Showing 7897 items matching " roberts "
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Bendigo Historical Society Inc.
Document - KELLY AND ALLSOP COLLECTION: ACCOUNTS FOR J. B. ROBERTS, W. CUNDY & H. WARD
Handwritten accounts for J. B. Roberts, W. Cundy and H. Ward. Accounts range from 1892 to 1899.business, stockbroker, kelly & allsop, kelly and allsop collection - accounts for j b roberts, w cundy & h ward -
Bendigo Historical Society Inc.
Document - ROBERT GRAY FORD: A MAN BEFORE HIS TIME
Document, Robert Gray Ford - A Man Before His Time, was an Engineer and invented '' Ford's Rock Boring Machine''.document, names of bendigo pioneers, robert gray ford -
Port Melbourne Historical & Preservation Society
Document - Agreement, Electrical supply, Robert Harper & Co, Port Melbourne, 1915
Agreement for the supply of electrical energy No 2 Factory, Beach Street (Robert Harper & Co), 9 Feb. 1915utilities - electricity, local government - town of port melbourne, robert harper & co ltd -
Robin Boyd Foundation
Slide, Robin Boyd
Colour slide in a mount. St Andrew's Presbyterian Church (1928), Oakleigh, Victoria, Australia. (Architect: Robert Haddon.)Made in Australia / Encircled 41 (Handwritten)melbourne, slide -
Clunes Museum
Photograph
COUNCILLORS OF SHIRE TALBOT & CLUNES IN MAYORS ROOM OF CLUNES MUSEUM ? WALLY COOK ? ROBERT SEERS, ?? RON PRYORlocal history, photography, photographs, museum, clunes -
Whitehorse Historical Society Inc.
Photograph, Cr. Charles McCall - Mayor, 1967
Coloured Photograph of Cr. Charles Robert Tuplin McCall, Mayor, City of Nunawading, August 1967 to August 1968mccall, charles robert tuplin, city of nunawading, mayor -
South Gippsland Shire Council
Painting, Oil, Breaking Wave, 1988
Framed oil painting titled: "Breaking Wave" painted by Robert Wood. 1988.Gold edged timber frame. -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Kew Historical Society, KERR, William Warren, 1958
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)Subject file containing a 1-page summary of information on William Warren Kerr, compiled by his grandson Robert.william warren kerr, mayors of kew - william warren kerr, trenant - belmont avenue - kew (vic)william warren kerr, mayors of kew - william warren kerr, trenant - belmont avenue - kew (vic) -
Bendigo Historical Society Inc.
Administrative record - South Frederick The Great Mine, Sebastian, Mine map
Draftsman's drawing of South Frederick The Great Mine, Sebastian. Forms part of the Margaret Roberts Collection of mining records.Pencil markings additions to mapbendigo, margaret roberts, gold, map, south frederick the great mine -
Bendigo Historical Society Inc.
Administrative record - Mine Map
Draftsman's drawing Mine Map. Additional pencil markings. Forms part of the Margaret Roberts Collection of mining records.bendigo, margaret roberts, gold, map, mine -
Bendigo Historical Society Inc.
Administrative record - St Mungo Co
Draftsman's drawing St Mungo Co Mine Map. Forms part of the Margaret Roberts Collection of mining records.bendigo, margaret roberts, gold, map, mine, st mungo co -
Bendigo Historical Society Inc.
Administrative record - Central Blue Section
Draftsman's drawing Central Blue Section Mine Map. Forms part of the Margaret Roberts Collection of mining records.bendigo, margaret roberts, gold, map, mine, central blue section -
Bendigo Historical Society Inc.
Administrative record - Shenandoah Mine Surface plan
Draftsman's drawing Shenandoah Mine Surface Plan Map. Forms part of the Margaret Roberts Collection of mining records.bendigo, margaret roberts, gold, map, mine, shendandoah mine -
Lakes Entrance Historical Society
Photograph - Public Health, Lakes Post Newspaper, 1991
Black and white photograph of Sue Roberts Nursing Manage Lakes Entrance Community Health and Ruth Connor Podiatristpublic health -
Robin Boyd Foundation
Slide, Robin Boyd
Colour slide in a mount. Magazine image, Salginatobel Bridge (1931), Schiers, Switzerland (Designer/Engineer: Robert Maillart)Made in Australia / 6 (Handwritten) / F (Handwritten) / 4 (Handwritten)slide, robin boyd -
National Wool Museum
Textile - Children's Jumper, Kathryn Knitwear, c.1970
Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Wool has been renowned for its excellent properties for thousands of years, by people from all over the world. Not only good for thick winter woollens, it can help keep you cool in summer, as well as being durable and resistant to water, fire, ultraviolet light, stains and odour. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Grey wool Jumper with Blue and grey cable design on front. Vertical cable pattern is two sets of intertwining grey blue cable pairs on a purl stitch background in alternating rows of blue and grey. Front panel of jumper has five cable panels separated by smooth stocking stitch panels. Jumper has long sleeves and crew neck with thick ribbed collar and cuffs. Style B/110, Colourway Silver/Denim, Size 8 .2) 2 Sample tags stapled together with manufacturing information, including sizes and colours available, as well as knit swatch samples for colourways Brown/Woodgrain, Denim/Blue Shadow and Pebble/Oyster.1) [white label at back neck with green and black printed writing] ROBERT BLAKE Size 8 / knitwear HEIGHT 130cm MADE IN AUSTRALIA .2) [blue sample label] STYLE B/110 Crew Neck Wool Pullover SIZES: 2 4 6 8 10 PRICE: $10 [amended to $11 in blue pen] $[written over in blue pen so as to be illegible] [handwritten in blue pen] $12.55 SIZES: 12 14 PRICE: [printed] $12.30 [handwritten over top in blue pen] $13.15 COLORS: Silver/Denim, Brown/Woodgrain, Denim/Blue Shadow, Pebble/Oyster. Dec on Del. [cream brand label] [OBVERSE] ROBERT BLAKE [REVERSE] ROBERT BLAKE KNITWEAR MELBOURNE, AUSTRALIAknitwear, clothing, children's clothing, jumper, manufacturing, fashion textile production, machine knitting -
National Wool Museum
Textile - Children's Jumper, Kathryn Knitwear, c.1970
Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Wool has been renowned for its excellent properties for thousands of years, by people from all over the world. Not only good for thick winter woollens, it can help keep you cool in summer, as well as being durable and resistant to water, fire, ultraviolet light, stains and odour. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Brown and Grey children’s jacket with brown accents at pockets and shoulder, centre front zip, curved pocket detail.Style B/117, Colourway Woodgrain/Pebble, Size 8 .2) Sample tags stapled together with manufacturing information, including sizes and colours available, as well as knit swatch samples for colourways Green/Silver, Burgundy/Denim, Navy/Denim, and Rust/Pebble.1) [white label at back neck with green and black printed writing] ROBERT BLAKE Size 8 / knitwear HEIGHT 130cm MADE IN AUSTRALIA .2 [blue sample label] STYLE B/117 Jacket. Zip. Birdseye. Wool. SIZES: 2 4 6 8 10 PRICE: $11.75 [amended to $12.80 in blue pen] $13.85 [amended to $15.05 in blue pen] SIZES: 12 14 PRICE: [printed] $14.95 [amended to $16.15 in blue pen] COLORS: Woodgrain/Pebble Green/Silver [drawn through in black pen] Burgundy/Denim, Navy/Denim, Rust/Pebble Dec on Del. [cream brand label] [OBVERSE] ROBERT BLAKE [REVERSE] ROBERT BLAKE KNITWEAR MELBOURNE, AUSTRALIAknitwear, clothing, children's clothing, jumper, manufacturing, fashion textile production, machine knitting, children's knitwear -
Warrnambool and District Historical Society Inc.
Audio Visual, Warrnambool Video Productions, Video - Winter Visitors, 1999
This videotape has material related to the annual arrival in Warrnambool’s coast (mainly at Logan’s Beach) of Southern Right Whales. These whales come annually to the Western District coastline about May and stay until about October. and some calve at Logan’s Beach – hence the name Logan’s Beach Whale Nursery. The whales have become an important tourist attraction in the area. Most of the whales return to the area regularly and have been named from their particular markings. Wilma the whale was a great favourite and was seen about every three years in Warrnambool but is now appearing in other parts of Australia. The tape is dedicated to Robert Ulmann who was a well-known artist and conservationist in the Warrnambool region. He did much to ensure the whales received protection and publicity in the Warrnambool environment. This tape is now in an outdated format and will be transferred to a more appropriate form as the material in it needs to be preserved. The whale migration to Warrnambool is a significant natural history event and material from the 1990s is important. This is a videotape in a black case with a white label with black printing pasted on. The outer box is white with a white label with blue and black printing. An image of a whale is on the outer label. ‘Warrnambool’s Winter Visitors’ ‘Update 98 Wilma Returns 7thJune 1999’ ‘This video dedicated to the memory of Robert Ulmann’ ‘Canya Dantz perform the song, Warrnambool Whale Wash’ whales in warrnambool, robert ulmann -
Geoffrey Kaye Museum of Anaesthetic History
Medal - Medal, Orton, c. 1986
The Robert Orton Medal is awarded at the discretion of the Council of the College (formerly the Board of the Faculty), the sole criterion being distinguished service to anaesthesia. The award was established by the Faculty of Anaesthetists, Royal Australasian College of Surgeons, in 1967. Robin William Smallwood was Dean of the Faculty of Anaesthetists at the Royal Australasian College of Surgeons from 1986 - 1987. Smallwood died 6 October 1987 after a brief illness. Smallwood completed medicine at the University of Melbourne in 1958 and decided on anaesthesia as a career, attaining his FFARACS in 1964. The Orton Medal was awarded posthumously.Die cast medal mounted in a hard blue velour base, with a wooden gold frame. The medal is placed inside the base, with a red velvet ribbon coming out from underneath, used for removing the medal. Underneath the medal is a two cent coin, stuck to the base. Where the medal rests is covered in red velvet as well.Moulded in relief around perimeter of medal: THE ROBERT ORTON AWARD R.A.C.S. •Handwritten in black ink on reverse: THE ROBERT ORTON MEDAL OF THE FACULTY / OF ANAESTHETISTS, ROYAL AUSTRALASIAN COLLEGE / OF SURGEONS, PRESENTED POSTHUMOUSLY TO / ROBIN WILLIAM SMALLWOOD AT THE R.A.C.S. / G.S.M. MAY 7 1989 •Stamped in black ink on reverse: PORT MELBOURNE PRINTS & FRAMING / 276 BAY ST., PORT MELBOURNE 3207 / TELEPHONE No 646 4000 •Etched around the rim of the medal: ROBIN WILLIAM SMALLWOOD OCTOBER 1987orton, robert, smallwood, robin, distinguished services, faculty of anaesthetists, faculty board -
Bendigo Historical Society Inc.
Photograph - BASIL WATSON COLLECTION: BASIL WATSON AND ROBERT KEITH MUNRO, C1916
sepia ( or very faded black and white ) photograph: photo shows Robert Keith Munro shaking hands with Basil Watson. Men are standing near steps at front of house. Brick pillar on LH side. Photo was donated by Dorothy Wigney, (nee Stilwell) a niece of Robert Munro. Robert Munro and Basil Watson are cousins, sharing the same maternal grandfather, George William Knight. R.K. Munro put together the Basil Watson collection and donated it to the Bendigo Historical Society.aviation, civilian, basil watson -
Bendigo Military Museum
Memorabilia - MONTAGE, FRAMED MEMORABILIA, Post 2000
Robert George Lunn VX76842 enlisted on 27.2.1942 age 35 years, 5.3 1942 transfer to Engineer Training Echuca, 12.4.1942 transfer to 2nd Field Sqd, 27.6.1942 transfer to No 4 Bomb Disposal Coy, 3.9.1942 transfer to No 2 Bomb Disposal Coy, 18.2.1943 transfer to Engineer Training Centre RAE, 18.8.1943 transfer to 5th Aust Advance Reinforcements Depot Townsville, 11.11.1943 embark for Pt Moresby, 19.11.1943 taken on strength 2/9th Field Coy, 4.6.1944 embark from Lae to Brisbane, 11.8.1944 hospital with Malaria28.8.1944 rejoin unit, 20.9.1944 hospital (unclear), 27.9.1944 rejoin unit, 23.5.1945 embark for Morotai, 7.8.1945 promoted to Cpl, 12.8.1945 fly from Balikpapan to Aust to attend a Junior leaders school Aust Army, 22.8.1945 arrive Vic and attend school, 29.8.1945 attend RAE Training Centre NSW, 31.10.1945 Move to Vic for discharge, 7.11.1945 discharged from the 2nd AIF.Wood framed item with photo, ID tags, medals x 4, RAS badge, RSL badge, all items are set in panels within the frame, panel with text at bottom. Medals. 1. 1939 - 45 Star. 2. Pacific Star. 3. British War medal 1939 - 45. 4. Australian Service Medal 1939 - 45."VX76842 Lance Corporal Robert George Lunn, 2/9 Australian Field Company Australian Imperial Force, 27 February 1942 - 7 November 1945"framed, memorabilia, ww2, medals, lunn -
Bendigo Historical Society Inc.
Photograph - ROBERT'S & SON FOUNDRY EMPLOYEES, WILLS STREET, c.1900
Black and white faded photograph of employees of Robert's and Sons Foundry outside the premises facing Wills Street. Mounted on grey card. (James Lerk 19 Nov. 1999) five rows of men against wall of foundry. Inscriptions: 'Employees of Robert's Foundry, Bendigo, early 1900's (on back)person, group, male group of workers -
Bendigo Historical Society Inc.
Medal - MEDAL COLLECTION: BOER WAR MEDAL, 1900
Object. Brass coloured medal with hole drilled at top with suspension ring. Obverse: Around edge ''FIELD MARSHALL LORD ROBERTS V.C.'' Picture of Frederick Sleigh Roberts in Uniform. British Commander in the Boer War. Reserve: Around edge ''BRITISH TRANSVAAL WAR 1900''. Picture of Queen Victoria.numismatics, medals - military, boer war medal -
Linton and District Historical Society Inc
Photograph, Howard Brown Studios, Geelong, Mitchell sisters
The six Mitchell sisters were the daughters of Frederick Mitchell and his first wife Jane McDonagh. They were born between 1862 and 1876. Their mother Jane died in childbirth in 1878. It is not clear who is who in the photograph. Elizabeth Jane Mitchell, the oldest sister in the photograph, married Oscar Ball. Louisa Mary Mitchell married John James Jennings. Albertha Mitchell married William Godden. Caroline Albertha Mitchell (also spelled Alberta) married William Henry Godden in 1902. See Mitchell and McDonagh family files for more information.Sepia photograph of six ladies three standing behind three seated."Mitchell girls, Robert, only boy, missing". [Note: Frederick and Jane's only son was called Henry. Robert Mitchell was a son of Frederick and his second wife Isabell McDonagh.]mitchell sisters, elizabeth jane mitchell, frances fredericka mitchell, antonet ann mitchell, louisa mary mitchell, florence victoria mitchell, caroline albertha mitchell, elizabeth ball, louisa jennings, albertha (alberta) godden -
Glenelg Shire Council Cultural Collection
Photograph - Photograph -Robert Halliday, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: ROBERT HALLIDAY (blue pen, upper left)port of portland archives, robert halliday -
Coal Creek Community Park & Museum
Parallel ruler, Approxamitly between 1888 and 1892
8387.1 - Parallel ruler. 8387.2 - Wooden case.- Ruler: flavelle and Roberts, Sydney and London. - Case: C. Ladgrove, Korumburra. -
National Vietnam Veterans Museum (NVVM)
Photograph, Awaiting Extractions
Photograph framed (black) with glass front. Photo depicting five soldiers in army clothes holding weapons standing in bush clearing. Three soldiers identified by name. Two others obscured. Awaiting extraction from FSB Balmoral 5th June.11 PIT Commander Lt Marcus John and PTE Robert McMillanawaiting extraction, fsb balmoral, photograph, soldiers, battle of coral-balmoral -
Rutherglen Historical Society
Photograph - Image, 1868-1873
One of a set of photographs of members of the school board that established the Rutherglen Common School.Black and white portrait photograph with dark hair and beard.Printed below photo: "Late Robert Jack, Elected Nov. 1871."common school, robert jack, school board, rutherglen common school -
National Wool Museum
Photograph
Photograph of a womens sports team with their coach. They won the Baton Relay - 1951 and had the Highest Aggregate - 1951. Team members are Val Kelly, Marg Bromley, Lorraine Gration, Joy Gellately, Nancy Trigg, Val Hobbs, Lorna Hobbs, and Johnny Barling (Coach).BATON RELAY 1951 / HIGHEST AGGREGATE 1951 ROBERT POCKLEY / PHOTOGRAPHERtextile mills sporting teams, sport, textile mills - sporting teams -
Mont De Lancey
Glass bottle
6 sided glass bottle with a green tinge and several air bubble flaws in the glass.Empire Co. (x 2). Registered Robert Harper & Co. 9.2.91bottles, containers