interior of Mrs Allens Sea-View Tea-rooms, dining tables and chairs, polished floor, floral print curtains and potted plants, stairs in foreground leading to second storey balcony. Lakes Entrance Victoriarestaurant, business

Auction brochure - for unit 55, the corner apartment at the former Hawthorn Tram Depot. Has photos of the unit, details, floor plan and Real Estate agent details, auction dates and contact numbers. Was to be auctioned by Marshal White One on Saturday 22/2/2014.trams, tramways, hawthorn tram depot, auctions, real estate

Photocopy of plan of Fortuna (front view) showing front and side elevation. On LH side of front elevation, 3 windows on first floor, two beneath at each side of door. In centre,6 arches in balcony, and 6 below. Good definition of verandah lacework.buildings, house, fortuna villa

Huttley Martin FamilyB/W Portrait: Bride wearing a Jeweled Crux Gammata ( Gammadion Cross), Tasselled lace over white floor length dress & veil, wears elbow length gloves. Groom white shirt and Light coloured tine, dark suit, holding gloves. Gainsborough 215 Chapel Street Prahan On reverse Harry Martin m alice Henderson (my Uncle) MADGE HUTTLEY'S UNCLEhuttley, martin

The floor covering in the living/dining room was originally seagrass matting as seen in the Strizic photographs of 1959 and 1963. This was replaced after the Boyd's saw a large cream rug floor covering at the Shelmerdine's house and liked it. It was purchased from Myer. In 2007, that rug was found to be moth-eaten and treated and put into storage. Now a similar rug of the same size has replaced the rug purchased by the Boyds.Cream wool with fringeswalsh st furnishings, robin boyd

Diamond Creek Bridge (Bridge Street Bridge) Greensborough abutment – Piles broken back and false floor poured for columns 1957Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, road construction, shire of eltham, bridge construction, bridge street bridge, eltham, eltham-greensborough road, 1957

The swimming pool at Watsonia High School was commenced in 1976 and opened in 1977. This photo shows spraying concrete onto the pool floor.While the school has gone, the pool remains in 2019, operating as Yarra Swim School, Liat Way Greensborough.Digital copy of colour photograph, scanned from slide. Slide set at Item 6513.watsonia high school, swimming pools greensborough, yarra swim school

The swimming pool at Watsonia High School was commenced in 1976 and opened in 1977. This photo shows spraying concrete onto the pool floor.While the school has gone, the pool remains in 2019, operating as Yarra Swim School, Liat Way GreensboroughDigital copy of colour photograph, scanned from slide. Slide set at Item 6513.watsonia high school, swimming pools greensborough

The swimming pool at Watsonia High School was commenced in 1976 and opened in 1977. This photo shows spraying concrete onto the pool floor.While the school has gone, the pool remains in 2019, operating as Yarra Swim School, Liat Way GreensboroughDigital copy of colour photograph, scanned from slide. Slide set at Item 6513.watsonia high school, swimming pools greensborough, yarra swim school

This photograph shows the entrance to the newly-opened Aitken Gallery of the Kett Optometry Museum, located on the first floor of the Australian College of Optometry.Digital photograph of the entrance of the Kett Optometry Museum's Aitken Gallery. The signage is accompanied by a display of eye baths and ointment pots

non-fictionAn article about the history of Box Hill Town Hall

The State Savings Bank building was constructed c1891. Remodeled in the 1940s and new verandah and ground floor entrance completed 1981/82COPYRIGHT Public records Office Victoria .11 - 1982 building with cars and remodeled entrance and full width verandahbuilt environment - commercial, business and traders, transport - motor vehicles, state savings bank of victoria

black and white photo: rear of Norfok Brewery, mid centre brick building, 2 arched doorways on ground floor, 2 double arched windows top floor, 1 chimney at each end of roof. Lane fence at front. Dove cote, 2 buildings at right. Tall timber building at left centre., Tall timber at left centre. ' Batchelder photographer Pall Mall' van and horse left front. Horse and dray with 3 barrels right front. 3 men handling barrels. Slab fence, slab buildings at right. Written on side of horse cart: Sayer & Co.batchelderbuildings, commercial, produce store

Long Gully is a suburb of Bendigo, 3 km north-west of the city's centre. The Long Gully Creek signifies the physical location of the suburb, and the Long Gully reefs ran southwards from Eaglehawk. It was particularly rich, realising yields as high as five ounces of gold to the ton.Four black and white photos of a painter's studio in Creeth Street, Long Gully, Bendigo. The photos were of very low quality and have been restored as much as possible. The photos are of: 8679a Three women in long dresses and two men sitting around a table having tea in front of a mantle-piece. Several paintings are on the wall above. 8679b Four female artists (or students) painting pictures. They are supervised by a man and a woman. Various pieces of art are on the wall and floor around them. A painter's pallet is open on the floor in the foreground. 8679c Three women and one man are viewing pictures in the studio. 8679d Paintings on display in the studio history, bendigo, creeth street long gully, artist studio

Mt Beauty was a construction town built from 1948. The houses were English Pre-cut Types - several of each type were erected with several variations. This house had 3 bedrooms and is dated as 'traced on 18 Dec. 1956'. Mt Beauty is a construction town built by the SECV during the Kiewa Hydro Electric Scheme for workers and their families. Houses were provided along with many other facilities eg. schools. This house plan is a good indication of the quality of housing provided at the time eg. laundry, toilet etc. Large sheet with title at top "State Electricity Commission of Victoria" showing 'front', 'right' and 'left' elevations and the 'floor plan'. Printed at the bottom - 'Kiewa Scheme / Mt Beauty Housing / English pre-cut Type 3B ILA /. There are further notes printed at the bottom of the sheet.mt beauty housing, english pre-cut type housing, house plan, state electricity commission of victoria

This item of dress would have been worn at summer entertainments or at pool parties. The bold floral pattern is typical of the styles favoured in the 1960s and 70s.This dress is of minor interest as an example of ladies’ clothing from the 20th century and will be useful for display.This is a floor length woman’s dress. It is made of polyester material and the print has a white background with mauve, aqua and pink flowers. The waist at the back is elasticized and there is a zip at the back. The front bodice has halter straps. The skirt is slightly flared. The maker’s label is attached to the back of the garment ‘Peer Gynt Size 12’ ladies fashions, floral 1960 dress, peer gynt

These vehicles served Melbourne from the mid 1960's to the 1980's, through various models of AS / AA / AB & C Series. Fitted with a 200 g.p.m. (900 litre per minute) under floor rotary pump, and a 200 gallon (900 litre) water tank,

21 page soft cover booklet, 'Burnewang, the Station, the House and its people from 1841 to the present' A history of Burnewang House, the Bell family and Holmes family. Includes B&W photos, floor plans of the house. Published 1996 and printed by Craftsman Press, BurwoodJohn Carney

EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1967. Bendigo Institute of Technology, Engineering School, Applied Science. 1st Floor well underway. Photo taken from ground level looking over the rubble and off cuts, drum lid visable.Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1967. bendigo institute of technology, engineering school, applied science. 1st floor well underway. photo ground level rubble off cuts

Bendigo Advertiser "The way we were" from 1999. Cellar: former Hercynia vineyard wine cellars built by the successful goldminers Carl and Frederick Heine. The winery was excavated into the hillside to give vehicular access to all floors. 'Hercynia' is an archaic name for a forest region in Germany.newspaper, bendigo advertiser, the way we were

In a black frame a coloured photograph of several soldiers wearing khaki pants, (most of these soldiers are bare chested). Some are standing and some are sitting on the floor. Bottom left hand side reads Voyages To Vietnam Collection, bottom left hand reads Copyright Maurice DwyerVoyages To Vietnam Collection. Copyright Maurice Dwyerphotograph, cerberus collection, 2 rar/nz, hmas sydney

Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio

Colour photograph. Ground floor facing south towards Lonsdale street in what was to be the cafe and in 2015 is the Breacan office. Entrances show access corridors to former towers. White besser blocks in foreground. New structure for roof seen with tarp. Taken during restoration inspection.building construction, historic buildings, cultural structures and establishments