This microscope belonged to James William Manifold Aitkin (1835-1905) who was born in Tasmania and came to Warrnambool in 1852. He was a shopkeeper, produce merchant and flour miller who came to live at the property of Carracoorte, Grasmere in the late 1880s. He was a member of the Warrnambool Municipal Council from 1861 to 1868 and was Chairman of the Borough in 1863 when Warrnambool was declared a town and an early Mayor. The microscope was an improved model of a design by Benjamin Martin, an 18th century instrument maker considered one of the greatest designers and manufacturer of microscopes of his time. This microscope is of great significance because: 1. It is a beautiful object with high antiquarian and scientific interest 2. It has strong local significance as it belonged to James William Manifold Aitkin, a prominent Warrnambool and district businessman and farmer 3. It has social significance as it demonstrates the interest in natural history by the more affluent and educated men of the time. This microscope is in a polished wooden box with a metal lock (no key). The microscope is an English Martin Improved drum microscope (c. 1850) and made of brass. Inside the box there are two divisions, one to house the microscope. The other has a drawer containing six slide samples made of ivory or bone and five glass slides (with the listed material missing) and five other small items. On top of the drawer is a section for the microscope attachments contained in ten small inserts. The ten attachments are made of brass. There are also six items not in any particular inserts. There are two small slots for the pincers and slides etc. The only writings are the names and information on the slidesjames aitkin, microscope, benjamin martin, benjamin martin microscope, warrnambool

John Eadie, a miller from Perthshire in Scotland, established a water-driven flour mill on the banks of the Jacksons Creek downstream from the Macedon Street crossing in 1861. He also built a weir and water-race to ensure there was plenty of water to drive the mill. The mill produced flour until the early years of the twentieth century. In 1914 the large shell and the iron roofing were removed to aid the war effort. The weir can still be seen but the ruins of the mill are the only evidence of its early existence.Milling was one of Sunbury's early industries in the early days of European settlement. A copy of an old non-digital black and white photograph of a lady driving a small flock of sheep past a blue stone building, which has a pitched corrugated iron roof. The photograph has a border on three of its sides with the caption below the image. john eadie, sunbury flour mill., flour production

When the Fort Cameron Presbyterian Church closed the Committee donated the Honour Board. Believed to be the only such Honour Board - the original Fort Cameron WW commemoration artefact. Large rectangular wooden Roll of Honour hanging on north wall of Wycheproof Historical Society with 24 WW1 names of local Wycheproof District - Fort Cameron men who enlisted.J.FIELDING; C. FIELDING; A. JOLLY; A.McDONALD; N.McDONALD; J.MCFARLANE; F.ELDER; R.T. HASSE; T .YOUNG; T .HARDING; M.HARDING; W. LOOSE; E.LOWE; V.LOWES; J.LOWES; T. ANDERSON ; J.MILLER; J. MILLER; J. STELLE; M. Mc IVOR; T. CULL; E.CAMERON; C. SKINNER; S. KING; ww1, world war one, great war, first world war, 1914-1918, servicemen, wycheproof district, fort cameron presbyterian church

Photocopy of image from The Bendigonian, page 15, October 1st, 1912. Alexandra Fountain on left, two trams on right .Photo taken from Fountain looking west up View St . Large group of people around fountain. Hansom cabs in distance. Building on LH side has ( unclear initials ) Henderson Furniture sign above roof. On bottom of photo ' At Charing Cross looking up View Street' ( E. Bond, photo ).person, individual, basil miller, alexandra fountain, trams, tramways, miller, basil, bendigonian, view street, bendigo, sandhurst

Contract of sale of real estate dated 8th November, 1963 between Mr. R. P. & Mrs. M. O. Miller (vendor) and Mr. E. C. Spence (purchaser). Solicitor for vendor: Watson, James & Rogers, Bull Street, Bendigo. Solicitor for purchaser: Watson, James & Rogers, Bull Street, Bendigo. Property: Sterry Street, West Bendigo being lot 3 on plan of subdivision No. 52992 land described in certificate of title volume 8399 folio 464. Price: 400 pounds.organization, business, h.a. & s.r wilkinson real estate

black and white photo: large weatherboard building with central doorway, 4 arched windows and panelled doorway to right of photo. Two males standing in doorway. Trunks, prams, rocking chairs in front of photo, also cast iron cookware. MP 99 top right hand corner. On paper enclosed with photo : ' this large weatherboard building was Charlie Button's Secondhand Furniture Store at 204 Williamson Street next to Jones Miller's Store formerly Pickles' large rolling stock works' ( BHS Inc. )organization, business, charlie button's store

Cream manilla pictorial envelope printed as 'Trolley Wire' magazine of the South Pacific Electric Railway PO Box 103 G.P.O. Sydney N.S.W. Postage Stamp in green of Queen Elizabeth II, 5d. Postal stamp in black ink 'Sydney 4pm, 15 Oct 1964, N.S.W. Aust. Adressed in ballpoint pen 'Mr B. Miller, Tramway Offices, Dispensary Walk, off Pall Mall, Bendigo, Victoria. Written in biron on back: Basil - Bob Prentice will ring you 4pm today.person, individual, basil miller

Journal of the Tramway Museum society of Victoria. Ltd. Volume 9, No. 3, June 1972. Thirty five cents. Twenty pages. Front cover (right) shows photo of Swanston Street Melbourne in the era of the American system of painless dentistry,cobbled streets, verandah posts and cable tram. From 1888 the brightly painted car from city to Prahran and St. Kilda until December 1925 when the line was back to conversion to electric traction. History of document: part of 'Basil Miller Tramways Collection'.document

Journal of the Tramway Museum Society of Victoria. Ltd. Volume 7, No. 2. April 1970. Thirty cents, seventeen pages. Front cover (right) took by Mal Rowe. Showing maximum traction bogie car no. 25 of the S.E.C. Bendigo system rumbles over the stone pavement of Mitchell Street bound for the Borough of Eaglehawk. Built in 1917 for the Hawthorn Tramways Trust, the car saw service in Melbourne until 1947 when it was purchased by the S.E.C. History of document: Part of 'Basil Miller Tramways Collection'.document

Documents. Connelly, Tatchell & Dunlop. 1 - 1896 - Letter from Davidson Jas, Office of Collector of Imposts, Melbourne re Transfer Larkin to Larkin. 2 - 1896 - Letter from Ferguson D, Distilleries and Excise Office, Custom House, Melbourne re O'Connell? V Frizzell 3 - 1896 - Letter from Jones Thos, Oak Vale. 4 - 1896 - Letter from Holding T, Clairmont Crescent, Canterbury. 5 - 1896 - Letter from Campbell Colin H re Miller Louis Loan.cottage, miners, connelly, tatchell & dunlop, davidson jas, office of collector of imposts, larkin, ferguson d, distilleries & excise office, o'connell?, frizzell?, jones thos, holding t, campbell colin h, miller louis

Textiles. Calico flour bag with brown and yellow printing on one side, '' GOLDEN CRUST SELF RAISING FLOUR'' 6lbs nett. Manufactured and Packed by Jeffs Bros Ltd., Gawler - South Australia.Prepared with Phosphate Aerator''. Includes pictures of a plate of scones and a wheat sheaf. Collection has another sample (very faded) Uncatalogued. In 1933 Jeffs Bros Ltd., millers and grain merchants of Gawler, South Australia, purchased the well-known "Golden Crust and "Sterling'' Self Raising Flour process from North Adelaide.textiles, domestic, jeffs bros ltd calico flour bag

Report on W2 class tramcar No. 491, 23 pages including appendices, titled "Tramcar braking tests - Tram No. 491". Dated October 1960. Report looks at the braking characteristics of the tram using various brake blocks, including those manufactured by the VR, and the degree of chilling in the block and its impact. Testing done in Miller St Preston. Document bound within a manila cover stapled with red cloth adhesive tape on the left hand side. Carbon copy with "Testing Engineer's Copy" written on the cover.trams, tramways, preston workshops, reports, tramcars, w class, braking, tram 491

Set of two comb bound, brown covers with a plan of the location on the cover, with a report for the reconstruction of St Georges Road, Merri Parade to Miller St, November 1984. First volume is titled "Report to the Minister by the Steering Committee on Options for St Georges Road, Northcote", looks at four different options with sub options. Has drawings for the various options. Second volume - "Steering Committee Recommendations" Prepared by the Road Construction Authority - RCA - Metropolitan Division. See Reg item 621 for the actual drawings.trams, tramways, st georges rd, thornbury, northcote, tramways, road works, construction

Set of four Perutz colour slides, grey plastic mount, photo by Keith Caldwell of trams using the single track bridge over the Epping Rail line, (the hump), Preston Workshops - Miller St. .1 - W3 663, Route 9A, Northcote via St Georges Rd. .2 - W2 455 eastbound. showing special - route 11 .3 - W5 749 - as for .1 .4 - W5 - can't read the number. shows the bridge pier prior to be reinforced and the train tracks. 16/3/1966In ink "Bourke 14.3.66" and a purple date stamp.trams, tramways, miller st, the hump, w3 class, w2 class, w5 class, bridges, preston workshops, northcote, route 9a, tram 663, tram 355, tram 749

Crop competitions have been held at local shows dating from late 1800’s to todayCream card Red and Blue print. Hand printed details of winner and description of Crop competition. Also has tractor and plough, silos tractor and header logos on top and wheat head logos on sides and bottom.The Farm Competitions Association of Victoria. Special certificate awarded to J C Thom ad P Bruce Open Wheat crop competition 1957 Area 40 acres. Variety Sherpa Conducted by Yarrawonga and Border Agricultural and Pastoral Society. Signed by Chairman Wm B Miller, Hon Secretary JWC McCann

Black and white photographWritten on back of photograph: "Plaque unveiled by John R. Urquhart, 10th June, 1980 to commemorate centenary of first production of confectionery by founder, the late Sir Macpherson Robertson. From L to R: D. Robertson (son of Mr. N), E. Robertson, J.R. Urquhart, N. Robertson, F. W. Miller."

A Report of the Commissioners, presented to Parliament in 1891, noted that: ‘The great Musical Festival, which was inaugurated and maintained during the time the Exhibition was open, was such as had never before been attempted. In that comparatively short period, no less than 263 orchestral, grand choral, and other concerts were given by the Centennial Orchestra and Choir, numbering nearly 800 performers, under the conductorship of Mr. F. H. Cowen. At these concerts the works of the great masters were performed in a manner hitherto unknown in these colonies, and your Commissioners are encouraged to hope that the stimulus given through their agency to the study of Music will prove strong and lasting. They also desire to return their thanks to the ladies and gentlemen composing the Centennial Choir, who devoted much time to the rehearsal and performance of the great choral works given during the Festival, and whose valuable services were rendered gratuitously.'An illuminated certificate inscribed to Miss L. Wilson in ‘recognition of valuable services rendered as a member of the Centennial Choir during the currency of the Centennial International Exhibition, Melbourne 1888’. The illuminated certificate lists a number of works performed by the choir, at left, and also pictorial roundels of the exterior of the Exhibition Building and of its grand organ. Attached to the card on which the certificate is also attached is a separate Memorandum from the Music Business Manager to Miss Wilson. No other correspondence is extant to explain the reason for her request.Inscription: To Miss L. Wilson / In recognition of valuable services / rendered as a Member of / The Centennial Choir / during the currency of the / Centennial International/ Exhibition, Melbourne 1888. Separate Memorandum: CENTENNIAL INTERNATIONAL EXHIBITION MEMORANDUM FROM EXHIBITION BUILDINGS FITZROY 8/10/1888 E. MILLER (MUSIC BUSINESS MANAGER) TO Miss Wilson Dear Madam In answer to your note I have the honor to inform you that you may remove your dress at any time, though you may need to show your choir pass & may have to submit to parcel being looked at - as the Customs officers are obliged to keep a very careful watch on any outgoing parcels. Yours obediently E. Millercentennial choir - 1888, centennial exhibition - melbourne (vic) - 1888, certificates

Two photocopied articles, including 3 original prints of photographs, all unattributed, about the house and property known as Cantala, owned by Septimus Miller. 1/The first article is from the Australasian newspaper, dated 18/03/1893, including two original prints (from 6 photographs in the article). The article is accompanied by one page of handwritten notes, undated and unattributed, detailing and summarising the Australasian article. 2/The second article (2 copies) is from Punch, dated 29/10/1903 and includes one original print (from 7 photographs in the article).miller septimus, salway mr, miller mrs, lauderdale mr, redleap (horse), echo (sculpture), sleeping ariadne (sculpture), cantala, caulfield, caulfield north, dandenong road, kooyong road, wiora, australasian, punch, victoria racing club, photographs, towers, italianate style, mansions, balconies, stairs, drawing rooms, bay windows, architectural features, architecutral styles, gates, gardens, stables, art, sculpture, statutes, racehorses, horses, horseracing, business people, commerce, miller helen, miller damien, garden parties, social life and customs

Mill Park Farm at Janefield on the Plenty River was established around 1840 by George Coulstock where he grew wheat. His flour mill was one of the first in Victoria, under construction as early as 1841. After bushfires and Coulstock's early death in 1842, the farm and its mill were taken over by local landowners Henry Miller and John Brock. Peter Hurlestone took charge of the mill. With water diverted from the Plenty River to fill the newly built Yan Yean Reservoir which opened in 1857, the Hurlestone family quit and that was the demise of the mill.Four colour photographs showing the ruins of Coulstocks Flour Mill (Janefield Mill), Janefield. 1. Stone wall 2. Old mill 3. Stone remains of old mill 4. Tree near old mill sitemills, flour mills, coulstock, janefield, plenty river, ruins, stone walls, plenty gorge, bundoora

Mill Park Farm at Janefield on the Plenty River was established around 1840 by George Coulstock where he grew wheat. His flour mill was one of the first in Victoria, under construction as early as 1841. After bushfires and Coulstock's early death in 1842, the farm and its mill were taken over by local landowners Henry Miller and John Brock. Peter Hurlestone took charge of the mill. With water diverted from the Plenty River to fill the newly built Yan Yean Reservoir which opened in 1857, the Hurlestone family quit and that was the demise of the mill.Five colour photographs of ruins of Coulstocks Mill, Janefield (Mill Park - Bundoora)mills, flour mills, coulstock, janefield, plenty river, ruins, stone walls, bundoora, plenty gorge

The Smeaton Presbyterian Church was built in 1859 of locally made brick, and opened in 1860. The building committee was . Messrs. John Hepburn, W. McAlpine, W. Anderson, S. Moore, W. H. Clarke and W. Miller. It cost an estimated 1,200 pounds, and was assisted by Captain John Hepburn who donated 5 acres of land and 150 pounds for the church. The rest was contributed by the settlers and their employees. Around 1890, the outside brickwork was given a coat of cement, which has improved with age. In 1938 the grey stained exterior was described as “not altogether displeasing”. Colour photographs of Smeaton Presbyterian Church.smeaton, smeaton presbyterian church, churches, kooroocheang

A dress belonging to the family of George Ward Cole in the late 1800s; possibly his wife Thomas Anne Ward Cole or one of his daughters, Margaret or Agnes. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice (.1) base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt (.2) which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.brighton, st ninian's, 1860s, evening dress, george ward cole, thomas anne ward cole, margaret morison ward cole, agnes bruce ward cole

This peignoir or morning gown is believed to have belonged to Mrs Thomas Anne Ward Cole, an early Brighton resident and wife of George Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.A mid blue-green cotton and lace peignoir or morning gown, c.1860. The bodice starts at the neck with a clavicle height, rounded neckline with a turn down flat collar, and is finished with a cream lace frill next to the face. The sleeve starts at the natural shoulder line and its overall silhouette is reminiscent of a soft three quarter length imbecile sleeve constructed of four layers of alternating fabrics. At the shoulder, there is a blue-green flap, which crosses across the top and back of the shoulders towards the centre upper back in a 'v' shape. Here it finishes where it meets with the gathered top of the fabric that creates the train. Underneath this shoulder flap is a gathered, long cream frill that finishes just above the elbow. Underneath this frill is the full gathered blue-green sleeve. Finally falling from this a second gathered long cream frill finishes at the three quarter arm. The bodice buttons with five metal buttons from the neckline to just above the bust. Here it meets a heavily gathered front in two pieces, which falls with fullness to the floor. This full section is secured closed at the centre front with four hooks and eyes over the bust and then continues with shell buttons through the remainder of the garment.st ninians, george ward cole, morning gown, peignoir, brighton, thomas anne ward cole, margaret morrison ward cole, agnes bruce ward cole

This ladies suit belonged to an elderly neighbour of the donor, Margot Miller, who lived in Black Street, Brighton in the 1970s. The neighbour had offered Margot a selection of her old clothing, dating from the early 20th century, as she wanted somebody to hold onto and care for the items after she died. Before Margot could take the items the neighbour was moved into a nursing home and, while cleaning out the house, the woman's son took the clothing to the tip with a load of rubbish. Margot happened to see him leave and was able to follow him and retrieve the clothes. They remained in the Miller family for many years; some were worn by Margot's daughters and some were ultimately passed on to others. Based on our research, we believe that the suit's original owner may have been Julia Richards (nee O'Keefe, c. 1882-1976), who lived at 59 Black Street during this time. Born in Ireland, Julia emigrated to Queensland in 1900. She married William Alfred Richards in 1911 and lived with him in Ayr, near Townsville, where they ran a hotel. It is unclear what became of William, but by the mid-1920s Julia and her two children were living in Brighton, where she remained until her death in 1976, aged 94.Cream wool ladies suit consisting of a jacket and skirt. Jacket is partially lined with silk, quilted around shoulders. Fastens with four self-covered buttons, one attached to a belt. Two box pleats at front and back, each featuring four decorative self-covered buttons at the waist. Upturned cuffs, each with two buttons. The skirt features a fabric belt and triangular pockets in each side with decorative self-covered buttons. Hook fastenings at side.1910s, women's suit, julia richards

This book is a 1988 reprint of an 1897 novel by Mary Gaunt (1861-1942). She was an Australian writer of more than 20 novels and many travel books, short stories and magazine articles and achieved international recognition. The wife of Dr H.L. Miller, she lived in Warrnambool from 1894 to 1900. ‘Kirkham’s Find’ was written while she was in Warrnambool and is of particular local interest as it is partly set in an area that can be identified as Allansford. The novel outlines the difficulties faced by a woman in the 19th century if she wished to pursue a career and gives us a good description of 19th century rural Australia. Although it is only a reprint this novel is of some interest as it was written by Mary Gaunt, an Australian writer of considerable importance. As a one-time resident of Warrnambool and a writer using local places and situations in her stories, she has a place in Warrnambool’s history. This is a soft cover book of 340 pages. It has a purple cover with a reproduction of a 19th century painting on the front cover and material about the contents of the book on the back cover. The spine is an orange colour with black and white printing. The book has an introduction by Kylie Tennant, an afterword by Dale Spender and 29 chapters of a novel. mary gaunt, history of warrnambool, women in literature