Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2018. This report in A5 format.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.55 page booklet, colour cover with logo and colour photos of golf club members. annual reports, financial reports

Printed for the 18/11/2023 Ballarat Tramway Festival - with the Melbourne Tramcar Preservation Association tram L class 103 on the depot fan. Tram showing the destination of Carnegie, route 4D.Demonstrates a BTM Event item to celebrate the W class Centenary.Postcard or printed photo full colour, plain back.btm, events, tramcars, l class, tram 103

Item authored by Mal Rowe for the Geelong 2 tram day at the Ballarat Tramway Museum 25 and 26 March 2023. Gives an overview of the history of the Geelong tramway system and its tramcars. Yields information about Geelong tramwaysPdf file of a PowerPoint presentation titled "The Tramways of Geelong" geelong, tramways, history, tram 2, mal rowe

Yields information about the tramcars following the cessation of tram services in Ballarat - trams being sent to new homes and how this was done.Black and White copy photograph of a newspaper photograph taken by The Courier - photo taken 2/09/1971, published 3/09/1971 of No. 33 leaving the depot for Hamilton (first tram to depart depot). No. 33 has been separated from its truck or wheels and loaded onto a C. F. Tonissen of Hamilton truck. A sign on the tram reads "From Ballarat to Hamilton's Museum". Has the depot in the background. Collected by Alan Bradley from the Ballarat Courier early 1980's. See item 9520 for the newspaper cutting. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.tramways, trams, depot, hamilton, closure, transport, tram 33

Photograph of Jessie Partington on her wedding day 09/03/1935. Jessie married Gordon Scholes at the Greensborough Methodist Church.Studio portrait of bride, mounted on heavy card.Studio name and address on front of mount.jessie may partington, jessie scholes, gordon scholes, greensborough methodist church

The Grave of Annie Foley (died 21/09/1893) and Herbert Foley (died 28/04/1896), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, foley family

The Grave of Minnie Freeman (died 17/09/1951) and George Freeman (died 12/05/1959), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, freeman family

The Grave of Mark Hewitt (died 09/01/1884) and Jane Hewitt (died 01/11/1916), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, hewitt family

Information - on front cover - "CENTENARY EDITION/ BEERSHEBA/ TRAVELS THROUGH A FORGOTTEN AUSTRALIAN VICTORY/ PAUL DALEY/. A full-bodied, human telling of the deeds of the AUSTRALIAN LIGHT HORSEMAN/ TONY WRIGHT" On back cover. "It was a glorious triumph of arms for Australian/ Forces, a romantic moment of dash and bravura that/ stood out in the tragedy of World War 1. Yet it barely/ registers in Australia's national consciousness."Soft cover book. Cover - cardboard; black, gold and white print on front, spine and back. White background. Illustrated - front - black and white photograph of a trooper mounted on a horse with full kit. 339 pages, cut, plain, white paper. Illustrated - black and white diagrams of maps and centrefold collection of photographs. Inscription - front end paper.Front end paper - handwritten, black ink - donor's name and date, "Donated by Joy Wellings/ 16-8-2023".books, ww1, beersheba, australian army, light horse regiment.

Hardcover w/ Dust JacketInserted invoice from "Hatchards Printed Matter" in London, dated 06/10/82walsh st library

QMC opening & lifeboat display.1987 OpeningNewspaper clipping re Opening of QMC 1987Reverse " Lewis Ferrier / official opening 1987-03-06 | copyright Geelong Advertiser "lifeboat 'queenscliffe', qmc opening

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: (illegible) / BEECHWORTH Reverse: BEECHWORTH / MARCUSE BEECHWORTH NOSTALGIA BW-06 / B10 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

The grave of James Young Beale (died 06/07/1905), son of Anthony and Katherine Beale, St Helena Cemetery, Greensborough. This is a replacement headstone.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photographst helena cemetery, james young beale

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2019. This report distributed electronically to members.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.57 page booklet, colour cover with logo and colour photos of golf club members. Distributed electronically; copy printed for archive.annual reports, financial reports

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2021. This report distributed electronically to members.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.61 page booklet, colour cover with logo and colour photos of golf club members. Distributed electronically; copy printed for archive.annual reports, financial reports

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2022. This report distributed electronically to members.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.56 page booklet, colour cover with logo and colour photos of golf club members. Distributed electronically; copy printed for archive.annual reports, financial reports