The Opportunity Shop – Established 1975 by Edna Barrie 1992 In 1985 the need for more shop space became apparent. Les [Bone] had plans drawn up (Surv 12/8/84) and approved by the Melton shire Council for a storeroom extension (17.800 x 9500) 1986 the small ancillary rooms at the rear of the timber church were demolished allowing the concrete slab to be laid. The building was completed in 1987. By the early 1900s the old timber Church had deteriorated, this lead to it being demolished in 2/11/1993. It was replaced with a new building containing a Pastoral Office, a meeting room and a furniture and homeware section. It was dedicated by Rev Ian Hickingbotham at 11am Sunday 5th June 1994. Invites to the service of conclusion of the original Uniting Church Opportunity Centre and official opening to the new shop in Melton Southchurches, local identities

Now called 'Traquair House, this building in the early `1860s was the first Bank of New South Wales building, consisting of a banking chamber and residence. It was renovated in the 1870s, and after the bank moved its premises in 1904 it became a family home.Colour photograph of rendered brick building with five arched windows and a door facing onto the street. A chimney can be seen to the left. The words "NEW SOUTH WALES" are visible across the building.buildings, houses, bank of new south wales, traquair house, 90 sussex street linton

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Coventry Cathedral West Entrance Screen by New Zealand-born artist John Hutton, Coventry, England . (Architect: John Hutton.)Coventry Cathedral / Part of the Great West Window - John Hutton / Encircled 24 (Handwritten)england, slide, robin boyd

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Magazine image of Art and Architecture Building (1958-64), Yale University, New Haven, Connecticut, USA. (Architect: Paul Rudolph.)Made in Australia / 13 / OCT 64M / 43 (Handwritten)usa, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Section and plan of Art and Architecture Building (1958-64), Yale University, New Haven, Connecticut, USA. (Architect: Paul Rudolph.)Made in Australia / 15 / OCT 64M / 42 (Handwritten)slide, robin boyd

NEW MOON COMPANY NO LIABILITY - booklet outlining operations of New Moon Mine. 10 pages with photos. Copy of original.gold, mining, new moon mine, bendigo, new moon mine, new moon company, gold mining

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. East 54th St, possibly Museum of Modern Art, New York, New York, USAMade in USA / Patentedmit bemis professorship, mit, robin boyd, slide

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Chrysler Building, New York, New York, USA, 1930. (Architect: William Van Alen.)Made in USA / 3 / Encircled 111F (Handwritten) / 29 (Handwritten)mit bemis professorship, mit, robin boyd, slide

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Dakota Building, New York, New York, USA, 1881. (Architect: Henry Janeway Hardenbergh.)Made in USA / 12 / DAKOTA COURT (Handwritten) / 12 (Handwritten) / Encircled 110F (Handwritten) / C52 (Handwritten)mit bemis professorship, mit, robin boyd, slide

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Empire State Building, New York, New York, USA. (Architects: Shreve, Lamb & Harmon.)Made in USA / 1 / EMPIRE STATE ART (Handwritten) / 28 (Handwritten) / Encircled 102F (Handwritten)mit bemis professorship, mit, robin boyd, slide

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Manhattan corner, possibly W33rd or 34th Street, New York City, New York, USAMade in USA/ Manhat Corner (Handwritten)/ Encircled 34F (Handwritten)/ 23 (Handwritten)/ C49 (Handwritten)mit bemis professorship, mit, robin boyd, slide

Professor Alan Merry commissioned the work from New Zealand artist Heke Collier as a gift to the College at his retirement from Council. This artwork was carved by Heke Collier in May-July 2016. It is made from native New Zealand Rimu timber. Heke named this carving Mauri Ora which translates to vitality, well-being or the healing life-force. Tihei Mauri Ora (breath of life) is a well-known Māori saying that was uttered by the first human being. Māori believe that all people and all things have mauri. This carving symbolises the many shapes and forms of mauri with reference to the Māori creation story, and the spiritual and natural worlds. Māori refer to the heavens as Ranginui the sky-father and according to the Māori creation story, Ranginui was pressed against Papatūānuku the earth mother. Their children did not like living in the cramped, dark space between them. One of their sons Tāne separated Ranginui and Papatūānuku to allow light and life into the world. The central male figure carved into Mauri Ora (above) is Tāne. To his right (far right) is his mother Papatūānuku and to his left (far left) is his father Ranginui. Papatūānuku gives birth to all things including human kind and provides the physical and spiritual basis for life. The takarangi (spiral) design in the carving (to the left of Tāne) symbolises the life cycle. Whenua, the word for land also means placenta - organ that nourishes the baby in the womb. Women are associated with the land (whenua) because the land gives birth to people and so do women. In tribal history women have had influence over land and men. Papatūānuku is depicted in the carving to the right of Tāne. Ranginui played a pivotal role in the birth of the sun, moon, planets, stars and constellations – collectively called Te Whānau Mārama (the family of light). Human life and knowledge were said to originate in the realm of Ranginui. Tāne ascended the heavens to retrieve three baskets of knowledge: te kete-tuatea (basket of light), te kete-tuauri (basket of darkness) and te kete-aronui (basket of pursuit). Ranginui is depicted in the carving to the left of Tāne. Tāne had many different roles, and he was given different names to reflect these roles. He is called Tāne-mahuta as god of the forest, Tāne-te-wānanga as the bringer of knowledge, and Tāne-te-waiora as the bringer of life, prosperity, and welfare. His teachings and knowledge are relevant in contemporary times, and the cell-phone carved into his left hand represents this. Tuatara feature in the Māori creation story and some tribes view Tuatara as kaitiaki (guardians) of knowledge. Given that they have lived for more than 220million years. There are birds or manu surrounding Tāne in the carving, who represent Tane’s voice or the voice of the forest. The flax or harakeke depicted in the carving represent the family unit and reinforce the importance of kinship ties. There are plants, ferns, and birds carved into Mauri Ora play an integral role in the life-cycle which represent rongoa Māori or Māori medicine. Traditional Māori carving in Rimu, a native New Zealand wood, with paua insets.merry, alan, anzca council, collier, heke, kaiwhakairo, master carver, rimu

High Street corner 1988. New footpaths being laid. Medical Centre and shops, Charlton Cinema, Patersons Fibre Glass factory, ? Harris MenslandColour photograph of corner of Davies St and High St. New footpath being laid with warning sign and flags. Three cars in Medical Centre carpark; white ute and one yellow and one grey/silver car. high st charlton, medical centre, patersons fibre glass, harris mensland

Provides information about the construction of the Bourke Street lines, new silent trams and track construction in particular Thermit welding. Shows the emphasis on the use of silent trams and the methods of achieving this.Yields information about the construction of new silent trams and the Bourke Street lines.Newspaper cutting - "Quiet trams for Bourke Street" - The Herald 1 June 1955 with an article and five photographs of new trams under construction, a model of PCC 980 and track construction, including East Preston depot.tramways, trams, bourke street, new tramways, silent trams, w7 class tram, new trams, thermit welding, tram 980, model trams

Booklet issued by Yarra Trams at the time of the opening of the New Preston Depot at the former Preston Workshops, April 2016. Has a forward by Nicholas Gindt, Yarra Trams CEO, photos and plans of the site, facilities, safety considerations, notes on the workshops' history, and nearby services. On the rear cover has the logos of Keolis Downer, Yarra Trams, PTV and the Victorian Government. Yields information about the New Preston Depot and Workshops.Booklet - titled "New Preston Depot" 32 pages including card cover with embossed title and embossed MMTB logo on the rear cover. Two copies held.tramways, preston workshops, preston depot, trams, yarra trams

The Kew Baptist Church was originally located on the corner of Cotham Road and St John’s Parade. In 1922, work commenced on a new, larger church in Highbury Grove. The foundation stone of the new building was laid by Cr Ratten of the City of Kew on Saturday 14 October 1922, with the First Kew Scouts forming a guard of honor. A collection taken up at the laying of the foundation stone raised £454. The site and building cost approximately £6,000. The architects for this new red brick ‘semi-Gothic’ church were Messrs Gawler & Drummond. The interior of the church accommodated 500 parishioners. The seating sloped towards the pulpit with no columns obstructing the view of the worshippers. An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew. This remarkable photograph is a silver albumen photograph of what was by then a significant religious group in Kew. Photographic positive on mounting board of laying of the foundation stone of the new Kew Baptist Church in Highbury Grove, Kew, The foundation stone of the church was laid on 14 October 1922 by Councillor F.R. Patten J.P. The church was opened on 9 June 1923."Building Kew Baptist"washfold family, kew baptist church -- highbury grove -- kew (vic.), churches -- kew (vic.), christian-washfold collection

White Flag used to unvale the new Belgrave station named in honner of Lon WymondHistoric - Puffing Billy Railway - White Flag opening Ceremony of Belgrave Station White Flag timber handle (raw) white flag (white vinyl) Brass plaque (with inscription)This flag was used to dispatch the first Puffing Billy train to depart from the new Belgrave Station Building on the occasion of it opening by the Hon. Steven Crabb M.P. 29 July 1990.puffing billy, white flag, station master, steve crabb, belgrave station

HMAS Una was a Royal Australian Navy sloop that began its life as the German motor launch Komet. The ship and her 57 crew was captured by an infantry detachment of the Australian Naval and Military Expeditionary Force led by John Paton on 9 October 1914, with no loss of life. Komet was then sailed to Sydney as a prize. During the time in which the Una was in service under Australia, the sloop was used as a Patrol and General Purpose Vessel. The sloop was used to patrol the areas of New Guinea, New Britain, New Hebrides and Malayan waters. In December 1918, Una was sent to Darwin to protect Administrator John Gilruth, following the Darwin Rebellion. She arrived on Christmas Eve anchoring beneath the Government House cliffs until HMAS Encounter arrived in early 1919. After World War I, Una was decommissioned and taken to Port Phillip Bay, renamed Akuna and used as a pilot vessel. She was finally broken up in Melbourne in 1955.Anchor from ex German Yacht KOMET built in Hamburg in 1911, captured in New Guinea 1914. Acquired by PPPS 1925 renamed UNA then AKUNA. In service 1925 - 1954 Made of Cast Ironanchor, komet, una, akuna, pilot vessel

Vince Braybrook was a member of the Old Colonists' Association Council and was actively involved with the building of 15 new cottages at Charles Anderson Grove. Colour phootgraphs of the ribbon cutting to name a new cottage at the Charles Anderson Grove retirement Village the Braybrook Cottage. Left to Right: Vince Braybrook, Glynis Braybrook, Jamie Sleep (OCA President), Jo Barber (OCA Vice President).charles anderson grove, retirement village, vince braybrook, jamie sleep, jo barber, old colonists' association of ballarat inc

The item was souvenired by Andrew Keith Guy VX37836 2nd AIF. Refer 131P for service details also 130.3, 133.2, 134. Solid Aluminium metal base with mounted knife/dagger, the blade is brass. Circular indentation on one side of base. Etched on blade is rough illustration of a hut and sun. Painted red and green dots on each side of blade. Etched on blade: "New Guinea"military history, souvenirs, metalcraft, arms, edged weapons

One of 23 photographs from the Jessie Smith Collection. Donated by Stan McFeeBlack & White photograph of the Cowes Post Ofice Building with two storey brick shop building on the left overshadowed by the branch of a Pine tree.On Back: "New P.O. Cowes"phillip island, cowes, cowes post office, jessie smith collection, stan mcfee

Collection of newspaper clippings in scrap book dated 1960 - 1973.Article with photo about the re-opening of the Phillip Island Race Track (motor) after a space of four years. Description of track and amenities."New life for racing track"local history, newspapers, motor racing, phillip island track, jean jamieson

These shoes were called "winkle pickers" because of their pointed toes and came into fashion during the 1960s. These were probably worn by Mary Gilbert and donated by her. Mary was a well-known Orbost teacher and historian. These shoes have a personal association with Mary Gilbert from Orbost and are also typical of the fashion of the 1960s.A pair of deep red patent leather women's shoes with pointed toes and thin heels. The front of the shoe has a decorative small rosette and leaves. Made in USA New Yorkwinkle-pickers women-shoes mary-gilbert

Constructing a new scout hall

Darrell Cocking was a member of the Methodist Order of Knights in Ballarat.B & W waist length photograph of Darrell Cocking dressed in uniform."Darrell Cocking, New Spectator"cocking, darrell, methodist order of knights

St. Matthew’s Church Stawell second Manse built 1923. Single story brick house with small decorative timber verandah entrance with iron roof. A rocking horse is on the entrance verandah near front door. Large pine tree branches overhanging top section of photo with low plants in garden.New Manse built 1923stawell religion

Wellington Airport New Zealandwellington airport, new zealand

NEW ZEALAND MAORI CHIEFnew zealand