Badge is an example of sample used to ensure standard of manufacture among local contractors. See item 9806.Silver coloured badge with two (2) pins, one (1) at top and bottom; gold coloured clasp on each. Crown on top of oval (pointed end). Lit oil lamp in centre of oval with red textile (possibly velvet) behind. Banner at base with motto. Gold coloured plate on back. Tag secured to badge with wire and lead seal.In oval around lamp - "ROYAL AUSTRALIAN ARMY NURSING CORPS." In banner - "PRO HUMANITATE [for humanity (or kindness)]" Tag (handwritten sections) - "THE ROYAL AUSTRALIAN ARMY, NURSING CORPS/COLLAR SILVER ANODISED WITH CLUTCH GRIPS" "8455-66-037-4350/APP 55" "J+J CASH/2620078 AC" " G P Barr [signature]/ 19/8/92"insignia, badge

Used in card game of Cribbage with money or small wooden sticks such as matchsticks.Oblong of polished wood with silver metal plate attached to surface by screws. Plate has a series of holes and two diamond shapes. Holes are for scoring in the game of Cribbage. Base has four white button feet.recreations, games

This type of tobacco cutter was used to cut plugs of tobacco suitable for pipes. It was an important piece of equipment for smokers until ready made cigarettes became more widely available.Tobacco cutters were regularly in use before pre-made cigarettes became more readily available.A timber and cast iron guillotine style tobacco cutter. A rectangular timber base on which sites a cast iron stand and cutter. The cutter has a timber board (striking plate)for cutting the tobacco on. The wooden base has evidence of non-active bora. The striking plate for cutting seems to have the name of a manufacturer on it.McMillansmoking, tobacco, mcmillan, portland, glenelg shire, cigarette, pipe

Dr. Gwen Wilson, Emeritus historian, gifted this book at ANZCA's first independent Annual Scientific Meeting held in Launceston in 1994. Dr Wilson presented this gift after her speech about the life of William Russ Pugh and his significant contribution to anaesthesia in Australia. It is unclear as to how the book came into Dr Wilson's possession. Published in London, 1845, for Longman, Brown, Green and Longmans, this book was formally owned by general practitioner Dr William Russ Pugh, being the first medical practitioner in Australia to administer ether anaesthetic on 7 June 1847, in Launceston. The author of the book, P E De Strzelecki acknowledges Pugh for his assistance during his stay in Launceston and for allowing him the use of his laboratory for the analysis of the soils and minerals that were subsequently reported in this book (Page 131). Tan coloured cloth book with an embossed circular motif on the centre of the front and back cover. The same embossed motif is repeated four times along the spine of the book. An embossed design of small, four petal flowers borders the edge of the front and back cover. The title of the book 'Strzelecki's New South Wales and Van Diemen's Land' is printed in gold on the spine. The cloth has come unstuck at various places around the spine and a small section is missing from the base of the spine. The cover is worn and has numerous dark stains possibly from mould. The book contains 19 engraved and lithographed plates. This includes a handcoloured octavo folding, geological map, bound as a frontispiece, depicting the NSW coast down to Gippsland and Tasmania, a fold out single colour geological cross section of the Newcastle Coal Basin, 14 plates illustrating shellfish and flora and three tinted lithographs. Single page maps at the back illustrate wind patterns around Australia. [front title page, two black ink stamps that have bled through to the next page] W R.PUGH [front title page, black ink, cursive writing] H Grant \ 5 May 1910 [front title page, pencil, cursive writing, written around Pugh's stamp] Purchased from \ (unrecognizable script) [front title page, previous owner's name was rubbed out and consequently tore the page making the entry unreadable] [Inner back cover, bottom LHS, blue stamp] BOUND BY \ WESTLEYS & \ CLARK \ LONDON [Inner front cover, bottom LHS, black and purple ink] P65 \ 76 \ 78 \ 98 \ 163 \ 164 \ 217strzelecki, van diemen's land, wilson, gwen, pugh, william, launceston, green and longmans

Dr Ronald Lo, President of the Hong Kong College of Anaesthesiologists presented Dr Peter Roessler, on behalf of ANZCA, with a plaque commemorating the Inaugural Annual Scientific Meeting in 1994.Plaque with inscription engraved on gold plated relief on silver, attached to a wooden base. An image of an engraved Chinese dragon wrapped around a rose on centre panel.On Front: THE HONG KONG COLLEGE OF ANAESTHESIOLOGISTS / HONG KONG COLLEGE OF ANESTHESIOLOGISTS HKCA / PRESENTED TO THE / AUSTRALIAN AND NEW ZEALAND / COLLEGE OF ANAESTHETISTS / ON THE OCCASION OF / THE INAUGURAL / ANNUAL SCIENTIFIC MEETING / IN / LAUNCESTON, TASMANIA, AUSTRALIA / APRIL/MAY 1994 On reverse, manufacturer label: Chinese characters / CHOI HON SAN CO. / TEL: 3809459 / FAX : 3977519lo, ronald, annual scientific meeting, hong kong college of anaesthesiologists

Before mechanisation, pills were rolled by hand using equipment such as this pill press. Powders ingredients were blended together to form a resin, rolled and laid across the width of the platform. The paddle was then used to push the "sausage" shape through the grooves, creating a small, consistently sized and shaped, pill. The pill was then allowed to dry for later sale. This pill press is of uncertain origins but is representative of the type of equipment used to create pills in the 19th Century. It has the capacity to make 24 pills at once, and markings on the metal plate indicate each pill would have been the equivalent of "5 grains" (approx 0.3 grams).Rectangular wooden platform with a metal (brass) plate divided into 24 (twenty-four) grooves with a catchment area. The wooden paddle has two handles, one on each end, with a matching metal plate and grooves, as well as metal (brass) guide bars to help the paddle align with the platform.Handwritten on base of platform in black ink over white background: C11087 Handwritten on inside of guide bar on paddle in black ink over white background: C11087 Manufacturer's detail stamped into metal groove on platform: S. MAW SON / & / THOMPSON / LONDONpill press, pharmaceuticals, apothecary, pharmacy

1. Water bottle, kidney shaped, plastic green colour with an attached screw top lid. 2. Cup canteen stainless steel with fold out handle with identification markings stamped on. 3. Water bottle outer carry cover, green colour, shaped to fit 1. and 2. consisting of water proof material, outer, soft inner lining. Two folding flaps with press stud closure, back has webbing section sewn on with web belt and webbing attachments.1. On one side "FOR WATER ONLY, DO NOT APPLY CANTEEN TO OPEN FLAME OR BURNER PLATES". On the base "V1969 ^ 8465-71-108-8703" 2. On underside of handle, "8465-66-058-5567 1991 ^" On underside of Outer Carry Cover "HADDEN".passchendaele barracks trust, combination canteen, water bottle, cup, cover

1. Water bottle, kidney shape plastic green in colour with an attached screw top lid. 2.Cup canteen, stainless steel with a fold out handle. 3. Water bottle outer carry cover, green colour shaped as for 1. and 2. Water proof outer material, soft inner lining. Two folding flaps with press stud closure, back has webbing section sewn on with web belt and webbing attachments.1. On side, "FOR WATER ONLY DO NOT APPLY CANTEEN TO OPEN FLAME OR BURNER PLATES". On the base, "V1968^ 8465-71-108-8703" 2. "Stokes MELB 8465-50-242-7843 1968^". 3. Under webbing section, "Very faint stencilled lettering".passchendaele barracks trust, canteen, water, outer cover, equipment

Graham MASTERS, Sweenies Creek Pottery Potter Graham Masters was based at Sweenies Creek outside Bendigo. He specialised in a patented technique of low relief stoneware depicting Australian animals and landscapes. He obtained a Diploma of Art and Design in Ceramics from the Bendigo Institute of Technology in 1973, then operated a pottery for a year in Bendigo before becoming an employee, then a partner at Maldon Pottery with Neville Wilson and Thomas Metcalf. Masters left Maldon to set up his own pottery at Sweenies Creek in 1984. A stoneware plate commemorating the 125th anniversary of the Shire of Strathfieldsaye. It features the Shire Hall and courthouse, with gum trees to the left.graham masters, sweenies creek pottery, shire of strathfieldsaye, strahfieldsaye shire hall, anniversary

This bell was the smaller of the two bells rescued by the crew of the Schomberg when it was wrecked in 1855. All of the crew from the Schomberg wreck survived. They carried the two ship’s bells with them as they made their way along the coast, eventually arriving at the home of settler John Manning, who lived at Hopkins Point near Warrnambool. Manning acquired the Schomberg bells, presenting them to two Warrnambool churches: the smaller one to St Joseph’s Catholic Church and the larger bell to St John’s Presbyterian church. The small bell at St Joseph’s developed a crack after about a year and could no longer be used. Thomas Manifold imported a new bell for that church, and the cracked bell was stored at his farm. The property was sold years later to John Logan, who donated the discarded bell to the Warrnambool Museum when it first opened in 1886. The Curator, Joseph Archibald, displayed the bell in the entry. In 1975, the bell was transferred from the Warrnambool Art Gallery to Flagstaff Hill. THE SAILING SHIP, SCHOMBERG: - When the Schomberg was launched in 1855, she was considered the "Noblest” ship that ever floated on the water. Schomberg's owners, the Black Ball Line, had commissioned the ship for their fleet of passenger liners. She was built by Alexander Hall of Aberdeen for £43,103 and constructed with 3 skins. One planked fore and aft and two diagonally planked, fastened together with screw-threaded trunnels (wooden rails). Her First Class accommodation was simply luxurious with velvet pile carpets, large mirrors, rosewood, birds-eye maple and mahogany timbers throughout, soft furnishings of satin damask, and an oak-lined library with a piano. Overall, she had accommodation for 1000 passengers. At the launch, the Schomberg's 34-year-old master, Captain 'Bully' Forbes, had promised to reach Melbourne in sixty days, stating, "with or without the help of God." Captain James Nicol Forbes was born in Aberdeen in 1821 and rose to fame with his record-breaking voyages on the famous Black Ball Line ships, Marco Polo and Lightning. In 1852, on the ship Marco Polo, he made the record passage from London to Melbourne in 68 days. Unfortunately, there were 53 deaths on the voyage, but the great news was of the record passage by Captain Forbes. In 1854, he took the clipper “Lightning” to Melbourne in 76 days and back in 63 days; this record was never beaten by a sailing ship. He often drove his crew and ship to breaking point to beat his previous records. He cared little for the comfort of the passengers. On this, Schomberg's maiden voyage, he was determined to break existing records. Schomberg departed Liverpool on her maiden voyage on 6th October 1855, flying a sign that read "Sixty Days to Melbourne". She departed with 430 passengers and 3000 tons of cargo, including iron rails and equipment intended to build the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, and 90,000 gallons of water for washing and drinking. She also carried 17,000 letters and 31,800 newspapers. The ship and cargo were insured for $300,000, a fortune for the time. The winds were poor as she sailed across the equator, slowing Schomberg's journey considerably. The land was first sighted on Christmas Day, at Cape Bridgewater near Portland. Captain Forbes followed the coastline towards Melbourne. Forbes was said to be playing cards when called by the third mate, Henry Keen, who reported land about 3 miles off. Due in large part to the captain's regarding a card game as more important than his ship, it eventually ran aground on a sand spit near Curdie's Inlet (about 56 km west of Cape Otway) on 26th December 1855, 78 days after leaving Liverpool. The sand spit and the currents were not marked on Forbes's map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted the SS Queen at dawn and signalled the steamer. The master of the Queen approached the stranded vessel and all of Schomberg’s passengers and crew disembarked safely. The Black Ball Line's Melbourne agent sent a steamer to retrieve the passengers' baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Later, one plunderer found a case of Wellington boots, but alas, all were for the left foot. Local merchants Manifold & Bostock bought the wreck and cargo but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. In 186,4, after two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned. In 1870, nearly 15 years after the wreck, parts of the Schomberg had washed ashore on the south island of New Zealand. The wreck now lies in almost 9 meters of water, and although the woodwork is mostly disintegrated, the shape of the ship can still be determined due to the remaining railway irons, girders and the ship’s frame. A variety of goods and materials can be seen scattered about nearby.The bell is particularly significant in that along with other items from the wreck helped in part to having the legislation changed to protect shipwrecks, with far tighter controls being employed to oversee the salvaging of wreck sites. This bell forms part of the Schomberg collection at Flagstaff Hill maritime museum. The collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered Schomberg shipwreck (VHR S 612). The collection is of additional significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes from society at the time of the wreck. A small ship’s bell. The bell bears the ship’s name and year of construction on one side and the name and address of the ship’s builders on the other. These details are deeply engraved into the metal and formed in bold, upper-case lettering. The bell has two bell stands, a left and a right side. Both stands have an Iron pipe made into an inverted ‘Y’ shape with a hole made in the single length and feet attached to a rectangular metal plate at the other two ends. Feet are bolted into a timber base that has a hole drilled through the centre for mounting. Bell's front; “SCHOMBERG” with “1855” below. Bell's back “HALL & SONS (crack splits letter “N”) / BUILDERS (in italics) / ABERDEEN” (crack splits letter “B”).flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, schomberg, silver plated bell, mess bell, bell stands, captain ‘bully’ forbes, alexander hall and son, james baines and company, liverpool’s black ball line, bell, schomberg bell, ship's bell, small bell, st joseph's church, briggs marine, john manning, john logan, warrnambool museum

Metal tea pot, silver plated with an engraved inscription "Mr & Mrs Fisher from Traffic Staff Glenhuntly Tramway Depot, 1938." On the base has stamped "AI (in a circle), Imperial EPNS Hard soldered A Phoenix Product "1438"Demonstrates a retirement gift to a tramway worker by the traffic staff at Glen Huntly Depot.Silver tea pot with inscription, handle, spout and lid.Engraved - see above.glen huntly depot, retirements, gifts, tea pot

Early form of home heating and because of the copper dish was considered one of the better models|Manufacturing History Museum Victoria|Commentary: Australian manufacturing history Philip Wollen|Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good.'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good.'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Pedestal radiator. Base is cast iron with three feet with rose design on each. Pedestal supports a copper spherical reflector plate which has an electrical connection box at its base. The connection box is joined to the pedestal by a screw and nut to enable the reflector to be tilted. The element is cone shaped and is in the centre of the plate. The element is protected by a wire guard.Hecla Firedomestic items, heating

The cast iron combustion stove is significant as part of the evolution of domestic cooking. Previously, cooking was mostly carried out in the outdoors on open fires, and later in fireplaces indoors. The cast iron combustion stove is significant as part of the evolution of domestic cooking. Cast iron stoves burn solid fuel such as wood or coal, and are used for cooking and warmth. The stoves have a firebox with a grate where the fuel is burned. The hot air flows through flues and baffles that heat the stove top and the oven. By the 1920s gas cookers were being introduced for domestic use, and by the 1930s electric home cookers were being offered to householders. A vintage cast iron kitchen stove set in the back wall of the Mont De Lancey Slab Kitchen. It has two steel decorative hinged doors with a handle to open and close. There is one pull out metal shelf in each compartment. Between the two doors is a round door which opens to reveal the wood box with a slatted base. This allows the ash and small coals from the fire to fall though to a pull-out tray below to be emptied outside when cooled. There is another lift-out kid to clean the ash and coals underneath.On the chimney plate 'Andrews, Patent Non Pariel' On the front of the stove below the round wood box 'C Andrews Geelong'cooking equipment, cooking stoves, fuel cooking stoves, domestic ovens

Produced by Tin Treasures, Toy City, Greater Noida, Uttar Pradesh. Painted in Melbourne City Circle tram colours, numbered tram 957, fitted with a Bank of Melbourne and "Take a Break with V/Line" roof advertisements. Based on the manufacturer's website, the roof advertisements are not original.Demonstrates a toy clockwork model City Circle tram.Painted tin plate model - fitted with a pantograph and two advertising signs. Equipped with a fixed bogie at one end driven by a windup clockwork geared motor and a swivelling bogie at the other with metal flanged wheels. Has the manufacturer's label on the underside - Tin Treasures.trams, tramways, toys, models, city circle tram, tram 957

Ivan Magill (1888-1986) designer, this piece was designed in 1926 along with other anaesthetic equipment.Chrome plated straight complete Magill laryngoscope in medium size format, with attached light bulb. Cylindrical handle for battery deposit and with a wavy hand grip for easy handling. Serrated and screwed lids on top and base of the handle grip for insertion of batteries and checking of electrical contact stud. The handle also has a metallic switch without any instruction of use. The arm of the handle has a detachable screw to adjust extendable blade position and firmness. The light bulb is attached to a metallic tube connector to the handle arm which is just pressed to the contact point base. The blade has a oxidation spot under the blade. The piece in full has several scratches marks mostly founded in handle, arm and top blade areas. Two stamped inscriptions are present on the arm area, the manufacturer name and register number.Stamped on the arm of the handle lateral side, A.CHARLES KING Stamped on the arm of the handle opposite lateral side, REG. NO. 74901[9]magill, a. charles king ltd, regi. no. 749019, switch, laryngoscope

This Boyle’s machine was made by the British Oxygen Company (BOC) in the 1950’s. The original Boyle's machine was invented by the British anaesthetist, Henry Boyle in 1917. His machine was a modification of the American Gwathmey apparatus of 1912, and became the best known early continuous flow anaesthetic machine. The Boyle’s machine was first made by Coxeter and Sons, under the direction of Lord George Wellesly, which was later acquired by the British Oxygen Company (BOC). Though a lot of changes have been made to the original design of the Boyle’s machine, the basic structure remains the same today.Green trolley on casters with flowmeter and vaporiser bottles attached to a stainless steel cross bar. There is a glass shelf at top of the trolley and a second glass shelf at base of trolley, above a pull out drawer. The pull out drawer contains 4 x black rubber masks, 3 x black rubber tubing connectors, 4 x seals, 1 a black corrugated rubber hose with red rebreather bag, red tube and masonite support board.Tin plate attached to upper portion of trolley: THE / BOYLE / apparatus / BY THE BRITISH OXYGEN CO. LTD.henry boyle, anaesthetic machine, gas, oxygen, flowmeter, nitrous oxide, british oxygen company, boc, coxeter and sons

The SECV had chalets, cafes, mess halls and tea rooms all over Victoria including their construction sites. The SECV had a stores system which purchased thousands of sets of crockery & cutlery for use by personnel. there was a system of chefs, cooks, tea persons etc. to supply food and beverages to the workers. 1921 signified the year the SECV was formed.This dinner plate was used at one of the sites on the Kiewa Hydro Electric Scheme which began construction in 1938 and concluded in 1961. Heavy white ceramic oval plate with State Electricity Commission of Victoria 1921 logo/insignia on the inside of one edge - middle of the long side of the plate. On the base, also inscribed in red are details of the makers.State Electricity Commission of Victoria / 1921. On the base: Vitrified / Sold by/ Cafe and Hotel Supplies / Pty. Ltd./ DunnBennett & Co. ITC / Burslem / Made in Englandstate electricity commission of victoria, dinner plate, crockery, kiewa hydro electric scheme, mess hall, mt beauty chalet

Contains historical reference to Dandenong, Victoria, Australia.Glass plate issued for the centenary of Dandenong, Victoria, Australia. Contains a print of the official blazon. Then origin/meaning of the blazon is as follows: The shield portrays from base to chief the development of Dandenong, since its beginning about 1865. The red gum forests used to cover the area, and when cleared cattle were raised. In the modern era the city is known for its variety of modern industrial plants, represented by the gear wheels. The rising sun in the crest suggests that this phenomenal rise is only just a a beginning of Dandenong's develpment. The lyre alludes to the annual three-week Dandenong festival of Arts and Music. The value of horses in the pioneering days, when Dandenong was the 'Gateway to Gippsland Victoria' is recalled in the two supporters, which also refer to the importance of the weekly horse sales in the modern era.Crest in the centre of the plate with the latin phrase VIRTUTE ET OPERA. Under the crest is the centenary 1873 - 1973.

William John ARCHER (Bill) No 321 enlisted in B Coy 21st Batt AIF on 18.1.15. Embarked for Eygpt 8.5.15. Hospital 9.9.15 with Influenza. Hospital 24.11.15 with Gastric Enteritis. Hospital 2.1.16 with Otitis Media. Transfers to the 57th Batt and embarks for France. Hospital with Trench Fever 4.10.16. Promoted to Cpl 28.4.17. Hospital 19.3.18 with Scabies. WIA 18.4.18 GSW's to chest and leg severe. Discharged from the AIF medically unfit 9.1.19. Alexander William ARCHER No 40637 enlisted in the RAAF on 16.5.41 age 18 years 8 months. He wanted to be a Mess Steward and was taken in as he had worked in similar work line. He then has 5 postings before embarking for Egypt on 2.4.1942 and was posted to No 3 SQD RAAF on 20.5.1942. Re mustered as a Motor Cyclist he became a Dispatch Rider on 8.9.1942 between the RAAF and the Army. Alex served in the Middle East and Italy with 3 SQD. He embarked from Egypt diagnosed with Kyphosis and Scoliosis on 5.2.1944. In Australia he was re mustered as Office Orderly on 6.7.1944 and then discharged from the RAAF on 2.10.1944 Medically Unfit. Wooden base with brass shells either end resembling Officers caps,one being WWI, the other WWII, both inscribed. Centre plaque inscribed Alex Archer and Bill Archer, father and son. Above the centre plaque is a piece of German shrapnel chrome plated Map - "North Africa, 1940", on left hand side, "18-Pounder, 1917, Bill Archer-Anzac, 1914-1919", on right hand side, "German shrapnel"handcrafts - trench art, metal craft- brassware, arms - ammunition, military history - souvenirs

Possibly made by the donor.This object is an example of trench art. .1 The lamp base consists of a chrome plated deactivated mortar bomb attached to a turned brown wooden base. A globe and switch socket are attached to the tip of the bomb. An electrical cord with power plug is threaded through the base of the bomb. .2 The lampshade is made of stiffened brown paper laced to a wire frame with dark brown cord. Handpainted coloured flowers decorate the outer surface of the shade. The shade is attached to the globe via a wire clamp.On the base of the mortar bomb: ' ?LB, IM, MF, 1940'ornaments, lighting - electrical, trench art, souvenir

Vase & Jug made from shells brought home by Gunner Harold Salmon VX32173, enlisted 18.06.1940, discharged 17.09.1945.1 Jug, made from shell casing and silver or chrome plated. Handle is made of rifle cartridges soldered on. .2 Brass casing for "shotgun" type starting system for English Electric engine..1 Stamped on side "Syria", base has "75 DE C ATL 953 18C" .2 On base "Cart Elec Eng Start ME 79/2 87 ME 7/80", stamped in black ink "N010 Mk2"arms-ammunition, metalcraft-brassware, epns, trench art

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of 2Lt Peter Bysouth a rotary helicopter wing pilot with 161 (Indep) Recce Flt stationed at 1st Australian Task Force Base, Nui Dat, South Vietnam, points to the locations of bullet holes from enemy ground fire. Bysouth was saved by his armour plate.photograph, 2lt peter bysouth, 161 recon flt, 1st atf base, nui dat, gibbons collection catalogue, helicopter wing pilot, 1st australian task force, bullet holes, enemy ground fire, denis gibbons

Water bottle, kidney shape, plastic, green colour with attached screw on lid, on on side and base raised lettering and numbering.On one side,”For Water only, do not apply to open flame or burner plate. Under neath, “ BMW 1989 (arrow up) 8465 - 66 - 086 - 8349”containers, water, military,

The Western Plains Football League operated in Victoria from 1930 to 1998. Participating football clubs included Carngham-Linton, Cressy, Illabarook, Lismore, Rokewood, and Skipton. The Henry Brunn Cup was awarded to the Best & Fairest player.Silver plated trophy cup with handles, on circular Bakelite base."HENRY BRUNN CUP / 1957 / W.P.F.L. / Best & Fairest / Won by / D. Hart"dean hart, western plains football league

Large silver plated trophy cup punch bowl with embossed edge. Embossing depicts grape vineWilliam Randell Trophy Echuca 1974. Small engraving on base, hard to decipher but possibly has the word 'Paramount' on inscription. Paramount silver is possibly associated with silver firm "K.G. Luke" of Melbourne, Australia during 20th centuryport of echuca, punch bowl, silver plate, paddlesteamers, william randell trophy, murray river

Item souvenired by George Lunn VX76842 2/9 Fld Coy. Refer Cat No 5581 for his service history.Trench art ashtray made from artillery case approx 85mm dia, a screw on depiction of an aeroplane made from cartridges with 2 x moveable propellors, base has some 10 markings only 2 are English "F" & "7" the rest are Japanese symbols, item has been chrome plated.One on small cartridge, "1942"souvenirs, japanese, trench art, lunn

Item souvenired by VX76842 George Lunn 2/9 Fld Coy, refer Cat No 5581 for his service history.Trench art ashtray made from artillery shell base approx 85mm dia, a buddha type figure is attached via screw thread, the base has 6 Japanese figures, there are 2 numbers "7" & "F", item has been chrome plated.trench art, japanese, souvenirs, lunn

Trench art. Pair of metal vases made from 2 inch ammunition shells with .303 cartridges and bullets for handles. Silver-plated.Faint scratched marks on base, incl "1942".trench art, metalcraft, ornaments, containers, souvenirs