Showing 1227 items
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Clunes Museum
Booklet, DAVID C HENDERSON, SITES AND PEOPLE OF AN EARLIER CABBAGE TREE
"SITES AND PEOPLE OF AN EARLIER CABBAGE TREE" WRITTEN BY DAVID C. HENDERSON MEMORIES OF HIS MOTHER WHITE SOFT COVER WITH A PAINTING OF A TOBACCO TIN WHICH SHOWS THE HOME OF CHARLES BUCKLAND OVERLOOKING CABBAGE TREE FLAT 25 PAGEScabbage tree flat, david c henderson -
Clunes Museum
Map, FENTON CHARLES, 1987
TRANSPARENT PLASTIC SHEET WITH A MAP OF CLUNES TOWNSHIP DRAWN IN BLACK WITH TINY WHITE STICKERS DENOTING POINTS OF INTEREST, MOUNTED TO BROWN PAPER AND PINNED IN PLACE ON REVERSE OF BROWN PAPER WRITTEN IN BLACK IN "CLUNES 1987 TRACINGS"clunes 1987, clunes township map -
El Dorado Museum Association Inc.
Photograph - Digital Image - Charles Allan
Charles Allenfirst world war, world war one, wwi, australian imperial force, aif, el dorado, eldorado, soldiers, men -
Tatura Irrigation & Wartime Camps Museum
Portfolio, The Prince of Wales. The Title and its Holders
A portfolio containing documents, photographs, letters and articles pertaining to "The Prince of Wales" over the years. Printed in Great Britain.A landscape cardboard folder which opens up to show the pages being held inside. Front cover has a red square in bottom left with white writing giving title of folder, (The Prince of Wales The Title and its Holders), whom written by (J P Brooke-Little Richmond Herald of Arms), edited by Jack Le Vien. A Giniger Portfolio. Published in association with George G Harrap & Co. Ltd. Above red square is a picture of Prince Charles. In middle is a copy of two documents. On right side Prince Charles in ceremonial dress. Across the two documents in middle is a red square with white writing "A Living History Portfolio". Back page is red with a white rectangle which lists the contents of the portfolio. Inside is white.prince of wales, richmond herald of arms, j p brooke-little, jack le vien, giniger portfolio, george g harrap & co ltd, ian deaville -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Mill House, 1986
Photograph of home of Mill House and upstairs extension and bullnose verandah added. Former home of George and Norma Parks and family. Nephew of Dr J. Park. House was connected with former flour mill, now demolished. Now home of Dr and Mrs C. Kerr and family.Black and white photograph of Mill House, Albert Street, Tatura. Exterioron back: Mill House with upstairs extension, home of Dr and Mrs Charles Kerr, Albert Street, Tatura 1986dr and mrs c. kerr, dr j. park, mill house tatura -
Tatura Irrigation & Wartime Camps Museum
Photograph, Kaye Watson, Charles Hogan, 2001
... . Charles Hogan Framed photograph by Kaye Watson. Deep white ...This photograph is of a well known local identity and he would have been around 89 at the time. Was taken to put in a photographic exhibition and then given to the Museum.Framed photograph by Kaye Watson. Deep white surround, black frame.charles hogan -
Tatura Irrigation & Wartime Camps Museum
Photograph, Major William Charles Scurry MC on horseback, Early 1940's
Camp 4 Commandant Major William Charles Scurry MC mounted on a magnificent horse.Black and white photograph of Camp Commandant Major William Charles Scurry MC mounted on a magnificent horse.has number 484B on backcamp 4 officers, major scurry, william charles scurry, army horses -
Tatura Irrigation & Wartime Camps Museum
Book - Family History, Our Pickering Heritage, 2003
... Black and white cover showing Reverent Charles Pickering... and white cover showing Reverent Charles Pickering 1851 Ely ...Written to trace family history from early England. Reference to Tatura as Reverent C Pickering was Baptist minister in 1884.Black and white cover showing Reverent Charles Pickering 1851 Ely, Cambridge, England. Clear plastic on front. 1925 Hamilton, NSW Australia.early churches in tatura, reverent c pickering, baptist ministers, pickering family tree, pickering history -
Tatura Irrigation & Wartime Camps Museum
Book - Family History, My Journey - Charles Gerrish, 2000
Life story of Charles Gerrish, as told to his granddaughter-in-law. Including family history, farming, many activities in local government.Blue cover, title in white writing, some gold. 1910 - 2000. Photograph of C Gerrish and tree on front. On back cover - tributes from B McCarthy and D McPherson.gerrish family, mooroopna water trust, charles gerrish, gerrish family history -
Williamstown High School
Staff 1948
Black and white photograph of male staff of 1948. On back of photograph: Back row: Bradshaw, McCully, Munday,Osborne, Charles Middle row: ? , ? , Evans, Jenkins, Walshe, Blumenthal, ? Front row: Kent, Mepham, Brookes, Green, Tynanwilliamstown high school, 1948, staff -
Williamstown High School
1949 - Sports day
Black and white photograph depicting boys and teacher at a sports ground in 1949.On back of backing sheet: Grant Hazelgrove, Bomber Charles, Splonk Jenkins, Len Johnson, Keith Abbey. 1949.williamstown high school, 1949, sports day -
Tatura Irrigation & Wartime Camps Museum
Book, The Australian Bush Then and Now
Front cover depicts Blue sky, wheat fields, 2 school girls on bikes Black and white photo of 3 girls, l on a swing on back cover. Title in green and brown.australian backblocks, charles kerry collection -
Victorian Apiarists Association
Publication, The Hive and the Honey Bee (A Dadant Publication) Ninth printing 1987 - Revised edition from the 1949 edition, 1987
A5 sized hard back book with mustard coloured cover with black writing & small drawing of bee skep 740 pages Inside front cover are two black & white photographs - A beekeeper tending his hive & a Queen Bee with a circle of bees around herDedication to the former authors of 'The Hive & The Honey Bee, Lorenzo Lorraine Langstroth, Charles Dadant and Camille Pierre Dadant, this book is affectionately dedicated by the co-authors -
City of Ballarat
Artwork, other - Public Artwork, Carlo Benzoni, The Flight From Pompeii, Circa 1885
... The Flight From Pompeii by Charles Summers White marble statue ...The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers -
City of Ballarat
Public Artwork, Ruth by Charles F. Summers, Circa 1885
Ruth was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. the artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Ruth is in a seated position with a loosely draped dress.Ruthruth -
City of Ballarat
Artwork, other - Public Artwork, Rebekah by Charles Summers, Circa 1885
Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah -
City of Ballarat
Artwork, other - Public Artwork, Modesty by Charles Francis Summers, Circa 1885
Modesty was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Modesty standing with right arm folded over chest, robed and with veil over face.Modestymodesty -
City of Ballarat
Artwork, other - Public Artwork, Percival Ball, Sir William Wallace by Percival Ball, 1889
The imposing white marble statue of William Wallace by Percival Ball stands approximately 8 feet tall with helmet and sward. The statue is mounted on a granite base with a marble plaque inscribed in praise of William Wallace, the Scottish warrior famous for leading the defeat of English forces at the Battle of Stirling Bridge in 1297. The artwork is located in the Botanic Gardens in Ballarat, Victoria and can be seen upon entry from the main gates. Sculpted by Percival Ball of Melbourne and unveiled in 1889, the statue was funded by a £3000 bequest to the gardens by James Russell Thomson, a Scottish miner who made his fortune during the Victorian gold rush. It was intended as a tribute to Thomson’s Scottish origins. The front the statue bears an inscription from Robert Burns’ 1785 sentimental poem ‘The Cotter’s Saturday Night’, which also lauds Wallace as a noble patriot and hero.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue of William Wallace on plinthWALLACE Bequeathed to the public of Ballarat by the late James Russell Thomson unveiled 24th May 1889. "Oh thou! who poured the patriotic tide that streamed through Wallace's undaunted heart, who dared to nobly stem tyrannic pride, Or nobly die, the second glorious part, (The patriot's God, peculiarly thou art. His friend, inspirer, guardian, and reward!) Oh never, never, Scotia's realm desert; But still the patriot, and the patriot bard, in bright succession raise her ornament and guard;" (Burns)sir william wallace, statues, statuary pavillion, botanical gardens, lake wendouree, william wallace statue, charles summer, percival ball -
City of Ballarat
Artwork, other - Public Artwork, Charles F. Summers, Susannah, Circa 1885
Susannah designed and carved by Charles Francis Summers and accompanies four statues in the Statuary Pavilion in the Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.The artwork is of historic and aesthetic significance to the people of Ballarat White marble statue, female seated with cloth draped over lower body.Susannahsusannah, summers -
Wangaratta RSL Sub Branch
Book, World War 1 Honour Board - Milawa Primary School 737, 2005
In 2005 the children of Grades 4,5 and 6 of Milawa Primary School researched and compiled personal stories, photographs and service records to honour those listed on the Milawa State School WW1 Honour Board. Inside rear cover contains a colour patch index to the following:- Andrew Robert BARRIE 3757/ Ralph Augustus CECIL 1677/ John COLEMAN 4089/ Arthur John Victor CULPH 896/ Edward Heathcote CULPH 2629(1447)/ Henry John CULPH 3108/ Thomas Wilson CULPH 34A/ Edward Frederick DOIG 3991/ Ernest Hugh DOIG 2937/ John Harold FOWLER 4488/ William Joseph FOWLER 3233/ Howard Fraser GRANT 7077/ Joseph Henry HOWELL 7247/ Frederick John HUMPHREY 2472/ Stanley Gordon HUMPHREY 3553/ Roy Curtis KENNEDY 5401/ Charles James KETTLE 29741/ Michael McGRORY 5390/ Ernest Phillip McPHEE 50339/ Stanley Charles McPHEE 3741/ Thomas MURDOCH Lieut/ William Lawrence PURDON 3223/ Ludin James ROBERTSON 980/ William Francis ROBERTSON 981/ Harold Ernest THOMAS 966/ George Ernest Vincent WOODBERRY 2173.White and red book with blue wording and photograph of school children at a cenotaphBook is dedicated to all the service men and women in the Australian Armed Forces who continually strive to protect the Australian way of life.ww1, honour board, milawa state school -
Wangaratta RSL Sub Branch
Photograph, c1940
Aboriginal soldiers formed a special all volunteer platoon at No 9 Camp Wangaratta in Victoria from late 1940 until February 1941. No 9 Camp was set up at the Wangaratta Showgrounds to allow the formation of the 2/24th Australian Infantry Battalion prior to leaving for Egypt. Major Joseph Albert Wright a WW1 Light Horse veteran was in charge of this platoon the only Aboriginal squad in the Australian Military Forces at that time. On the right is (Staff )Sergeant Charles Edmund MORRIS V4127 and 7349 who served with the 7th Battalion during WW1. The soldiers from Lake Tyers enlisted at Caulfield between June and July 1940 include Harold Cornelius HAYES VX 48217 DOB 2/4/1916 Enlisted 25/7/40 Discharged 22/3/1941 Edward FOSTER VX48218 DOB 25/5/1921 Enlisted 25/7/1940 Discharged 22/3/1941 Noel Ernest HOOD VX48194 DOB 3/1/1919 Enlisted 25/7/1940 Discharged 22/3/1941 Edward Leslie MULLETT VX48199 DOB 30/6/1910 Enlisted 25/7/1940 Discharged 22/3/1941 Image relates to a "special platoon" based at No 9 Camp Wangaratta as being the Australian Army's first all Aboriginal Unit formed in 1940. The soldiers were all volunteers mainly from Lake Tyers in Victoria.Black and white reproduced photograph of 11 aboriginal soldiers in two rows with Officer standing in middle of back row and Sergeant on far right.Attached to rear - Abo Platoon with Corporal Mullett on right (left)of platoon Hon Major J A Wright centre Sergeant Morris on left (right) - Wangaratta 1940 - J A Wright 1940 Wangno 9 camp wangaratta, aboriginal platoon, joseph albert wright, charles edmund morris -
Wangaratta RSL Sub Branch
Medal - Medals WW2
Three original WW2 medals awarded to 51647 Charles William FRENCH born 8.2.1911 at Wahgunyah in Victoria. He enlisted on 2.2.1942. FRENCH served with the RAAF as a Leading Aircraftman and was attached to the 12 Aircraft Repair Depot when discharged on 13.1.1947.1939-1945 War Medal, Australian Service Medal and Defence MedalThree found white metal medals attached to multi striped colour ribbons.51647 C W FRENCHmedal, ww2, raaf -
Lake Bolac & District Historical Society
Black and white photograph, Lake Bolac Troop of the 4th/19th Lighthorse Regiment Back from left - Keith Davidson, Alan Hucker, Frank Shalders. Lew Wills, Neil Robertson, Harold Hildebrandt, Donald Davidson, Eric Hose Front - Reginald Fagg, Henry Clark, Eric Robertson, Robert Delamare, Henry Gale, Charles Geddes
... Delamare, Henry Gale, Charles Geddes lake bolac, light horse ...Members of the Lake Bolac Troop of the 4th/19 Lighthorse Regiment encamped at Torquay, Victoria. Back from left: Keith Davidson, Alan Hucker, Frank Shalders, Lewis Wills, Neil Robertson, Harold Hildebrandt, Donald Davidson, Eric Hose. Front: Reginald Fagg, Henry Clark, Eric Robertson, Robert Delamare, Henry Gale, Charles Geddeslake bolac, light horse, torquay, davidson, hucker, wills, robertson, hildebrandt, hose, fagg, clark, delamare, gale, geddes -
Lake Bolac & District Historical Society
Black and white photograph, Mellier School, 1923
Mellier State School, No 3500, 13/06/1923. Established 1919. Back - Don MacInnes, Jack Dow, Harold Stewart, Alan Hucker, Ivor Evans, Vivian Evans, George Hucker. 2nd Row - Fred Hucker, Keith Evans, Charles Stewart, Ernie Hucker, Perce Kinnersley, Bon Hucker, Richard Geddes, Miss Isabel M MacKenzie (Mrs SH Moreton) Front - Frank Kinnersley, Marjorie Geddes, Margaret Stewart, Jean MacInnes, Janet Hucker, Maisie Kinnersley, Lily Kinnersley, Mavis Hucker, Gladys Hucker, Donald Davidson.lake bolac, mellier school, 1923. evans, davidson, dow, geddes, hucker, kinnersley, macinnes, mackenzie/moreton, stewart -
Lake Bolac & District Historical Society
Black and white photograph, Charles Williamson, Butcher, Lake Bolac
Mr Charlie Williamson standing in front of his Lake Bolac Butcher's shop.lake bolac, williamson, butcher -
Tatura Irrigation & Wartime Camps Museum
Photograph, Tatura Firsts Scouts
Tatura Firsts Scouts at Frankston Jamboree, January 1935.|Photo 1.Thelma Holden; Eilleen Buckley; Re. Charles Patmore; Isobel Maskell.|Photo 2. James Crawford, Patrol Leader.|Photo 3. En route; Len Mills seated on suitcase.|Photo 4. Les Seaborn, Scout Master, in long white socks.|Photo 5. Les Seaborn in full uniform.photograph, people -
Uniting Church Archives - Synod of Victoria
Certificate - Order of Knights, Epworth Press, Charter Court Kurrajong Numurkah 264
The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia.Methodist Order of Knights Charter for the Methodist Church of Australasia Order of Knights. The Charter is for Court Kurrajong Numurkah No. 264. It is dated 22nd. June 1953 and is signed by J K Beers, Knight Grand Commander and Charles Gallache, Governor."Court "Kurrajong" Numurkah No. 264"methodist order of knights, j k beers, charles gallache, court kurrajong -
Victorian Aboriginal Corporation for Languages
Book, Thomas Francis Bride, Letters from Victorian pioneers : being a series of papers on the early occupation of the colony, the Aborigines, etc. : addressed by Victorian pioneers to His Excellency Charles Joseph La Trobe Esq., Lieutenant-Governor of the Colony of Victoria, 1898
Original edition of the letters from pioneering families in the Colony iof Port Phillip. It looks at their daily lives and hardships. It includes first hand reports of William Buckley?s role with the Aboriginal people after he returned to White society.maps, b&w illustrations -
Uniting Church Archives - Synod of Victoria
Photograph
Rev. Peter Thompson (1847 - 1909) was Superintendent of the East End Wesleyan Mission. Entered the Wesleyan ministry in 1871. Died 1909. The second son of a Lancashire farmer, Peter grew up in a tee-total Methodist household with a rather austere father and a saintly mother. He trained at Didsbury Wesleyan College where he was, by all accounts, a brilliant student. He was stationed in Ulverston and then Huddersfield (by 1876). By 1881 Peter had married and was Minister at Wood Green. He and his wife, Mary, do not appear to have had any children. They spent some years in Redhill and then, following the decision of Conference in 1885 to establish the London Wesleyan Methodist Mission, Peter was sent to the East End of London to take charge of the almost defunct St George’s Wesleyan Chapel. His work as a slum missionary was so successful that soon larger premises were required. In addition the mission took over a ‘most undesirable’ public house (The White Swan on Ratcliffe Highway) and later, in 1891, the Mahogany Bar. In 1898 he was interviewed by Charles Booth as part of Booth’s survey of London. Peter died after a long illness in 1909 having served 24 years in East London, one of the best known and loved Wesleyan ministers of his time. Sepia toned head and shoulders studio portrait of the Rev. Peter Thompson.rev peter williams, methodist, wesleyan, minister, east end mission -
Hume City Civic Collection
Photograph
The architects Terry and Charles Webb designed the church and building work on the church commenced in late 1879 with a further addition completed in 1918.A coloured photograph of St. Mary's Church is Sunbury. The bluestone building with white stone trim and a pitched slate gable roof is surrounded by parkland and tall elm trees.webb, terry and charles, clarke, william j. t. 'big bull', francis, james g., george evans collection