Axe head Butterfly pattern or Bow-Tie.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, axe head

Colour photograph of a poppet head and tram in Bendigo.bendigo, shamrock hotel

Janet Anderson, seventh child of Robert Anderson. Studio Portrait of a young lass, frilled collar, broach at throat.Studio Head and Shoulders Photograph of Janet AndersonVandyk Studios, 3 Bourke Street, East Melbourne. Next door General Post Office.local history, photography, photographs, slides, film, janet anderson, sepia photograph, mrs emma anderson jacobs

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Swan Lake with Helens Head in backgroundlocal history, photography, swan lake, black & white photograph, wet lands, helens head, john jenner, bryant west

The article refers to a grant of $5,000 fto the HGHHS for its "Signs of the Past Project" in the Grampians National Park.A newspaper cutting of an article headed "Signage Boost"media, newspaper articles, national park, signage

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card.Printed lower left hand side of the card "American Studio, 324 Geo. St."tintype, american studio, woman, unidentified woman, women, photograph

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card. Printed on the lower edge of the card "Allen & Gove, American Studion, 6 Sturt St, Ballarat"ballarat, american studio, little gem, allen gove, tintype, woman, unidentified woman, photography

Ship Scraper with wood handle, triangular head.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship scraper, scraper

photograph - colour -mosaic picture of male head.photograph, portrait, male

Postcard. Loading Logs for Poppet Heads, Cheviot.

Slide. Bendigo Views. Head of the Chinese Dragon.slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Views. Head of the Chinese Dragon.slide, bendigo, bendigo views, bendigo views

William E Stanbridge's daughter travelled to England to see Queen Victorias CoronationFlorence Colles Stanbridge born 1874. Mother died at her birth. Her father was extremely rich from royalties from mines.3 Pink cards , head of Queen VictoriaThe Diamond Jubilee Procession June 22 1897 Royal Horse |Guards Pavilion Admit..Miss Stanbridge Stalls Block A Row 13 No 3 1st card Miss Stanbridge 2nd card Mrs Hutton 3rd Card Miss Huttonqueen victoria stanbridge hutton

Head and shoulders of unknown man in collar and tie."19"glen iris presbyterian church

Rev. Ronald B. Sparks, B.A. Ordained 1953. (WA) Maylands 1953–57; Canning Bridge 1957–62; AIM Kimberley Patrol 1962–65; Asst Superintendent AIM 1965–70; Mosman 1970–76; Parramatta 1976–.Head and shoulder portraits of a minister in clerical garb."Rev. R. B. Sparks"sparks, r. b.

Gunn was Stated Clerk of the Victorian Presbyterian Assembly until 1976. In 1986 he had been ordained 50 years. Gunn was ordained on February 12, 1936 in New Zealand. He served in three parishes before chaplaincy with the 20th Armoured Regiment in WW2. He was awarded the MBE for devotion to duty and recovering wounded soldiers across a minefield under mortar fire. He was called to St Andrew's Gardiner in 1955 and became the Stated Clerk of the Assembly in 1969, and in 1970 was also Stated Clerk of the General Assembly of Australia. He was Moderator of Victoria in 1965 and 1967. He chaired the Joint Constituional Council and the commission set up to prepare the interim constituion of the Uniting Church. He presided over the inaugural assembly of the UCA on June 22 1977 and made the declaration of inauguration.Head & shoulders of Gunn looking to his left.Name.gunn, l. farquhar, victorian presbyterian assembly, general assembly of australia

B. 1833 Tasmania; died 1903 Newington, England. See below.Head and Shoulders etching of Rev. Frederick Langham,"Rev. Frederick Langham, Superintendent - Wesleyan Missions, Fiji"langham, frederick, fiji, wesleyan church

Trotting race around the bend head on viewstawell trots, laidlaw park

Huttley - Martin FamilyB/w: Head Portrait of Madge HuttleyMadge Huttley aged 17huttley, martin

White and black painted cow with head lowered.toys, general

Large metal axe head with wooden handle.rural industry, timber

First type of nail used54 Square headed Nails of varing lengthsnails, building, maintenance

Star of David Lion's Head handle With cordweapons, ballarat rsl, ballarat