Max Turner of Yarrambat Historical Society speaks as part of the Tales of Old Nillumbik program. A series of talks held October - December 2005 at the Eltham Living and Learning Centre which allowed Nillumbik Historical Societies to record the verbal history of the area with some of the well known residents of Nillumbik and surrounds Recorded and edited by Marie Ryan of Plenty Valley FM Community radio station. Speaker: 22 November 2005video recording, max turner, yarrambat, yarrambat heritage museum, yarrambat historical society

The Grave of Inez Irene Strickland (died 13/04/2005) and Thomas Goullet Strickland (died 15/10/2013), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, strickland family

The 2006 Commonwealth Games, officially the XVIII Commonwealth Games and commonly known as Melbourne 2006, was an international multi-sport event for members of the Commonwealth held in Melbourne, Australia between 15 and 26 March 2006. It was the fourth time Australia had hosted the Commonwealth Games. Glossy colour poster advertising the upcoming Commonwealth Games, depicting women in foreground and man behind lawn bowling. t; Warming up for the games. ll; (Sticker) Lake Weeroona / 11.00am - 3.30pm / City of Greater Bendigo b; 20th November 2005. Have fun, get involved and get active for the Melbourne 2006 Commonwealth Games.city of greater bendigo tourism, city of greater bendigo community partnerships, commonwealth games 2006, city of greater bendigo events

Eleanor Hinde (1842-1902) was born in Lancashire England. In 1858, Eleanor married Richard Reynolds in the Forest Street Wesleyan Methodist Church in Sandhurst. They both gave their address as Sailors Gully Goldfields. They had seven children together. Richard was a skilled tradesman and after he died in 1872 from lung disease, Eleanor married Arculus Opie. Eleanor owned a property on the corner of Gladstone and Stanley Streets which later became an electrical substation. She sold poultry and eggs and preserves. The four folders contain family history documents and photos of the descendants of Eleanor Hinde. June Amelia Reynolds is the Great Grand-daughter of Richard Reynolds and Eleanor Hinde. 10891.11a Family History Sheet of June Amelia Reynolds 10891.11b Thank you card from June to Ruth Greenway 10891.11c June Amelia Reynolds 10891.11d Des and June Lloyd (nee Reynolds) St Patricks Cathedral Melbourne 15/2/1947 10891.11e Eulogy Front Page for Desmond Lloyd 13 October - 29 May 2005 10891.11f Eulogy Rear Page for Desmond Lloyd 13 October - 29 May 2005 10891.11g to 10891.ag (29 Items) Family history sheets, articles, and photos for Descendants of June Reynolds - contact the Bendigo Historical Society for detailsbendigo, sandhurst, peter jorgensen, eleanor hinde, eleanor reynolds, eleanor opie, reynolds collection, amelia honorah reynolds, charles frank greenaway, charles albion reynolds, iris ellen greenaway, william donald male, ruth honora greenaway, dirk pendavingh, percy george tobias, louisa catherine reynolds, lois noelle tobias, lois mitchell, lois tobias, robert reynolds, hector baden reynolds, june amelia reynolds, desmond lloyd

Guidance on the heritage issues in the management of the court house and former police buildings of the early justice precinct at Eltham.68 p, 30 cm. Also draft copy - Conservation Management Plan (draft) for Justice Precinct Eltham (July 2005) prepared for Nillumbik Shire 2006 This copy is the property of the Eltham District Historical Society Inc.eltham justice precinct, justice precinct eltham

Bendigo Archive & Heritage Centre Part 1: Situation Analysis. Issue: June 2005. 43 pages. Colour photographs & map. Archive & Heritage Centre.SED Consultingbendigo, hospital, archive and heritage centre, archive & heritage centre

Bendigo Advertiser ''The way we were'' from Wednesday, June 8, 2005. Serious: the 1934 class of grade 1B. Golden Square school 1189.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from Tuesday, June 28, 2005. Kept busy: a section of the telephone exchange switchboard at Bendigo post office.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from uesday, February 8, 2005. Looking smart: the Long Gully Junior Brigade Band. Date unknown.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Wednesday, Febuary 9, 2005. Cruisin': the buses from Monti's Bus Service, ready for passengers in Bendigo.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Friday, February 18, 2005. Hard at it: workers at the Bendigo Ordnance factory tinker with various mechanical parts.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Saturday, February 19, 2005. Workers: staff at the Bendigo Ordnance factory take time out for a photograph.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Friday, March 18, 2005. Hard day's work: women work at the Ordnance Factory. Date unknown.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Friday, April 8, 2005. Lunchtime: a group of workmen having their lunch at the Ordnance Factory. Date unknownnewspaper, bendigo advertiser, the way we were

Of Maryanne Coutts' exhibition at the Ballarat Fine Art Gallery Maryanne Coutts wrote: 'The same old story' is a curious phrase. As usual I can't tell you exactly in words what the story is,simply that I hope that this body of work evokes characters and implies the actions and interactions that engender a story. For me the story if seeking itself, trying to understand what about itself is repeatable yet malleable, rememberable yet changeable. The Triumph of Gutenberg' celebrates the seemingly ordinary by manifold ways that information is transferred and transformed. It arises from a fascination with the way a thought evolves from one idea to the next, often repeating itself, but sometime making leaps and in the dark mutating. Famed for introducing movable type and the printing press to Europe in 1450, Gutenberg enabled the mass production of books. He has consequently become a symbol for the power of the dissemination of knowledge. Vehicles for repeatability, like printing, are myriad and range from specific codes, such as DNA, to more ephemeral language systems like visual and narrative. Stories are my favourite vessels of memory, of recording. It seems that a story can have certain characteristics that allow it to be recognised as a particular story, indeed, that allow it to be repeated withing different narrations, different readings. As a visual storyteller, I have been curious about how much can change while the story remains the same, Within this visual exploration of what I consider to be a consistent story, conveyed through different media, scales, shapes, and styles, I have allowed mutations, which I hope will illuminate the repetition. In some ways this work is a direct response to Poussin's 'The Triumph of Pan', whose arrangement of figures approaches a kind of formal abstraction. As I worked through the drawing, painting and print that are in this exhibition, I have looked increasingly to more recent interpreters of that tradition like Beckmann, Layered, then, withing this story are other stories, other histories. In a metaphoric sense repeatability and mutability characterize both how the work came into being and how, being something more than paper, canvas and pigment, it can travel audiences' neural pathways as both memories of sights seen, as new thoughts ans/or as old thoughts and memories now mutated. Maryanne Coutts, January 2003.Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work is presented on four linen canvases. It is a very large work showing a person working in an office. Donated under the Australian Government's Philanthropic Programme, 2005art, artwork, maryanne coutts, coutts, work, alumni, office, gutenberg

An article on Banyule Council's "Work and family balance award" 2005 from Watsonia's Whisper, the newspaper of the Watsonia Traders Association. Article written by Rosie Bray.Clipping from Watsonia's Whisper, black text on white background, colour illus.banyule council, work life balance, keith yeo, kath baylie

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1&2/238 Princess Street by Margaret Picken.1&2/238 PRINCESS ST., KEW / MARGARET PICKEN ~ / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1&2/238 princess street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Ridgeway Avenue, Kew by Margaret Picken.25 RIDGEWAY AVE., KEW / MARG PICKENartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 ridgeway avenue -- kew (vic.)

Taken prior to closing of the business and auction of plant and equipment in January 2005. Business started 1935c by Cloud Stewart, Snr. Final owner Ian McNamara.Colour photograph of Stewarts Butcher Shop, Esplanade, Lakes Entrance, Victoria.Stewart Brothers Butcher Shop retail trade, local history

Item in collection re John Eric Wiles VX16067, refer Cat No 5410P for his service details..1) Case, black folding lid with magnetic close, black felt inset for the medallion, gold writing on lid top. .2) Medallion round gold colour, face has “60 Years”, map depiction of Australia, wording “World War 11 1945 - 2005, rear has Coat of Arms with “World War 11 Service to Australia”Bottom of case stuck on label typed, “J. E. Wiles 2/7 INF BN Vx16067”. On box top in gold, “Australian Government”, “Department of Veterans Affairs”medallions, 60th anniversary, 1945 - 2005, wiles

Set of four colour photographs of roadworks and new pavement markings and signage in Wendouree Parade at depot junction. Taken by Carolyn Dean, on 25/8/2005. .1 - work on the entry road to the depot. .2 - new pavement marking at depot junction for bicycles and new sign. .3 - ditto .4 - close up of sign before it was relocated to clear the trams.On rear of all photos "25.8.05" and "Photo by Carolyn Dean" in ink.wendouree parade, depot junction, signs

Watsonia Library is a branch of Yarra Plenty Regional Library Service (YPRL). Photograph from the opening of the 2005 refurbishment of the library showing entertainment group "Happy Tappers"Colour photographyarra plenty regional library, yprl, watsonia library, happy tappers

This congratulatory letter was sent to St John of Kronstadt Russian Welfare Society from John Howard, Prime Minister of Australia, on the celebration of its Golden Jubilee in 2005.This letter is recognition of the Russian Welfare Society's work in the Victorian community with Australians of Russian and Slavic backgrounds between 1955 and 2005 from the then Prime Minister of Australia, John Howard. The letter shows appreciatiation for the values that RWS stand for - "...compassion, cooperation and service to family and community".White A4-sized letter in a rectangular frameTitle: "Message: St John of Kronstadt Russian Welfare Society Golden Jubilee Celebrations". Signed by then Prime Minister John Howard.john howard, prime minister, russian community, victoria.

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of view from 15 Fenwick Street, Kew by Margaret Picken.VIEW ~ 15 FENWICK ST., KEW / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 15 fenwick street - kew (vic).

Pigment inkjet print (diptych)Signed and dated 'Sophia Szilagyi 2005' lower right under printed image. Titled 'Where Shadows Lie' centred under printed image. Edition 35/40, numbered lower left corner under printed image.

Photograph of PTE. Alfred Claude Westray. VX52881. Army Ordnance Corps . Mounted in picture frame with - 39-45 Star, Africa Star, Pacific Star, Defence Medal, War Medal 39-45, Australian Service Medal 45-75, Service Medal with Bar. 2005 60th Anniversary of the End of WW II Service to Australia Medal. Medals were mounted in 2005 and 2007.

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 294 Cotham Road, Kew by Margaret Picken.294 COTHAM RD., KEW / MARG. PICKENartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 294 cotham road - kew (vic.)